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Graduation recital Smith, Douglas Gwynn 1991

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GRADUATION RECITAL by DOUGLAS GWYNN SMITH B.Mus., The University of British Columbia, 1988 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES SCHOOL OF MUSIC We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1991 © Douglas Gwynn Smith, 1991 / In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada DE-6 (2/88) CONTENTS 1. ) Concert Program 2. ) Bois de Madeleine i. ) Aria ii. ) Toccata iii. ) Elegy 3.) Trio 4.) Music Pieces 5.) Chamber Concerto THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Old Auditorium Monday, April 8,1991 8:00 p.m. Doug Smith, Composer Scendere Tape-player, Tape Bois de Madeleine 1. Aria 2. Toccata 3. Elegy Trio Hans-Karl Piltz, Viola Cameron Wilson, Violin Andrew Pearce, Cello Allen Stiles, Piano INTERMISSION Music Pieces Mary-Ellen Wilkins, Piano Chamber Concerto Stephen Chatman, Conductor Wendy van der Graaf , Flute Raymond Aucoin, Flute/Piccolo Lauris Davis-Claydon, Oboe Allyson Phillips, Horn Robin Reid, Percussion Jon Richmond, Percussion Ken Morrison, Percussion Sandra Friesen, Piano Susan Schaffer, Violin Angelique Toews, Violin Barbara Fast, Viola Laura McPheeters, Cello Brian Arkell, Bass In partial fullfillment of the requirements for a Master of Music Degree with a Major Composition Bois de Madeleine for solo viola Doug Smith © 1990 Douglas G. Smith Bois de Madeleine for Lisa Moody Aria «L 56 expressively m n poco rit a tempo p ^ ti ^ f r 0 =fe R — = p n • n •— 1 r — > U — PPP m PPP V hp ^ J J H r ',75 P* F 1 J= 72 acc* / P~1 i s a l P IH (accel) a tempo duration ca. 5 sec J„80 rubato m 1 5 = ^ — p k 9 • In i r • H H ID 1 vm J = . * v k r ^ p.—, •— n ^ 3 ' a J H \ — a IP H r ^ k r— p. Hi #3 k * r— —w —4 I - f -mp dim \ & 1 k» - L » r - r " ^ 1 i / T T l i - T T T ^ - f a -— u — • • M 1 ^ U — w 1 -J poco stringendo If? i — — M " ^ = •J J J / i W J listesso tempo 6. Toccata Jl = 132 -138 8. 9. m \>P- m 11 - m W I m \>0 p i s t i r r r r r r r r t r  i C ^ i * k i » U U L T 10. 49 « L • m -m L • v — L • • • j • A • * 1 • J 1 • f 12. pocorix Trio for Joe Trio Doug Smith © 1990 Douglas G. Smith 16. pno.' 1. IT , IT 1 * —f IN ^ 1 ' 1 =^= 1 1 r [[ 1 i 5-j ML* - J r - m fr¥= J -r-lf- b r js —i !«— v— —#- J J j \ ^ — J — I —* *1 r-r $ • 4^-~ — w 4 - !«— j — /\( r r —f— —0— < •J— -j •* J. J IH =1= ' r -f N P = -»—i HH- f f > i . . . i -#P f =#= % ff f *=== h h. — I-Vl • m r hV J ~ T -hzz T ^ = 1 = 4 = -)— * -*-M ^ — 1 L 1 •i * i t—I 1 ^ —1* ^ = ^ = # 18. 19. 