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Compositions Macura, Nebojsa Slobodan 2007

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COMPOSITIONS by NEBOJSA SLOBODAN MACURA  B.Mus., The University of Wisconsin-Madison, 2005  A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES (Composition)  THE UNIVERSITY OF BRITISH COLUMBIA April 2007  © Nebojsa Slobodan Macura, 2007  11  ABSTRACT The thesis for the Master of Music degree in Composition consists of live performances of original works composed during graduate study. The student is expected to have written and have performed approximately an hour of music for various media. My compositions were performed on March 3, 2006; March 18, 2006; April 13, 2006; November 9, 2006; January 7, 2007; January 26, 2007; March 12, 2007; March 17, 2007; March 31, 2007; and April 19, 2007.  iii  TABLE OF CONTENTS Abstract  »  Table of Contents  iii  Acknowledgements  iv  Reflections on Solitude  1  Chamber Concerto for Strings and Percussion (3 movement)  14  Dirge  39 '  Improvisation No. 2  49  rd  Chamber Concerto for Strings and Percussion (1 movement)  64  Chamber Music No. 4 - Living on the Edge I. Cog in the Machine II. Nostalgic Horizons III. Policies and Deadlines / The Machine  89 90 95 99  Carnal Dances  112  Sinister Daydreams  157  Forbidden Fantasies I. Your friend is kind of cute II. But what about tomorrow? III. You are still beautiful to me  181 182 183 185  Fierce Desire for Love's Delight  188  st  ACKNOWLEDGMENTS Many thanks to Professors Stephen Chatman, Dorothy Chang, Keith Hamel, and Alexander Fisher; and to all the performers who gave life to these compositions.  Reflections on Solitude for Chamber Ensemble  by  Nebojsa S. Macura 2005  Instrumentation  Flute (doubling Alto Flute) Oboe (doubling English Horn) Clarinet in B-flat Trumpet in C Tenor Trombone Percussion (1 player)* Piano Violoncello Contrabass  "Marimba, Vibraphone, Glockenspiel, Suspended Cymbal, Sizzle Cymbal  duration: 7'00"  Reflections on Solitude  4  6  7 acceL  cresc. poco a poco  8  9  E.H.  CI.  cresc. sempre  Tbn.  cresc. sempre Sizzle Cymbal hard mallets Perc.  ffmarcato  12  13  Chamber Concerto for String and Percussion  (3rd movement)  Nebojsa S. Macura 2006  Duration: 4'00"  Instrumentation Percussion 1 Marimba, 2 Tom-toms, 2 Bongos, Susp. Cymbal  Percussion 2 Finger Cymbals, Tambourine, Machine Castanets  Piano Harp Violin I Violin II Viola Violoncello  16  Chamber Concerto for Strings and Percussion 3rd movement  Nebqjsa S. Macura J = 138 Marimba Percussion 1 |j  Percussion 2  Piano  Harp  ord. Violin I \Jf)  Violin II  sul tasto Viola  Violoncello  r  *  r^rrrTr  — _ j  =  17  18  ™p-=f sul pont.  Marimba \24\ Perc. 1 {  Tamb 7  Perc. 2  )  7  }y  J " J1 7 — J L _ ? — — J ~ *  | 7  iL_3  Hp  Vin. II  Vc.  \22\ (dead stroke) Perc. 1  Perc. 2  Pno  Hp  Vin. II  Vc.  p sub.  20  senza ped.  22  Perc. 1 (  ii r * r r r r * r r 1 7 ^ 7 v r_J 1 J • t = ± $ 1  (Tamb.) k  II  Perc. 2  ( Pno <  1 J* J  * 1  7  k  k  1 7 J  7  Castanets to Castanets  7 J J"  1  1  e^cresc  V  Hp  Vln ]  Vln. II  Via  Vc.  : bJ-  /  -»  1  N  ——  —  ^  —  —  i  r  ^  23 Perc. 1 f Perc. 2  Pno  Vin I  Vin. II  Perc. 1 4  Vin  Vin. II  25  2 6  30  m  J  T6-  Perc. 1 {  32  acceL  Tom-Toms  I  I  Pno  Hp  Vlnl  {  •S  1  Vin. II > - > - : = -  j  j >  Maracas" Perc. 2  Pno  Vin I  Vin. II  Via  >•  w—J—^—  1  ~ », | > a "  Vc.  >-  >"  i»  >  >  >-  >-  >-  j.  Via >•  >-  m m m m m~mr  33 Susp. Cymbal mallet handle  Perc. 1 [I  to Castanets J  Perc. 2  i  Pno  Vln I  Vln. II  Via  Vc.  J /  Vln I  h  ^(k  = r  [7171  1 0 0  k  •  Jtt ~ # J J " «•J 'ft'  — — r  = J ,  :  mfleggiero Vln. II  t Via  Vc.  7  -—14  =  . jpM -  IP 45  y» >,  mp leggiero  q f U  —^-1  -  m  1  1  j 1  '  34  35  Pno  Hp  Vln 1  Vln. II  Via  Vc.  Perc. 1  Perc. 2  Pno  17  ^  Hp  )• Vln I  Vln. II  Via  Vc.  5  -  —  acceL Perc. cresc. poco a poco Tambourine Perc. 2  Pno  Vin I  Vin. II  Perc  Perc. 2  Vin. II  4  7  J> 7  ^  7  /"J I 7  —7  7  #T] | J  J J  37  Dirge for String Quartet  Nebojsa S. Macura 2006  Duration: 4'30"  40  Dirge  f - raise by one quarter-tone  Nebojsa S. Macura  j$ - raise by three quarter-tones (all accidentals carry through the measure) J = 76  non vib. sul tastol 3  •ord.  non vib. sul tasto-  •ord.  m iJ J *-  Violin I  Violin II  Viola  Violoncello  mi  non vib.  WW  ST"  42  43  sul pont.  ••  mp sul pont.  -6>-  mp sul pont.  mp  si  H2Z  1  mp pizz. (very resonant) ;  _mp  -pp  mp  |  |  '  ^4 J $J t«i mf  1  sulG ff legato e marcato 1  accel.  sul A mfsub. non vib. m  nil  mf  m ~m  nh  m  cresc.  \ffi>  non vib.  sul A  sul D mfsub. non vib.  1  te erase. •  ff  45  non vib.  7-0-  ->ord.  m _mf non vib.  : m  /  P  r  -•ord.  r  T -f  r f r  46  J = 108  fmarcato  4fc -mf-  fmarcato  IH r^j-^Tjj)^  fmarcato  fmarcato  mp  SB -f  cantabile  mf cantabile  f  f  yip mf  -f  cantabile  O '  —  cantabile  =  ~ f  ip Hp  Improvisation No.2 for piano and compact disc  Nebojsa S. Macura 2006  Duration: 6'15"  51  52  29  loco  § m Jj 1  U): ftS  \  i  i  J J J"3 J 1 1  i  . hfr^^r-i—1  /  M  *  *  >  -g  P  J  1  ^  Jf^=  r .  56  agitated  60  m  i1  I I I  i l l  l l  3  m mp cresc.  mf  3i  I  _A  5=  till  59  mp  L-jil  90  j  UA  r  7  \j  7  r  =r  ^  7  r  7  r  ' " i  Chamber Concerto for String and Percussion (1 st movement)  Nebojsa S. Macura 2006  Instrumentation Percussion 1 Marimba, 2 Tom-toms, 2 Bongos, Susp. Cymbal  Percussion 2 Finger Cymbals, Tambourine, Machine Castanets  Piano Harp Violin I Violin II Viola Violoncello  Duration: 5'00"  Chamber Concerto for Strings and Percussion  66  1 st movement Nebojsa S. Macura solo (freely, like an improvisation)  J = 48  Marimba  5  Percussion 1  poco  Percussion 2  Piano  Harp  Violin 1  Violin II  Viola  Violoncello  s  68 Perc. 1  II 'I  Perc. 2  Hp  -»  7—W—l-J  d 0 » »  /  0-  y  JJ  J J «-  {  Vin I  Vin. II  Via  m  Vc.  3 u.  3  Perc. 1  Perc. 2  | | ' - ' - - - - < - | '  j  - - - - -  i  -  J  |-  j » sub.  Pno  Hp  'il>8  ]  Vin I  Vin. II  Via  Vc. mpsub.  i  1  mp  ' I  69  Perc. 1  ™p—=====  P  /:  j—x—j—x—17  Perc. 2  i  11 m~}  j \  i  -mp  N7 Pno  mf  P  V  J'  ^ solo  Hp  {  Vln I  / or™. Vln. II  /  dim.  f  dim.  f  dim.  ML  Via  Vc.  Perc. 2  £H-4 1  Hp  7  J3 J  t  -»-  mp  to Finger Cymbals  +  Tl  mf  m  f -« sul tasto  Vln 1  p sul tasto Via  Vc.  f  _p  BP  70 Finger Cymbals l.v. sempre  Perc. 2  ^  llii  to Tambourine  Hp  • " > i< m  4UJ  r r  1  (sul tasto)  •4-  Vln 1  Vln. II  Via  Vc.  Perc. 1  / Tambourine Perc. 2  Hp  —  /  y suir> Vln]  Vln. II  Via  Vc. fsub.  J '7  71  Perc. 1 3  Perc. 2  Pno  Vlnl  Vin. 11  Perc  Perc. 2  Vin  Vin. II  74  75  Perc. 1  Perc. 2  Pno  Hp  Via  Vc.  Perc. 1  IIII  f—  »  *  m  '  m—f-f-  Perc. 2  *>  Castanets  <i  -  M  /»  f u  7  =  Pno  1  j  ±-t—  —• -j-  7  :  -mi-  »J L  <r  1 *  n  ——r  0  > f  **  i  1  * Hp * m  f ft arco  Vln I  Ft=f  " * 0  ,  —  r-rrrL m  .  "ft* w  A arco  ^  Vln. II I * - * —  *r*f*f  Via  /  m  % T %  =  A44"W  #  —  — — L  it  =  pizz.  Vc.  