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Animal-vocalist blends in rock music reviews : a comprehensive method Stolar, Slade

Abstract

The present study describes music criticism of rock vocalists where their vocalizations are compared to those of animals in the form of the animal-vocalist blend. The animal-vocalist blend (using the framework developed by Fauconnier and Turner) is a representative example of the use of linguistic and cognitive resources in order to convey acoustic and affective information. These blends present an excellent case study in the variety and expressiveness that is present in the dense semantic field of the album review. The current project draws additional resources from linguistic motor theory, cognitive science, and affect psychology to offer a comprehensive model of this creative process. Findings reveal the highly motivated nature of the animal-vocalist blend, the underlying mechanisms or rhetorical common grounds on which speakers discuss responses to music, and the meaningfulness of human-animal interaction.

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Attribution-NonCommercial-NoDerivatives 4.0 International

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