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Double concerto for violin, violoncello, and orchestra by Frederick Delius : historical context, form and performance challenges from a cellist's perspective

University of British Columbia

Double Concerto for Violin, Violoncello, and Orchestra by Frederick Delius: Historical context, form and performance challenges from a cellist’s perspective covers different issues related to the Delius Double Concerto, including historical context, the form of the Concerto, and the challenges faced by the soloists when preparing the work for performance, especially from the solo cellist’s perspective. The History of the Work chapter includes an overview of Delius’ life, how the Double Concerto fits into his compositional output, and background about the performers for whom the work was written, cellist Beatrice Harrison and violinist May Harrison. The Form and Analysis chapters provide different interpretations of the form of the work, particularly double-function and cyclic form models, and compare the Double Concerto with works with similar formal designs, specifically the Liszt Sonata in B Minor and the Saint-Saëns Cello Concerto No. 1 in A Minor. The final chapter addresses the specific challenges faced when performing the Double Concerto, including discrepancies in the score, balance and ensemble issues, and non-idiomatic writing for both soloists.

Text

2014-05-13

Attribution-NonCommercial-NoDerivs 2.5 Canada

http://hdl.handle.net/2429/46727

Music

University of British Columbia

UBCV

http://creativecommons.org/licenses/by-nc-nd/2.5/ca/