L fmarcato  4  I^JJ—t  1  76 1541  to Marimba  Perc. 1  Perc. 2  Pno  Vln I  Vln. II  Via  Marimba (hardest possible mallets)  -ft  Perc. 1  Perc. 2  ±  Pno  -H W-* *)  1 -  1  :  P cresc.  p  J  Hp  Vln I ppsub.  Vln. II ppsub.  cresc.  —o  Via ppsub.  cresc.  0  P  r  *r =  78  Tom-toms mallets  >  Perc. 1  J  J  i?P Finger Cymbals  4  Perc. 2  J  pp  -*—m—  J -0  J 0  y  7—*  J  J> 0—  cresc. poco a poco  Pno  Hp  \  / 7 —  Vc.  ti'f  ^  IfP 7  5  Perc. 1  Perc. 2  Pno  Hp  Vin I  Vin. II  Via  Vc. mp  cresc.  ^  79  81 to Susp. Cymbal Perc. 1  Pno  Vin I  Vin  Perc. 1  Pno  it  Vin I  Vin. II  "  J  82 >vib. ord.  Vln I cresc. poco a poco •vib. ord.  Vln. II cresc. poco a poco "^•ib. ord.  Via cresc. poco a poco  Vc.  6  6  s  6  6  6  6  6  0  83 "g|wooden sticks  -  p=a  en  Perc. 1 Castanets  7  II  Perc. 2  litis  Vin I  6  Y*J  4  Vin. II  6  it  6  6  6  3z:  J 3 J ~ J 7 ^ clap hands  via sord.  J J  mf 6  i!f'Li 6  f  J  Vc.  J  J  6  clap hands J  Via 6  J  clap hands  via sord.  via sord. 6  J  6  J  J  mf  J J J  clap hands  m  Perc. 1  Perc. 2  strike lowest strings with palm of hand Pno  knock on soundboard with knuckles Hp  ^ 7  {  J>  J>  7  J>  J  v-1  J>  7  >S  i-  f Vin 1  II  -J  •-  Vin. II Via Vc.  Li  J  J  -J  J  J  J-  J  1  J  J  I  J  J  J  J.  J J JJ J I  84  Perc. 1  Perc. 2  Hp Vin I  Vin. II  Via  Vc.  « i p cresc. poco a poco  mp  p sub.  J  IhH-  p  J> 7 J3| J  7  i{  J  I  1  II *  J  t  1  HH-J  Perc. 1  i Perc. 2  Pno  Hp  Vin I  Vin. II  Via  Vc.  J  to Tambourine  i  -  i  i  I T mf  mp  [./^Tambourine  7  J"*3-  85  8 6  87  Chamber Music No. 4 Living on the Edge for Piccolo and Flute  Nebojsa S. Macura 2006  Duration: 8'00"  90 for Suzanne  Chamber Music No. 4 - Living on the Edge I. C o g in the Machine Nebojsa S. Macura A  J = 152 (Mechanically, with no accents and no sense of meter)  Piccolo Note: Accidentals always carry through the measure  Flute dynamics ad lib. until measure 16  1%.—• I* *-^v—**  9  \  Xn  !  i i 'f>hmU-  :  —1—  —'—*} I m1  J  — s  1  91  93 31  J4  /  ^JJMJJ'trj rr Jp  cresc. poco a poco  f  poco rail..  37  s  S  •-a infsub.  % J)  y  y }*> [  7\>y =£ p  J*. = 184 40  poco accel.  (J = 138)  mp  fsub.  psub.  mfsub.  94  45  i ff  I cresc.  J = 168 or as fast as possible  ifj„n  r r  1  rr¥ r 1 1 1  >r ;—1  fmarcato  r Mr ri fl rl n  /  7.—7_|«Lf  j%?  cresc.  8 fmarcato  cresc.  ^—< con  t u t t a  / ff  fff  con  t u t t a  / f°  rza  ' '  forza ca. VI5"  Vancouver, BC October 15,2006  95  II. Nostalgic Horizons tempo I  accel._ . _rit.  = 50 Piccolo *  3*  —  * * +  P  o -  Flute  fp _  molto accel.  3  TT  v  (liberamente)  t  e  m  p  j  0  H>  mf  P -He«-  fP 5  accel.  tempo I  rit.  22  ^ttJ ^ J J a i E J J..  J  50  o  o  96  p  23  cresc. poco a poco  a tempo  mp  poco accel.  —  Z(f)  mp  cresc.  27 poco accel.. . . . . . . .  a tempo  Vancouver, BC October 24, 2006  dim.  p(non cresc.)  nip  106  jfsub.  107 67  dim.  ^ f nrr  m. if  mp  mm  cresc. poco a poco  m mf  dim.  mp cresc. poco a poco  pp murmuring  pill  71  imp  cresc.  #4 cresc.  accel.. (flutter)  angry  108  109 85 <—m  »-  humP —  / .  • /  — —  7  p  C y  y fas /owe/ as possible)  "y >  >  fm  s «5P  97  $ ft F TPST g i g  K  k , ^  Jr)  i —  >7  p  p  p-  '  f aggressive  «P ?g ?rr  9 16  mp  9 16  P  9 16  110 tempo I  99  A s fast as h u m a n l y possible  > = 176  • ft  i = 276+  I cresc.  104  H ?p?p  frT?> JB r r r  b  y *j y *j y  ~  B  J  —  =  =  ?p  1  p p i  770  jfsub.  116  mm  ffmarcato  16 ffmarcato  nip sub.  ff  Ill  }=}  122  16  P  _9  16  sub.  /  "  ffp-== marcatissimo  J bJ  marcatissimo  fffffffff > Piercing shrill  ffffffJTf > Pacing snrill  ffp-=  sfz grunt-like  7  ca. 4'00"  sfz grunt-like Vancouver, BC November 15, 2006  1/2.  Carnal Dances For Chamber Ensemble  Nebojsa S. Macura 2006  duration: ca. 9 minutes  Instrumentation Alto Flute (doubling Piccolo) Clarinet in B-flat Bassoon Horn in F Trumpet in C Trombone Percussion (Drum Set) Pedal  Low  Bass Drum  Tom-Tom  »  Pedal Tambourine  m  Suspended Cowbell  Cymbal  T  x  >Hi-hat  Snare  High  Hi-hat  (Pedal)  Drum  Tom-Tom  (.Stick)  Piano Violin Violoncello Contrabass  r  j  114  Carnal Dances Score in C  Nebojsa S. Macura  J=  112  J=  112  A l t o Flute  Clarinet  Bassoon  Horn  Trumpet  Trombone  Percussion ( D r u m Set)  Piano <  sul G  Violin  Violoncello  Contrabass  A . FI.  / CI.  Bsn  fro  V  L  =  =  rj 1  v  K LJ  J H j—J'd  —  ^  —  ^  JP—  O  117  118  120  121  125  127  128  130  131  J=  120  Bsn  Tbn.  Perc.  i"  *  r * r  Pno<;  •*dim. r r r mpsub.  J=  m  120  Vln  -wm i  fmarcato Vc.  f pizz.  r  Cb. mpsub.  Tbn.  Pno<  Vln  Cb.  (mp)  r  g  132  133  Pice.  Hn  Tpt  Tbn.  fP S. Cym.  134  136  CI.  1  Jf 5  l]f /  Bsn  bouche  Tbn.  Perc.  Pno<  T^-fZ  —*  |/7j| Vln  col legno battuto  137  138  139  140  141  Bsn  Perc  A . Fl.  Tbn.  S. D .  Perc.  •I  >  J J  f jp  +  +  J  1  L  i—i  =  „  X  / ff cresc. poco a poco  B.D.  dim.  + X  4x  142  144  145  146  149  151  153  155  156  excerpt from  Sinister Daydreams for Orchestra  Nebojsa S. Macura  2007  Instrumentation 1 Piccolo 1 Flute 1 Oboe 1 English Horn 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 2 Tenor Trombones 1 Bass Trombone 1 Tuba 2 Percussion 1 - Vibes, Crotales, Tenor Drum 2 - Triangle, Tam-tam, Sizzle Cymbal both - Suspended Cymbal, Bass Drum  Strings  duration: 5'00"  Sinister Daydreams  159  Nebojsa S. Macura  J = 60  Flute  Oboe  English Horn  2 Clarinets  4 Horns  2 Trumpets  2 Trombones  Bass Trombone  Violin 1  Viola  160  161  162  m j  163  Ob.  Eng. Hn  2 Bsns  2 Tpts  2 Tbns  B. Tbn.  Tba mfsub.  fJPP  Tenor Drum  L  i  .j  J  i  Bass Drum  )  Perc. 2  p ben marcato  f  1  7  I  l  164  165  FI.  2 Bsns  2 Tpts  mf  f? fy ^ r  V l n II  ffi f$  f  ff  V V. r ^ f H r \ \ \ p  i»  arco  2 Bsns  2 Tpts  2 Tbns  V l n II  t  s  i  1  '  1  1  '  , .  ^  =T  f  ,  „  =  .  senza sord.  t  ,•  i>  3'f) r t t ^ Q _ r _ f ^ r f t r r = mf  lip .  •j-  = = = = =  —  ^  te^  166 J = 42  Eng.,Hn  4 Hns  2 Tpts  2 Tbns  Perc  Perc. 2  r  167  168  ^3j  = 46 y  Ob.  Eng. Hn  2 Cls  2 Bsns  2 Tpts  B. Tbn.  Tba  Perc. 1  cresc. poco a poco  171  Eng. Hn  1. freely ,  0  f  dim.  sul pont.  Via  172 J = 135  Eng. Hn  173  mf sub.  cresc. poco a poco  mp  mfsub.  cresc. poco a poco  mfsub.  cresc. poco a poco  mf  cresc. poco a poco  cresc. poco a poco  174  175  Ob.  Eng. Hn  2 Bsns  2 Tpts  (Tenor Drum)  Vln I  Vln II  Cb.  176  177  179  senza sord.  senza sord.  m mp  cresc.  senza sord.  ™p  cresc.  180  Forbidden Fantasies for Piano  Nebojsa S. Macura 2007  Duration: 4'30"  182 F  o  r  b  i  d  d  e  n  F a n t a s i e s  I. Your friend is kind of cute. B r o a d l y , i n n o c e n t l y J = 60-69  a tempo  poco r a i l .  15  J  r i t . a l fine J  J J .  — — - — «  » —  — P — - 1 — r J * -  J-  f  t  mf  J  A  fJ  mp  '4  b  i y fe,H—J-  1 — 1  "  L  J  p  ^ p  irj?  ^  t>  J  pp • t. >  II. But what about tomorrow?  Nebojsa S. Macura  Freely, nostalgically J = 60 .J.  m  con ped.  poco accel.  w  Q 4* pp mi  183  cresc. at  *  rJ  1  20  J  2.