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UBC Theses and Dissertations
Heimdurchsuchunger : deutschschweizer Literatur, Geschichtspolitik und Erinnerungskultur seit 1965 Schallié, Charlotte
Abstract
My dissertation (HEIMDURCHSUCHTJNGEN: DEUTSCHSCHWEIZER LITERATUR, GESCHICHTSPOLITLK UND ERINNERUNGSKULTUR SEIT 1965) examines the importance of literature as a receptacle for collective memory-work in Swiss-German society since 1965. The thesis analyzes how representative Swiss-German authors explore the experience of their country's role and attitude in the Second World War, and its ongoing effects in contemporary society. The year 1965 ushered in an era where many intellectuals challenged the officially sanctioned historiography and semiofficial publications which perpetuated the notion that Switzerland remained politically neutral between 1933 and 1945, displaying a unified collective resistance in the face of Fascism and the Holocaust. Influenced by West Germany's emerging documentary theatre in the 1960's, Swiss authors introduced innovative literary and historical techniques such as oral history to subvert misguided collective assumptions and revealed their country's economic—and to some extent ideological—involvement with the Third Reich. Their criticism focused less on what actually occurred during the decisive wartime years than on the culture of amnesia in postwar Switzerland. Beginning in the 1960's, the issue as to who controlled memory and used it to what end became a pressing concern in public debates. I focus on how exemplary writers such as Walter Matthias Diggelmann, Max Frisch, Niklaus Meienberg, Otto F. Walter, Thomas Hiirlimann, and Urs Widmer evolved into outspoken public figures fiercely criticizing their country's efforts at "Vergangenheitsbewaltigung" - efforts to master the past. The writings by these and other authors portray a society in which various Swiss individuals fought any attempt to tarnish the nation's carefully constructed image of wartime heroism. During the early Cold War years in particular, the political culture of Switzerland discouraged any dissent and marginalized those who spoke out against the 'Establisment' as deviant communists. I propose looking at literature as a means of developing a more complex and differentiated understanding of memory and its expression. My research draws on the theoretical writings of Maurice Halbwachs, Pierre Nora, Jan and Aleida Assmann, and Michel Foucault.
Item Metadata
Title |
Heimdurchsuchunger : deutschschweizer Literatur, Geschichtspolitik und Erinnerungskultur seit 1965
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
2004
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Description |
My dissertation (HEIMDURCHSUCHTJNGEN: DEUTSCHSCHWEIZER
LITERATUR, GESCHICHTSPOLITLK UND ERINNERUNGSKULTUR SEIT 1965)
examines the importance of literature as a receptacle for collective memory-work in
Swiss-German society since 1965. The thesis analyzes how representative Swiss-German
authors explore the experience of their country's role and attitude in the Second World
War, and its ongoing effects in contemporary society. The year 1965 ushered in an era
where many intellectuals challenged the officially sanctioned historiography and semiofficial
publications which perpetuated the notion that Switzerland remained politically
neutral between 1933 and 1945, displaying a unified collective resistance in the face of
Fascism and the Holocaust.
Influenced by West Germany's emerging documentary theatre in the 1960's, Swiss
authors introduced innovative literary and historical techniques such as oral history to
subvert misguided collective assumptions and revealed their country's economic—and to
some extent ideological—involvement with the Third Reich. Their criticism focused less
on what actually occurred during the decisive wartime years than on the culture of
amnesia in postwar Switzerland. Beginning in the 1960's, the issue as to who controlled
memory and used it to what end became a pressing concern in public debates. I focus on
how exemplary writers such as Walter Matthias Diggelmann, Max Frisch, Niklaus
Meienberg, Otto F. Walter, Thomas Hiirlimann, and Urs Widmer evolved into outspoken
public figures fiercely criticizing their country's efforts at "Vergangenheitsbewaltigung" -
efforts to master the past. The writings by these and other authors portray a society in
which various Swiss individuals fought any attempt to tarnish the nation's carefully
constructed image of wartime heroism. During the early Cold War years in particular, the
political culture of Switzerland discouraged any dissent and marginalized those who
spoke out against the 'Establisment' as deviant communists.
I propose looking at literature as a means of developing a more complex and
differentiated understanding of memory and its expression. My research draws on the
theoretical writings of Maurice Halbwachs, Pierre Nora, Jan and Aleida Assmann, and
Michel Foucault.
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Extent |
26559672 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-12-02
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0091799
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2004-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.