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UBC Theses and Dissertations
Experience of significant change for psychodrama audience members Buell, Shelley Gail
Abstract
Psychodrama is an action focused group therapy that works with psychological conflict through enacting the problem. Based on the theory of J.L. Moreno, this therapy is comprised of an extensive repertoire of therapeutic techniques. Audience members play a crucial role in the integration phase following an enactment and Moreno believed that therapeutic benefits occurred for both protagonists and audience members. Although the audience is one of Moreno's five instruments, almost no research has focused exclusively on the experience of audience members. This study explored the experience of significant change for six psychodrama audience members. Transcripts of interviews were analyzed employing Giorgi's (1985) existential-phenomenological method resulting in the emergence of five themes regarding the experience of change, three themes regarding the way in which audience members made meaning of their experience, and one theme each regarding evidence of change in daily life, perception of the way in which the experience evolves across several workshops, and the identification of factors influencing change. Results indicated that the experience was intense, cathartic, and a source of significant change and personal learning. Implications regarding audiences in general and psychodrama audiences specifically are discussed, and suggestions for further research are provided.
Item Metadata
Title |
Experience of significant change for psychodrama audience members
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
1995
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Description |
Psychodrama is an action focused group therapy that works
with psychological conflict through enacting the problem.
Based on the theory of J.L. Moreno, this therapy is
comprised of an extensive repertoire of therapeutic
techniques. Audience members play a crucial role in the
integration phase following an enactment and Moreno believed
that therapeutic benefits occurred for both protagonists and
audience members. Although the audience is one of Moreno's
five instruments, almost no research has focused exclusively
on the experience of audience members. This study explored
the experience of significant change for six psychodrama
audience members. Transcripts of interviews were analyzed
employing Giorgi's (1985) existential-phenomenological
method resulting in the emergence of five themes regarding
the experience of change, three themes regarding the way in
which audience members made meaning of their experience, and
one theme each regarding evidence of change in daily life,
perception of the way in which the experience evolves across
several workshops, and the identification of factors
influencing change. Results indicated that the experience
was intense, cathartic, and a source of significant change
and personal learning. Implications regarding audiences in
general and psychodrama audiences specifically are
discussed, and suggestions for further research are
provided.
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Extent |
5645308 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-01-28
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0054123
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1995-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.