-  »T—^  J ~ J  ^  "—"  - S*.  r  J  r  j  > -©-•  y  i  —  ? * i » — » — » — 8 fY^T ^ fc>  1  Itp  - g - J  r  1  : i J a - p  /  "  J  o  n  :  '1  * » .  H —  ca. 7 '45"  III. You're still beautiful to me.  185  Nebojsa S. Macura Nervously, insecurely J = 60-69  p rustling 11  i n » J  con ped.  i  J *  Faster and more free; hot and heavy! 13 J = ca. 88  Vp-  TT  T  188  Fierce Desire for Love's Delight for English Horn and compact disc  Nebojsa S. Macura 2007  Duration: 7'00"  Fierce Desire for Love's Delight  189  Transposed Score (CD staves are notated a perfect fifth higher than sounding pitch) A J=40  (CD begins)  very smooth, chant-like  (P)  (low, bell-like sound)  4 V *> O / o  •h  n  lloll  70  mp (mid-range bell)  (like a snare drum) ~nor  llli (low drone continues)  tMk  190  16  = 48  p cresc. J  plloll  P"^  J  »J  J  ^ 3  J  i -  ^IKSF(drones continue)  19  1^  J  1  -  J  cresc. J  J 1 P  BE  (bells)  21  =—mf  i  / =  r rr  191  25  -mjL7  pr  r p  7  4  27  ft*-  >rrn wip  II  II  15  If  4  4  cresc.  ^ o  1 , 5 J>7 1  o  *  *  -  (paper rip)  c^. f. lioT ) • Jf  :  top line - lip smacks bottom line - snare-like riffs  50  3  *  —  J  *  J  —  *  , J  l  J  i — r  -  5-  *  33  , p rjr 3 — *  J  *I  S  J  J  I  4  W f — *  J-  o^r  t  192  36  -4 I f  =  '  JT l^J  \jm "ft  J  r 5±  1  J  J  "t~"•—  j~3.  I  1—*-  1  i  et  n  r~y  accel.  ii  r q5i  3  W-Tf  I 5  193  194  198  199 J = 120 -e"a ^  r 1  r  r  , T  r  L  \2 *  ,  r  r  r r T f f r |  M  —  [  5  4  m  »  i  1  j  ^  — i t — i  9  p.  J»  3  ^  f ft; r P  #1 f* r M 1r  nit i p-, „ *i: v  J  7  .,  7  t.—tT  *  .—|»  -  ^§~?  1  90  •  $ f *}^s~ v — ^ j  -  9  0  r  «•  -j9  F P  ,•  5—TT »  •  P 1  «  r-  '  *  *r  *  p  ft.  ] *  •  » r  «-  g_ r  0-  r  p  ^—it  *#.  •» p  *  L  i i  0_ V  »  »  P »— P  *  4V  0  0  1  p _  •  8j  P  r# t> <> <->  o  -^-fl-  =  ,  200  202  accel.  117  = 84  T  mf  J  i  I  3 ^  si 775  fife wip  erase.  r  3 720  J = 100  (lip smacks) - J  ^  J  ^  J -  *  16  J  J  I  a: #r  3 r  -3-  I  J * J * J * J *  203  Saturday, March 18, 2006 Turning Point Ensemble Owen Underhill, Director Trays in the Upright Position Of Life and Love "Adam and Eve Now"  Daniel Pruger Farshid Samandari  Echoes  Tudor Feraru  so little time  Katherine Graff  Mientras en Espafia  Kimla Attiana  Voices Rising  Marcus Goddard INTERMISSION  In the Fury of a Passing Moment Blowhole  Jeffrey Mettlewsky Joanna Chapman-Smith  Fantasy No. 3 (Premiere) John Baker 1. Prelude (Seno, tempo moderato); 2. Invention 1 (Animate); 3. /r7t^e/7/7ip/7 2(Interlude<Lento); 4. Passacaglia (Andante) Reflections on Solitude Rocketfish  Nebojsa Macura Alfredo Santa Ana  ...in a sort of runic rhyme  John Burke  Turning Point Ensemble: Brenda Fedoruk, flute/altoflute;Beth Orson, oboe/English horn; Francois Houle, clarinet; Marcus Goddard, trumpet; Jeremy Berkman, trombone; Marc Destrube\ violin; Peggy Lee, cello; Colin Corner, double bass; Jane Hayes, piano; Daniel Tones, percussion Biographical notes begin on page 24  14  T H E UNIVERSITY S C H O O L O F Recital  O F BRITISH  M U S I C  Hall  F r i d a y , M a r c h 3, 2006 12:00  C O L U M B I A  i  p.m.  U.B.C. CONTEMPORARY PLAYERS STEPHEN C H A T M A N , GIORGIO M A G N A N E N S I - DIRECTORS Tudor Feraru, John van Deursen - Assistant Directors  3 Moments  for Clarinet  I.  Moving  II.  Serene  III.  Layered  Quartet  M a r t i n Ritter (b.  1982)  clarinet I clarinet II K a t a r z y n a M a r c z a k , clarinet III K a r e n D a v i d s o n , bass clarinet Michael Dowler, Ian M u n r o ,  C h a m b e r C o n c e r t o for Strings a n d P e r c u s s i o n III.  Scherzo  N e b o j s a S.  agitato  Macura (b.  1982)  violin I violin II L a n a E l i a s , viola C r y s t a l D e r k s e n , cello B r i a n N e s s e l r o a d , percussion M a r t i n R i t t e r , percussion J o y Y e h , harp A n d r e a L o d g e , piano Alana Chang, Bora Lee,  Danza  Cubista  Maria  Granillo (b.  violin L a n a E l i a s , viola S a b r i n a T s o u , cello S a r a K a l k e , flute M i c h a e l D o w l e r , clarinet A n d r e a L o d g e , piano Grace Tsang,  1962)  THE UNIVERSITY OF BIRTSH COLUMBIA SCHOOL OF MUISC Recital Hall Thursday, November 9, 2006 12:00 p.m.  U B C STUDENT COMPOSERS' CONCERT my pessimism contains overtones of optimism; my optimism contains undertones of pessimism  Ryan Trew (b. 1979)  Erika Crino, Brett Kingsbury, Kasia Marczak & Ryan Trew piano Hand in Hand  Chris Sivak (b. 1982)  Chris Sivak, piano Nicola Kill, voice Five Preludes (2003)  Brad Stark (b. 1980) Brad Stark, piano  Improvisation No. 2 Nebojsa Macura piano & digital performer ensemble In the Locrian Mode  Nebojsa Macura (b. 1982)  Matthew Mactavish (b. 1960) Joy Yeh, harp  Echoes I: of Time and Tone  Richard Covey (b. 1979) Aleksander Szram, piano  In a Station of the Metro Adrienne Paulson, soprano Jane Corrall, soprano Nadia Chana, mezzo soprano Carl a Hartenberger, alto K  Eva Tidlund (b. 1986)  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, January 7, 2007 7:00 p.m.  DOCTORAL RECITAL* SUZANNE SNIZEK, Flute  Mountain Songs (1984) I. II. HI. TV. V.  Robert Beaser (b. 1954)  Barbara Allen The House Carpenter He's Gone Away Hush You Bye Cindy Peter Zaenker, guitar  Chamber Music No. 4 Living on the Edge (2006) I. II. III.  Nebojsa Macura (b. 1982)  Cog in the Machine Nostalgic Horizons Policies and Deadlines/ The Machine Jessica Raposo, piccolo  INTERMISSION Trio for Flute, Cello and Piano (1950) I. II.  Poco Allegretto Adagio  Bohuslav Martinu (1890-1959)  CONCERT 2: 1:3Q P.M. - U B C Recital Hall Students from University Of British Columbia Fragments of R  flute - Laura McCallum percussion - Dan Cardqna piano - Brad Stark ' bass - Sandy Chen conductor - Tudor Feraru  Le Portail d'Asni  Martin Ritter  Benton Roark  flute - Laura McCallum clarinet - Mike Dowler french horn - Nick Anderson piano - Devon Joiner violin - Yun Jung viola - Jeffrey Chow cello - Grace Harvey bass - Sandy Chen percussion - Nicholas Jacquesi Dan Cardona conductor - Eric Wilson  Burst  Hand in Hand  West Coast Student Composers Symposium  clarinet - Mike Dowler violin - Grace Tsang harp - Joy Yeh conductor - Tudor Feraru voice - Nadia Chana piano - Chris Sivak  My pessimism contains overtones of optimism, My optimism contains undertones of pessimism  January 26, 2 0 0 7  Aaron Young  Technology Demonstrations Chris Sivak  Software, Sensors, Controllers, Machine-learning  UBC School of Music - Rm. 3D4 Ryan Trew  piano - Ryan Trew, Jared Miller, Sunny Qu, Nebojsa Macura Chamber Concerto for Strings and Percussion Nebojsa Macura  violin - Erin van Kooten violin - Sufan Yiu viola - Jeffrey Chow cello - Grace Harvey piano - Brad Stark harp - Janelle Nadeau percussion - Dan Cardona percussion - Hsueh-Jen Huang conductor - Tudor Feraru  UBC School of Music  11:30 a.m. - UBC Jennifer Butler  1 : • • p.m - U.Vic  Ajay Kapur, Adam Tindale, Jeff Morton, Randy Jones  2:30 p.m.