- Library Home /
- Search Collections /
- Open Collections /
- Browse Collections /
- UBC Theses and Dissertations /
- Wartime ideology and the American animated cartoon
Open Collections
UBC Theses and Dissertations
UBC Theses and Dissertations
Wartime ideology and the American animated cartoon Ting, Elle Kwok-Yin
Abstract
The animated film serves as a means for interrogating the political and social ideologies which influenced its development; features of its construction and aesthetics also gesture towards the historical and psychological factors affecting its production, albeit indirectly. This paper investigates the use of the animated cartoon as a medium for transmitting propaganda in America during the Second World War between the years 1941 and 1945; specifically, it examines the animated cartoon as documentation of homefront psychology in the Second World War, and includes an historical overview of Hollywood animation in addition to a critical analysis of both the cartoon propaganda aesthetic and the psychological factors shaping the design and dissemination of propaganda in entertainment media. The animated cartoon is positioned as a favourable focal point for the re-examination of popular wartime productions as propaganda as well as an entry point for examining presuppositions regarding the efficacy of mass entertainment as a pedagogical tool.
Item Metadata
Title |
Wartime ideology and the American animated cartoon
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
2000
|
Description |
The animated film serves as a means for interrogating the political and social
ideologies which influenced its development; features of its construction and aesthetics also
gesture towards the historical and psychological factors affecting its production, albeit
indirectly. This paper investigates the use of the animated cartoon as a medium for
transmitting propaganda in America during the Second World War between the years 1941
and 1945; specifically, it examines the animated cartoon as documentation of homefront
psychology in the Second World War, and includes an historical overview of Hollywood
animation in addition to a critical analysis of both the cartoon propaganda aesthetic and the
psychological factors shaping the design and dissemination of propaganda in entertainment
media. The animated cartoon is positioned as a favourable focal point for the re-examination
of popular wartime productions as propaganda as well as an entry point for examining
presuppositions regarding the efficacy of mass entertainment as a pedagogical tool.
|
Extent |
3959059 bytes
|
Genre | |
Type | |
File Format |
application/pdf
|
Language |
eng
|
Date Available |
2009-07-20
|
Provider |
Vancouver : University of British Columbia Library
|
Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
|
DOI |
10.14288/1.0089659
|
URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
|
Graduation Date |
2000-11
|
Campus | |
Scholarly Level |
Graduate
|
Aggregated Source Repository |
DSpace
|
Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.