CONTENTdm
British Columbia Historical Books Collection
Morice, A. G. (Adrien Gabriel), 1859-1938
"Title page in English and French. In Carrier syllabication. Also: New edition. 1933. 366 p. Title page in English and French. Also: 3rd ed. [n.p.] Lejac Indian School, 1938. 383 p. Transliteration in Roman characters, with literal English translation." -- Edwards, M. H., Lort, J. C. R., & Carmichael, W. J. (1975). A bibliography of British Columbia: Years of growth, 1900-1950. Victoria, BC: University of Victoria, p. 197.
328 pages ; 15 cm
application/pdf
CARRIER PRAYER-BOOK. LIVRE DE PRlERES PORTEUR. CARRIER A.YEifc-RA>©¥ *a» * aO £,% Jk>) \Jr z\Jr JL CONTAINING Together with the usual Formularies > A COMPLETE COLLECTION OF HYMNS, CATECHISMS, DIRECTIONS Relative to Various Points of Catholic Life. BY REV. A.G. MORICE, O.M.I. 1901. F-'RJEEHES A j,'usage BE LA TRIBU BES PORTEURS Avee une collection complete de CANTIQUES ET DE CATECHISMES Ainsi que de nombreux Renseignements sur differents points de la vie chretienne. PAR LE R.P. MORICE, O.M.I. MISSION 1901. Imprimatur. t AUGUSTIN, O.M.I. Ev. dc New-Westminster, t>JC s D-^4?/ PREFACE. The present is the fourth book printed with the signs of the methodical Dene" Syllabary, which first came into use in the latter part of 1885, and which has since rendered most valuable services. Therewith the natives of northern British Columbia can write correctly and read with the greatest ease their various dialects, and therefore learn without the help of their spiritual guide all the lessons of the Catechism, all the prayers or hymns which he may direct them to acquire. They now correspond by letters, keep private accounts of their dues and of their debts, and post or scribble on the trees of the forest records of their late deeds or of their present wants for the benefit of parties likely to follow in their tracks. And all this, let us not forget, without any regular schooling, since our Indians acquire reading by the merest pretense of mutual teaching. — 8 — The beautiful simplicity of their graphic system, the logic and method with which its characters are formed and grouped, the ease with which the respective position of each is discerned and the corresponding sound realized, but, above all, the fact that with them to spell is to read have alone rendered such sa-. tisfactory results possible. Thus, to quote but a few points in favour of our syllables,' the direction of the curve or angle of each sign infallibly determines the nature of the vowel added to the fundamental consonant, and this direction is always perceived without the least effort of the mind mces; >D33; Anmm, etc.) All the cognate sounds are rendered by similarly formed characters the general shape of which denotes the phonetic group to which they belong, while their modifications determine the particular sound they represent, so that our 30 sets of letters are practically reduced to 9, viz.: <JCQEC@CC£. Nor should it be forgotten that those modifications take place in conformity with logical, and therefore easily learnt, rules. Take, for instance, the sign g. The student who already possesses the aforesaid prin- cipal signs will recognize it at sight-through its double undulating curve-as a hard sibilant which, being affected by no modification and pointing to the right, must be given the primary hissing sound 8a. Lot us now insert therein the perpendicular line which, when used as an internal accretion to a sign, corresponds to the li of the Roman alphabet (as in < rha, -<£ hwa, Q ilia, Q hlut), and we obtain ££ sha. By crossing the end of its horizontal line, wo add a t to that sign which then becomes Q; tshct' or cha. In like manner, £ may be changed into g Isa, which in its turn is liable to be transformed into Q t'sa, while CZ, £, &c. may become Q, Q, &c. by the insertion of the one sign ( representing the same click proper to some Indian languages, etc., etc. To come now to the present work. It is, as its title indicates, considerably more than a simple prayer- book. The prayers, hymns, catechisms and religious instructions it contains are, in their entirety, the property of the undersigned. A.C. MORICE, OM.I. PREFACE. Le present volume est le quatrie"me imprimd avec les signes du syllabaire methodique invente vers la fin de 1885, lequel a depuis rendu d'excellents services. Grace a lui les indigenes du nord de la Colombie Bri- tannique