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UBC Theses and Dissertations
An ethnography of secondary school student composition in music : a study of personal involvement within the compositional process Tsisserev, Alex
Abstract
This study deals primarily with the way secondaryschool students use music to express their personal, inner feelings through composition. Because the topic of personal expression through music composition is an elusive one, my methodology borrows and combines analytical tools from the fields of phenomenology, hermeneutics, semiotics, ethnography and English language arts, and incorporates these tools in the exploration of student's processes, of self-expression through music composition. For a period of several weeks I worked with a sixteen-student sample group,in a Vancouver high school. Each of the students handed in a musical composition. Four of the students granted me interviews in which they shared their views of their compositional processes and the resulting musical works. By the conclusion of the study, the students had displayed the ability to communicate certain ideas, images and emotions, and express themselves by articulating their own unique sense of being through their musical compositions. Furthermore, the students demonstrated a level of musical awareness which has very little to do with the type of proficiency-based music learning that is prevalent in many of today's music education classrooms. Most importantly, however, this study spawns a methodology which examines students' compositional processes rather than their finished musical products.
Item Metadata
Title |
An ethnography of secondary school student composition in music : a study of personal involvement within the compositional process
|
Creator | |
Publisher |
University of British Columbia
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Date Issued |
1997
|
Description |
This study deals primarily with the way secondaryschool
students use music to express their personal,
inner feelings through composition. Because the topic
of personal expression through music composition is an
elusive one, my methodology borrows and combines
analytical tools from the fields of phenomenology,
hermeneutics, semiotics, ethnography and English
language arts, and incorporates these tools in the
exploration of student's processes, of self-expression
through music composition.
For a period of several weeks I worked with a
sixteen-student sample group,in a Vancouver high
school. Each of the students handed in a musical
composition. Four of the students granted me
interviews in which they shared their views of their
compositional processes and the resulting musical
works. By the conclusion of the study, the students had
displayed the ability to communicate certain ideas,
images and emotions, and express themselves by
articulating their own unique sense of being through
their musical compositions. Furthermore, the students demonstrated a level of musical awareness which has
very little to do with the type of proficiency-based
music learning that is prevalent in many of today's
music education classrooms. Most importantly, however,
this study spawns a methodology which examines
students' compositional processes rather than their
finished musical products.
|
Extent |
9951186 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-07-06
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0054968
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1998-05
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.