- Library Home /
- Search Collections /
- Open Collections /
- Browse Collections /
- UBC Theses and Dissertations /
- Ghanaian children’s music cultures : a video ethnography...
Open Collections
UBC Theses and Dissertations
UBC Theses and Dissertations
Ghanaian children’s music cultures : a video ethnography of selected singing games Addo, Akosua Obuo
Abstract
This dissertation is a video ethnography of the enculturation and learning patterns among children on three school playgrounds in the Central Region of Ghana, West Africa. It includes a) a discussion of colonialism on the redefinition of Ghanaian cultural identity in relation to play culture and the school curriculum b) performance-based case studies of six singing games, which comprise a description of sound and structural features and an explanation of cultural forms evident in singing games and c) a discussion on the role multimedia technologies (video, audio, and computer technologies) played in configuring my explanations and the explanations of all participants: children, teachers, and community members. Goldman-Segall' s "configurational validity" is the conceptual basis of this ethnography of Ghanaian children's music cultures. Configurational validity is a collaborative theory for analyzing video documents that expands on the premise that research is enriched by multiple points of view. Performance stylistic features of singing games emerge that reflected the marriage of two music cultures, indigenous Ghanaian and European. These include: speech tones, onomatopoeia, repetition and elaboration of recurring melodic cliches, portamentos or cadential drops, syncopations, triplets, melisma, polyrhythms, vocables, anacrusis, strophic, circle, lines, and partner formations. During play, the children were cultural interlocutors and recipients of adult cultural interlocution as they learned about accepted and shared social behavioural patterns, recreated their culture, and demonstrated the changing Ghanaian culture. The culture forms that emerged include community solidarity, inclusion, ways of exploring and expressing emotions, coordination, cooperation, gender relations, and linguistic code switching. For children in Ghana, knowledge is uninhibited shared constructions; knowledge grows when every one is involved; and knowledge is like "midwifery." I recommended a teaching style that encouraged the expression of children's wide ranging knowledge by a) offering opportunities for cooperative learning through group work, b) encouraging continuous assessment, c) establishing stronger ties with the adult community, and d) recognizing that the ability of children to hear, interpret, and compensate for dialectic differences in closely related languages can be used to enrich the language arts curriculum and also e) recognizing that the cultural studies curriculum can be enriched by the ability of children to re-create hybrid performing arts cultures.
Item Metadata
Title |
Ghanaian children’s music cultures : a video ethnography of selected singing games
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
1995
|
Description |
This dissertation is a video ethnography of the
enculturation and learning patterns among children on three
school playgrounds in the Central Region of Ghana, West
Africa. It includes a) a discussion of colonialism on the
redefinition of Ghanaian cultural identity in relation to
play culture and the school curriculum b) performance-based
case studies of six singing games, which comprise a
description of sound and structural features and an
explanation of cultural forms evident in singing games and c)
a discussion on the role multimedia technologies (video,
audio, and computer technologies) played in configuring my
explanations and the explanations of all participants:
children, teachers, and community members. Goldman-Segall' s
"configurational validity" is the conceptual basis of this
ethnography of Ghanaian children's music cultures.
Configurational validity is a collaborative theory for
analyzing video documents that expands on the premise that
research is enriched by multiple points of view.
Performance stylistic features of singing games emerge
that reflected the marriage of two music cultures, indigenous
Ghanaian and European. These include: speech tones,
onomatopoeia, repetition and elaboration of recurring melodic
cliches, portamentos or cadential drops, syncopations,
triplets, melisma, polyrhythms, vocables, anacrusis,
strophic, circle, lines, and partner formations.
During play, the children were cultural interlocutors
and recipients of adult cultural interlocution as they
learned about accepted and shared social behavioural
patterns, recreated their culture, and demonstrated the
changing Ghanaian culture. The culture forms that emerged
include community solidarity, inclusion, ways of exploring
and expressing emotions, coordination, cooperation, gender
relations, and linguistic code switching. For children in Ghana, knowledge is uninhibited shared
constructions; knowledge grows when every one is involved;
and knowledge is like "midwifery." I recommended a teaching
style that encouraged the expression of children's wide
ranging knowledge by a) offering opportunities for
cooperative learning through group work, b) encouraging
continuous assessment, c) establishing stronger ties with the
adult community, and d) recognizing that the ability of
children to hear, interpret, and compensate for dialectic
differences in closely related languages can be used to
enrich the language arts curriculum and also e) recognizing
that the cultural studies curriculum can be enriched by the
ability of children to re-create hybrid performing arts
cultures.
|
Extent |
27465643 bytes
|
Geographic Location | |
Genre | |
Type | |
File Format |
application/pdf
|
Language |
eng
|
Date Available |
2009-04-21
|
Provider |
Vancouver : University of British Columbia Library
|
Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
|
DOI |
10.14288/1.0058348
|
URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
|
Graduation Date |
1995-11
|
Campus | |
Scholarly Level |
Graduate
|
Aggregated Source Repository |
DSpace
|
Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.