peuvent maintenant ecrire correctement et lire avec une extreme facility leurs diffe'rents dialec- tes, et par consequent apprendre catcchisme, prieres et cantiques sans 1'aide de leur guide spirituel. Au- jourd'hui ilscorrespondent par lettres, tiennentcomp- to par ecrit de ee qu'ils doivcnt et de ce qui leur est di, notent sur les arbres de la foret leurs recents faits et gestes ou leurs besoins actuels pour l'^dification de partis qu'ils savent devoir les suivre. Et tout cela, qu'on no l'oublie pas, sans autre ecole qu'un faible semlilant d'enseignement mutuel parmi nos Indions. — 11 — La simplicity de leur systeme graphique, la logique et la m^thode qui ont preside" a la formation et au groupement de ses caracteres, la facilite avec laquello la position de chacun d'eux est reconnue et leur va- leur determinee, mais avant tout ce principe fonda- mental d'apres lequel ejjeler est lire ont seuls rendu possibles des resultats si satisfaisants. Ainsi, pour ne citer que quelques-uns des avanta- ges de notre syllabaire, la direction de la courbe ou de Tangle de chaquo signe determine infailliblement la nature de la voyello qui s'ajoute a la consonne representee par la forme du signe, et cette direction se percoit toujours sans le moindre effort de l'esprit, (<3C££, > D 3 3, Anmm, etc.) Tous les sons apparentes sont exprimes par des caracteres de forme similaire dont les lignes generates denotent le groupe phonetique auquel ils appartien- nent, tandis quo leurs modifications accidentelles d6- tcrminent le son qu'ils representent plus particulie- ment, en sorte qu'on pratique nos 30 series de lettres se rdduisent a 9, savoir: <C(IEC<2C!C£- Ne pas oublier non plus que ces modifications sont gouvornees par des regies logiqucs et partant facile- — 12 — ment apprises. Prenons, par exemple, le signe g. L'eleve qui possede deja les priticipaiix signes ci— dessus mentionnes le reconnaltra immecliatement— par sa double courbe ondoyante—comme uno sibilan- to dure qui, ne recevant aucune modification et £tant touinee a droite, doit avoir le son sifHant simple de ««. Qu'on y insere maintenant la ligne perpendicu- laire qui correspond a l'A de l'alphabet romain quand elle sei't.d'accre'tion interne a un signe (comme dans < rha, ^ hwa, Q tha, Q Ma), et on obtient g sha. Si Ton croise, en outre, la ligne horizontale du signe, on y ajoute un t qui nous donne g tsha. De meme, g peut se changer en g tea. lequel devien- dra a son tour gi t'sa par l'insertion de I'accessoire { esprimant le claquement de langue propre aux idio- mes primitifs. Meme transformation possible de C/ en Q, de g en Q, etc. avec resultat identiquo. Quant au present volume, il est, comme son titro l'indique, beau coup plus qu'im simple livre de prie- res. Les cantiques, eatuchisnies, instructions reli- gieuses, prieres, etc. qu'i.l renf'erme sont, dans leur entier, la proprie;e du soussigne. A.-G. M. Errata. Au 24t ;>.• d <1G-DQ> E>D DCOS VD* "3 C" t> "CV'Q" t>> C" CDID" Aa ,0'Q"- Ao 27t Dr.- >7)PQ >-r) o "OVD" D9" Aa r»Q». DENE SYLLABARY SYLLBAIRE DENE. AaEI0 U Ha ha he hi, e Eha Ea Wa Hwa Ta, Da Tha 'Ta Pa, Ba Ka, Ga Kha 'Ea < « * ^ > E> \> A Without vowel. ^/Sans voyelle c < > > > A V h < > > > A V II < > > > A V II < > > > A V < > > > A V < c > > > D 3 3 A n u T a D D D Q D a DB0 Q O a D D D ft b X E 3 3 3 m uu / a B B B m DO V * a B B B PQ DO V — 1<i — Na c D 3 3 n {j ) .«*(nasal) Ma E. "3 3 3 h Lu < Ya © © © © Q © Qa (24 10 I® © .9 5 'Qa & E> © © 9 c5 La C DQS Q U i Tla G D9D n U rja G kJ kL) si) Q O b Tp a DS9 Q a T'ja H B SB C2 a Za C 233 n U **0') Tza, Dza G O tD ED Q o Sa S 3 3 3 m 03 s s Sha CJV. Cha) a BBS m w * Cha (Fr. 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I>bDs Q3' 3333 A3bffli> 333", VD3 Q-B's DUbB < DB30; !>t- An< <>3t >1*0b 03ffl ba>©. 3b C><- 3' E» EE, O'3'ffl EE, *^©i8C>© l>> g BeV" D>>3, <Vu®z DCI»D>- ©t>C3 \>>©z Q 03V3'<3 fc>3 EE D- <D'3>3", 3a' t»U >>; sCD D>«'l>>; [>D* >Qu >AD < D3C-3^3- >3- A3"- 3a ©Bz 3>C t», (>>B* A-'<T 0\Kb©z DDC AvA"B >0>) — 34 — r-y> DbD D DCODh yv>3>s3z oo- SUNDRY PRAYERS. Prieres Diverses. •<n> BB3' A" D IDCOB' cs»* ON AWAKENING. EN S'EVEILLANT. A >niu3h,' UEE >D 3> 8<A3>,<t>" ©Bz AT(3/As3h <; Ot A"< <1>3t 3> >Ds3b D g, 33>DOt 3 EE, ©DsD' 3 EE, 3'/ 3D83t 3 EE, A3bffl» >©> C <a- D8Db A^<-38~3). *B3 >>U t», 3<D,3>3". (ioo £):> AvAl'B >D AT^BAiDh) — 35 — A *E_D, DDB -|>t gl»© >>, >S >3BO 3a DC3>3- •oo ©) o>3 D DCOD1' po- ON KETIEING. EN SE COUCH A NT. A 3a, >©> >3>C 8©z s<3>-<[>; E>T AH< <1>3T >b< SQ)SjJ) g, SQI g, 33 EE, sED g '£>3- 03ffl 3333 OX sa yiiA'D-; t>58z >CQ// D G CA>!2> 3>3> >z>>'< A>D". *B3 !»U f», l>*." A *£.