- Library Home /
- Search Collections /
- Open Collections /
- Browse Collections /
- UBC Theses and Dissertations /
- Walking out of darkness: a study of the characters...
Open Collections
UBC Theses and Dissertations
UBC Theses and Dissertations
Walking out of darkness: a study of the characters in Turbulence and The Old Boat Zhou, Xiuyan
Abstract
This M.A. thesis is a critical study of two contemporary Chinese novels: Jia Pingwa’s Turbulence and Zhang Wei’s The Old Boat. The purpose of this study is to demonstrate the two novels’ achievements and limitations in portraying the images of Chinese peasants in the reform era. Chapter One provides the synopses of these works and discusses their repercussions in China. It also gives a brief account of the authors’ backgrounds and the two novels’ social and literary milieu. Chapter Two discusses the thematic similarities and differences of these works, with an emphasis on the ideological breakthroughs demonstrated in the themes. Chapter Three and Chapter Four analyse four groups of characters, mainly from the social and historical perspective. The first group consists of the protagonists. Discussion concentrates on the characteristics of these protagonists as educated peasants and the conflicts between the opposing desires and values within their respective temperaments. The second group is made up of two characters who believe in “combating evil with evil”. The complexities of their personalities and the meanings of their failures are explored. The third group comprises the villains. Attention is focused on the negative aspect of the peasant revolution and the influence of the clan system. The fourth group includes a few supporting characters. Chapter Five deals with the artistic techniques employed by the authors in characterization. It examines how the two authors present the personalities and feelings of the characters by the reproduction of their speech and movement, or through the descriptions of the physical settings. This chapter also probes the functions of the symbols used in these works. Chapter Six draws some conclusions based on the above discussion. It points out the meanings of these works in the context of modern Chinese literature.
Item Metadata
Title |
Walking out of darkness: a study of the characters in Turbulence and The Old Boat
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
1992
|
Description |
This M.A. thesis is a critical study of two contemporary Chinese
novels: Jia Pingwa’s Turbulence and Zhang Wei’s The Old Boat. The
purpose of this study is to demonstrate the two novels’
achievements and limitations in portraying the images of Chinese
peasants in the reform era. Chapter One provides the synopses of
these works and discusses their repercussions in China. It also gives
a brief account of the authors’ backgrounds and the two novels’
social and literary milieu. Chapter Two discusses the thematic
similarities and differences of these works, with an emphasis on the
ideological breakthroughs demonstrated in the themes. Chapter
Three and Chapter Four analyse four groups of characters, mainly
from the social and historical perspective. The first group consists of
the protagonists. Discussion concentrates on the characteristics of
these protagonists as educated peasants and the conflicts between
the opposing desires and values within their respective
temperaments. The second group is made up of two characters who
believe in “combating evil with evil”. The complexities of their
personalities and the meanings of their failures are explored. The
third group comprises the villains. Attention is focused on the
negative aspect of the peasant revolution and the influence of the
clan system. The fourth group includes a few supporting characters.
Chapter Five deals with the artistic techniques employed by the
authors in characterization. It examines how the two authors
present the personalities and feelings of the characters by the
reproduction of their speech and movement, or through the
descriptions of the physical settings. This chapter also probes the
functions of the symbols used in these works. Chapter Six draws
some conclusions based on the above discussion. It points out the
meanings of these works in the context of modern Chinese literature.
|
Extent |
1706543 bytes
|
Genre | |
Type | |
File Format |
application/pdf
|
Language |
eng
|
Date Available |
2008-12-17
|
Provider |
Vancouver : University of British Columbia Library
|
Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
|
DOI |
10.14288/1.0086568
|
URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
|
Graduation Date |
1992-11
|
Campus | |
Scholarly Level |
Graduate
|
Aggregated Source Repository |
DSpace
|
Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.