"Arts, Faculty of"@en . "Music, School of"@en . "DSpace"@en . "UBCV"@en . "Macura, Nebojsa Slobodan"@en . "2011-03-03T06:20:37Z"@en . "2007"@en . "Master of Music - MMus"@en . "University of British Columbia"@en . "The thesis for the Master of Music degree in Composition consists of live performances of original\r\nworks composed during graduate study. The student is expected to have written and have performed\r\napproximately an hour of music for various media.\r\nMy compositions were performed on March 3, 2006; March 18, 2006; April 13, 2006; November\r\n9, 2006; January 7, 2007; January 26, 2007; March 12, 2007; March 17, 2007; March 31, 2007; and April\r\n19, 2007."@en . "https://circle.library.ubc.ca/rest/handle/2429/31971?expand=metadata"@en . "COMPOSITIONS by NEBOJSA SLOBODAN MACURA B.Mus., The University of Wisconsin-Madison, 2005 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES (Composition) THE UNIVERSITY OF BRITISH COLUMBIA April 2007 \u00C2\u00A9 Nebojsa Slobodan Macura, 2007 11 ABSTRACT The thesis for the Master of Music degree in Composition consists of live performances of original works composed during graduate study. The student is expected to have written and have performed approximately an hour of music for various media. My compositions were performed on March 3, 2006; March 18, 2006; April 13, 2006; November 9, 2006; January 7, 2007; January 26, 2007; March 12, 2007; March 17, 2007; March 31, 2007; and April 19, 2007. iii TABLE OF CONTENTS Abstract \u00C2\u00BB Table of Contents iii Acknowledgements iv Reflections on Solitude 1 Chamber Concerto for Strings and Percussion (3 rd movement) 14 Dirge 39 ' Improvisation No. 2 49 Chamber Concerto for Strings and Percussion (1st movement) 64 Chamber Music No. 4 - Living on the Edge 89 I. Cog in the Machine 90 II. Nostalgic Horizons 95 III. Policies and Deadlines / The Machine 99 Carnal Dances 112 Sinister Daydreams 157 Forbidden Fantasies 181 I. Your friend is kind of cute 182 II. But what about tomorrow? 183 III. You are still beautiful to me 185 Fierce Desire for Love's Delight 188 ACKNOWLEDGMENTS Many thanks to Professors Stephen Chatman, Dorothy Chang, Keith Hamel, and Alexander Fisher; and to all the performers who gave life to these compositions. Reflections on Solitude for Chamber Ensemble by Nebojsa S. Macura 2005 Instrumentation Flute (doubling Alto Flute) Oboe (doubling English Horn) Clarinet in B-flat Trumpet in C Tenor Trombone Percussion (1 player)* Piano Violoncello Contrabass \"Marimba, Vibraphone, Glockenspiel, Suspended Cymbal, Sizzle Cymbal duration: 7'00\" Reflections on Solitude 4 6 7 acceL cresc. poco a poco 8 9 E . H . CI. cresc. sempre Tbn. cresc. sempre Perc. Sizzle Cymbal hard mallets ffmarcato 12 13 Chamber