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Words about nothing: writing the ineffable in Calvino and Ma Yuan Teichert, Evelyne
Abstract
The thesis links the writings of the Italian Italo Calvino and the Chinese Ma Yuan through the Taoist symbol of the Tao and the Borgesian concept of the Aleph, an imaginary point in space containing all points in space and time. Based on Zhuangzi’s parable of the Emperor Hun-tun (Chaos) who lost his original state of chaos when he had sensory openings poked into him, the vision of the Aleph/Tao represents the return to that chaotic state of undifferentiated knowledge one experiences when one closes all sensory perceptions. This unnameable vision allows one to transcend all apparent conceptual dichotomies as it lies in the realm of intuition rather than language. Calvino, like Borges, posits that the chaos of the universe cannot be represented through the sequential language system, but nevertheless demonstrates this ineffability through language. Ma Yuan celebrates the chaos of life by writing about a mythological Tibet, upholding the uniqueness of that culture as a subtle subversion to the Chinese political and territorial takeover. Chapter One and Two, respectively, discuss the “Overlapping Conceptual Spaces” in Calvino’s Invisible Cities and Ma Yuan’s ‘The Temptation of the Gangdisi’. Chapter Three looks in greater detail at the images of the Aleph and the Tao in the two main texts against the backdrop of Borgesian thought. In accordance with the concept of the Aleph/Tao whose definition is continuously unsettled by contradictory conjectures, the fourth chapter undoes the conclusions reached in the previous chapters. This chapter discusses Calvino’s Cosmicomics and Ma Yuan’s shorter Tibetan stories in the light of comic parody. That which was earlier posited as the ineffable in these stories is elaborated in a profusion of words. The Conclusion discusses from a Taoist point of view the predominantly male voice in the writings of the two authors. While both advocate the spiritual sameness of all phenomena in an undifferentiated knowledge of the world, they nevertheless write from the male perspective of the yang pursuing and wanting to possess the yin.
Item Metadata
Title |
Words about nothing: writing the ineffable in Calvino and Ma Yuan
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
1994
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Description |
The thesis links the writings of the Italian Italo Calvino and the Chinese Ma Yuan through
the Taoist symbol of the Tao and the Borgesian concept of the Aleph, an imaginary point in
space containing all points in space and time. Based on Zhuangzi’s parable of the Emperor Hun-tun (Chaos) who lost his original state of chaos when he had sensory openings poked into him,
the vision of the Aleph/Tao represents the return to that chaotic state of undifferentiated
knowledge one experiences when one closes all sensory perceptions. This unnameable vision
allows one to transcend all apparent conceptual dichotomies as it lies in the realm of intuition
rather than language. Calvino, like Borges, posits that the chaos of the universe cannot be
represented through the sequential language system, but nevertheless demonstrates this
ineffability through language. Ma Yuan celebrates the chaos of life by writing about a
mythological Tibet, upholding the uniqueness of that culture as a subtle subversion to the Chinese
political and territorial takeover.
Chapter One and Two, respectively, discuss the “Overlapping Conceptual Spaces” in
Calvino’s Invisible Cities and Ma Yuan’s ‘The Temptation of the Gangdisi’. Chapter Three looks
in greater detail at the images of the Aleph and the Tao in the two main texts against the
backdrop of Borgesian thought. In accordance with the concept of the Aleph/Tao whose
definition is continuously unsettled by contradictory conjectures, the fourth chapter undoes the
conclusions reached in the previous chapters. This chapter discusses Calvino’s Cosmicomics and
Ma Yuan’s shorter Tibetan stories in the light of comic parody. That which was earlier posited as
the ineffable in these stories is elaborated in a profusion of words. The Conclusion discusses
from a Taoist point of view the predominantly male voice in the writings of the two authors.
While both advocate the spiritual sameness of all phenomena in an undifferentiated knowledge of
the world, they nevertheless write from the male perspective of the yang pursuing and wanting to
possess the yin.
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Extent |
12165750 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-04-14
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0088084
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1994-05
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.