Open Collections

Gao, Yujie

University of British Columbia

The ubiquity of technology in the contemporary era has opened up unprecedented opportunities to manipulate, record, and experience time in ways and scales that were once unimaginable. This research explored diverse perceptions of time through artistic experiences that creatively leverage technology. The primary focus was on the concept of inhabiting a multiplicity of times, allowing for the coexistence of various time perceptions. Through the lens of time, this research builds live artistic projects that cross over multidisciplinary approaches and focus on creating accessible art environments for participation and connection to happen. The goal is to deepen our relationship with time and enhance our capacity to navigate its complexities in artistic and real-world contexts, fostering meaningful shared experiences that bridge and celebrate uniqueness and differences among individuals. This study employs a methodology of research-creation to examine the utilization of time in creative technologies and the human body in constructing an open-ended durational, generative, and immersive art environment. This research investigates how to organically integrate digital media art techniques into durational performance art, creating new generative experiential environments referred to as Computational Performative Art. The objective is to amplify the experiential impacts of what is taking place, unsettle the time we take for granted in daily life and enable individuals to perceive different temporalities and comprehend the disparities between internal clocks, social norms, cultural variations, and relationships between humans and machines. Moreover, new media techniques can be incorporated into durational performances to extend the embodied experiences. The research encompasses a variety of creative forms such as durational performance, immersive installation, data visualization, creative coding, and generative drawing to explore novel methods for presenting and conducting research on experiential time. Through practicing being in time with a greater awareness of different intentions, or in other words, practicing doing time, individuals can gain new insights into different experiences through time, such as flow and wandering. The research findings were delivered through three bodies of artistic work and associated creative documentation contextualized within the longer artmaking process, culminating in the dissertation exhibit at UBC Okanagan Campus in August 2023.

Text; Still Image

2023-09-07

Attribution-NonCommercial-NoDerivatives 4.0 International

http://hdl.handle.net/2429/85874

Interdisciplinary Studies

University of British Columbia

UBCO

http://creativecommons.org/licenses/by-nc-nd/4.0/