Concerto for String and Percussion (3rd movement) Nebojsa S. Macura 2006 Duration: 4'00\" Instrumentation Percussion 1 Marimba, 2 Tom-toms, 2 Bongos, Susp. Cymbal Percussion 2 Finger Cymbals, Tambourine, Machine Castanets Piano Harp Violin I Violin II Viola Violoncello Chamber Concerto for Strings and Percussion 3rd movement 16 Nebqjsa S. Macura J = 138 Marimba Percussion 1 |j Percussion 2 Piano Harp Violin I Violin II Viola Violoncello ord. \Jf) = sul tasto r ^ r r r T r r * \u00E2\u0080\u0094 _ j 17 18 \u00E2\u0084\u00A2p-=f sul pont. Marimba \24\ Perc. 1 { Perc. 2 Hp Vin. II Vc. Tamb 7 ) 7 }y J \" J 1 7 \u00E2\u0080\u0094 J L _ ? \u00E2\u0080\u0094 \u00E2\u0080\u0094 J ~ * | 7 iL_3 \22\ (dead stroke) Perc. 1 Perc. 2 Pno Hp Vin. II Vc. p sub. 20 senza ped. 22 Perc. 1 ( Perc. 2 ( Pno < e ^ --\u00C2\u00BB cresc / : bJ-1 N i r ^ V \u00E2\u0080\u0094 \u00E2\u0080\u0094 \u00E2\u0080\u0094 ^ \u00E2\u0080\u0094 \u00E2\u0080\u0094 ii r * r r r 1 r * 7 r r1 7 ^ 7 v7 r_J1 J \u00E2\u0080\u00A2 t = \u00C2\u00B1 $ (Tamb.) k * k k to Castanets II 1 J* J 1 1 7 J 7 J 1 J\" 1 Castanets Hp Vln ] Vln. II Via Vc. 23 Perc. 1 f Perc. 2 Pno Vin I Vin. II Perc. 1 4 Vin Vin. II 25 2 6 30 m Tom-Toms T6-acceL 32 J I I Perc. 1 { Pno Hp { \u00E2\u0080\u00A2S 1 >- >- >\" > - > - : = -j j j . w \u00E2\u0080\u0094 J \u00E2\u0080\u0094 ^ \u00E2\u0080\u0094 1 ~ i \u00C2\u00BB > > >\u00E2\u0080\u00A2 > >\u00E2\u0080\u00A2 \u00C2\u00BB, |>a\" m m m m m~mr >- >- >-Vlnl Vin. II Via Vc. Perc. 2 Pno Maracas\" Vin I Vin. II Via 33 Susp. Cymbal mallet handle Perc. 1 [I Perc. 2 Pno Vln I Vln. II Via Vc. to Castanets J i Vln I Vln. II Via Vc. / h J = 1 0 0 [7171 (k r k \" J Jtt ~ \u00E2\u0080\u00A2 \u00E2\u0080\u0094\u00E2\u0080\u0094 r = J ,: ^ # J J \u00C2\u00AB\u00E2\u0080\u00A2 'ft' mfleggiero t = IP -\u00E2\u0080\u009414 7 . jpM -45 y\u00C2\u00BB >, q f - m j U \u00E2\u0080\u0094^-1 1 1 1 ' mp leggiero 34 35 Pno Hp Vln 1 Vln. II Via Vc. Perc. 1 Perc. 2 Pno 17 ^ )\u00E2\u0080\u00A2 5 - \u00E2\u0080\u0094 Hp Vln I Vln. II Via Vc. acceL Perc. Perc. 2 Pno Vin I Vin. II cresc. poco a poco Tambourine 4 7 J> 7 ^ 7 /\"J I 7 \u00E2\u0080\u0094 7 7 #T] | J J J Perc Perc. 2 Vin. II 37 Dirge for String Quartet Nebojsa S. Macura 2006 Duration: 4'30\" f - raise by one quarter-tone j$ - raise by three quarter-tones (all accidentals carry through the measure) J = 76 Violin I Violin II Viola Violoncello mi Dirge non vib. WW non vib. sul tasto-l 3 m iJ J *-non vib. sul tasto-40 Nebojsa S. Macura \u00E2\u0080\u00A2ord. \u00E2\u0080\u00A2ord. S T \" 42 43 sul pont. \u00E2\u0080\u00A2 \u00E2\u0080\u00A2 mp mp sul pont. sul pont. -6>-si H 2 Z mp 1 mp pizz. (very resonant) ; | | ' _mp -pp mp ^4 J $J t\u00C2\u00ABi 1 mf su lG 1 ff legato e marcato accel. sul A