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UBC Theses and Dissertations
The spirit of collaboration : exploring critical pedagogical principles in transforming the museum through space and time Hennessy, Genevieve
Abstract
Recent trends in critical museology have called for a collaborative approach to the exhibition process. Although generally agreed upon in principle, no clear collaborative model has yet emerged that can be applied across variable institutions, given that exhibits are always mediated by the specific temporal, political, and ideological contexts in which they are created. This thesis suggests that by translating some of the principles, philosophies, and methodologies of critical pedagogy to the sphere of the museum, a more dynamic and effective notion of collaboration will emerge. Through such an application, we can find ways to extend and recreate the role of the museum as an agent in both the production and consumption of cultural ideologies. "The Spirit of Islam: Experiencing Islam Through Calligraphy", a temporary exhibition at the UBC Museum of Anthropology in Vancouver, Canada, will be used as a case study to examine the strengths, limitations, and potential of such an approach.
Item Metadata
Title |
The spirit of collaboration : exploring critical pedagogical principles in transforming the museum through space and time
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
2003
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Description |
Recent trends in critical museology have called for a collaborative approach to the exhibition process. Although generally agreed upon in principle, no clear collaborative model has yet emerged that can be applied across variable institutions, given that exhibits are always mediated by the specific temporal, political, and ideological contexts in which they are created. This thesis suggests that by translating some of the principles, philosophies, and methodologies of critical pedagogy to the sphere of the museum, a more dynamic and effective notion of collaboration will emerge. Through such an application, we can find ways to extend and recreate the role of the museum as an agent in both the production and consumption of cultural ideologies. "The Spirit of Islam: Experiencing Islam Through Calligraphy", a temporary exhibition at the UBC Museum of Anthropology in Vancouver, Canada, will be used as a case study to examine the strengths, limitations, and potential of such an approach.
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Extent |
3672320 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-10-17
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0090804
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2003-05
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.