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    <title>UBC Library Open Collections - International Institute for Critical Studies in Improvisation (IICSI) Colloquium RSS Feed</title>
    <link>https://open.library.ubc.ca/collections/62152</link>
    <description>The University of British Columbia IICSI (International Institute for Critical Studies in Improvisation) Colloquium is presented annually, regularly in partnership with the Coastal Jazz and Blues Society.</description>
    <ttl>60</ttl>
    <item>
      <title>"That's Just the Way It Has to Be :" Reflections on Recording the Vancouver Rock Band, Be Afraid</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0371845</link>
      <description>Presentation given by Max Wainright  at the 2017 IICSI colloquium "Lines of Flight: Improvisation, Hope and Refuge." Wainright discusses his experience recording the Vancouver rock band Be Afraid using do-it-yourself and improvisatory technology.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0371845</guid>
      <pubDate>Sat, 12 Nov 2022 03:03:01 -0800</pubDate>
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    <item>
      <title>Improvisation, Music Education, and the Embodied Mind</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0371944</link>
      <description>Artist Presentation given by Dylan van der Schyff at the 2018 IICSI colloquium "Sounding Promise in the Present Tense: Improvising Through Turbulent Times." van der Schyff discusses improvisation in relation to music education and theories of cognition.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0371944</guid>
      <pubDate>Sat, 12 Nov 2022 03:03:00 -0800</pubDate>
    </item>
    <item>
      <title>Dálava : The Book of Transfigurations</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0371846</link>
      <description>Artist Keynote with Julia Úlehla and Aram Bajakian of the experimental folk band Dálava at the 2017 IICSI colloquium, Lines of Flight: Improvisation, Hope and Refuge.  Úlehla and Bajakian discuss the history and development of Dálava before answering questions from the audience and performing a selection of songs.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0371846</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:59 -0800</pubDate>
    </item>
    <item>
      <title>Les Filles de Illighadad, Niger : Fatou Seidi Ghali, Madassani Ahmoudou, Alamnou Akrouni, Mathieu Petola</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0371898</link>
      <description>Workshop with Tuareg folk music group Les Filles de Illighadad (Niger) at the 2017 IICSI colloquium, "Lines of Flight: Improvisation, Hope and Refuge." The group answers questions from the audience before demonstrating how to assemble a tende drum and performing a selection of songs.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0371898</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:59 -0800</pubDate>
    </item>
    <item>
      <title>Composition versus improvisation</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0355324</link>
      <description>Keynote Artist Presentation given by musician and composer John Hollenbeck at the 2017 IICSI colloquium "Lines of Flight: Improvisation, Hope and Refuge." Hollenbeck discusses the important balance between improvisation and composition in his work.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0355324</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:57 -0800</pubDate>
    </item>
    <item>
      <title>Trust</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0355298</link>
      <description>Artist Presentation given by musicians and long time collaborators Ab Baars and Ig Henneman at the 2017 IICSI colloquium "Lines of Flight: Improvisation, Hope and Refuge." Baars and Henneman discuss the important role that trust plays in improvisation.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0355298</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:56 -0800</pubDate>
    </item>
    <item>
      <title>Improvisation in Scattered Times</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0355297</link>
      <description>Introductory remarks for the 2017 IICSI colloquium "Lines of Flight: Improvisation, Hope and Refuge" by colloquium organizer and IICSI-UBC site coordinator, Kevin McNeilly.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0355297</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:55 -0800</pubDate>
    </item>
    <item>
      <title>HUMAN KIND : Music for Empathic Activism</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0355296</link>
      <description>Artist Presentation given by musician and composer Cat Toren at the 2017 IICSI colloquium "Lines of Flight: Improvisation, Hope and Refuge." Toren discusses a recent tour with her band HUMAN KIND and how the influence of John and Alice Coltrane helped her to discover the importance of what she calls "empathic activism" and community engagement through music.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0355296</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:54 -0800</pubDate>
    </item>
    <item>
      <title>On ElectroAerials</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0354789</link>
      <description>Interview with musician François Houle and artist Jeannette Hicks in which they discuss the origins  and development of their collaborative project "ElectroAerials." Hicks and Houle explore the intricacies of improvisation and the collaborative relationship between sound and visual representation.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0354789</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:53 -0800</pubDate>
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    <item>
      <title>Hope, Refuge, Justice : The Ethics and Trauma of Improvisation</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0354578</link>
      <description>Keynote presentation given by Sara Ramshaw at the 2017 IICSI Colloquium "Lines of Flight: Improvisation, Hope and Refuge." Keynote presentation given by Sara Ramshaw at the 2017 IICSI Colloquium "Lines of Flight: Improvisation, Hope and Refuge."  Considering the tension between pre-existing laws and legal precedent, and the singularity of each particular case, Ramshaw turns to improvisation as social practice as a means of engaging with and resisting past oppression and injustice.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0354578</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:52 -0800</pubDate>
    </item>
    <item>
      <title>Four ElectroAerials</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0354385</link>
      <description>Performance by Jeannette Hicks and François Houle at the 2017 IICSI Colloquium "Lines of Flight: Improvisation, Hope and Refuge." In this multimedia collaboration, visual artist Jeannette Hicks creates four ink and water images in relation to François Houle's improvised clarinet Aerials.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0354385</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:51 -0800</pubDate>
    </item>
    <item>
      <title>"Turntable Poetry, Mixed-Race, and Schizophonophilia"</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0354387</link>
      <description>Presentation given by Wayde Compton and Jason de Couto at ICASP 2010 Colloquium "Sound Lines: Improvisation, Text, and Media." Compton and de Couto blend poetry and sound samples in a mixed-media  turntable performance that touches on the themes of race, perception and identity.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0354387</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:50 -0800</pubDate>
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    <item>
      <title>Dálava</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0348824</link>
      <description>In this short film, Julia Úlehla and Aram Bajakian discuss their experimental folk band, Dálava.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0348824</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:49 -0800</pubDate>
    </item>
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      <title>Encountering Life in Sound : Affect, Vibration, and the Architecture of Sound (Davala Concert)</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0348825</link>
      <description>Concert  by the experimental folk band Dálava, given as part of a workshop entitled "Encountering Life in Song: Affect, Vibration, and the Architecture of Sound" by Julia Úlehla. In the workshop recording, Úlehla answers questions from the audience and discusses her music in relation to her family history and cultural heritage.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0348825</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:48 -0800</pubDate>
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    <item>
      <title>Do We Ever Really Improvise with Others? What Machines Tell Us About Improvisation and the Imagination</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0348823</link>
      <description>Presentation  given by Dr. Eric Lewis (Philosophy, McGill University) at the University of British Columbia.  Lewis discusses the tension between theories of improvisation  and the development and programming of improvising machines.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0348823</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:47 -0800</pubDate>
    </item>
    <item>
      <title>The Thermostatic Actor : Improvisation in Stanislavski's 'Cybernetic' System</title>
      <link>https://open.library.ubc.ca/collections/62152/items/1.0348380</link>
      <description>Presentation given by Tom Scholte at ICASP 2010 Colloquium "Sound Lines: Improvisation, Text, and Media." Scholte discusses modern theories of acting, particularly the Stanislavski system, in relation to the idea of cybernetic feedback. With the help of two student actors, Scholte then illustrates how acting is, at its core, fundamentally improvisational.</description>
      <guid>https://open.library.ubc.ca/collections/62152/items/1.0348380</guid>
      <pubDate>Sat, 12 Nov 2022 03:02:46 -0800</pubDate>
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