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Roles of mother in Humperdinck's Hansel and Gretel and Popova in Walton's The Bear Way-McClarty, Karyn Audra 1998

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ROLES OF MOTHER IN HUMPERDINCK'S HANSEL AND GRETEL AND POPOVA IN WALTON'S THE BEAR by KARYN AUDRA WAY-McCLARTY B.Mus., University of B r i t i s h Columbia, 1996 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC (OPERA) in THE FACULTY OF GRADUATE STUDIES (School of Music) We accept t h i s thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA A p r i l 1998 © Karyn Audra Way-McClarty In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver, Canada DE-6 (2/88) HANSEL and G R E T E L • Dec. 12 & 13,1997 featuring U B C Opera Ensemble JIM KEITH S BILL MclNTOSH Sponsored by |g§ ggUio* Weyerhaeuse SECURITIES Canada HANSEL & GRETEL P R O D U C 1 ION PERSONNEL Music Director Richard Epp Assistant Directors Hussein Janmohamed Craig Holzschuh Repetiteurs Richard Epp Eiko Ogawa Sonia Kim Technical Director Derek Mack Lighting Design Jeremy Baxter Assistant Technical Director Jonathan Liebich Stage Manager Craig Holzschuh Design for Soloists' Costumes Al ison G r e e n * Scenery Design U B C Opera Ensemble Assistant Stage Managers Suseh Nievares Hussein Janmohamed Stage Carpenter Jonathan Liebich Scenic Art ist/Coordinator Jesse Whi te Set Decorat ion U B C Opera Ensemble Makeup Assistant Karen Meek Acknowledgements U.B.C. School of Mus ic Ami r Janmohamed Frederic W o o d Theatre Neena Janmohamed O L P H School James Bailey The Dance Gallery C i n a O h Dunbar Lumber Supply Se-Kwang O h International Stage Lines Robert Petersen Best Western Kamloops Towne Lodge * Member of Associated Designers of Canada 9 H A N S E L & G R E T E L Director Nancy Hermiston Conductor Bruce Dunn Assistant Conductor Andrew Del Riccio CAST Dec. 12 & 13, Evening Dec. 13, Matinee Hansel Barb Tarry Tami Gazzola (understudy: Suzanne Abbott) Gretel Phoebe MacRae* Barb Vogt (understudy: Alexandra Tait) Mother/Echo Heidi Davis Karyn Way* Father Alan Corbishley Jonathan Liebich Witch Grace Chan Mireille Rijavec Sandman/Echo Kimberly Webb Lee Froelich Dew Fairy/Echo Alexandra Tait Jennifer Skidmore Market Vendors Kimberly Webb Kimberly Webb Alexandra Tait Alexandra Tait Hussein Janmohamed Hussein Janmohamed Gingerbread Chorus Sophie Anza, Tasha Baziuk, Myles Beane, Jeffrey Hendricks, Travis Huyghebaert, Elizabeth loannidis, Andrew Lord, Michelle Lowey, Meghan McGi l l , Kirsty Merkosky, Shay Monahan, Ashley Nordick, Jonathon Skalaski, Jailene Smith, Kirsten Smith, Matia Zivkusic Angels A.J. Carpenter, Angelina Cecchini, Christina Cecchini , Bonnie Cleland, Rancli Linton, Darla Masterton, Melissa Morris, Victoria Morris, Kathleen Newmarch, Brianne Poissant, Miranda Powell, Brodie Reedman, Amie Sharun, Briana Takeshita *with permission from Canadian Actor's Equity Association THERE WILL BE O N E INTERMISSION I2 A TALE OF THE BEAR S by William Walton with the UBC OPERA ENSEMBLE THE AUDITION by Martin Kalmanoff Friday, January 30, 8:00pm Sunday, February 1, 2:00pm Admission Free UBC 01(1 Auditorium (across from the School of Music) THE BEAR Mise en Scene John Juliani* Piano/Musical Coach Donna Falconer CAST (IN ORDER OF APPEARANCE) FRIPAY S U N D A Y Popova Tami Gazzola Karyn Way* Smirnov Andrew Greenwood Andrew Greenwood Luka Shae Apland Shae Apland Cook Suseh Nievares Suseh Nievares Groom Russell Robson Russell Robson * Appearing by permission of Canadian Actor's Equity Association SYNOPSIS Popova, a pretty widow, is wallowing in her grief for her late and promiscuous husband. She is confronted by Smirnov, one of her husband's boorish creditors. They quarrel to a point where he challenges her to a duel and she promptly responds by producing two of her husband's pistols. They stare each other down but neither of