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'By gift of my chaste body' : women as gifts in early modern England and its drama van Deijck, Andrea
Abstract
This thesis explores various facets of women’s participation in the gift system of early modern England, such as giving, refusing, withholding, and rejecting. Using historical and dramatic examples, I argue that women were able to transform themselves into sexual gifts, thus becoming subject and object in the exchange and resisting their objectification by men. The agency this afforded them was paradoxical and disquieting in the male-dominated society; gifts were considered acceptable and yet the agency was transgressive because women were supposed to be obedient and retiring. Women’s gifts allowed them to make and reject marriage proposals, thus circumventing male authority and their own objectification in an age when women were often passed between men in marriage. The drama was one medium for working out the cultural conflicts associated with woman as gift, and in the process, genre was interrogated and sometimes transformed as plays which raised the issues and conflicts could not always fully contain them. Genre was, in turn, used to comment on the issue of woman as gift by the playwrights who sought to work through the issues of women’s gift-giving.
Item Metadata
Title |
'By gift of my chaste body' : women as gifts in early modern England and its drama
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
2008
|
Description |
This thesis explores various facets of women’s participation in the gift system of early
modern England, such as giving, refusing, withholding, and rejecting. Using historical and
dramatic examples, I argue that women were able to transform themselves into sexual gifts, thus
becoming subject and object in the exchange and resisting their objectification by men. The
agency this afforded them was paradoxical and disquieting in the male-dominated society; gifts
were considered acceptable and yet the agency was transgressive because women were supposed
to be obedient and retiring. Women’s gifts allowed them to make and reject marriage proposals,
thus circumventing male authority and their own objectification in an age when women were
often passed between men in marriage. The drama was one medium for working out the cultural
conflicts associated with woman as gift, and in the process, genre was interrogated and
sometimes transformed as plays which raised the issues and conflicts could not always fully
contain them. Genre was, in turn, used to comment on the issue of woman as gift by the
playwrights who sought to work through the issues of women’s gift-giving.
|
Extent |
14452116 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-04-27
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0067208
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2009-05
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Campus | |
Scholarly Level |
Graduate
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International