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UBC Theses and Dissertations
D’Groove - a novel digital haptic turntable for music control Beamish, Timothy Mark Edward
Abstract
Disc Jockeys (DJs) use creative methods to play pre-recorded music at social events. Their tools, however, are relatively archaic and there is a desire for advanced equipment with the capacity to increase the level of creativity involved in a DJ's performance. The overall goal of the work described here is to create an advanced DJ system that promotes creativity, allows control of digital music and improves upon previous DJ tools. This thesis begins with an analysis of DJs using conventional tools and procedures, followed by a discussion of previous attempts to upgrade DJ technology. These findings led to our first prototype controller, D'Groove, a novel digital DJ system with haptic, visual and auditory interaction. Experienced DJs from a variety of specializations tested our prototype, resulting in useful feedback and the discovery of some exciting new expressive uses that we had not intended. They discussed the technological needs and wants of the next generation of DJs, providing input to our user-centered design strategy. While D'Groove is for DJs, the experiences of our experts provide insight to the general problem of interacting with digital media streams. The main contributions of this thesis are a description of the processes and tools used by DJs; the design and evaluation of D'Groove, an advanced user-oriented haptic DJ system for manipulating digital music; and a summary of guidelines for manipulating digital audio in general.
Item Metadata
Title |
D’Groove - a novel digital haptic turntable for music control
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
2003
|
Description |
Disc Jockeys (DJs) use creative methods to play pre-recorded music at social events.
Their tools, however, are relatively archaic and there is a desire for advanced equipment
with the capacity to increase the level of creativity involved in a DJ's performance. The
overall goal of the work described here is to create an advanced DJ system that promotes
creativity, allows control of digital music and improves upon previous DJ tools.
This thesis begins with an analysis of DJs using conventional tools and procedures,
followed by a discussion of previous attempts to upgrade DJ technology. These findings
led to our first prototype controller, D'Groove, a novel digital DJ system with haptic,
visual and auditory interaction. Experienced DJs from a variety of specializations tested
our prototype, resulting in useful feedback and the discovery of some exciting new
expressive uses that we had not intended. They discussed the technological needs and
wants of the next generation of DJs, providing input to our user-centered design strategy.
While D'Groove is for DJs, the experiences of our experts provide insight to the general
problem of interacting with digital media streams.
The main contributions of this thesis are a description of the processes and tools used by
DJs; the design and evaluation of D'Groove, an advanced user-oriented haptic DJ system
for manipulating digital music; and a summary of guidelines for manipulating digital
audio in general.
|
Extent |
12857855 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-11-17
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
|
DOI |
10.14288/1.0051459
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2003-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.