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Compositions Lee, Grace Jong-Eun 1998

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COMPOSITIONS by GRACE JONG-EUN LEE B.Mus., University of British Columbia, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC (COMPOSITION)  in THE FACULTY OF GRADUATE STUDIES (School of Music)  We accept this thesis as conforming to the required standard  THE UNIVERSITY OF BRITISH COLUMBIA March, 1998 © Grace Jong-Eun Lee  In presenting this thesis in partial fulfilment  of the requirements for an advanced  degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department  or  by his or  her  representatives.  It  is understood that  copying or  publication of this thesis for financial gain shall not be allowed without my written permission.  Department The University of British Columbia Vancouver, Canada  DE-6 (2788)  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Monday, November 20th, 1995 12:30 p.m. UBC STUDENT COMPOSERS C O N C E R T  C. Scott Tresham  Poems of John Clare's Madness 1. 2. 3. 4. 5. 6.  Is Nothing Less Than Nought? I Am A Gloomy Day in Summer The Passing of a Dream I Feel I Am Sorrow is my Joy Christopher Doran, tenor Aaron Au, David Rose, violins Michael van der Sloot, viola Cyrena Huang, violoncello Bruce Nielsen  Zen Nothingness 1. 2. 3. 4.  Opposing Forces Street Scene: Unchanged Necessary Healing An Aleogy (Obscene and Corrupt Subtext) Jon Bernard, marimba Nicholas Coulter, vibraphone Cynthia Yeh, piano Martin Fisk, timpani Kim Holland, Dominique Brunchmann, Iain Duncan, percussion Andrea Stoneman, conductor Grace Lee  In the Forest the Birds Speak Grace Lee, piano Through the eyes of a child: for my mother  Siaw Kin Lee  Prelude - The Wall - The Concubine Cheng Ping, Echo in the Desert Helen Cheng, flute Nicolas Krusek, clarinet Nicholas Coulter, percussion Lani Krantz, harp over...  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Friday, November 7, 1997 12:30 p.m.  UBC STUDENT COMPOSERS CONCERT  Music for Solo Violin  Gregory Lee Newsome  1. Con fuoco 2. Lento espressivo 3. Vivace Emily Greenlaw, violin Psalm 143  Tom Borugian Joanna Dundas, Catherine Redding, soprano Sophia Vassiliadis, Charlotte Cumberbirch, alto Jake Doherty, John Bacon, tenor Tyler Duncan, Colin Balzer, bass  Piano Suite  Zane Wilcox  1. Prelude 2. Parallels 3. Fugue 4. Scherzo 5. Solids Selina Jung, piano Intimate Voices (Three Songs for Piano & Voice)  Siaw Kin Lee  1. Burning Roses 2. April Air 3. Naked Winds & Nude Songs Christine-Mari Yoshikawa, piano Grace Chan, voice Indwelling  Broek Ezekiel Bosma Rosemary Siemens, violin Colin Giles, cello Kathryn Koslowski, piano  Revolution of the Dharma Wheel Grace Jong-Eun Lee, kayagum Lan Tung, erhu Jonathan Bernard, percussion  Grace J.E. Lee  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Monday, March 24,1997 12:30 p.m.  UBC PERCUSSION ENSEMBLE SALVADOR FERRERAS, Director '  Raspberries (1987)  Charles Boone  Joel Batch, Dominique Brunchmann, Cynthia Yeh  The Wave of Rain (1997) Premiere  Grace Jong-Eun Lee  Turning Point (1993)  Bob Becker  Zen Nothingness (1995, revised 1996)  ;  w  ,  PERSONNEL  Joel Batch Jonathan Bernard Dominique Brunchmann Nick Coulter  . Anthony Hall Kim Holland Lucille Sun Cynthia Yeh  < Bruce K. Nielsen  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Monday, March 17,1997 12:30 p.m.  STUDENT COMPOSERS CONCERT  Movement for Two Pianos and Percussion  Ruben Federizon  Michelle Chang, piano Patty Wu, piano Dominique Brunchmann, percussion Tony Hall, percussion  Eruption and Relief for solo violin  Venko Deligrudev David Rose, violin  Seagull  Grace Lee Tara Whittaker, Catherine Ludwig, Mary Wing, Andrea Minden, Yvette Adams, Karen Osmond, flutes Grace Lee, conductor  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Monday, November 4,1996 12:30 p.m.  