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UBC Theses and Dissertations
The Straits of Messina : a chamber concerto for piano and fourteen players Scott, David Raphael
Abstract
The Straits of Messina is a fifteen-minute musical composition scored for piano, clarinet, bass clarinet, bassoon, trumpet, tenor trombone, bass trombone, two percussion, two violins, two violas, cello and double bass. The work is in one continuous movement and features the piano most prominently. The entire concept and large-scale progress of this work is indebted to the single organic shape of the spiral. This is used to control the overall form, basic timbral progress and underlying pitch content at both foreground and background levels. These controlled parameters are balanced, however, by freedom in the areas of rhythm, intensity, pulse, texture and register which develop as the piece progresses. The balance of freedom and control creates a vital tension, resulting in a dramatic unfolding of musical material. The Supporting Document for The Straits of Messina offers a general introduction to some of the working methods employed in the composition, along with detailed analysis of specific sections of interest. An Appendix provides a descriptive commentary on the work.
Item Metadata
Title |
The Straits of Messina : a chamber concerto for piano and fourteen players
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
2000
|
Description |
The Straits of Messina is a fifteen-minute musical composition scored for
piano, clarinet, bass clarinet, bassoon, trumpet, tenor trombone, bass
trombone, two percussion, two violins, two violas, cello and double bass. The
work is in one continuous movement and features the piano most
prominently.
The entire concept and large-scale progress of this work is indebted to the
single organic shape of the spiral. This is used to control the overall form,
basic timbral progress and underlying pitch content at both foreground and
background levels. These controlled parameters are balanced, however, by
freedom in the areas of rhythm, intensity, pulse, texture and register which
develop as the piece progresses. The balance of freedom and control creates a
vital tension, resulting in a dramatic unfolding of musical material.
The Supporting Document for The Straits of Messina offers a general
introduction to some of the working methods employed in the composition,
along with detailed analysis of specific sections of interest. An Appendix
provides a descriptive commentary on the work.
|
Extent |
5306766 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-07-27
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0089837
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2000-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.