©, >*.' — 36 —- ■s> >B'<b Affl D DCOD1' f^>- BEFOEE MEALS. Benedicite. DCXJ3- V>U,B 3A'3», 3Uj3"D; [»Bz '3. >»U A«< 3SC>3t > g VU B 3- a A>Q". *®3'D 3U3"D E» D- O- A3"- •co >8>-<l' Av>u-<]z jr> DC03" <»■ AFTEE meals. GRACES. ©BsC B©V" > OuDs t»Bz >3t C <V A3D3t <E>^// r>T >c E»8* >B- — 3*7 — 3AD> t», >3t- > G 3CSt>'© C» A- 3bffl'. An< BB>B©^3- >3A3"- B®~a=DQz >[D-><- D, <V QBsC B DH- DsDh; $ <d-<]i Av>i-<* a, <1V DCD'Dh t>=Bz QBsC B= BBDtD iB^E>=- B3D lB- D", 0 iBD"; I>t A'i< >B<" >D DCODh- >DHd" C >B<i- D, >~D3' E> OODh; >- 19D CB<H 3, BOyh <nmh 3TSI>h >^> Dh.°®a IHS* — 38 — •;<v> © QE>C!T) a DCOD* oo- PEAYEE FOE THE DEAD. Eequiem /Eternam. <]Vl©z CVi©s D<A3>'<][>", 3bu3h- D, l»B* [>,3Z >3 Da aDOO A3^>' 0>t CA/ie>. >3A3h- DOU3- .©BsQ DD'QD BQ\7» t>D'G O'B* D8GA3^3 r», '©t>833 33 EE, BCD EE D3i VDD® B©V" Va 'I>'D3t; 05Q3 DOD» > >GR" D G AK3BVQ >«>>•< D<D'0>3* < *®3'3 3Lu- 3»3 !>> D- 3A> — 39 — 3Ct>GI> Av>b-<]z >tj bs 3zD- D DOQ3"- AFTER HOLY COMMUNION. En ego. 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TO THE BLESSED VIRGIN. A la Ste. Vierge. Salve Ekgina. A3b3, 3'> BB, 33 D33>; >< B>C g, BV>3 g, OG-AO^r^OO, EE, A3b3-.; *E>y" D^B''B ^0X^X5^ B>3 >B B>©'«. >3 m 3>Bt 8>Ot. 7)h [»gz Bffl A". >B 0!>Ot>. E>t Aii< »h! db-33 >>, >C D'3>3> > D 3B> OD»Sh; &»3* 8CBO>3 3, *B3, 'EE' y©^ ya a3>d- e», dd- HuD'. A *^D S'3>C, D'30' g, D33b3> g, D»8z '3 t>bO g. — 43 — SlTB TUTJM. 3A>3 < >> B'<8, 3a yd t>'U C»; bB'333 A" D >B DOS* VCT 3>3> 103*, D»B A"<VS Q3' <Vu©z AB 3<CD»3, S'3'C >B<t>Qz t»8z <a A3'D' EE- OA3"- — 44 — •si D3s3' Vv>3t>s3z oo. THE MYSTEEIFS OF THE EOSAEY. Les Mtsteres du Eosaire. I. GO £>> a t>3Bz A^ Dt Q3 a Ad- i.-*LQ 3a yu DD" ©D> ©b c- VO' A">3CQa>. 2--*ED EEV'D A" *ODCDt B > 3© An>3QQa'- s.-*B3'D 38Usa©// 3a A^3 A- n>3GQa>- 4.-*B3'3 yu DC33a©'/ C>3bD A">3Q3a>. 5.-*B3'3 VU 3L,3"3 D* C©bD An>3GQQ>. — 45 — II. ai ct q^ a t>=Bz A>. /agt q= a Aa- «--*B3'D E_t>BT >>S* 8T CS" A- ">3Q3a>. t--*B3'D b>i A'' ©>©b3^ An>3- bo 8.-*®3'D V3 u>m >333^B A- n>3QDa>. 9.-*B3'D b3Gb3^ 33'0 Ah>3- cqo io.-*B3'D U-3QI-3* 8>©bD A">~ 3cqo TIL DL* Q=> 3. At Ot Q= a t>=B* Ai 'BOt Q= a e>t Aa 1L—*B3'D QI>G3 D" 3C3tG1 A- »>3CDa'- — 50 — • oo d ©3' 3>>D VB DCOE"- oo- TO THE HOLY ANGELS. Aux Saints Anges. Angele Dei. ©BsC V©3> 8j>'3 >», 'PI s<D-3©5 > >E>D A", <3t ED' 3Vb-t>" g, 8J»D EE, Eb©b g, \»&z B33'-b> EE- OA3"- "O >DU' t>D 100 B=> AvAi'B At«B- A'Dh-^^a PART II. RELIGIOUS EXERCISES. •v) D a3D' t>3 A«> ©BbD' sr- EXERCISES RELIGIEUX. Religious Exercises. •<\> >Ot3' A«> ©BbD' ro- ON CONFESSION. 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E>t A"< s3i g ct>b- Ds, A ©BsC, t>'Bz 3 G O Q'B^ Aa B"->> G>0©s©t- D> g s<3)-<[>h > 8<[T)-©>3". A-CQl'D >D DG G'-Ui3'i- <^y-E>T sCD V'S" 3'C, A *B3'3; C>t A"< Ab C-r s> CCO'Cb E>t A8' <y V'3©z > '3 'UsC A^<30s3'- sG 3'C > 3b t>3>' C 3'3 3t>'G, \>t An< V03't>'Qz > V'B 3© '©s3b A^3-BsD'. <>©t 3' AB' 3© 05ffl — 78 — Vn>Ds3" ©BVQ* >> 8 ©D'Bt At&; s© Vn>D83", At6!A3t©t AB' UB A^Qzi; s© An>Bs3" V'3" D3-U3 At- 01; sc Vn>3s3" ©//DAUb-.o» a^QX; s©" A"»Ds3" >B>>>-< t>V'Q* A- ^< ypbg[> at-(^- <vb>t «g 33- 33 e< CCOs-<G>; 05 '©' C, *B3'3, E>t AO'Db A^<Os3>. OA3". — 79 — •cnj 33'3ffl 3>Sb-o» A3* D DCO- E" S t>'Bz D 8t3" S cs> ACTS AND HYMN FOR THE BENEDICTION OF THE BLESSED SACRAMENT. I Actes et Cantique pour la Benediction du S. Sacrement. 1 I. :; *B3'2D DD'ISffl E> =G1' *C <G-BtDI>'-U33. A *B3'3, ©BsC D»3, £>t A"< V'3©z >© CObBb < ©I>bD' 3, 3 G ©3" 33 I> C<>©b !>Db OB"- ©a C3'St> AB'Bs >b<- C <flO 80 — t>Q" >C_T >C'B A ", >>© D C 3s3B ©sD 3'3 [»BZ = "> sCVb 3" < O" 3'" >DC©. 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COO' ©O-Bs©" 3, DDBffl G AbOiT, C>© D< 03©© b»sB O CQOUB" C; OBBW <V O b(^A3T(5T Ab BG'Qz 053- <IOQ* Ot A"<. 03 sC S- D©b<Bb© O ©0M> At- G,. OB © ©BsC ©3* ©> COz© >G' Vv>©t>03z. o©z <v mB" <oq* 0'8z o$ o- 3>' C ©b3", <3 ©BsC ©-©s©8 Bt Qt OO: "©© ©a S, BU S G- UO" 0'8Z ©-<t 3u t>Q V©-" (B'--, 2, 24; *£_t©, 19, 5; *£_/, 10, 7; *ODz.-5; I *mi.- 6, 15.) |>t US *®3'3 BE.'©* > ©b3' A" OzO'"<l COz© : " ©BsC b<A3'-<0 >> 3© bB<CV<3b 3©»". — 129 — (*£_t©, 19, 6.) US O©' 3-©s©8 Bt ©BsC " ©© p-<T -O'O©" 3©"" ©- b© (I *nfo, 7, HO ©© O' 8s lu©" O; O' Vv>3-AD- B' Aa O'Q*. "33 O' BB V3 3'3" © ©BsC (*ODz--, 5, 23.) 