STUDENT COMPOSERS CONCERT The Physiology of a Drowning Man  Broek Ezekiel Bosma  Kimberly Webb, voice Tara Pierce, piano James Colpitts, cello Curtis Mathewson, vibes Kim Holland, chimes Erik 6un, wood blocks Benjamin Bolden  Sally Free and Easy Sixteen Come Sunday Tyler Duncan, baritone Mary Wing, flute Helmer Mussell, clarinet Lani Krantz, harp Tawnya Popoff, viola Daniel Ariaratnam, cello  Siaw Kin Lee  Crimson Miriam Davidson, voice  Grace Lee  Three Moods 1. Sad 2. Agitated 3. Optimistic Grace Lee, Korean harp Lani Krantz, harp  John Trotter  A Message from the Composer Charles Miller, guitar  Craig Galbraith  Reedwind Quartet I. Largo II. Adagio IH. Largo Sarah Card well, Andrea Hale, oboes Querida Hills, clarinet Matthew Howatt, bassoon  C-E  -Eusi A££  3  7  Co. I a n d "  5  9  /o  16-  OO  (Sad  C o n moto (}=i2o)< T £ >  AGITATED  Stmcfe.  i  a*—tf  H.  lie.  6-  ?—f-  1  Z = 2  rh~  •r—P- f.—e  -a *  —  *  *  Si  K.  f ?f ?* ? m  &iutile  r8vw.-  ^  r  11*ti&  EE  r f r  *3  GRRC€  JToff- Eun  Febmi  LIZ  met  2P  7  -J-  3Z  5  ITV7"  -J2.-  JIB.- i&  X7  I  *8  3°  33  GRRCt  Joy*™  l  £  £  J99 7 feh  3t  ptrc. QHCHESTBB  *  flam  Shck  4- -fuje /atpe,  Round  Bell -h-if  g £ ~7)tnpc\/7>~  9  -T«i>u/ * t  So  Sells  /Jet'*I i*i'fid  '/^i<xrac<*-5  pvmm  7- ft / » ;  (cMmes)  cAmeS  shn^p  » '  ( J= 60 -\Se.c)  r  4-'  5£  Xiflophorw,  E  3  E E (jlosst^  J^>' Wine* vL  6  Hftjty WiV/  E  7 KorRAh  PhU.m\;  E Q:4  r~  7^-77.  E  Manner  E  fytr  ( w i «  </.  C y  ^>  1  J  LU  -1Z'  Xylo  c.y.  *  E  t  t  **  r  r  » r*<  "wo R.9  W  1  /J  0  OH.I)  >/>/>  1  O  •38  i—?r /Tip  KS  In; "tlAJO  E  E 3  1  -V-  2  ^ ;tL  3&  A//i B E  "*5  At.  C  E  t  0  .  ;  4  <A  -rempo> ( J = 6 o = (Jec.^  /YW'flff  J?.9. E  c.  E  B.  -ht*x>  1  E  I: RS.  ^ "'A  f y </»+'>  <  {  rr  /in.  E  v  2£ b  b  3  Y  fie//?  u  /»77  /vi. U(A).  3"t  I 'no  /  II  ~~ j 1  /  1  fz  M  Mi  AW: t  o  E  y  IP  &e«-fe| IE  ttJF  p.  T 4 BE  -t H  /  R  39  "7^ 31  5?^ 2 : J  ^  E E  ^1  P  •XT.  (leuohdlan ol the 5bUa>t*tta> Wheel  Kayafum (ampll^ed)  Qnace j)o*Uf -£u*t 1997, April 30  JLee  Performance information * Instrumentation 1. K a y a g u m ( Korean harp : using contact mike with an amplifier) tuning :  2. Erhu (Chinese string instrument) tuning :  3. Percussion instruments:  Marimba Temple bells Suspended cymbal (with a violin bow) Crotales Korean drum (chang -gu)  Program notes Revolution of the Dharma Wheel (1997, April): This piece uses a mixture of Korean and Western musical idioms. It is continuous, but there are 4 large sections designed to give an expression of belief in Dharma. *LIKE NATURE, LIKE SKY-SPIRIT ENTERING MOTHER'S WOMB *BIRTH, HAPPINESS, GROWTH, LEARNING, EXCITEMENT *DEATH, JUDGEMENT, NON-DIRECTED SPIRIT *REBIRTH, WORLD NOT CHANGING, P E R S O N CHANGED The thematic motives and new sounds convey to the listener the Oriental and Western sense of space and emptiness.  ti  17  7*  73  7^  7Sr  7*  77  7$  -  -z.o-  - zz-  -  X3  -  8?  jiayaqiiM  eciMeestJ.ci  dptd 6.,  1998  Instrumentation  1st Violins 2nd Violins Violas Violon Cellos Double Basses Kayagum and one solo trumpet in C Note  Kayagum is tuned as the following.  Kaygum needs an amplifying set when played in the orchestra.  88  • "1f  W  H U p  1  ^^  9  j ^ c  U  *-P-  r~3l  ^  fflfflJIijiliTi/flJTi  s  — I i r i x r LLJ LXJLLT LU LCJ LLT >Iff S3  r  r-»-l  [  J  L  .  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