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Saying God with a straight face : towards an understanding of Christian soteriology in David Foster Wallace's Infinite Jest Laird, David Gordon
Abstract
This thesis considers the intersections between David Foster Wallace’s 1996 novel Infinite Jest and Pauline notions of Christian soteriology articulated in the New Testament. In my analysis, I argue that the novel presents a worldview that demonstrates a theological dialogue with biblical concepts of fallenness, human value, and redemption, most powerfully embodied in the main characters Hal Incandenza, Don Gately, and Mario Incandenza. Of the novel’s sweeping cast of characters, these three particularly capture a range of salvation states akin to a Pauline understanding of the human condition, calling to attention the influence of orthodox Christian theology on the novel. This dialogue is considered through the lens of postmodernism and the New Sincerity movement in contemporary U.S. fiction, and offers that the novel urges readers to countenance what it means to be human living amidst the binary tensions of sin and salvation, reinvigorating a traditional understanding of grace and redemption in a present and prophetic way.
Item Metadata
Title |
Saying God with a straight face : towards an understanding of Christian soteriology in David Foster Wallace's Infinite Jest
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
2016
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Description |
This thesis considers the intersections between David Foster Wallace’s 1996 novel Infinite Jest and Pauline notions of Christian soteriology articulated in the New Testament. In my analysis, I argue that the novel presents a worldview that demonstrates a theological dialogue with biblical concepts of fallenness, human value, and redemption, most powerfully embodied in the main characters Hal Incandenza, Don Gately, and Mario Incandenza. Of the novel’s sweeping cast of characters, these three particularly capture a range of salvation states akin to a Pauline understanding of the human condition, calling to attention the influence of orthodox Christian theology on the novel. This dialogue is considered through the lens of postmodernism and the New Sincerity movement in contemporary U.S. fiction, and offers that the novel urges readers to countenance what it means to be human living amidst the binary tensions of sin and salvation, reinvigorating a traditional understanding of grace and redemption in a present and prophetic way.
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Genre | |
Type | |
Language |
eng
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Date Available |
2016-08-18
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0308653
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2016-09
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Campus | |
Scholarly Level |
Graduate
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International