33 O' Bs LO" O BO A", <V CBb 0Q"B Oz3'3' OB" A" Bt©. D- © Bs 0> ODDb Aa O'Q*; <'B D- •<]t a AvO'OVb©- Aa O'Q*, O'S* b©0* OO©©' D, D© OO AvA"B- A3" Bt3 O Bt©. OBBb S, ©-BO S, ©OOblD S, ©OObB S, 03BD> S, ©* OBAb-- ■O' S, 0'BZ VbDs DD-BD' A"0 8- ©V" 33 OD'Cfl" >• V'Q//. Dt Ba S, ©003: ' S, DC83s S, O'B* * 'CO C OB' ' \7iiO 3D VD* 0'3Z ©// OB' -•0> o BCD >EW o- V'Q*. ©•<]t C03b3> C ©BsC ADBbD' ■ A" OO: "©3© ©QsD m»8 B-<]tB b- V3- ' <D G 3-<]t 8'3- E» ©©t B- C3-" (*ODz--, 5, 28.) v _ 131 — •bo©£.sffl ©b©> ©CA'B' A©z©bD'Co- ABOUT MOVABLE FEASTS. DES FETES MOBILES. OD« CA3©t AD* bBOT 3©sAD ©b©» 3' ©CA"B' O' VO- <1V-Ot 8Va©b: *E3SO>©3> S, 003' S, ©CVC3'3' .88, D'0©3> S, ?G OCt- G3' S, 0'BZ '0-333 3' S- >(> OCt(^3' Ot C <Yb©Z. Ab ©t 3' Ot 3A<8'; Ot V'B ©C3TG 3' ©A'8' An< ©b©> Ab©T3> ©A'B'. A" 3' Q3', 3s3> AOAiB' V'B, 05 ©£.* 3' AvA"3 ©©-03s©' [»8Z 33* B zO© Aa- V'Q*. ObBsD> ©, 3- DBffl C mbOiT. — 132 — ©C©tG4 3> Ot S CA©3b An< ©b- 3' BCA'B', Ot V'B <Vb©z ©£_$©' C- AB", O'Bz ©A'B' A»< ©z3' S, 'OOCt(^3' S, 'O-©©' S, ©3'3ffl3' 3AB'. Ot A"< CB AB' QtQz C- A©3t A3* >©t C ©C©t0I 3' ©A- Q'Bb 0> 'G> AvOB-8s3z: 1902, Db 3 g©> Ab 30t 3>. 1903, Db 4 g©> Ab 12t 3'- 1904, Db 4 S©' Ab 3t 3). 1905, Db 4 g©> Ab 23t 3,. 1906, Db 4 g©> Ab 15t 3>. 1907, Db 3 S3' Ab 31// 3'- 1908, Db 4 g3' Ab 19// 3'- 1909, Db 4 g3' Ab 11* 3>- 1910, Db 3 g3' Ab 27t 3>. 1911, D^ * S©' Ab 16t 3'- — 133 — 1912, Db 4 g3' Ab 7t 3'- 1913, Db 3 g3' Ab 23r 3>. 1914, Db 4 g3' Ab 12t 3'- 1915, Db 4 g3' Ab 4t 35. 1916, Db 4 g3' Ab 23t 3). 1917, Db 4 g3' Ab 8t 3>. 1918, Db 3 g3' Ab 31// 3'- 1919, Db 4 g3' Ab 20t 3). 1920, Db 4 g3' Ab 4t 3). <D 3a 'Oh A8' VC? OC <Ot OC© Bs G3 ©'E> B ©©Ob©i - V3- B'Q*. <D© G A" CA©3t ODCb fcO D'-^Bs O 3s3s OD'C O' VD' AO . ©, 05ffl 8©V" Oa DCUEl — 134 — -co 3 S, 05VO" g Aii> ©BO' cx>- FASTING AND ABSTINENCE. DU JEUNE ET DE L'ABSTINENCE. *®3'3 DD Qt DDDCs yn< %•<] O'D- "3D3Cs ©O* 3 B©V" ©A"- C"'" 3 (*©', 13, 3); BQV^ v>>ffl Q B Uh3t 3 §i [>T3. j^T V)B >©t C 3- D3Cb 0)3- <V 8"-0' 3b33' O Cz- SO. ©3'LO"© o© ©a ©oo©- ©'- 3' A" ODb©: "<D Q ©V©bg[> E>> 3 053bSO O OB'" ODbB (*©', 10,16) 0< ^BBO CzSO Bs Ot 3' 03- 3 OzU© OO 33" LOO, 0'8z 40t ©> 05A© OO- A"< O© S O03B' 0'8Z ©D'Ot 3' S, 3©8AD AB'Bs©' g 05- BAD" OO. 03~ b8s-<i O 3 BT©, D©C ©•Bs-< i A" Ob<- ©// GO B'<lb > 05BV©". PART III. CATECHISMS. -co DE©Bs Vv>3>s3z cnj. CATECHISMES. THE SHORT CATECHISM. -co DEDBsQz Ab Qt Vv>s3z co- LE PETIT CATECHISME. Third (3e) Edition. The Short Catechism. LESSON I. De Deo Creatore. ].-©< O'Q" O ©'Bt 3C? ©BsC BUs©" < g, yv>ys3- < g, Vv>3Vs3> < g, [>t > >p U*Q < g O ©?Bt 3sC- 2.—©BsC © O O O'Q*? ©bsc © o > O'Q*, <v 031 y- ©" <OQ*, 3QV" <©s 'U S, BQV^ > bDs g, 3©V" A©b-0' S- 3.-Q3'© ©BsC '©•? 0©>' C ©BsC '3. 4.-C3' D-3' O > ©BsC '3? — 139 — a© D'3' O > ©BsC O': ©BsC a S, ©BsC ©• S, ©BsC >oo s. -5.—Q© Di3' O© GOiQ* ©BsC 0>- 3? <, aO'Q// ©BsC OO V'B <v a© ©BsC VD- <OQ//: 0©>' c ©BsC O- 6.—a© D'3' 0©>' ODm ADb©b DG? <10'U", aOiQ* B© OD b< C- >>-' Q*- V.-GBsC '3 sC? ©BsC 'O ©Sz S sC, 0'8Z A©b- fflA" V'D. 8—cD 3a OD05 D© Oe>'C? ©BsC E» OtG^ OD05 D© S, O- — 140 — ©05 BB S OD'C- 9.—O© <Vb©z OB©OsD' O'D-? <0'U", OO© 8©'©z, Ot A"< -O'- ODDO- 10.—>©z ->)>DDzO? * <0'U", D©- DB 3© DDDB DD- C©b3h <. LESSON II. De Jesu-Christo Redemptore et de « ejus Eeelesia. H.-a© D"3' 0©>' ©© 3D? <, ©BsC ©• D© 3D- — 141 — 12.-CtGA" ©BsC ©• 33 33? ©BsC ©• 3©s© S, 33i S O© 3©sD S, ©©' S ©'Q* Ah *£.© S'- sC VS' 3* ©bffiT r^T > 33 33. 13—GBsC ©• 3© 33 O' <D Oz© ? ©BsC ©• ©© 33 B» *B3'3 OO- 14.—3< OtG ©BsC ©• 3© 33 ? O305 ©© VDDB D 333D V©- BO A", 0> V8' ©CVOBb < >t(^ ©3 33- 15.-CtGA" *B3'3 ©CA-Bt? *B3'3 ©a b3G^3s Bt CzSO Ot > ©CA-Bt. 16.—*B3'D CzSO C- 0©z OtG^ >>- 3 <? «*. 142 — <]0>U", *B.3'D, CzSO AvOb--<]Z Au Ot 3' 3G©Tei 17.-DC©t(^ AvOb-<z g- O ©'Bt CC? <CO'U", *®30 OCDtG AvOb--<lz Ab j)t A3z©t 3' >f) ©Bz OCtG- 18.-US Os <CDCb? O, OD8z 3' © *B3'3 US >©s <- CDCb >c© s, ©oc© s ©a c- V©" <• i9.-*®3'3 '©8 <CD.Cb AB' <B© 3C OB7 ©bB? ©3'LOO O©1 O'Q* *®3'3 OBt ©bB; Ot AiK ,<D ,C ©b©bgO 0> <V >G Q8Z OQ <OQ*. — 143 — 20.-<D© 3a ©3'LO"3 ODBO? Da^ g DW COO'ffl E33' BQV^ S Db OO <VO© C *B3'3 ©- ©iLOO ODb3- 2L-COO' O' O? COO' O' ©DiLOO DB©t© O O" Q* ; Ot A'K Vv>©BB> ©, ©3<Lr ©"© DB3'8D> >• BB'- — 144 — LESSON III. De Mediis ad Salutem. 22.—cD 3a >0 ©Bz O© ? O G ODO'Q* A" ©BsC VnO© <GOt©©©'3' 0'8z ©BBOB' O' G >0 ©Bz O©- ' 23.-<D C ODBOQ* E» <1V DG 'O ©8Z OQ <OQ//? <, OD05 ©© VDDB <Oz V© > ©z-<IO Ot A"<- 24._)B© 3a © G <GOO>zU3' VD* ©BO©"? "QBsC a BQV" > bDs © g, ©> g r>'C O' <G'©8©'" OD DCOE" OB'- — 145 — 25.