- Library Home /
- Search Collections /
- Open Collections /
- Browse Collections /
- UBC Theses and Dissertations /
- Camerata
Open Collections
UBC Theses and Dissertations
UBC Theses and Dissertations
Camerata Bonaccorso, Jose Carlos
Abstract
This thesis consists of an original composition and an analysis of it. Scored for a small orchestra, the Camerata is approximately 16 minutes in length. The analysis deals with general matters of structure as well as details of harmonic organization that play a specific and prominent role in this work. The piece is to be perceived in four integrated sections. Each section has its own characteristics. However, the sequence from one section to another is functional, so that the piece would not work if the sequence of sections were arranged differently. Section B develops the thematic material of section A. Section C is an outgrowth of section B because of the exchange of the dynamic and static aspects pertaining to harmony and melody. Moreover, as a unifying element, these two central sections show tonal tendencies. Section D rounds off the piece with a concealed texturally decreasing formal design, which balances the crescendo and texturally increasing overall shape of the first section.
Item Metadata
Title |
Camerata
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
1994
|
Description |
This thesis consists of an original composition and an
analysis of it. Scored for a small orchestra, the Camerata
is approximately 16 minutes in length. The analysis deals
with general matters of structure as well as details of
harmonic organization that play a specific and prominent
role in this work.
The piece is to be perceived in four integrated sections.
Each section has its own characteristics. However,
the sequence from one section to another is functional, so
that the piece would not work if the sequence of sections
were arranged differently. Section B develops the thematic
material of section A. Section C is an outgrowth of section
B because of the exchange of the dynamic and static aspects
pertaining to harmony and melody. Moreover, as a unifying
element, these two central sections show tonal tendencies.
Section D rounds off the piece with a concealed texturally
decreasing formal design, which balances the crescendo and
texturally increasing overall shape of the first section.
|
Extent |
3947485 bytes
|
Genre | |
Type | |
File Format |
application/pdf
|
Language |
eng
|
Date Available |
2009-04-09
|
Provider |
Vancouver : University of British Columbia Library
|
Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
|
DOI |
10.14288/1.0088032
|
URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
|
Graduation Date |
1994-05
|
Campus | |
Scholarly Level |
Graduate
|
Aggregated Source Repository |
DSpace
|
Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.