mfsub. non vib. m n i l m ~m nh m mf cresc. \ffi> sul A non vib. sul D mfsub. te 1 non vib. erase. \u00E2\u0080\u00A2 ff 45 m 7-0-non vib. ->ord. r f r _mf non vib. -\u00E2\u0080\u00A2ord. r r T : m / P -f J = 108 46 fmarcato 4fc fmarcato -mf-IIH r^j-^Tjj)^ fmarcato mp fmarcato SB ip Hp cantabile -f mf cantabile f f yip mf cantabile -f O ' \u00E2\u0080\u0094 = cantabile ~ f Improvisation No.2 for piano and compact disc Nebojsa S. Macura 2006 Duration: 6'15\" 51 52 29 loco J J J\"3 J 1 1 . h f r ^ ^ r - i \u00E2\u0080\u0094 1 \u00C2\u00A71 m Jj \ i i * i / Jf^ = U): ftS M > -g 1 r * ^ P J . 56 60 m i1 I I I mf i l l l l agitated 3 m 3 i mp cresc. I t i l l _ A 5= 59 mp L - j i l 90 j UA 7 7 \j ^ 7 7 ' \" i r r =r r r Chamber Concerto for String and Percussion (1 st movement) Nebojsa S. Macura 2006 Instrumentation Percussion 1 Marimba, 2 Tom-toms, 2 Bongos, Susp. Cymbal Percussion 2 Finger Cymbals, Tambourine, Machine Castanets Piano Harp Violin I Violin II Viola Violoncello Duration: 5'00\" Chamber Concerto for Strings and Percussion 1 st movement 66 Nebojsa S. Macura Percussion 1 Percussion 2 Piano Harp Violin 1 Violin II Viola Violoncello solo (freely, like an improvisation) J = 48 Marimba 5 s poco 68 Perc. 1 Perc. 2 II 'I -\u00C2\u00BB 7\u00E2\u0080\u0094W\u00E2\u0080\u0094l-J d 0 \u00C2\u00BB \u00C2\u00BB / 0- y JJ J J \u00C2\u00AB-Hp { Vin I Vin. II Via Vc. m Perc. 1 Perc. 2 Pno Hp ] Vin I Vin. II Via Vc. 3 u. 3 j i J i 1 ' I | | ' - ' - - - - < - | ' - - - - - - | -j\u00C2\u00BB sub. mp 'il>8 mpsub. 69 Perc. 1 Perc. 2 \u00E2\u0084\u00A2p\u00E2\u0080\u0094===== / : P j \u00E2\u0080\u0094 x \u00E2\u0080\u0094 j \u00E2\u0080\u0094 x \u00E2\u0080\u0094 1 7 i 11 m~} i j \ -mp N 7 Pno Hp { Vln I Vln. II Via Vc. mf P V J' ^ solo / or\u00E2\u0084\u00A2. / dim. ML f dim. -\u00C2\u00BB-f dim. mp Perc. 2 Hp \u00C2\u00A3 H - 4 7 J3 J t 1 T l to Finger Cymbals + m mf f -\u00C2\u00AB sul tasto Vln 1 Via Vc. p sul tasto f _ p B P 70 Perc. 2 Hp Vln 1 Vln. II Via Vc. Finger Cymbals l.v. sempre ^ llii to Tambourine 4UJ \u00E2\u0080\u00A2 r r \" 1 > i< m (sul tasto) \u00E2\u0080\u00A24-Perc. 1 Perc. 2 Hp / Tambourine \u00E2\u0080\u0094 / y J '7 suir> Vln] Vln. II Via Vc. fsub. 71 Perc. 1 Perc. 2 Pno V l n l Vin. 11 3 Perc Perc. 2 Vin Vin. II 74 75 Perc. 1 Perc. 2 Pno Hp Via Vc. Perc. 1 Perc. 2 Pno IIII f \u00E2\u0080\u0094 \u00C2\u00BB * m ' m\u00E2\u0080\u0094f-f-7 f u Castanets / \u00C2\u00BB M *> ** j \u00C2\u00B1-t\u00E2\u0080\u0094 \u00E2\u0080\u0094\u00E2\u0080\u00A2 -j--m-i-7 : \u00C2\u00BB J L < r * 0 i 1 * mf ft arco Ft=f * \" * 0 , \u00E2\u0080\u0094 . r-rrrL m A arco \"ft* w# ^ = \u00E2\u0080\u0094 \u00E2\u0080\u0094 \u00E2\u0080\u0094 L A44\"W I * - * \u00E2\u0080\u0094 * r * f * f m % T % / pizz. = it L 4 I ^ J J \u00E2\u0080\u0094 t 1 Hp Vln I Vln. II Via Vc. fmarcato 76 1541 to Marimba Perc. 1 Perc. 2 Pno Vln I Vln. II Via Perc. 1 Perc. 2 Pno \u00C2\u00B1 -H : 1 - P W-* 1 *) p cresc. 