-VD* Q3'©". "©BsC a 8QV" O bD-s" Oz-- 26.->B3 ®a CBB' O QBZ AtGBAO" A" 380©"? A3Z©0 OB ©BsC © ©b-< V3* ©BOS" Q3'. 27.-VO// Q3'©". "3 ©BsC >©LO"3 Os©" Oz-- 28.-3©'LO"© O© S DB©-03D' A- a- O'Q*? <, *B©'3 ODb©: "<D G 3V3b- SO O' 3 033bgt> O OB'; <D G U"3 OBBbB- 0> 3 «B OBBbD" O O'Q*" ODb© Ot A"<- 29.-uaao o© ©3iloo o© ©w - •<! V©// 33'©". 10 — 146 — " DC* 3' g " Oz.- LESSON IV. De Peceato. 30.—CBB" AG 3D® BbB'? ©BsC Vi'OB 88©s Ot O 3DB BbB'. 31.—3DB CV'3' BB*? 3DB CV" 33* = Db BOO O S, 033* BbB' O 85- 32.—D3B 3u BOO O © O O'Q* 'CO G OD05 ©© ©bOjT \> [»Q//. 33.-3DB O©©* BbB' O CV'3' © ©//? — 147 — 3DB OB3* BbB' O CV" 3D" ■ ©DBffl S, 3DB©Z S- 34.—3DBffl Db C8SO" 3, C8B"? BDBffl OO C V'B Db CBSO" 3, ^O'ffl G 8 0©0". 35.-©3B©z Db CBSO" 3, C8B"? 3DB©Z Db CBSO" 3, ^0'©z G Vv>G8AbB"- 36.-3 BO > B^D 3DBO" BO? 3 C 3DB B©V" VB <©3t t> 3DBO" BO- 37.—CVB'B' O 3DBO" BbB'? bOa'BV": OOBbB- 83, OBB'B- S, 3© B BAsB S, BOsB S, sCD OB- •<u S, O05O" S, BOO S- — 148 — LESSON V. De Gratia et Oratione. 38.-03 DG OD3* DD® G03© ? <0'U", ©BsC DB'U ©<©s-<10 3, <V 3D® G03© <OQ*. 39.-C8B' AG DB'U A^ajuT)., ? DCZUE S, 0'8Z 33'3 fflbffiT g. 40.—DCOBE 3, COBb? 3CzUO"- 41.—©COO" O' CV'Q* >> ©a A- CO" ? ©BsC a© D'3' O O 030' C O, OB* *B3'3 3a OCb3s Bt CzSO O' 3a AGO". A — 149 — 42.—>CO OB D DOO© O© OB- Ds 'U? 'CO G *B3'B 33* ©©©bO' O O'Q*- 43.—VD* Q©>©"- "©a ©Bz 3'C O'", o?,- 44.->CO O© VB'Bs ©'U? 'CO G ©B' *C3 © ©b ©Ob3' O O'Q*- 45.—VD* Q3'©"- "ABbB, *C3. " Oz-1 46.—>B3 BC DC*U3? 3' 03' D'CC S, Ob< g; OB- ■<u Affl S, AvOb-<z S, 0'BZ V'B- B Z3B" OB' S DCZUE. — 150 — LESSON VI. De Sacramentis. 47.-3 BO O BO 330 BO ? © C *B©'3 D 33' 05VB < O- ©'G O 33'© BO- 48.-C3' 33'3 *B3'3 ©a OD'C? taS'D •• ©©'O S, D©3'COs o s, 33'3ffl S, D3CO*0 S, D05Cz©rO" O S, COOOB3" O S, D©b<BbDh O 83- 49.-3 Bt© O BO ©DO BO? 3 G 3DB Db BOO O DCQO" 0'8Z ©BsC S, 33>LOO S . DZB»- B ©bB" O ©30 BO. — 151 — 50.—D33'COs O BbB' ©, O ©- ©©'8'? D©3iC'3s O 8uB' D, 'OO E» O- B" ©3©3 G bDs ©CVbBb < ©©- ©<8'. 5L—'B© 3a D05CO'-0" O mb05T? DD BOC D, COS" t» O© 05- MJO" <, 8s ©BsC ©>©> ©, OzUt-- IS" <• 52.—<v DG D©b<BbD" O B03©s <OQ// ? <, <D© G O©b05T E>© CO'Q* <- >z »c ©, ©a^ V'B <v Da 8- G©s <>Q*. — 152 — LESSON VII. De Poenitentia et Confessione. 53.->B3 3a D3CO*0 BbB'? COO' ©3DB 3a -!>'©Db©u A" D©CO*0 BbB'- 54,-CBB' AG COO' ©3D® 3a •OOOOb? 8"'0' OCBVO'- 55.-C8B' AG B"t» OCBVO'? (1) ©3DB 05ffl V^O' C3zU©t S; (2) Vi'O' 33 B'UbC S; (3) ODz <V Cfflb05T <OQ* 003' S; (3 B- ©V" COO' Vv> Db C8VO' S; (5) BDBCs 3<3'3t O O033" S- — 153 — 56.—33DB B' CfflBO' OB OzO'-< OSbBBsB 3, CV'Q//? 3D® DOBt©t > g fflbOiT. 57.—33®ffl B'Db-i>h D, 'CO C O- 3 Vv>' CBOO' O 3CV3" D- G ? <0'U", DDBffl BOb-O" D, <V OQ ©DDB ©CV©" <OQ'/. 58.-CtQ4A" OCBOO'? COO' V3"Bt 3'OtB D 8z©' A", ©coo" 0'8z obo: "sa, sa d- CDO, V'B- DDOsD' Ot A"<. j ©BsC B©V" O 3» V8' OCOO', '©' S, sa, '8' OCOO' " • Ot g a©' AvO' CBOO': (1) 0©BZ OCBVO' AB' CV'3* OO' Ot g ; — 154 — (2) 0©BZ OCBVO' C COO' © ©<0©'-00, D©C©//0 DG, Bs D- 03~ C DC Ot g; (3) BDBCs 3- <03'-<0 O SO" 3C Bs bBB' 3G Ot S AvO' CBOO'- <J©t C 3- 3D® 05 BQV^ Vv>> CBOO'- 59.—OCBVO' C- 3D® vcm©b©// D, CODb ? 'CO C VCQQBbB* OO" O ffl V- vO' CfflBO'. 6o.->cBVO' C BOB- G ©<©'- 3t ©, CZD©' A 0©8Z D©CO*0 ' 3<©'©T A8', >co G DDB Vv>> CBVO' OO' O us C Vv>' CfflDO'- 61.—OCBOO' A" ODTH ,? J — 155 — DDffl ©BsC B> DOOD'-O' A", ©- DDB C B' Cm©'©'- 62.-3333 B' C8VO' Av>b-<z c- zD©b? O D DCZUE: "O s33® Vv>' CVO' O S, 'CO G VC30" O S, 'CO G OC Os05t O S B©V" V- nO' 83 OC- 05ffl ©BsC sa -O'- ©Ob©b, '©' S, sa, DDDCs S, D- ©C0*0 S s<AOb, Ot >© 0500- 33'3' 3". 63.—COO' 3b ©b3' 3, COBb? Vi'OB 05ffl S3nbgO, 0'8Z 3 ©<- D-<b A"O033- 64.—COO' D3C-©*0 ©<D-<b 3l- © ©, CO©b? — 156 — BDffl G Ob- A" D330C O- D DCZUE- 65.—OCBVO' A^'Ob-Oz, C0©b? ©BsC 8' BBOO, 0'8Z DDDCs COO' ©<0©'-<10 O O033". LESSON VIII. De Eucharistia. 66.-COO' C©Ob-t>'. A" ©CO-<10"? ©3'Dffl 3<-<0". 67.-33'3ffl BOO O'Q*? 33'3ffl 05 B"'0' *B3'3 ©BsC. S 3© S O O' O'ffl O O'Q//, ©c a ©s S, BCDO S ©'Q* Ot V'B- — 157 — 68.->mAC 3a *B3'3 ©BOffl o- ®'G? DO CDS" C 69.-Ct(^A" ©3'3ffl 0©'G? <QO >Ct OB A", ©sBD ©b03T, ©a DCDE 0'8Z= "ObftiT >>g» O"- •<u, >3 s ©83 O'Q//" ODbD- OzO'-< BCDO ©bOjT, > g ©a D- CDE 0'8Z: " Ob03T 0'8Z 0"tCO, >D 3zSO O'Q*" ODb©. 70.—*B©'D ODtG C- CVt^ OO-? *B©'3 OBtG ODb, ©s3B V©sB 33, 0'8Z 303O Dz30 33- 71.—*B3'3 CzSO Ot AB' <D3 3- a ©3'3ffl 00©b-[». 33? *®3'D CzSO Ot AB' COOO O- — 158 — 3 3 33'3ffl OODb-O" 33- 72.