9-Ff=\ .ft • w •f- * — ••• -* 1 s  1 — 2 ^ - i L^J r j 1 1 =pJ I ^ 3 =4. r ^ ' . r| , f x 9 90-f> nfjr ? i r ^  r ft 20. PPP s—~ 21. i qu — ^ asi staci - 3 — •L—a ±^±-±-*^± A~A mj. 0 J tJ J * J , I I I J J * J J * ^  0 0 0 0 *^ J J ^ A. J J 0 0 4 ressivo J-JJ-! J J * A~J 0 * 0 0 ^ j ' J Jk Tli. • J J * * A J • ^ j ^  j^^^ mf u rrv Sj—p ' " 11 = i i i i - e W 8 F — " k » i~—1 l-U J J ^ A—' 1 i g i m i l g_ v . = 23. 24. 25. mm i p - l - ? - - - l F . f . M f . r r I l" * " •* -0 TT •+ -0 -9 -9 -0 -0 0—^1— w. m.— ==£= ~i= = = £ — o Tip L: - I r r f— 5:* p j J n — * _. J _ - J 1JT3iJ^iiJ - J - = - i - a 0 m 0 — 1*~T~ * —0 V " — -: * r s -26. 27. ^0 * 0 0 0 0 0 — r g r r J «1 J «l J —0 f f f f—J •J—J ^  J t r , r r _ / r g r c r r r r f tf bi J 1 j j J J = \ j r r I r r 1 IHfcfrtE » r p r 1 * f "0 *• f > — - — r  0 * * It* 3* L i f J ^ — • Ijfm ^ r r 1 0— 4 r r 1 28. IIS r r b p f f ff ff i - v I r [ / f r J J £ I 29. C j x f L I P el « r T f r f r /» /» /» /» /» /» ./XT lug f = ^=H-j§—H / " f t * - . . . . . . . . _. _ . . . __ t _ 30. 115 • *—* ¥rrf • 0 0 » F t m w c It 31. -0— 0. 0-ft •f-0 — — I — i 0 m 0 f I H j J * F • • • ¥ m 127 N ft 0m- 0-m.: ft a.: V m.: • ft ; ft sub men > *, mosso H m w ft 1 • ft r - M r d •» 1 ^ * espressivo • f «l J J 4 * 0 s l—g-a-d-d— 0 ft> r 0 1» j J J 1 ft 132 m rn i — p * • • 0 0 J M 0 0 d 0 i _ 0^ ^. • J * * ft ft 9 • ft J * ' 4 t n f^ -. z — ^ — i 134 ! ^=" F> ^ 1 1 1 J : = r = t = f T ^ = ~Ji * j ft ft* 0 * J J J * - # •> ;ft 0 A 4 =^ -^ -ft-a 32. 136 .„ r T M f ^ m m m m m 1 <*-138 f f j p — — * — * 3 1 ^-—i-^y.— -m 33. 34. 36. g-r '•• a l i T " r ~o = r — ^ nn — . — i LJTf f l J f f l ^ J T f f l 1 Iff) J * m J ** m 9 d *m m d *m  h - = 1 j * * m d * J * d * 155 :  mf iigr f i mf (\l\ JTTfi JTFfi Jfff Jffi^ —=——-4J-—z-*— -5-t -m-—d^**--m-0-—m-f f Trr r f i l (nb*JJ* * J J * * J J * * J J * — \> % v»M d* J*—^~~~TJ—dr~-~ ft — ^ 37. ( 21^  39. 40. 3 41. 43. 44. 45. p-J--. — • : J. _ —1» \i i ,m= i m , i i r n r f f i § J J* J I * ? 5 v - i _ * m } * m"-* |{J J T J J=4j ^  J I J J i " r j j J 1 J'f J j J 46. 47. p ' •< c-^  >. pi # — i • i-. H i — • — i 0 . >: 4 * 7 4 *> —1—. f -h —« i f • * r 1~-» 7 » -i =—«T 0. i-h r— t> * . 1 1? If-F— ' 1 w-—V F = f 1 *- V ' , 0 ffl 0 = q p / 1* 1 )' 1 r r r j i — i * — : T — * — * * m -=i-— -1 1* F— 4 — • J * w f — i 4 = N ' P r ^ 1 — p ' 1 1 irH • — * — — —0 0— rt \ k r r =1 • 7 0 i — 7 -1? * 1 ¥T. 1 • t e f r f r r 1 f 7 A v— p ' 1 *rrr— 1 0 P M. ' 0 1 F 9= =^ P r r*— LLr [XJ — :  ~"  —i £. -\ ^  LJL p_2 z • •* s • 48. K ? hr r f i -If ' r f tr f I Tlt t r r r i r r # J r j L —i r« - U U 7 I r* w—i F—m 1—* m J * ftp + ^ FT P » -~r r e f s m i —•« • L r 3 p i '—-« & —e ' P r *= 7 r r -r- ~" J 6 ^= ts _t \ — ^6 49. 