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The recognizability of individual creative styles within and across domains Gabora, Liane; O’Connor, Brian; Ranjan, Apara
Abstract
We present a set of studies that tested the hypothesis that creative style is recognizable within and across domains. Art students were shown two sets of paintings, the first by five famous artists and the second by their art student peers. For both sets, they guessed the creators of the works at above-chance levels. In a similar study, creative writing students guessed at above-chance levels which passages were written by which of five famous writers, and which passages were written by which of their writing student peers. When creative writing students were asked to produce works of art, they guessed at above-chance levels which of their peers produced which artwork. Finally, art students who were familiar with each other's paintings guessed at above-chance levels which of their peers produced which non-painting artwork. The findings support the hypothesis that creative styles are recognizable not just within but also across domains. We suggest this is because all of an individual’s creative outputs are expressions of a particular underlying uniquely structured self-organizing internal model of the world.
Item Metadata
| Title |
The recognizability of individual creative styles within and across domains
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| Creator | |
| Publisher |
American Psychological Association (APA)
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| Date Issued |
2012
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| Description |
We present a set of studies that tested the hypothesis that creative style is recognizable
within and across domains. Art students were shown two sets of paintings, the first by five
famous artists and the second by their art student peers. For both sets, they guessed the
creators of the works at above-chance levels. In a similar study, creative writing students
guessed at above-chance levels which passages were written by which of five famous
writers, and which passages were written by which of their writing student peers. When
creative writing students were asked to produce works of art, they guessed at above-chance
levels which of their peers produced which artwork. Finally, art students who were familiar
with each other's paintings guessed at above-chance levels which of their peers produced
which non-painting artwork. The findings support the hypothesis that creative styles are
recognizable not just within but also across domains. We suggest this is because all of an
individual’s creative outputs are expressions of a particular underlying uniquely structured
self-organizing internal model of the world.
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| Subject | |
| Genre | |
| Type | |
| Language |
eng
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| Date Available |
2018-03-05
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| Provider |
Vancouver : University of British Columbia Library
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| Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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| DOI |
10.14288/1.0364143
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| URI | |
| Affiliation | |
| Citation |
Gabora, L., O’Connor, B., & Ranjan, A. (2012). The recognizability of individual creative styles within and across domains. Psychology of Aesthetics, Creativity, and the Arts, 6(4), 351-360.
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| Publisher DOI |
10.1037/a0030193
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| Peer Review Status |
Reviewed
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| Scholarly Level |
Faculty
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| Rights URI | |
| Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International