- S.F.U. Max Alexander, Adam Basanta, Peter Bowles, •avid Mesiha, Yota Kobayoshi  S A T U R D A Y , M A R C H 17, 2 0 0 7 , 7 : 3 0 P M T U R N I N G POINT E N S E M B L E  Accelerating Line  Aaron Young  Foliage  Elizabeth Knudson  Alda  Darren Miller Carl Winter  Interruptions  INTERMISSION Nicholas Fairbank  Three Bagatelles  1. Vivo 2. Adagio 3. Alia Marcia  Therassia  Craig Day  The Tower of Hanoi  Sylvia Detar  Progress of Accumulation  Jeffrey Mettlewsky  Carnal Dances  Nebojsa S. Macura  Turning Point Ensemble:  Co-Artistic Directors: Jeremy Berkman and Owen Underhill Brenda Fedoruk, flute | Frangois Houle, clarinet | Ingrid Chiang, bassoon \ Marcus Goddard, trumpet \ Benjamin Kinsman, horn Jeremy Berkman, trombone \ Mark Ferris, violin Peggy Lee, cello | David Brown, bass \ Jane Hayes, piano Daniel Tones, percussion \ Owen Underhill, conductor  - 2 0  -  T H E UNIVERSITY OF BRITISH C O L U M B I A S C H O O L OF M U S I C Recital Hall Saturday, March 31, 2007 5:00 p.m.  "A Touch of Perception  NON-REQUIRED STUDENT RECITAL Morgan Zentner, English Horn  The American Dream  Jennifer Butler  Beyond  Farshid Samandari -INTERMISSION-  Journey  Fierce Desire for Love's Delight  Martin Ritter  Nebojsa Macura  Saturday, March 18, 2006 Turning Point Ensemble Owen Underhill, Director Trays in the Upright Position Of Life and Love "Adam and Eve Now" Echoes  Daniel Pruger Farshid Samandari Tudor Feraru  so little time  Katherine Graff  Mientras en Espafta  Kimla Attiana  Voices Rising  Marcus Goddard INTERMISSION  In the Fury of a Passing Moment Blowhole  Jeffrey Mettlewsky Joanna Chapman-Smith  Fantasy No. 3 (Premiere) John Baker 1. Prelude (Serio, tempo moderate); 2. Invention 1 (Animate); 3. 7/7ke/7Ab/7 2(Interlude<Lento); 4. Passacaglia (Andante) Reflections on Solitude Nebojsa Macura Rocketfish  Alfredo Santa Ana  ...in a sort of runic rhyme  John Burke  Turning Point Ensemble: Brenda Fedoruk, flute/altoflute;Beth Orson, oboe/English horn; Francois Houle, clarinet; Marcus Goddard, trumpet; Jeremy Berkman, trombone; Marc Destrube, violin; Peggy Lee, cello; Colin Corner, double bass; Jane Hayes, piano; Daniel Tones, percussion  Biographical notes begin on page 24  14  I  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Friday, March 3, 2006 12:00 p.m.  U.B.C. C O N T E M P O R A R Y PLAYERS STEPHEN C H A T M A N , GIORGIO M A G N A N E N S I - DIRECTORS Tudor Feraru, John van Deursen - Assistant Directors  3 Moments for Clarinet Quartet I. Moving II. Serene III. Layered  Martin Ritter (b. 1982)  Michael Dowler, clarinet I Ian Munro, clarinet II Katarzyna Marczak, clarinet III Karen Davidson, bass clarinet Chamber Concerto for Strings and Percussion III. Scherzo agitato  Nebojsa S. Macura (b. 1982) (  Alana Chang, violin I Bora Lee, violin II Lana Elias, viola Crystal Derksen, cello Brian Nesselroad, percussion Martin Ritter, percussion Joy Yeh, harp Andrea Lodge, piano  DanzaCubista  Maria Granillo (b. 1962) Grace Tsang, violin Lana Elias, viola Sabrina Tsou, cello Sara Kalke, flute Michael Dowler, clarinet Andrea Lodge, piano  T H E U N I V E R S I T Y OF BIRTSH  COLUMBIA  S C H O O L OF M U I S C Recital Hall Thursday, November 9, 2006 12:00  p.m.  UBC STUDENT COMPOSERS'  CONCERT  m y pessimism contains overtones o f . o p t i m i s m ;  Ryan Trew  m y o p t i m i s m contains undertones o f p e s s i m i s m  (b. 1979)  E r i k a C r i n o , Brett K i n g s b u r y , K a s i a M a r c z a k & R y a n T r e w  piano H a n d in H a n d C h r i s Sivak, piano N i c o l a K i l l , voice F i v e Preludes (2003)  Chris Sivak (b. 1982)  B r a d Stark (b. 1980) B r a d Stark, piano  Improvisation N o . 2 Nebojsa Macura  Nebojsa Macura (b. 1982)  piano & digital performer ensemble In the L o c r i a n M o d e  Matthew Mactavish (b. 1960)  Joy Y e h , harp Echoes I: o f T i m e and Tone  Richard Covey (b. 1979) A l e k s a n d e r S z r a m , piano  In a Station o f the M e t r o A d r i e n n e Paulson, soprano Jane C o r r a l 1, soprano N a d i a C h a n a , mezzo soprano C a r l a Hartenberger, alto  E v a Tidlund (b. 1986)  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, January 7, 2007 7:00 p.m.  DOCTORAL RECITAL* SUZANNE SNIZEK, Flute Mountain Songs (1984)  Robert Beaser (b. 1954)  I. II. HI. IV. V.  Barbara Allen The House Carpenter He's Gone Away Hush You Bye Cindy Peter Zaenker, guitar  Chamber Music No. 4 Living on the Edge (2006) I. II. III.  Nebojsa Macura (b. 1982)  Cog in the Machine Nostalgic Horizons Policies and Deadlines/ The Machine Jessica Raposo, piccolo  - INTERMISSIONTrio for Flute, Cello and Piano (1950) I. II.  Poco Allegretto Adagio  Bohuslav Martinu (1890-1959)  CONCERT 2: 1:30 P.M. - UBC Recital Hall Students from University Of British Columbia Fragments of R  Martin Ritter  flute - Laura McCallum percussion - Dan Cardqna piano - Brad Stark '' bass - Sandy Chen conductor - Tudor Feraru Le Portail d'Asni  Benton Roark  flute - Laura McCallum clarinet - Mike Dowler french horn - Nick Anderson piano - Devon Joiner violin - Yun Jung viola - Jeffrey Chow cello - Grace Harvey bass - Sandy Chen percussion - Nicholas'Jacques, Dan Cardona conductor - Eric Wilson  Burst  Hand in Hand  W e s t Coast Student Composers Symposium  clarinet - Mike Dowler violin - Grace Tsang harp - Joy Yeh conductor - Tudor Feram voice - Nadia Chana piano - Chris Sivak  My pessimism contains overtones of optimism, My optimism contains undertones of pessimism  January 26, 2007  ' Aaron Young  Technology Demonstrations Chris Sivak  Software, Sensors, Controllers, Machine-learning  UBC School of Music - Rm. 304 Ryan Trew  piano - Ryan Trew, Jared Miller, Sunny Qu, Nebojsa Macura Chamber Concerto for Strings and Percussion Nebojsa Macura  violin - Erin van Kooten violin - Sufan Yiu viola - Jeffrey Chow cello - Grace Harvey piano - Brad Stark harp - Janelle Nadeau percussion - Dan Cardona percussion - Hsueh-Jen Huang conductor - Tudor Feraru  UBC School of Music  11:30 a . m . - U B C Jennifer Butler  1:00 p.m - U.Vic Ajay Kapur, Adam Tindale, Jeff Morton, Randy Jones  2:30 p.m.-S.F.U. Max Alexander, Adam Basanta, Peter Bowles, David Mesiha, Yota Kobayoshi  SATURDAY,  M A R C H 17, 2 0 0 7 ,  7:30PM  T U R N I N G POINT E N S E M B L E  Accelerating Line  Aaron Young  Foliage  Elizabeth Knudson  Alda  Darren Miller Carl Winter  Interruptions  INTERMISSION Nicholas Fairbank  Three Bagatelles  1. Vivo 2. Adagio 3. Alia Marcia  Therassia  Craig Day  The Tower of Hanoi  Sylvia Detar  Progress of Accumulation  Jeffrey Mettlewsky  Carnal Dances  Nebojsa S. Macura  Turning Point Ensemble:  Co-Artistic Directors: Jeremy Berkman and Owen Underhill Brenda Fedoruk, flute \ Frangois Houle, clarinet | Ingrid Chiang, bassoon \ Marcus Goddard, trumpet \ Benjamin Kinsman, horn Jeremy Berkman, trombone \ Mark Ferris, violin Peggy Lee, cello | David Brown, bass | Jane Hayes, piano Daniel Tones, percussion \ Owen Underhill, conductor  -zo-  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Saturday, March 31,2007 5:00 p.m.  "A Touch of Perception  NON-REQUIRED STUDENT RECITAL Morgan Zentner, English Horn  The American Dream  Jennifer Butler  Beyond  Farshid Samandari -INTERMISSION-  Journey  Fierce Desire for Love's Delighe  Martin Ritter  Nebojsa Macura   COMPOSITIONS by NEBOJSA SLOBODAN MACURA  B.Mus., The University of Wisconsin-Madison, 2005  A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES (Composition)  THE UNIVERSITY OF BRITISH COLUMBIA April 2007  © Nebojsa Slobodan Macura, 2007  11  ABSTRACT The thesis for the Master of Music degree in Composition consists of live performances of original works composed during graduate study. The student is expected to have written and have performed approximately an hour of music for various media. My compositions were performed on March 3, 2006; March 18, 2006; April 13, 2006; November 9, 2006; January 7, 2007; January 26, 2007; March 12, 2007; March 17, 2007; March 31, 2007; and April 19, 2007.  iii  TABLE OF CONTENTS Abstract  »  Table of Contents  iii  Acknowledgements  iv  Reflections on Solitude  1  Chamber Concerto for Strings and Percussion (3 movement)  14  Dirge  39 '  Improvisation No. 2  49  rd  Chamber Concerto for Strings and Percussion (1 movement)  64  Chamber Music No. 4 - Living on the Edge I. Cog in the Machine II. Nostalgic Horizons III. Policies and Deadlines / The Machine  89 90 95 99  Carnal Dances  112  Sinister Daydreams  157  Forbidden Fantasies I. Your friend is kind of cute II. But what about tomorrow? III. You are still beautiful to me  181 182 183 185  Fierce Desire for Love's Delight  188  st  ACKNOWLEDGMENTS Many thanks to Professors Stephen Chatman, Dorothy Chang, Keith Hamel, and Alexander Fisher; and to all the performers who gave life to these compositions.  Reflections on Solitude for Chamber Ensemble  by  Nebojsa S. Macura 2005  Instrumentation  Flute (doubling Alto Flute) Oboe (doubling English Horn) Clarinet in B-flat Trumpet in C Tenor Trombone Percussion (1 player)* Piano Violoncello Contrabass  "Marimba, Vibraphone, Glockenspiel, Suspended Cymbal, Sizzle Cymbal  duration: 7'00"  Reflections on Solitude  4  6  7 acceL  cresc. poco a poco  8  9  E.H.  CI.  cresc. sempre  Tbn.  cresc. sempre Sizzle Cymbal hard mallets Perc.  ffmarcato  12  13  Chamber Concerto for String and Percussion  (3rd movement)  Nebojsa S. Macura 2006  Duration: 4'00"  Instrumentation Percussion 1 Marimba, 2 Tom-toms, 2 Bongos, Susp. Cymbal  Percussion 2 Finger Cymbals, Tambourine, Machine Castanets  Piano Harp Violin I Violin II Viola Violoncello  16  Chamber Concerto for Strings and Percussion 3rd movement  Nebqjsa S. Macura J = 138 Marimba Percussion 1 |j  Percussion 2  Piano  Harp  ord. Violin I \Jf)  Violin II  sul tasto Viola  Violoncello  r  *  r^rrrTr  — _ j  =  17  18  ™p-=f sul pont.  Marimba \24\ Perc. 1 {  Tamb 7  Perc. 2  )  7  }y  J " J1 7 — J L _ ? — — J ~ *  | 7  iL_3  Hp  Vin. II  Vc.  \22\ (dead stroke) Perc. 1  Perc. 2  Pno  Hp  Vin. II  Vc.  p sub.  20  senza ped.  22  Perc. 1 (  ii r * r r r r * r r 1 7 ^ 7 v r_J 1 J • t = ± $ 1  (Tamb.) k  II  Perc. 2  ( Pno <  1 J* J  * 1  7  k  k  1 7 J  7  Castanets to Castanets  7 J J"  1  1  e^cresc  V  Hp  Vln ]  Vln. II  Via  Vc.  : bJ-  /  -»  1  N  ——  —  ^  —  —  i  r  ^  23 Perc. 1 f Perc. 2  Pno  Vin I  Vin. II  Perc. 1 4  Vin  Vin. II  25  2 6  30  m  J  T6-  Perc. 1 {  32  acceL  Tom-Toms  I  I  Pno  Hp  Vlnl  {  •S  1  Vin. II > - > - : = -  j  j >  Maracas" Perc. 2  Pno  Vin I  Vin. II  Via  >•  w—J—^—  1  ~ », | > a "  Vc.  >-  >"  i»  >  >  >-  >-  >-  j.  Via >•  >-  m m m m m~mr  33 Susp. Cymbal mallet handle  Perc. 1 [I  to Castanets J  Perc. 2  i  Pno  Vln I  Vln. II  Via  Vc.  J /  Vln I  h  ^(k  = r  [7171  1 0 0  k  •  Jtt ~ # J J " «•J 'ft'  — — r  = J ,  :  mfleggiero Vln. II  t Via  Vc.  7  -—14  =  . jpM -  IP 45  y» >,  mp leggiero  q f U  —^-1  -  m  1  1  j 1  '  34  35  Pno  Hp  Vln 1  Vln. II  Via  Vc.  Perc. 1  Perc. 2  Pno  17  ^  Hp  )• Vln I  Vln. II  Via  Vc.  5  -  —  acceL Perc. cresc. poco a poco Tambourine Perc. 2  Pno  Vin I  Vin. II  Perc  Perc. 2  Vin. II  4  7  J> 7  ^  7  /"J I 7  —7  7  #T] | J  J J  37  Dirge for String Quartet  Nebojsa S. Macura 2006  Duration: 4'30"  40  Dirge  f - raise by one quarter-tone  Nebojsa S. Macura  j$ - raise by three quarter-tones (all accidentals carry through the measure) J = 76  non vib. sul tastol 3  •ord.  non vib. sul tasto-  •ord.  m iJ J *-  Violin I  Violin II  Viola  Violoncello  mi  non vib.  WW  ST"  42  43  sul pont.  ••  mp sul pont.  -6>-  mp sul pont.  mp  si  H2Z  1  mp pizz. (very resonant) ;  _mp  -pp  mp  |  |  '  ^4 J $J t«i mf  1  sulG ff legato e marcato 1  accel.  sul A mfsub. non vib. m  nil  mf  m ~m  nh  m  cresc.  \ffi>  non vib.  sul A  sul D mfsub. non vib.  1  te erase. •  ff  45  non vib.  7-0-  ->ord.  m _mf non vib.  : m  /  P  r  -•ord.  r  T -f  r f r  46  J = 108  fmarcato  4fc -mf-  fmarcato  IH r^j-^Tjj)^  fmarcato  fmarcato  mp  SB -f  cantabile  mf cantabile  f  f  yip mf  -f  cantabile  O '  —  cantabile  =  ~ f  ip Hp  Improvisation No.2 for piano and compact disc  Nebojsa S. Macura 2006  Duration: 6'15"  51  52  29  loco  § m Jj 1  U): ftS  \  i  i  J J J"3 J 1 1  i  . hfr^^r-i—1  /  M  *  *  >  -g  P  J  1  ^  Jf^=  r .  56  agitated  60  m  i1  I I I  i l l  l l  3  m mp cresc.  mf  3i  I  _A  5=  till  59  mp  L-jil  90  j  UA  r  7  \j  7  r  =r  ^  7  r  7  r  ' " i  Chamber Concerto for String and Percussion (1 st movement)  Nebojsa S. Macura 2006  Instrumentation Percussion 1 Marimba, 2 Tom-toms, 2 Bongos, Susp. Cymbal  Percussion 2 Finger Cymbals, Tambourine, Machine Castanets  Piano Harp Violin I Violin II Viola Violoncello  Duration: 5'00"  Chamber Concerto for Strings and Percussion  66  1 st movement Nebojsa S. Macura solo (freely, like an improvisation)  J = 48  Marimba  5  Percussion 1  poco  Percussion 2  Piano  Harp  Violin 1  Violin II  Viola  Violoncello  s  68 Perc. 1  II 'I  Perc. 2  Hp  -»  7—W—l-J  d 0 » »  /  0-  y  JJ  J J «-  {  Vin I  Vin. II  Via  m  Vc.  3 u.  3  Perc. 1  Perc. 2  | | ' - ' - - - - < - | '  j  - - - - -  i  -  J  |-  j » sub.  Pno  Hp  'il>8  ]  Vin I  Vin. II  Via  Vc. mpsub.  i  1  mp  ' I  69  Perc. 1  ™p—=====  P  /:  j—x—j—x—17  Perc. 2  i  11 m~}  j \  i  -mp  N7 Pno  mf  P  V  J'  ^ solo  Hp  {  Vln I  / or™. Vln. II  /  dim.  f  dim.  f  dim.  ML  Via  Vc.  Perc. 2  £H-4 1  Hp  7  J3 J  t  -»-  mp  to Finger Cymbals  +  Tl  mf  m  f -« sul tasto  Vln 1  p sul tasto Via  Vc.  f  _p  BP  70 Finger Cymbals l.v. sempre  Perc. 2  ^  llii  to Tambourine  Hp  • " > i< m  4UJ  r r  1  (sul tasto)  •4-  Vln 1  Vln. II  Via  Vc.  Perc. 1  / Tambourine Perc. 2  Hp  —  /  y suir> Vln]  Vln. II  Via  Vc. fsub.  J '7  71  Perc. 1 3  Perc. 2  Pno  Vlnl  Vin. 11  Perc  Perc. 2  Vin  Vin. II  74  75  Perc. 1  Perc. 2  Pno  Hp  Via  Vc.  Perc. 1  IIII  f—  »  *  m  '  m—f-f-  Perc. 2  *>  Castanets  <i  -  M  /»  f u  7  =  Pno  1  j  ±-t—  —• -j-  7  :  -mi-  »J L  <r  1 *  n  ——r  0  > f  **  i  1  * Hp * m  f ft arco  Vln I  Ft=f  " * 0  ,  —  r-rrrL m  .  "ft* w  A arco  ^  Vln. II I * - * —  *r*f*f  Via  /  m  % T %  =  A44"W  #  —  — — L  it  =  pizz.  Vc.  L fmarcato  4  I^JJ—t  1  76 1541  to Marimba  Perc. 1  Perc. 2  Pno  Vln I  Vln. II  Via  Marimba (hardest possible mallets)  -ft  Perc. 1  Perc. 2  ±  Pno  -H W-* *)  1 -  1  :  P cresc.  