—3 < »£>>? *B©'3 33'3ffl OD'C C "> «CVb- ©" < OO'" O305 COOO ODC3 Ot Ah<- 73.—->b© 3a COOO ©3'3ffl O- 0©bT>h? D'CC- Q3' D3s OO A"- — 159 — LESSON IX. De Communione. 74.-33i3ffl QQbOiT < ©G O'Q*? <, *B3'3 33* ©8 ©Ob-< Ot A- ii<. 75.-CV>Q*0' 3a ©3'3ffl fflbOiT? u>> fflbOiT Aa 03O'Q* 3 Ot 05V'- Q*; Ot V'B 3C3t(34 3' A" <E» <V bCQoffiT <OQ*. 76.—CBB' AG B"-0'0'-< 33'3ffl mbftiT? 3©s3 S, ©3' S 054J3". 77.—CtGA" 3©sB 05zU3"? (1) DOz AvOb-<z AB' 05BA3" 83- (.h COO' ©C0-<10" A" CO" OSO'Q* — 160 — OD ©© 03©' S- (3) ©© D *B©'3 CB'D- OOO' 3©sB D V'B OD© ADzUb©' S- 78—Ct0|A" 33' 05ZU3"? OCBVO', 0'8Z *B3'3 V^<BU3' S, V8 DOOUrO' S, 0'BZ Vv>03- 3- S- 79.—3D®ffl 3© >s-<iri> A" ©©'3ffl BbOiT ©, CV'Q*? DDB DO©t©t > g fflbOiT. 80.-COO' ©C<>-<!> AvOb-<Iz, C- zD©o? S3 ©V'ffl <-<> <OBB* OVb©z <E» *B©'3 B BBzOO, 0>Bz Ot 3' OVu®z *B3'3 ©3 O CB'Q A- C05O" A\<-03©'. — 161 — ■ -co DBB'COs t>abBb3 a co- supplementary LESSON. (For such as prepare themselves for Confirmation.) LEgON SUPPLEMENTAIRE. (Pour ceux qui so preparent a la Confirmation.) De Confirmatione. 1-—D33'CD80 BbB' ©, O ©©©'- 8'? D©3'C'3sO BbB' 3, 'GO O' >- B" 3333 G bDs BCVbBb < ©©- B'B'. 2.-'00 O' O >3 O O'Q//? 'OO E» ©BsC Db a© D'B> O O O'Q*. 11 — 162 — 3.—CBE» AG D©3'COs OD 05z~ Ut3" ? BDBffl 33 O A3* S, 3 G B» V>- S ©BsC >> <GA0003' Aa* V>- Q// O' BfflU©" S, 0>BZ 'O-© V*<-- 8U3' S- 4.—<© OBOb-O" 3©3'C'3sO ©<- ■<>b V COO'ffl. 5.—COO'ffl C©Ob-t>" A" D©3'COs O ©<f<10"? COO'ffl ©B©b© A" 'OO ©a ©- 3-©©", 0'BZ COO D 3©'G b3Gb- 3s AbB AvOb-<z, C3^3'©z 3©B'- 6--©< ©B©b©? *B3'3 S 0'8Z <flTi) g OOB" OO- A" 'OO AnOD'O" Ot A«<- — 163 — 7.—©< 3BO b3Gi3* Ab3"? 3© 8' *B©'3 S, 030' O S V- n< © 033- AtGBBDt O- BOb-O". 8.—©< COO D- ©Ob-O"? 'ffl* D G O uOQiD" 0'BZ ©COs >- 3", OzO>-<! DB'U O'ffl ©<©'© O ©CD'Ds BCQU3" <• 9.-3< C©b3'©z ©©B' ? *B©'3 < 3* 3053t Aa 05ZUB- OzU3' <• 10.—CV©<3' D©3iCOsO 8^3'? OQ" C DBD'C'DsO B^B', Ot A- »< Va 05bBDQ* A" D fflb05T ©3"- THE SUNDAY CATECHISM. -oo ©£> ©> ADEDBs co- LE CATECHISME DU DIMANCHE. — 160 — The Sunday Catechism (1). Le Catechisme du Dimanche (2). I. ©BsC BUs©" < g, Vv>VsB- < S, Vv>3VsD' < S ; * Ot O >Q O- s© < >3 =©'Bt BsC- ©BsC © O O O'Q*, <1V OB' V©" <OQ'/; * B©V" <©s 'U S, 8- ©V" O bDs g, B©V" =A©b-E>' g. (1) This consists of the iir.-t, second, fourth and )art of the fifth lessons of the preceding Catechhm hich are chanted as so many psalms on every (Sunday afternoon and, together with the recitation of the chaplet, take the place of Vespers. (2) II consiste dans les premiere, deuxieme et qua- trieme legons du catechisme prdeedent, avec line par- tie de la cinquiemo. Chaque dimanche ap'i'eS-midi el- lcs sont chantees en guise do psaumos et formeut, a- - 167 - 030' C ©BsC O, OB O ©BsC >©: * ©BsC a D'3' O S, ©BsC ©• S, ©Bs=C >f>© S- aoiQ// ©bsc oo V'B, <v a© ©BsC V3- <OQ//; * 030' C =©- BsC O- aO'Q* B© OD b< ©BsC 'O ©Bz S sc, C- O'Q*- * 0'BZ A3b=ffl- A" VO- ©BsC O' Ot(24 O305 3© S, * O- ©05 BB =83 OD'C- OO© B©'©z, * Ot A"< , ©©• DB 33 * D3DB •O'ODBO- DD=C3b3'' <• II. ©BsC ©• 3©sB S, | 33' S OB 3- vcc la r&itation du chapelot, l'< jquivalcnt des Y6pres. — 168 — ©s© g, 33i g B'Q* A" * *C3 £'- sC VS' 3* ©ujflT e>t > =33 33- ©BsC ©• 33 33 O' * *B=30 OO- O©05 ©© V3DB D 3333 V©' BO A", * O' VB' DCVOBb < >t- G =33 33- *®30 OSO AvOb-<3z * Ab Ot 3' =3C3t^- *®3'3 DCD-Qn Av>l-<z * AuXOt A3z©t 3' >n G=BZ >©a 0©8Z 3' 3 *®3'3 US Os <C- DCb * OC3 S, ©OC3 S Da =C- V©" <• ©3'LOO OB' O'Q* *B3'3 08- ; * Ot A"< O G GUBbSO O' >n ©Bz =o© <oq//. — 169 — 3a^ S Db, COO'ffl 333' BQV^ S Db OO" * <lVOB G *®3'3 3- 3'LO"=3 ODbB- COO'O' 33'LOO D830 O >>- Q//; * Ot A"< VvO©-83' ©, ©©'U- ©O DB©-8=3' >■ BB'- III. ©BsC V»0=© 88©s * Ot O 3- =D® BbB'. 3D=B CV" 33* : * Db BOO O g, OB3* =8b3' O S- 3D® OB3* BbB' =0 CV" 33//: * BDBffl S, 3=DB©Z S- BDBffl 03 C V'B Db =CBSO" 3, * ^O'ffl =G 8 0©0". 3DB©Z Db =C8SO" 3, * ^0'©z G Vv>=G8AbB"- — 170 — 3 G 3DB 8©V" V=B <©3t * > 3D=BO" BO- OODbD- S, OBB'B- S, 3© B =B- As3 S, * BOsB .83, sCD OB"<b g, O03O" S, =300 S- D G *B3'3 D 33' 05VB =< O- ©'G * O 3=3'3 BO- 33'D S, DBB'COs O S, 33'3ffl S, D3=CO*0 S, * D03CO'-0"0 S, COO'DBG" O S, D©b<X=8b©" O S V- PART IV. HYMNS. ^B© DCOE" VvOBOs3z co- CANTIQUES. — 173 — Hymns. — C a n t i q u e s God and his Saints. Dieu et les Saints. TO THE BLESSED EUCHARIST. A LA Ste. EUCHARISTIE. N° 3.—Institution of the Sacrament. Institution du Sacrement. Am: Far les chants les plus magnifiqucs. 