0 P r *r = J Marimba (hardest possible mallets) -ft Hp Vln I Vln. II Via ppsub. ppsub. ppsub. cresc. \u00E2\u0080\u0094o cresc. Tom-toms mallets > J J 78 Perc. 1 Perc. 2 Pno i?P Finger Cymbals 4 J -*\u00E2\u0080\u0094m\u00E2\u0080\u0094 pp cresc. poco a poco J J y J J> -0 0 7\u00E2\u0080\u0094* 0\u00E2\u0080\u0094 Hp \ / 7 \u00E2\u0080\u0094 ti'f IfP 7 ^ ^ 5 Vc. Perc. 1 Perc. 2 Pno Hp Vin I Vin. II Via Vc. mp cresc. 79 81 to Susp. Cymbal Perc. 1 Pno Vin I Vin Perc. 1 Pno it \" J Vin I Vin. II 82 >vib. ord. Vln I cresc. poco a poco \u00E2\u0080\u00A2vib. ord. Vln. II cresc. poco a poco \"^ \u00E2\u0080\u00A2ib. ord. Via cresc. poco a poco Vc. 6 6 s 6 6 6 6 6 0 Perc. 1 Perc. 2 Vin I Vin. II Via litis it Y*J 6 6 6 6 3z: via sord. 4 i!f'Li via sord. 83 \"g|wooden sticks - en p=a II Castanets 7 J 3 J ~ J 7 ^ f clap hands J J J J mf clap hands J J J 6 6 6 6 via sord. clap hands J J J 6 6 6 Vc. m mf clap hands J J J Perc. 1 Perc. 2 Pno strike lowest strings with palm of hand Hp { knock on soundboard with knuckles ^ 7 J> f J> 7 J> J v-1 J> 7 > S i -Vin 1 Vin. II Via Vc. II -J \u00E2\u0080\u00A2 -Li J J -J J J-J 1 J I J J J J . J J J J-J J J I 84 Perc. 1 Perc. 2 p sub. mp IhH-\u00C2\u00AB i p cresc. poco a poco J i i I T Hp i{ Vin I Vin. II p mp 7 J> 7 J3| J mf J I II * 1 Via Vc. J t HH-J 1 Perc. 1 Perc. 2 i to Tambourine J i -[./^Tambourine 7 J\"*3-Pno Hp Vin I Vin. II Via Vc. 85 8 6 87 Chamber Music No. 4 Living on the Edge for Piccolo and Flute Nebojsa S. Macura 2006 Duration: 8'00\" 90 for Suzanne Chamber Music No. 4 - Living on the Edge I. Cog in the Machine Nebojsa S. Macura A J = 152 (Mechanically, with no accents and no sense of meter) Piccolo Flute Note: Accidentals always carry through the measure dynamics ad lib. until measure 16 1%.\u00E2\u0080\u0094\u00E2\u0080\u00A2 I* 9 \ X n i i ' f>hmU- : \u00E2\u0080\u00941\u00E2\u0080\u0094 ! \u00E2\u0080\u0094 s 1 *-^v\u00E2\u0080\u0094** I m 1\u00E2\u0080\u0094'\u00E2\u0080\u0094*} J 91 93 31 J4 ^JJMJJ'trj rr / Jp cresc. poco a poco f 37 poco rail.. S \u00E2\u0080\u00A2-a infsub. s % J) y y[}*> 7\>y =\u00C2\u00A3 p J*. = 184 40 ( J = 138) poco accel. mp fsub. psub. mfsub. 94 45 i I ff cresc. J = 168 or as fast as possible i f j \u00E2\u0080\u009E n r r > r r r \u00C2\u00A5 r r r r f r n 1 ;\u00E2\u0080\u00941 1 1 1 M i l l fmarcato cresc. / 7.