p  J  Hp  Vln I ppsub.  Vln. II ppsub.  cresc.  —o  Via ppsub.  cresc.  0  P  r  *r =  78  Tom-toms mallets  >  Perc. 1  J  J  i?P Finger Cymbals  4  Perc. 2  J  pp  -*—m—  J -0  J 0  y  7—*  J  J> 0—  cresc. poco a poco  Pno  Hp  \  / 7 —  Vc.  ti'f  ^  IfP 7  5  Perc. 1  Perc. 2  Pno  Hp  Vin I  Vin. II  Via  Vc. mp  cresc.  ^  79  81 to Susp. Cymbal Perc. 1  Pno  Vin I  Vin  Perc. 1  Pno  it  Vin I  Vin. II  "  J  82 >vib. ord.  Vln I cresc. poco a poco •vib. ord.  Vln. II cresc. poco a poco "^•ib. ord.  Via cresc. poco a poco  Vc.  6  6  s  6  6  6  6  6  0  83 "g|wooden sticks  -  p=a  en  Perc. 1 Castanets  7  II  Perc. 2  litis  Vin I  6  Y*J  4  Vin. II  6  it  6  6  6  3z:  J 3 J ~ J 7 ^ clap hands  via sord.  J J  mf 6  i!f'Li 6  f  J  Vc.  J  J  6  clap hands J  Via 6  J  clap hands  via sord.  via sord. 6  J  6  J  J  mf  J J J  clap hands  m  Perc. 1  Perc. 2  strike lowest strings with palm of hand Pno  knock on soundboard with knuckles Hp  ^ 7  {  J>  J>  7  J>  J  v-1  J>  7  >S  i-  f Vin 1  II  -J  •-  Vin. II Via Vc.  Li  J  J  -J  J  J  J-  J  1  J  J  I  J  J  J  J.  J J JJ J I  84  Perc. 1  Perc. 2  Hp Vin I  Vin. II  Via  Vc.  « i p cresc. poco a poco  mp  p sub.  J  IhH-  p  J> 7 J3| J  7  i{  J  I  1  II *  J  t  1  HH-J  Perc. 1  i Perc. 2  Pno  Hp  Vin I  Vin. II  Via  Vc.  J  to Tambourine  i  -  i  i  I T mf  mp  [./^Tambourine  7  J"*3-  85  8 6  87  Chamber Music No. 4 Living on the Edge for Piccolo and Flute  Nebojsa S. Macura 2006  Duration: 8'00"  90 for Suzanne  Chamber Music No. 4 - Living on the Edge I. C o g in the Machine Nebojsa S. Macura A  J = 152 (Mechanically, with no accents and no sense of meter)  Piccolo Note: Accidentals always carry through the measure  Flute dynamics ad lib. until measure 16  1%.—• I* *-^v—**  9  \  Xn  !  i i 'f>hmU-  :  —1—  —'—*} I m1  J  — s  1  91  93 31  J4  /  ^JJMJJ'trj rr Jp  cresc. poco a poco  f  poco rail..  37  s  S  •-a infsub.  % J)  y  y }*> [  7\>y =£ p  J*. = 184 40  poco accel.  (J = 138)  mp  fsub.  psub.  mfsub.  94  45  i ff  I cresc.  J = 168 or as fast as possible  ifj„n  r r  1  rr¥ r 1 1 1  >r ;—1  fmarcato  r Mr ri fl rl n  /  7.—7_|«Lf  j%?  cresc.  8 fmarcato  cresc.  ^—< con  t u t t a  / ff  fff  con  t u t t a  / f°  rza  ' '  forza ca. VI5"  Vancouver, BC October 15,2006  95  II. Nostalgic Horizons tempo I  accel._ . _rit.  = 50 Piccolo *  3*  —  * * +  P  o -  Flute  fp _  molto accel.  3  TT  v  (liberamente)  t  e  m  p  j  0  H>  mf  P -He«-  fP 5  accel.  tempo I  rit.  22  ^ttJ ^ J J a i E J J..  J  50  o  o  96  p  23  cresc. poco a poco  a tempo  mp  poco accel.  —  Z(f)  mp  cresc.  27 poco accel.. . . . . . . .  a tempo  Vancouver, BC October 24, 2006  dim.  p(non cresc.)  nip  106  jfsub.  107 67  dim.  ^ f nrr  m. if  mp  mm  cresc. poco a poco  m mf  dim.  mp cresc. poco a poco  pp murmuring  pill  71  imp  cresc.  #4 cresc.  accel.. (flutter)  angry  108  109 85 <—m  »-  humP —  / .  • /  — —  7  p  C y  y fas /owe/ as possible)  "y >  >  fm  s «5P  97  $ ft F TPST g i g  K  k , ^  Jr)  i —  >7  p  p  p-  '  f aggressive  «P ?g ?rr  9 16  mp  9 16  P  9 16  110 tempo I  99  A s fast as h u m a n l y possible  > = 176  • ft  i = 276+  I cresc.  104  H ?p?p  frT?> JB r r r  b  y *j y *j y  ~  B  J  —  =  =  ?p  1  p p i  770  jfsub.  116  mm  ffmarcato  16 ffmarcato  nip sub.  ff  Ill  }=}  122  16  P  _9  16  sub.  /  "  ffp-== marcatissimo  J bJ  marcatissimo  fffffffff > Piercing shrill  ffffffJTf > Pacing snrill  ffp-=  sfz grunt-like  7  ca. 4'00"  sfz grunt-like Vancouver, BC November 15, 2006  1/2.  Carnal Dances For Chamber Ensemble  Nebojsa S. Macura 2006  duration: ca. 9 minutes  Instrumentation Alto Flute (doubling Piccolo) Clarinet in B-flat Bassoon Horn in F Trumpet in C Trombone Percussion (Drum Set) Pedal  Low  Bass Drum  Tom-Tom  »  Pedal Tambourine  m  Suspended Cowbell  Cymbal  T  x  >Hi-hat  Snare  High  Hi-hat  (Pedal)  Drum  Tom-Tom  (.Stick)  Piano Violin Violoncello Contrabass  r  j  114  Carnal Dances Score in C  Nebojsa S. Macura  J=  112  J=  112  A l t o Flute  Clarinet  Bassoon  Horn  Trumpet  Trombone  Percussion ( D r u m Set)  Piano <  sul G  Violin  Violoncello  Contrabass  A . FI.  / CI.  Bsn  fro  V  L  =  =  rj 1  v  K LJ  J H j—J'd  —  ^  —  ^  JP—  O  117  118  120  121  125  127  128  130  131  J=  120  Bsn  Tbn.  Perc.  i"  *  r * r  Pno<;  •*dim. r r r mpsub.  J=  m  120  Vln  -wm i  fmarcato Vc.  f pizz.  r  Cb. mpsub.  Tbn.  Pno<  Vln  Cb.  (mp)  r  g  132  133  Pice.  Hn  Tpt  Tbn.  fP S. Cym.  134  136  CI.  1  Jf 5  l]f /  Bsn  bouche  Tbn.  Perc.  Pno<  T^-fZ  —*  |/7j| Vln  col legno battuto  137  138  139  140  141  Bsn  Perc  A . Fl.  Tbn.  S. D .  Perc.  •I  >  J J  f jp  +  +  J  1  L  i—i  =  „  X  / ff cresc. poco a poco  B.D.  dim.  + X  4x  142  144  145  146  149  151  153  155  156  excerpt from  Sinister Daydreams for Orchestra  Nebojsa S. Macura  2007  Instrumentation 1 Piccolo 1 Flute 1 Oboe 1 English Horn 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 2 Tenor Trombones 1 Bass Trombone 1 Tuba 2 Percussion 1 - Vibes, Crotales, Tenor Drum 2 - Triangle, Tam-tam, Sizzle Cymbal both - Suspended Cymbal, Bass Drum  Strings  duration: 5'00"  Sinister Daydreams  159  Nebojsa S. Macura  J = 60  Flute  Oboe  English Horn  2 Clarinets  4 Horns  2 Trumpets  2 Trombones  Bass Trombone  Violin 1  Viola  160  161  162  m j  163  Ob.  Eng. Hn  2 Bsns  2 Tpts  2 Tbns  B. Tbn.  Tba mfsub.  fJPP  Tenor Drum  L  i  .j  J  i  Bass Drum  )  Perc. 2  p ben marcato  f  1  7  I  l  164  165  FI.  2 Bsns  2 Tpts  mf  f? fy ^ r  V l n II  ffi f$  f  ff  V V. r ^ f H r \ \ \ p  i»  arco  2 Bsns  2 Tpts  2 Tbns  V l n II  t  s  i  1  '  1  1  '  , .  ^  =T  f  ,  „  =  .  senza sord.  t  ,•  i>  3'f) r t t ^ Q _ r _ f ^ r f t r r = mf  lip .  •j-  = = = = =  —  ^  te^  166 J = 42  Eng.,Hn  4 Hns  2 Tpts  2 Tbns  Perc  Perc. 2  r  167  168  ^3j  = 46 y  Ob.  Eng. Hn  2 Cls  2 Bsns  2 Tpts  B. Tbn.  Tba  Perc. 1  cresc. poco a poco  171  Eng. Hn  1. freely ,  0  f  dim.  sul pont.  Via  172 J = 135  Eng. Hn  173  mf sub.  cresc. poco a poco  mp  mfsub.  cresc. poco a poco  mfsub.  cresc. poco a poco  mf  cresc. poco a poco  cresc. poco a poco  174  175  Ob.  Eng. Hn  2 Bsns  2 Tpts  (Tenor Drum)  Vln I  Vln II  Cb.  176  177  179  senza sord.  senza sord.  m mp  cresc.  senza sord.  ™p  cresc.  180  Forbidden Fantasies for Piano  Nebojsa S. Macura 2007  Duration: 4'30"  182 F  o  r  b  i  d  d  e  n  F a n t a s i e s  I. Your friend is kind of cute. B r o a d l y , i n n o c e n t l y J = 60-69  a tempo  poco r a i l .  15  J  r i t . a l fine J  J J .  — — - — «  » —  — P — - 1 — r J * -  J-  f  t  mf  J  A  fJ  mp  '4  b  i y fe,H—J-  1 — 1  "  L  J  p  ^ p  irj?  ^  t>  J  pp • t. >  II. But what about tomorrow?  Nebojsa S. Macura  Freely, nostalgically J = 60 .J.  m  con ped.  poco accel.  w  Q 4* pp mi  183  cresc. at  *  rJ  1  20  J  2.-  »T—^  J ~ J  ^  "—"  - S*.  r  J  r  j  > -©-•  y  i  —  ? * i » — » — » — 8 fY^T ^ fc>  1  Itp  - g - J  r  1  : i J a - p  /  "  J  o  n  :  '1  * » .  