1. *B3'3 <1V-Ot CBS" C- BB'B- Bt V'3 Ot^ ; >l< <Qt3 3l >jr» A" V'S OD ©CS'Q- — 174 — ©s©z ©bffiT O ©CD©: "O s©s3 >>Q//" t>DbB- OO ODb VQsB ©O; ©C ©C, ©s©z ©3*. 2. >t i»bz DOtCO BCDO DBbQ A" ©^03t OO-; O S 03 ©a DC3E, 0'8Z BbB© ODb©: " Ob05T 0'BZ B©V" 0"tCO C "O 3^80 O'Q*" ODb©. OO ODb B» DzSO ©O; ©C ©G, 0©z 33*. 3. A *®3, 'QsB S, '©zSO S B©V" fflbOiT A\<-©'©'- "O^OSt [>'Sz 0"-<b" ©©©; — 175 — >&'< 3a 'G 3zUO ? ,<I'B 3D 00©t©t > '©8'SZ S, '©03'GO 3: ©053'B", ©3 DCObB", 0'BZ 33' 'Uffl CObB- N°4 .—Faith in the Mystery. Foi au Mystere. Am: Le voici l'Agneau pi doux. Chorus. —Refrain. 05 B"-0' 33'3ffl *®3 V©0 S, Dz30 VG'Bs [> g, V©' g P>'Q//. l. OC"Bz sB'3- A"<, __ 176 — sa 'G' ©©'©; ©*A©Z CG3C s<D-G3" <■ N° 5.—The sacramental Presence. La Presence reelle. Am (du rcfiain) : Seigneur, je crois ct jo ycux. 1. *B©, 0"GI AG sBO'3- <Ot BA3s3' : 3 sa ©3'3ffl O'G B"'0' sCgAO" <• 0< ©BO OB©* s> VO" D'OB'! ClIORUS. <lGBO, su,©!©, 3-A" 3'C; — 177 — 3 sa O'G 'G' 33'Q. <'©t <A" v>s D* O'-O BO'Q*: C3sSO 3, v>s -E>t >3s-E». 0< 05ffl Q8Z O*©! 05ffl 05 ■< ©Bz '©s-O'! 2 030' Vv>8'3- 3, 3©- V'KBB"; *®3, DD sBO'3- DD, 3 sa 8<©)-<>? <C! CBsB O BsB? >©>©// s<-333 ! 12 _ H8 — N° 6.—Jesus in the monstrance. Jesus dans l'ostensoir. (DD'ISffi "Dt>Sut>:> AO C) Air de marche. 1. ©'3 ©© 3©V", *b© a mobD-: ©<DO©" < ©Dt CC©C ©O'Q*'- ©c a S ©'Q*, 0< V8<©Oz' 05 B"-0' DD DO©t©t, ©BsC O Ot AiK- 2. <D C 05 B©© bD<DD3b < — 179 — ©Bz <CDCb r~ O' C <3'Dt B-O'. ©OtG! ©zU'©t e>t atG ©s D'Q* CODbB! Ot V'B 8"-0' ©m©'©' -• ©BsC V©' OB'- - 3. ~ '©0©t©t V'B, *B©, DD O'U; 0<DO'©' S, o< sa >gi> 3'C o O'ffl OD '8 DDs©", DDB G sCOO'; o© 3' 05ffl v>s -!>t )i£)8-[r», >3 LO" s^Vb©" 3©h! — 180 — N°7—The heavenly Manna. La Manne celeste. Air : Pleins d'un respect. 1. ©LOO, B'B- Bt '©03'GO, *'B BQ'O' Aa 033-B'©-; Ot V'B ©BO'B- Dffl©'©' A'K, <VOt >> COO' ©<©-G'3" <• 2. ©D* A'C A^<0'3' AlK, 33'3ffl OB ©a O'C; Ot A"< 'G' 3'C <GAOOO': '©'©// CO©'©, <V ©G'-<1 <IOQ*. 3. DD OC *05©ABO a OGb CObQ> 0>t O D£OBt ; — 181 — >«>>•<' ©Ob'O', '©' >B BVC < '©s© ©'Bt CO'©: ©©.©ffl BO- N° 8. At the Elevation.—A l'elevation. (cao<®h Aa c) Air : Que cette voute retentisse. 1, <VOt *B© BO 3'©, <V'Ot 3a 33' 8'©: • 03ffl 03O>, VB DzUE", DVDCbBb < >T<y. 2. DC a ©s D'Q* V'B, B"-0' 3a O O O'Q//. ADbfflA" Vv>©AD'; 05ffl VB D©zUb©'. — 182 — N°9.—Pining after Communion. Desir de la communion. CDD'lOffl a 3'BT) a> Air: Ojour heureux pour mot. 1. *®3, 'BB 3a 33'3ffl D fflb©"? Dz-0' BAB'3', 3DB D s©i OC ©O'Q*; 05CAO" < *8 Q'© 3D A^Os3'- 2. *B3, 'B© 3a ©3'Dffl D fflbDs? Ds3' BA3'3', OVOt 3bU' 'Q LO" s(^Db3*; — 183 — O053" AtG 05 3"'0' s3 D '©> C 'Bsffl- 3. *B3, >83 3a ©3<3ffl D fflb©? Os3* DABO' Gt S scj 'G 3'aOsB' oo-1 s3 O CA'Q < <Qt DD 05 Vi'ODs©". — 181 — N° 10.—On the eve of Communion. La veille de la communion. Air : Mon Wen-aime" ne parait pas encore. 1. <VE>t BbU' <D C V*<30' E» §> C3©b s3 lDs C©b3b <■ V^<00' S, Vv>s3- g; DO AB> 3D Vv>Dsffl: 05ffl 05 ■< US s3 a <3bSb! JO 8QV" 030' 3a 'U 3, VvOB'B-, 0'8Z S' VB* 3, 33 <Vb©z ©3D©"- 05 OzO'-< *B© V^<-©s©'; sC S-, *®3, AO*, s3 D >30s© — 185 — N° 11.—Before Communion. Avant la communion. A sLOO, *B3 O'U, sB a>Qu, 33'Dffl OasBb 0>t AK; Dz>0' V'B, 3 sa O'G' Os <0>©, s3 '©* DB" <1V"Ot Ot AO'Db- Chorus. sB'©b, LOO, sC s- <as-o; s3 DD D'-O', '33 B CAO". -— 186 — N° 12.—After Communion. Apres la communion. Air : What happiness can equal mine. 1. <G OD s3 VBffl: Vv>s3- G>' <VOt >s3; *B© ©3* s> c©'©, <^VOt s3 q AB 3D- ©'3 O'ffl Abu©" O' ■ Dz'0' V'B «B BGCO" '• © S, ©' S, ©DO S 8©V" DG LO» 3b3- 2. sa C3'SO C, *B©0, <1V 03V'ffl O'G b3>3,; s© Q A>C ©O' AiK, — 187 — 33'3ffl O'G OO" 0< <>©> >g>-< 3a B»'E»D»-< BBOsB? s3 DAB', s3 c bDs O 05 DDffl BBBO'. N° 13. Same Subject.—Meme sujet. Am (autre que celui de llonpou) : L'cncens divin. 1. >G' ©-A'©! <VOt sa ©Bz OO, © S, ©' S O'G O' «0 ©'© ! Dz'0> V'B, 05 s3 q ©SBC; V©sD Bt ABs Vs3" <0©i. Chorus. A *B3 O'U, >Q* BOC; — 188 — >< O ©'Bt DB'-O' Ab BV'D, BBBsB BSD 'B3B- 2, sCT O'fflA" ©BO ©-OB'B'! s> C©'© >> C V"<- OB>; DOBE" 0'Bz LO" 0©b3: <G OD s> VO" 3-O'Q*. N°14. Thanksgiving.—Actions de graces. Am : Chantons en ce jour. 1. A *B3, <V-Ot ©-V'ffl OD sCSO'©! sBO'B- Ot A"< <Ot C s3 > CB'©! ©•BO1 Ot VB D'-O' a ©OO'! — 189 — Osm©z B'Q* O' Db £>©>> 3'3! A *B3, <V'Ot, Oz.- 2. A *B3, OBsE Ot AB' ©-VB'B' 3D® OsffiT |>t ^ 53 c© BOs©'! 3D sBO'B- V'B, <\KOz O OsC; Ot VB BObC 0'BZ 8<0©-D-! A'*B3, 03s©, Oz.; 3. A *®3, Q//3:©z sCD A3s3 OO' CB«S" .AB' O W"B C 33 Vs©' 'G LO" s<c 3, <A" >CVO", *®3; 3'V'ffl 03'C! — 190 — ACVBO" <3B'? A *B3, Q*3'©z, Oz-- N° 15.