\u00E2\u0080\u00947_|\u00C2\u00ABLf \u00E2\u0080\u0094^< / j%?con t u t t a f\u00C2\u00B0rza 8 / ' ' fmarcato cresc. ff fffcon t u t t a forza ca. VI5\" Vancouver, BC October 15,2006 = 50 II. Nostalgic Horizons accel._ . _rit. 95 tempo I Piccolo Flute * \u00E2\u0080\u0094 P o -3 * * * + fp 3 molto accel. _ (liberamente) t e m p 0 j TT v H> P mf -He\u00C2\u00AB-fP 5 accel. rit. tempo I 22 t^tJ ^ J J a i E J J.. J o 50 o 96 p cresc. poco a poco 23 a t e m p o poco acce l . mp \u00E2\u0080\u0094 Z(f) mp cresc. 27 poco accel.. . . . . . . . a tempo Vancouver, BC October 24, 2006 dim. p(non cresc.) nip 106 jfsub. 107 67 dim. m. if^ f nrr mp cresc. poco a poco mm m dim. mf mp cresc. poco a poco pp murmuring 71 p i l l imp # 4 cresc. cresc. accel.. (flutter) angry 108 109 85 \u00C2\u00BB-<\u00E2\u0080\u0094m Jr) k , ^ K C i \u00E2\u0080\u0094 \u00E2\u0080\u0094 / \u00E2\u0080\u00A2 \u00E2\u0080\u0094 humP 7 p y y fas /owe/ as possible) fm . / \u00E2\u0080\u0094 \"y > > s p p p- ' \u00C2\u00AB5P f aggressive 97 $ ft F T P S T g i g mp 9 16 >7 \u00C2\u00ABP ?g ?rr P 9 16 9 16 110 99 \u00E2\u0080\u00A2 ft cresc. tempo I A s fast as humanly possible > = 176 i = 276+ I 104 H ? p ? p bfrT?> JB r r r y *j y *j y ~ B J \u00E2\u0080\u0094 = = ?p 1 p i p 770 jfsub. 116 mm ffmarcato 16 ffmarcato nip sub. ff I l l 122 16 } = } P \" sub. _9 16 J bJ / marcatissimo marcatissimo ffp-== ffp-= fffffffffshrill> Piercing sfz grunt-like ffffffJTfsnrill> Pacing 7 ca. 4'00\" sfz grunt-like Vancouver, BC November 15, 2006 1/2. Carnal Dances For Chamber Ensemble Nebojsa S. Macura 2006 duration: ca. 9 minutes Instrumentation Alto Flute (doubling Piccolo) Clarinet in B-flat Bassoon Horn in F Trumpet in C Trombone Percussion (Drum Set) Pedal Low Suspended T r j Bass Drum Tom-Tom Cowbell Cymbal x \u00C2\u00BB m >-Pedal Hi-hat Snare High Hi-hat Tambourine (Pedal) Drum Tom-Tom (.Stick) Piano Violin Violoncello Contrabass Carnal Dances 114 Score in C A l t o Flute Clarinet Bassoon Nebojsa S. Macura J= 112 Horn Trumpet Trombone Percussion (Drum Set) Piano < V i o l i n V io lonce l lo Contrabass J= 112 sul G / v \u00E2\u0080\u0094 ^ fro L = = rj 1 K L J V J H j \u00E2\u0080\u0094 J ' d \u00E2\u0080\u0094 ^ JP\u00E2\u0080\u0094 O A . FI. CI . Bsn 117 118 120 121 125 127 128 130 131 J= 120 Bsn Tbn . Perc. i\" * r * r \u00E2\u0080\u00A2* r r r dim. Pno<; mpsub. V l n V c . C b . J= 120 m -wm i fmarcato f pizz. r r g mpsub. Tbn. (mp) Pno< V l n C b . 132 133 Pice. Hn Tpt Tbn. fP S. Cym. 134 136 CI. Bsn 1 Jf 5 l]f / bouche Tbn. Perc. Pno< T^-fZ \u00E2\u0080\u0094* | / 7 j | col legno battuto Vln 137 138 139 140 141 Bsn Perc A . F l . Tbn . Perc. S. D . + + J 1 L i\u00E2\u0080\u0094i = \u00E2\u0080\u009E X + X 4-x \u00E2\u0080\u00A2I > J J f / ff jp cresc. poco a poco B . D . dim. 142 144 145 146 149 151 153 155 156 excerpt from Sinister Daydreams for Orchestra Nebojsa S. Macura 2007 Instrumentation 1 Piccolo 1 Flute 1 Oboe 1 English Horn 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 