them can pull the trigger as they find they arc in the power of something greater than their initial dislike of each other. B A C K G R O U N D NOTE The Bear described by its author, Anton Chckov, as a jest in one act, was written in 1888 and given its first performance in 1889 to remarkable popular and critical acclaim. In 1965 the fames T H E A U D I T I O N Stage Director Hussein Janmohamed Musical Coach/Piano Erika Switzer CAST (IN ORDER OF APPEARANCE) Director Dawn Aurora Melisande Jardin Veronica Maria Callus Epstein Rcnala Tebaldi 0 'Rourke Hccly Iceberg Birgilt Blumberg Carnien Cannen FRIDAY Russell Robson Cindy Keung Rapunzel Tu Maaike de Bruyn P. Mulholland Sascha Karp Ncyir Hall Irene Kurka Suzanne Abbott SUNDAY Joel Jaffc Robyn Driedger OlgaTylinan Maaike de Bruyn P. Mulholland June Iwagami Eva Gcrsbach Kaly Hedalcn Jennifer Legarc SYNOPSIS The Audition is dedicated to Opera. It concerns eight extraordinary sopranos auditioning for a position with an opera workshop. Each attempts to outdo the other by avoiding familiar audition material and by bringing wonderful unknown arias from previously "undiscovered" operas by such composers as Handel, Debussy, Puccini, Wagner, and Strauss. May the best woman win and may "Opera attain its rightful place/As the Queen of all the arts!" B A C K G R O U N D NOTE The Audition, as described by the composer is piece composed purely for entertainment. It is an aleatory opera which can be expanded or retracted based on the director's needs:. T h e libretto and music are by Martin Kalmanoff , who currently resides in New Y o r k , New Y o r k with an assist on the words of three musical numbers by Dr. S igmund Spaeth, Illica & Giacosa and Jay S. Harrison. DIRECTOR'S NOTE The Audition is ideal for opera workshops to accommodate young singers' first solo endeavours on stage. In working on The Audition we have all ventured into new territory and have learned a lot. For many of the singers it is their first time on stage and therefore this piece has been an excellent vehicle for them to get a good taste of life as a singing actor. W e have worked together to come out of our comfort zones and have realized that it is okay to be outrageous sometimes. Everyone's hard work and dedication is fabulous and it is an amazing feeling to be part o f such a fun and exciting production. O n a personal note, I would not be where I am now without the love, kindness and support o f my family, friends and mentor, Nancy Hermiston. I have no words to express my gratitude for their faith and confidence in me. Also a very warm thank you to all the performers, to our pianist Er ika Switzer, to our stage manager Suseh Nievares and to our technical staff. Please sit back, relax and enjoy The Audition. -Hussein Janmohamed P R O D U C T I O N Production Manager Technical Director Stage Manager Lighting Design/Operator Music Director Repetiteurs Window Unit Design Unit Construction Wigs Costumes Make up Poster Design & Illustrations Programme Publicity Photographs Video Production Nancy Hermiston Derek Mack Suseh Nievarcs Jeremy Baxter « Richard Epp Scott Knight Stephen Yorke Jocelyn Morlock James Bailey James Bailey Derek Mack Barbara's Hair Designs Nancy Hermiston Hussein Janmohamed Joanna Go Jennifer Ciresi Nancy Hermiston Diana Colquhoun Hussein Janmohamed UBC Opera Ensemble Norman Chan Dave Phipps Tom Rose ACKNOWLEDGEMENTS UBC School of Music: Voice Faculty, Office Administration Staff, Jesse Read, Isabel da Silva, Valerie Pusey, Frederic Wood Theatre: Jean Driscoll-Bcll, Sarah Marchand, Jancl Bickford, Shcri Milne, Mrs. Juliani, Craig Holzschuh, Vancouver Opera Association, Neena & Amir Janmohamed, Alan Corbishley, Stephen Yorke, UBC Botanical Gardens, Dunbar Lumber Supply, Shafique, Copiesplus, Al Karim, SPCA Thrift Store. 

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