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Howard O'Hagan's Tay John: Making New World Myth Fee, Margery
Abstract
In making the point that no story is complete, O'Hagan undermines to varying degrees several dominant and interconnected Western ideologies: idealism, Christianity, patriarchy, class and capitalism. He also shows how a borrowed indigenous myth can be adapted to immigrant needs in a way that will distinguish Canadian novels from others.
Item Metadata
Title |
Howard O'Hagan's Tay John: Making New World Myth
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Creator | |
Publisher |
Canadian Literature
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Date Issued |
1986
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Description |
In making the point that no story is complete, O'Hagan undermines to varying degrees several dominant and interconnected Western ideologies: idealism, Christianity, patriarchy, class and capitalism. He also shows how a borrowed indigenous myth can be adapted to immigrant needs in a way that will distinguish Canadian novels from others.
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Extent |
415481 bytes
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Subject | |
Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-08-04
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0074545
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URI | |
Affiliation | |
Citation |
Margery Fee. "Howard O'Hagan's Tay John: Making New World Myth." Canadian Literature 110 (1986): 8-27.
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Peer Review Status |
Reviewed
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Scholarly Level |
Faculty
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Copyright Holder |
Margery Fee
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International