2 Tenor Trombones 1 Bass Trombone 1 Tuba 2 Percussion 1 - Vibes, Crotales, Tenor Drum 2 - Triangle, Tam-tam, Sizzle Cymbal both - Suspended Cymbal, Bass Drum Strings duration: 5'00\" Sinister Daydreams 159 Nebojsa S. Macura J = 60 Flute Oboe English Horn 2 Clarinets 4 Horns 2 Trumpets 2 Trombones Bass Trombone Violin 1 Viola 160 161 162 m j 163 Ob. Eng. Hn 2 Bsns 2 Tpts 2 Tbns B. Tbn. Tba mfsub. fJPP Tenor Drum L i .j i J l Perc. 2 Bass Drum ) 1 7 I p ben marcato f 164 165 FI. 2 Bsns 2 Tpts Vln II f?r fy ^ f ffi f$ ff mf = = = = = i> 3'f) r t t ^ Q _ r _ f ^ r f t r r = V senza sord. lip . V. r ^ f H mf = \u00E2\u0080\u0094 ^ . te^ i\u00C2\u00BB r \ \ \ p arco , . \u00E2\u0080\u00A2j- t s ^ = i 1 1 ' 1 ' T f , \u00E2\u0080\u009E t ,\u00E2\u0080\u00A2 2 Bsns 2 Tpts 2 Tbns Vln II 166 J = 4 2 r Eng.,Hn 4 Hns 2 Tpts 2 Tbns Perc Perc. 2 167 168 3^j = 46 y Ob. Eng. Hn 2 Cls 2 Bsns 2 Tpts B. Tbn. Tba Perc. 1 cresc. poco a poco 171 Eng. Hn 1. freely , 0 f dim. sul pont. Via 172 J = 135 Eng. Hn 173 mf sub. cresc. poco a poco mp cresc. poco a poco mfsub. cresc. poco a poco mfsub. cresc. poco a poco mf cresc. poco a poco 174 175 Ob. Eng. Hn 2 Bsns 2 Tpts (Tenor Drum) Vln I Vln II Cb. 176 177 179 senza sord. senza sord. m mp cresc. senza sord. \u00E2\u0084\u00A2p cresc. 180 Forbidden Fantasies for Piano Nebojsa S. Macura 2007 Duration: 4'30\" F o r b i d d e n F a n t a s i e s I. Your friend is kind of cute. 182 B r o a d l y , innocent ly J = 60-69 poco r a i l . a tempo 15 r i t . a l fine J J J J . A \u00E2\u0080\u0094 P \u00E2\u0080\u0094 - 1 \u00E2\u0080\u0094 r J * -mf \u00E2\u0080\u0094 t \u00E2\u0080\u0094 - \u00E2\u0080\u0094 \u00C2\u00AB \u00C2\u00BB \u00E2\u0080\u0094 f \u00E2\u0080\u0094 \" L J ^ J - fJ b'4 mp i y J fe,H\u00E2\u0080\u0094J-pp \u00E2\u0080\u00A2 t. > J 1 1 p p irj? ^ t > II. But what about tomorrow? 183 Freely, nostalgically J = 60 Nebojsa S. Macura . J . poco accel. cresc. Q 4* pp w mi m at * rJ con ped. 1 20 J I tp 1 2.- r r r J j y i \u00E2\u0080\u0094 ? * i \u00C2\u00BB \u00E2\u0080\u0094 \u00C2\u00BB \u00E2\u0080\u0094 \u00C2\u00BB \u00E2\u0080\u0094 8 > - \u00C2\u00A9 - \u00E2\u0080\u00A2 n fY^T ^ fc> '1 * \u00C2\u00BB . - g - J J ~ J ^ : i J / \" J o : \u00C2\u00BB T \u00E2\u0080\u0094 ^ \" \u00E2\u0080\u0094 \" - S*. 1 a - p H \u00E2\u0080\u0094 ca. 7 '45\" III. You're still beautiful to me. 185 Nervously, insecurely J = 60-69 p rustling 11 i n \u00C2\u00BB J i J * Nebojsa S. Macura con ped. Faster and more free; hot and heavy! 