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Some interparametric correlations in Edgard Varèse’s Déserts Morrison, Kenneth John
Abstract
Varèse's later works can be described as an integrated network of parallel processes. As the composer's last completed work for instrumental ensemble, Déserts represents the culmination of Varèse's compositional style. At both the microstructural and macrostructural levels, there are correlations among a myriad of musical parameters. At the grossest formal level in Déserts and other works, the numbers of measures are often a whole number multiple of a primary motivic number. The number of beats and the number of rhythmic attacks are often related to the total number of measures in a piece such that there is an overall attack density of 1 attack/beat. There is also a regular metric background that belies the apparent rhythmic irregularities of the musical foreground. Similar correlations also control events at the level of microstructure: among pitch interval in semitones, the number of attacked time-points, and the total number of attacks in the entire instrumental texture in a given segment. These interparametric correlations enable the analyst to explicate some of the structural processes operating in this music.
Item Metadata
Title |
Some interparametric correlations in Edgard Varèse’s Déserts
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
1992
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Description |
Varèse's later works can be described as an integrated network of parallel
processes. As the composer's last completed work for instrumental ensemble, Déserts
represents the culmination of Varèse's compositional style. At both the microstructural and
macrostructural levels, there are correlations among a myriad of musical parameters. At the
grossest formal level in Déserts and other works, the numbers of measures are often a
whole number multiple of a primary motivic number. The number of beats and the number
of rhythmic attacks are often related to the total number of measures in a piece such that
there is an overall attack density of 1 attack/beat. There is also a regular metric background
that belies the apparent rhythmic irregularities of the musical foreground. Similar
correlations also control events at the level of microstructure: among pitch interval in
semitones, the number of attacked time-points, and the total number of attacks in the entire
instrumental texture in a given segment. These interparametric correlations enable the
analyst to explicate some of the structural processes operating in this music.
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Extent |
3795762 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2008-12-17
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0098880
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1992-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.