51. 52. 53. Music Pieces for solo piano Doug Smith © 1991 Douglas G. Smith 54. 55. attaca attaca 61. canlabile li'iiHiLTfti f sost. i|»ir'pr | 4 1 lilEj 1 l- L J J • ,| # 'r ^ V i 1 1 dim 62. 63. attaca 69. C Score 70. Chamber Concerto Doug Smith © 1991 Douglas G. Smith Performance Notes 1.) Tubular Bells are played sempre laisser vibrer and should have the damper pedal weighted down. 2.) Unless otherwise noted, timpani are played sempre laisser vibrer. Improvisational passage using the rhythms and pitches indicated in the box. Pitches should be played in random order. Duration is indicated by the solid black line. Pizzicato on damped strings using the rhythm indicated in the box. The result should be as percussive and unpitched as possible. Duration is shown by the solid black line. Key clicks using the rhythm indicated. Pitch choice should be varied and random. Metri-proportional notation indicates a relative rhythm in a fixed time frame. Here, a gradual accelerando of 9 notes over a period of 2 beats. triangle tambourine woodblock 3.) 5 e* m 5.) rm key clicks Chamber Concerto 72. Doug Smith J - 120 Flute 2 F Horn Pwc2 Piano Viol. Contra Bus ; * - = § j — ^ 4 ~ ' l^?4 1 vibes, motor off nunca* J i i J J ,1—3 J j J ^ bowed ^ — — bongos 11 4 J 1 • * * * ,_3_. , 6 , \ , * . , * * , . ^ II 4 » * timpani r ' * r p f m m t m m m m m ^ * ~ = -6 1991 Douglas G. Smith ifll > J r h t m * r3, r— 3—, r3i , II JTT13 rTffl J 1 JIJ JTTR ,-3-, , 5 1 , — HT~^ H H1 " == 3== 5" 2 -H •—J—* r J * J ' J * J *W * * J * J *— 3 1* — J* J ' J * d* J • v ' J * J* J * J* J * J * * * * * fr« - 1 8 in - •t 0 n ,. J IJ IJ 1" T'll j bin ~"j " f IJ 1 J ""J J c 5 , ^ n—• jm 3 ^  $ £ £ * -]--J— * J « J « JJJ * J • J * J / J U I — J m. J « j «—d ' i i :.D. I JJJJJJJJJJJJJJJJTiJ i.JJJJJJJJJJJJ to tubulir bells 14 -4-J=60 U ^ 16 Pcr2 h •Of to drum kit r 74. 75. 76. 78. 79. 80. 81. 82. vie CD. 83 84. vln 1 vln2 cJ LilLrcLl pax 85. 86. 87. 89. C.B. 90. 93. 94. 95. 96. 97. 98 99. 100. 101. 102. 103. 104. 105. 106. 107. 108. 109. n i fl2 I -\,«-to tubular bells > p i3 J J1J > J J n J J 13 j ^ f r Ljr r Lrr r i Ejr" LfcJ pcrc 1 perc 3 vln2 CB. 110. 111. 112. 113. 114. 115. 116. 117. CB. 118. 119. 120. 121. 122. 123. 267 2 7 0 ^ f l2 pcrc 1 pcrc 2 pcrc 3 T T J. J J. J 1 124. 126. 127. 128. 129. pcrc 1 pcrc 2 J pcrc 3 130. n i f!2 f r f T w n perc 1 3 3 3 * perc 2 J J 7 J J i } 1 i * 7 1 >" perc 3 • UU ' L_i_i 'u_i J-i-J 'L.J_T U-i' "" r 1 f F r P > n -n ^ 3 3 3 3 T T P P P 131. 133. 135. 136. 138. 139. 140. 

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