13 J = ca. 88 Vp- TT T 188 Fierce Desire for Love's Delight for English Horn and compact disc Nebojsa S. Macura 2007 Duration: 7'00\" Fierce Desire for Love's Delight 189 Transposed Score (CD staves are notated a perfect fifth higher than sounding pitch) A J=40 (CD begins) very smooth, chant-like (P) (low, bell-like sound) 4 V *> \u00E2\u0080\u00A2 h O / o n lloll 70 mp (like a snare drum) (mid-range bell) l l l i ~nor tMk (low drone continues) 190 16 p cresc. = 48 plloll J J \u00C2\u00BB J J ^ 3 J i -P\"^ ^IKSF-(drones continue) 19 1^ J J- 1 cresc. J J 1 P / = B E (bells) 21 i =\u00E2\u0080\u0094mf r rr 25 -mjL-7 p r 7 r p 191 4 27 ft*- >rrn wip c resc. II ^ o 1 15 I f 4 4 , 5 J>7 * * - t II o 1 (paper rip) c^. f. lioT : ) \u00E2\u0080\u00A2 Jf 50 top line - lip smacks bottom line - snare-like riffs 3 * J J , J J l i \u00E2\u0080\u0094 r \u00E2\u0080\u0094 * \u00E2\u0080\u0094 * -5- * 33 , p rjr 3 \u00E2\u0080\u0094 * J J J I *-I S 4 J-W f \u00E2\u0080\u0094 * o^r 192 36 -4 \jm J l J \"t~\" \u00E2\u0080\u00A2 1 i I f = ' \"ft T ^ J J \u00E2\u0080\u0094 et J I j ~ 3 . n r~y r 5 \u00C2\u00B1 1\u00E2\u0080\u0094*-1 accel. i i r q5i W - T f 3 I 5 193 194 198 199 J = 120 \" a r r r r , , r r r r T f f r | -e-^ L 1 T M [ \2 * i j 1 \u00E2\u0080\u0094 5 \u00C2\u00BB 4 m \u00E2\u0080\u0094 i t p. J\u00C2\u00BB 3 ^ #1 f* r M 9 f ft; r P * i : ., t.\u00E2\u0080\u0094t- -^ \u00E2\u0080\u0094 i * * * 1- r \u00E2\u0080\u00A2 8j nit i p-, \u00E2\u0080\u009E = J 7 7 T * - .\u00E2\u0080\u0094|\u00C2\u00BB v 1 \u00C2\u00A7^~? ' p L \u00C2\u00BB i p 4 i * V -^-fl-90 0 \u00E2\u0080\u00A2 \u00E2\u0080\u00A2 \u00C2\u00AB\u00E2\u0080\u00A2 -j 9 \u00C2\u00AB , 5\u00E2\u0080\u0094TT \u00E2\u0080\u00A2 r-\u00C2\u00BB *-r ft. 0-r \u00E2\u0080\u00A2 p 0_ V \u00C2\u00BB 0 r # , $ f r 1 *}^s~ P F P *#. ] * \u00C2\u00BB r ^\u00E2\u0080\u0094it \u00C2\u00AB- g_ r 1 p P 0 t> <> <-> v \u00E2\u0080\u0094 ^ j 9 \u00E2\u0080\u00A2 _ \u00C2\u00BB \u00C2\u00BB \u00E2\u0080\u0094 P P o 2 0 0 2 0 2 accel. 117 = 84 mf T J i I 3 ^ s i 775 3 fife wip erase. r 720 J = 100 (lip smacks) - J ^ J ^ J - * 1 6 J I J I J * J * J * J * a: 3 r #r -3-203 Saturday, March 18, 2006 Turning Point Ensemble Owen Underhill, Director Trays in the Upright Position Daniel Pruger Of Life and Love \"Adam and Eve Now\" Farshid Samandari Echoes Tudor Feraru so little time Katherine Graff Mientras en Espafia Kimla Attiana Voices Rising Marcus Goddard I N T E R M I S S I O N In the Fury of a Passing Moment Jeffrey Mettlewsky Blowhole Joanna Chapman-Smith Fantasy No. 3 (Premiere) John Baker 1. Prelude (Seno, tempo moderato); 2. Invention 1 (Animate); 3. /r7t^ e/7/7ip/7 2(Interlude "Thesis/Dissertation"@en . "10.14288/1.0101015"@en . "eng"@en . "Music - Composition"@en . "Vancouver : University of British Columbia Library"@en . "University of British Columbia"@en . "For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use."@en . "Graduate"@en . "Compositions"@en . "Text"@en . "http://hdl.handle.net/2429/31971"@en .