H —  ca. 7 '45"  III. You're still beautiful to me.  185  Nebojsa S. Macura Nervously, insecurely J = 60-69  p rustling 11  i n » J  con ped.  i  J *  Faster and more free; hot and heavy! 13 J = ca. 88  Vp-  TT  T  188  Fierce Desire for Love's Delight for English Horn and compact disc  Nebojsa S. Macura 2007  Duration: 7'00"  Fierce Desire for Love's Delight  189  Transposed Score (CD staves are notated a perfect fifth higher than sounding pitch) A J=40  (CD begins)  very smooth, chant-like  (P)  (low, bell-like sound)  4 V *> O / o  •h  n  lloll  70  mp (mid-range bell)  (like a snare drum) ~nor  llli (low drone continues)  tMk  190  16  = 48  p cresc. J  plloll  P"^  J  »J  J  ^ 3  J  i -  ^IKSF(drones continue)  19  1^  J  1  -  J  cresc. J  J 1 P  BE  (bells)  21  =—mf  i  / =  r rr  191  25  -mjL7  pr  r p  7  4  27  ft*-  >rrn wip  II  II  15  If  4  4  cresc.  ^ o  1 , 5 J>7 1  o  *  *  -  (paper rip)  c^. f. lioT ) • Jf  :  top line - lip smacks bottom line - snare-like riffs  50  3  *  —  J  *  J  —  *  , J  l  J  i — r  -  5-  *  33  , p rjr 3 — *  J  *I  S  J  J  I  4  W f — *  J-  o^r  t  192  36  -4 I f  =  '  JT l^J  \jm "ft  J  r 5±  1  J  J  "t~"•—  j~3.  I  1—*-  1  i  et  n  r~y  accel.  ii  r q5i  3  W-Tf  I 5  193  194  198  199 J = 120 -e"a ^  r 1  r  r  , T  r  L  \2 *  ,  r  r  r r T f f r |  M  —  [  5  4  m  »  i  1  j  ^  — i t — i  9  p.  J»  3  ^  f ft; r P  #1 f* r M 1r  nit i p-, „ *i: v  J  7  .,  7  t.—tT  *  .—|»  -  ^§~?  1  90  •  $ f *}^s~ v — ^ j  -  9  0  r  «•  -j9  F P  ,•  5—TT »  •  P 1  «  r-  '  *  *r  *  p  ft.  ] *  •  » r  «-  g_ r  0-  r  p  ^—it  *#.  •» p  *  L  i i  0_ V  »  »  P »— P  *  4V  0  0  1  p _  •  8j  P  r# t> <> <->  o  -^-fl-  =  ,  200  202  accel.  117  = 84  T  mf  J  i  I  3 ^  si 775  fife wip  erase.  r  3 720  J = 100  (lip smacks) - J  ^  J  ^  J -  *  16  J  J  I  a: #r  3 r  -3-  I  J * J * J * J *  203  Saturday, March 18, 2006 Turning Point Ensemble Owen Underhill, Director Trays in the Upright Position Of Life and Love "Adam and Eve Now"  Daniel Pruger Farshid Samandari  Echoes  Tudor Feraru  so little time  Katherine Graff  Mientras en Espafia  Kimla Attiana  Voices Rising  Marcus Goddard INTERMISSION  In the Fury of a Passing Moment Blowhole  Jeffrey Mettlewsky Joanna Chapman-Smith  Fantasy No. 3 (Premiere) John Baker 1. Prelude (Seno, tempo moderato); 2. Invention 1 (Animate); 3. /r7t^e/7/7ip/7 2(Interlude<Lento); 4. Passacaglia (Andante) Reflections on Solitude Rocketfish  Nebojsa Macura Alfredo Santa Ana  ...in a sort of runic rhyme  John Burke  Turning Point Ensemble: Brenda Fedoruk, flute/altoflute;Beth Orson, oboe/English horn; Francois Houle, clarinet; Marcus Goddard, trumpet; Jeremy Berkman, trombone; Marc Destrube\ violin; Peggy Lee, cello; Colin Corner, double bass; Jane Hayes, piano; Daniel Tones, percussion Biographical notes begin on page 24  14  T H E UNIVERSITY S C H O O L O F Recital  O F BRITISH  M U S I C  Hall  F r i d a y , M a r c h 3, 2006 12:00  C O L U M B I A  i  p.m.  U.B.C. CONTEMPORARY PLAYERS STEPHEN C H A T M A N , GIORGIO M A G N A N E N S I - DIRECTORS Tudor Feraru, John van Deursen - Assistant Directors  3 Moments  for Clarinet  I.  Moving  II.  Serene  III.  Layered  Quartet  M a r t i n Ritter (b.  1982)  clarinet I clarinet II K a t a r z y n a M a r c z a k , clarinet III K a r e n D a v i d s o n , bass clarinet Michael Dowler, Ian M u n r o ,  C h a m b e r C o n c e r t o for Strings a n d P e r c u s s i o n III.  Scherzo  N e b o j s a S.  agitato  Macura (b.  1982)  violin I violin II L a n a E l i a s , viola C r y s t a l D e r k s e n , cello B r i a n N e s s e l r o a d , percussion M a r t i n R i t t e r , percussion J o y Y e h , harp A n d r e a L o d g e , piano Alana Chang, Bora Lee,  Danza  Cubista  Maria  Granillo (b.  violin L a n a E l i a s , viola S a b r i n a T s o u , cello S a r a K a l k e , flute M i c h a e l D o w l e r , clarinet A n d r e a L o d g e , piano Grace Tsang,  1962)  THE UNIVERSITY OF BIRTSH COLUMBIA SCHOOL OF MUISC Recital Hall Thursday, November 9, 2006 12:00 p.m.  U B C STUDENT COMPOSERS' CONCERT my pessimism contains overtones of optimism; my optimism contains undertones of pessimism  Ryan Trew (b. 1979)  Erika Crino, Brett Kingsbury, Kasia Marczak & Ryan Trew piano Hand in Hand  Chris Sivak (b. 1982)  Chris Sivak, piano Nicola Kill, voice Five Preludes (2003)  Brad Stark (b. 1980) Brad Stark, piano  Improvisation No. 2 Nebojsa Macura piano & digital performer ensemble In the Locrian Mode  Nebojsa Macura (b. 1982)  Matthew Mactavish (b. 1960) Joy Yeh, harp  Echoes I: of Time and Tone  Richard Covey (b. 1979) Aleksander Szram, piano  In a Station of the Metro Adrienne Paulson, soprano Jane Corrall, soprano Nadia Chana, mezzo soprano Carl a Hartenberger, alto K  Eva Tidlund (b. 1986)  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, January 7, 2007 7:00 p.m.  DOCTORAL RECITAL* SUZANNE SNIZEK, Flute  Mountain Songs (1984) I. II. HI. TV. V.  Robert Beaser (b. 1954)  Barbara Allen The House Carpenter He's Gone Away Hush You Bye Cindy Peter Zaenker, guitar  Chamber Music No. 4 Living on the Edge (2006) I. II. III.  Nebojsa Macura (b. 1982)  Cog in the Machine Nostalgic Horizons Policies and Deadlines/ The Machine Jessica Raposo, piccolo  INTERMISSION Trio for Flute, Cello and Piano (1950) I. II.  Poco Allegretto Adagio  Bohuslav Martinu (1890-1959)  CONCERT 2: 1:3Q P.M. - U B C Recital Hall Students from University Of British Columbia Fragments of R  flute - Laura McCallum percussion - Dan Cardqna piano - Brad Stark ' bass - Sandy Chen conductor - Tudor Feraru  Le Portail d'Asni  Martin Ritter  Benton Roark  flute - Laura McCallum clarinet - Mike Dowler french horn - Nick Anderson piano - Devon Joiner violin - Yun Jung viola - Jeffrey Chow cello - Grace Harvey bass - Sandy Chen percussion - Nicholas Jacquesi Dan Cardona conductor - Eric Wilson  Burst  Hand in Hand  West Coast Student Composers Symposium  clarinet - Mike Dowler violin - Grace Tsang harp - Joy Yeh conductor - Tudor Feraru voice - Nadia Chana piano - Chris Sivak  My pessimism contains overtones of optimism, My optimism contains undertones of pessimism  January 26, 2 0 0 7  Aaron Young  Technology Demonstrations Chris Sivak  Software, Sensors, Controllers, Machine-learning  UBC School of Music - Rm. 3D4 Ryan Trew  piano - Ryan Trew, Jared Miller, Sunny Qu, Nebojsa Macura Chamber Concerto for Strings and Percussion Nebojsa Macura  violin - Erin van Kooten violin - Sufan Yiu viola - Jeffrey Chow cello - Grace Harvey piano - Brad Stark harp - Janelle Nadeau percussion - Dan Cardona percussion - Hsueh-Jen Huang conductor - Tudor Feraru  UBC School of Music  11:30 a.m. - UBC Jennifer Butler  1 : • • p.m - U.Vic  Ajay Kapur, Adam Tindale, Jeff Morton, Randy Jones  2:30 p.m.- S.F.U. Max Alexander, Adam Basanta, Peter Bowles, •avid Mesiha, Yota Kobayoshi  S A T U R D A Y , M A R C H 17, 2 0 0 7 , 7 : 3 0 P M T U R N I N G POINT E N S E M B L E  Accelerating Line  Aaron Young  Foliage  Elizabeth Knudson  Alda  Darren Miller Carl Winter  Interruptions  INTERMISSION Nicholas Fairbank  Three Bagatelles  1. Vivo 2. Adagio 3. Alia Marcia  Therassia  Craig Day  The Tower of Hanoi  Sylvia Detar  Progress of Accumulation  Jeffrey Mettlewsky  Carnal Dances  Nebojsa S. Macura  Turning Point Ensemble:  Co-Artistic Directors: Jeremy Berkman and Owen Underhill Brenda Fedoruk, flute | Frangois Houle, clarinet | Ingrid Chiang, bassoon \ Marcus Goddard, trumpet \ Benjamin Kinsman, horn Jeremy Berkman, trombone \ Mark Ferris, violin Peggy Lee, cello | David Brown, bass \ Jane Hayes, piano Daniel Tones, percussion \ Owen Underhill, conductor  - 2 0  -  T H E UNIVERSITY OF BRITISH C O L U M B I A S C H O O L OF M U S I C Recital Hall Saturday, March 31, 2007 5:00 p.m.  "A Touch of Perception  NON-REQUIRED STUDENT RECITAL Morgan Zentner, English Horn  The American Dream  Jennifer Butler  Beyond  Farshid Samandari -INTERMISSION-  Journey  Fierce Desire for Love's Delight  Martin Ritter  Nebojsa Macura  Saturday, March 18, 2006 Turning Point Ensemble Owen Underhill, Director Trays in the Upright Position Of Life and Love "Adam and Eve Now" Echoes  Daniel Pruger Farshid Samandari Tudor Feraru  so little time  Katherine Graff  Mientras en Espafta  Kimla Attiana  Voices Rising  Marcus Goddard INTERMISSION  In the Fury of a Passing Moment Blowhole  Jeffrey Mettlewsky Joanna Chapman-Smith  Fantasy No. 3 (Premiere) John Baker 1. Prelude (Serio, tempo moderate); 2. Invention 1 (Animate); 3. 7/7ke/7Ab/7 2(Interlude<Lento); 4. Passacaglia (Andante) Reflections on Solitude Nebojsa Macura Rocketfish  Alfredo Santa Ana  ...in a sort of runic rhyme  John Burke  Turning Point Ensemble: Brenda Fedoruk, flute/altoflute;Beth Orson, oboe/English horn; Francois Houle, clarinet; Marcus Goddard, trumpet; Jeremy Berkman, trombone; Marc Destrube, violin; Peggy Lee, cello; Colin Corner, double bass; Jane Hayes, piano; Daniel Tones, percussion  Biographical notes begin on page 24  14  I  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Friday, March 3, 2006 12:00 p.m.  U.B.C. C O N T E M P O R A R Y PLAYERS STEPHEN C H A T M A N , GIORGIO M A G N A N E N S I - DIRECTORS Tudor Feraru, John van Deursen - Assistant Directors  3 Moments for Clarinet Quartet I. Moving II. Serene III. Layered  Martin Ritter (b. 1982)  Michael Dowler, clarinet I Ian Munro, clarinet II Katarzyna Marczak, clarinet III Karen Davidson, bass clarinet Chamber Concerto for Strings and Percussion III. Scherzo agitato  Nebojsa S. Macura (b. 1982) (  Alana Chang, violin I Bora Lee, violin II Lana Elias, viola Crystal Derksen, cello Brian Nesselroad, percussion Martin Ritter, percussion Joy Yeh, harp Andrea Lodge, piano  DanzaCubista  Maria Granillo (b. 1962) Grace Tsang, violin Lana Elias, viola Sabrina Tsou, cello Sara Kalke, flute Michael Dowler, clarinet Andrea Lodge, piano  T H E U N I V E R S I T Y OF BIRTSH  COLUMBIA  S C H O O L OF M U I S C Recital Hall Thursday, November 9, 2006 12:00  p.m.  UBC STUDENT COMPOSERS'  CONCERT  m y pessimism contains overtones o f . o p t i m i s m ;  Ryan Trew  m y o p t i m i s m contains undertones o f p e s s i m i s m  (b. 1979)  E r i k a C r i n o , Brett K i n g s b u r y , K a s i a M a r c z a k & R y a n T r e w  piano H a n d in H a n d C h r i s Sivak, piano N i c o l a K i l l , voice F i v e Preludes (2003)  Chris Sivak (b. 1982)  B r a d Stark (b. 1980) B r a d Stark, piano  Improvisation N o . 2 Nebojsa Macura  Nebojsa Macura (b. 1982)  piano & digital performer ensemble In the L o c r i a n M o d e  Matthew Mactavish (b. 1960)  Joy Y e h , harp Echoes I: o f T i m e and Tone  Richard Covey (b. 1979) A l e k s a n d e r S z r a m , piano  In a Station o f the M e t r o A d r i e n n e Paulson, soprano Jane C o r r a l 1, soprano N a d i a C h a n a , mezzo soprano C a r l a Hartenberger, alto  E v a Tidlund (b. 1986)  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, January 7, 2007 7:00 p.m.  DOCTORAL RECITAL* SUZANNE SNIZEK, Flute Mountain Songs (1984)  Robert Beaser (b. 1954)  I. II. HI. IV. V.  Barbara Allen The House Carpenter He's Gone Away Hush You Bye Cindy Peter Zaenker, guitar  Chamber Music No. 4 Living on the Edge (2006) I. II. III.  Nebojsa Macura (b. 1982)  Cog in the Machine Nostalgic Horizons Policies and Deadlines/ The Machine Jessica Raposo, piccolo  - INTERMISSIONTrio for Flute, Cello and Piano (1950) I. II.  Poco Allegretto Adagio  Bohuslav Martinu (1890-1959)  CONCERT 2: 1:30 P.M. - UBC Recital Hall Students from University Of British Columbia Fragments of R  Martin Ritter  flute - Laura McCallum percussion - Dan Cardqna piano - Brad Stark '' bass - Sandy Chen conductor - Tudor Feraru Le Portail d'Asni  Benton Roark  flute - Laura McCallum clarinet - Mike Dowler french horn - Nick Anderson piano - Devon Joiner violin - Yun Jung viola - Jeffrey Chow cello - Grace Harvey bass - Sandy Chen percussion - Nicholas'Jacques, Dan Cardona conductor - Eric Wilson  Burst  Hand in Hand  W e s t Coast Student Composers Symposium  clarinet - Mike Dowler violin - Grace Tsang harp - Joy Yeh conductor - Tudor Feram voice - Nadia Chana piano - Chris Sivak  My pessimism contains overtones of optimism, My optimism contains undertones of pessimism  January 26, 2007  ' Aaron Young  Technology Demonstrations Chris Sivak  Software, Sensors, Controllers, Machine-learning  UBC School of Music - Rm. 304 Ryan Trew  piano - Ryan Trew, Jared Miller, Sunny Qu, Nebojsa Macura Chamber Concerto for Strings and Percussion Nebojsa Macura  violin - Erin van Kooten violin - Sufan Yiu viola - Jeffrey Chow cello - Grace Harvey piano - Brad Stark harp - Janelle Nadeau percussion - Dan Cardona percussion - Hsueh-Jen Huang conductor - Tudor Feraru  UBC School of Music  11:30 a . m . - U B C Jennifer Butler  1:00 p.m - U.Vic Ajay Kapur, Adam Tindale, Jeff Morton, Randy Jones  2:30 p.m.-S.F.U. Max Alexander, Adam Basanta, Peter Bowles, David Mesiha, Yota Kobayoshi  SATURDAY,  M A R C H 17, 2 0 0 7 ,  7:30PM  T U R N I N G POINT E N S E M B L E  Accelerating Line  Aaron Young  Foliage  Elizabeth Knudson  Alda  Darren Miller Carl Winter  Interruptions  INTERMISSION Nicholas Fairbank  Three Bagatelles  1. Vivo 2. Adagio 3. Alia Marcia  Therassia  Craig Day  The Tower of Hanoi  Sylvia Detar  Progress of Accumulation  Jeffrey Mettlewsky  Carnal Dances  Nebojsa S. Macura  Turning Point Ensemble:  Co-Artistic Directors: Jeremy Berkman and Owen Underhill Brenda Fedoruk, flute \ Frangois Houle, clarinet | Ingrid Chiang, bassoon \ Marcus Goddard, trumpet \ Benjamin Kinsman, horn Jeremy Berkman, trombone \ Mark Ferris, violin Peggy Lee, cello | David Brown, bass | Jane Hayes, piano Daniel Tones, percussion \ Owen Underhill, conductor  -zo-  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Saturday, March 31,2007 5:00 p.m.  "A Touch of Perception  NON-REQUIRED STUDENT RECITAL Morgan Zentner, English Horn  The American Dream  Jennifer Butler  Beyond  Farshid Samandari -INTERMISSION-  Journey  Fierce Desire for Love's Delighe  Martin Ritter  Nebojsa Macura  

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