—Visits to the Bl. Sacrament. Visites au S. Sacrement. * Air: Mon coeur en ce jour solennel. 1. >G> ©*A©Z sa <B'C sBO'3- Ot O DO©rO'- >3'-<l 3a '©'©* A'C? .'©' C s3i>& >>3 > t»Q//. Chorus. ©3i©ffl, sCD ©'©-, <Vb©z >©> C 'BDsffl; A *®3'D, sCD O'U, GTAffl '8 BCDsCO". — 191 — 2. O ©'Bt DiO© 8©V" <V- 0©3* VC <OQ*; 0©0- 8t DD G© <Vb©z DDb OOB' O©". N° 16.—Perseverance. Air : Vive J^sus, c'ost le cri. 1. OSz VD- '©', *B3, '©• Ds©», O0Z V3- DD® BUsD- ©•VB'B' 8"-0' s<D-C'3'l CZB' © S, ©C3©bD" OS"; 0©z V3-! OSz V3-! — 192 — 2. 03z VB- 3333 >3" E» DOB'DQ" AtG A'lOBs©". Ot G s<c Bs a-Bs 33b©, Ot 03B©b >©> >CO" O G'as©u. 03z V3-! OBz VB'! 3. OGz VB- '©' '< s3 C/Ds©*; ©3'Bt 3, <1A" G COs©", CV'ffl O '©'©* DOD'-O' ACBO" Ot O 05 'B©-©s©': ODz VB"! 03z V3-! — 193 — TO THE SACRED HEART OP JESUS. AU SACRE-COilUR DE JESUS. Nu 17. Its Mercies.—Ses misericordes. Air : Fide-, mon Dien. 1. A *B©'3, DD 3<D-CO'; 33* O'C, 3a C3'SO S- 3' 03' S 3< G 05 ©OO Bffl©'3>: '3 sC 'U Ot An<. Chorus. *®3 V3, 3a oo: CBbB '©Os©3 <Vb©z 3>)3. 13 — 194 — 2. 3b ©ObD' C ODO' BB As3 >> ©'© A" BBs©" for VB V3DB 8©V" Va -OObB'- B< O'G? '3 se >U Ot A»<. 3. CO'S" C- Bs LOO 3b3 O' OB'©t BT Bt SO" -0'©3Z0- OtGI V'B, O30S 3a^ 33- 3< Ot0|? '3 sC >U Ot AiK- 4. b3Gb3s Bt <VOt 3a CO'S" C 33 3sD >B DC3E A", 3< 3a: "<]Ot3' ©Bz O'Cb" 3© OO'? '3 sC >U Ot A»<. — 195 — N° 18. Its Goodness.—Sa bonte. Air : Espdrance de la Franco. Chorus. 3©3 3' DB'-O' D, <D 3a DCV3"? '©> C >0©", *B© V3, O' C ©<DO'3"- 1 O ©'Bt DD G© SS <V D>G©s©>; O© D'83'3' ©z, O© 3<D-C'3'- 2. mm s3 8V"3- 33, * — 196 — 0>8Z VB DUO"; Ot AK Vv>B'3" 0'3Z VB DOE"- '©' C 05 B"->> '3 >U, OB 3© '3' OD"; 0< '© B'Q* ObB, >M"B C- B'Q* O S! — 197 — TO THE HOLY GHOST. AU SAINT-ESPRIT. N° 19.—Before the Sermon. Avant le sermon. Am: Esprit-Saint, descondez en nous. Chorus. 'OO, Oiffl DDO'Bt; ©3 bDsffl ObB COO' Vi'OB fflbOiT <• 1. OB 3©V" DB'-O' CBb B^D, ©3©D BSOB'i COO' E» ©BsC a ©bD'- 3CS3B3, 05ffl GDDCuBu — 199 — TO THE BLESSED VIRGIN. A LA SAINTE VIERGE. N° 20.—Her Conception and Nativity. Sa Conception et sa Nativite. Air : Enfin do son tonnerre. 1. *<C< C'Bt oo- Ot Ah< 'O LO" DD ©b O©'© O'B2 -0>©DzO- ©© ©3* As© OO- ©a O' ©8'3-; Ot A"< '0-*C3 3<OBbD OO1 — 200 — 2. ©t. G 05 OD05 >0~*CD SO'© Ot, 3333 '3- O' V©- 33* OO- *C3 3a VU 33" O© OO OO": >B>-< 3a V'B- BAUD" OO-? 3. *C3, 030 C- BV'B 33-3; O'S 3'3 C- S, *B3 3<3b3- DD sa ©<D-C'©'! 8"-0' 3CSO'©! <3t 3' AB' S — 201 — <Vb©z ©>'©• N°21. Her Greatness.—Ses grandeurs. Air : Unis aux concerts des anges. 1. *C3 33, <a 03t©' < BQ3 'G' COO'; ©B' LO" C'©C© ACBO" Ot A'K- Chorus. O© D S, B' OD S 'Q-*C3 O' OzOO- 3D >U S, 3D bDs g, B'O BB O O'Q*. . — 202 — 2. '©t G S Bs BBO Ot, '©' DD VG BO; 0'COQz Bs Da 'U O B©0 aBs O'U- 3. DB'-O' A" 'CBO" ©, <CA" ©© >U CE": '< *B3 O ©> SO>© O BDffl BCSiQ- — 203 — N°22. Same Subject.—Meme sujet. Air de Litanies. 1. *C3, ©8Z 3'C A", B"-0' BO1 O O'Q'/; *B3 ©'3 D©b© <3>©r V3" 3'C 3<D-QO". 2. ©'Bt S'3'C OO", V'B" DAD©'©'; t>< 3D '<OB', '©'©iQ*© VB*. ©<D-0'3"- 3. ©Bz 3b83 8©V" — 204 — 3D LO" OOB: ©B' V'B '©V'GO, 'G LO" '©DOt. 3<D-0'3"- N° 23. Same Subject—M§me sujet. Air : Combion j'ai douce souvcnance. 1. O ©'Bt g, >D ©Bz s, BCD B©V" OB DB* <3 >n-*C3 G» ©O'ffl 3"3' ? OG'BO, <3V O'Q* O' VB*. 2. oc- >©t c 3a v©- — 205 — BO'© O ©' BO'© 0T, cD OD'C 33 VB1 OB BCD BQV^' 3<©b3? *CD- N° 24. Same Subject.—Mgme sujet. Air: Seine des cieux (Lambillote). 1. A >0-*£_D, 'O ©Bz Ot ©BsC C 'QDs DO- OB 8QV" 'O" DB'-O'; 0< 03ffl 3<D-G'©"- — 206 — 2. >0 33 S, ©BO S 05 8©V" DLO" OO; OB B'3-, 8AO S; 0< 05ffl ©<D-G>3". 3. DDB G ©CO'D> ©a D© 0Q"B 033- <; t»Bz '©t G CZDS" Ot, 05 DDffl ©<D-00". — 207 — N°25. Her Patronage.—Son Patronage. Air : God save the King. I. A *C3, sU OO, Ot Ah< 3' OB' 05ffl sA'D- ©3©3 '3- O' ©a -O'Os©" < Q-Bs C 3©bB = 05ffl sAO- 2. ©a vu oo, Ot A«< 05 8"-0' DD ObDs. 03-30' D S, 03-©© D S, — 208 — 'COB G ©AD': DD ObDs- 3. 0>I» DADO'; '©z Os© Ot A"<, s<D'G'3". CDsS" Ot AB' sa DCD'E D, OzO>-<! 05 8"-0' s<D-0'3". — 209 — N° 26. Her Humility.—Son humilite. Air : Je suis 1'enfant de Marie (Lambillote). Chorus. *C3 sCJ >© fc>T A»< 3' OB' sGOB", ^O'ffl G 05 s>>3; 3©t sB'B- Ot A"< 05 B"0' Vv>s3- 1. ®' 03' ©'AG' D'CO©z U'-O' AtG ?2 3* Ob-O; Ot V'B se 05 '3' Ot AiK, CB-<0" 0'8Z 03D©'- 2. 05 OzO'-< *CD a- Vt(^: OO A8' DOD'-O'; 14 — 210 — Ot V'B sC >u o< 3a BCD 8QV» 3<©b3- N° 27.—Mary Refuge of sinners. Marie refuge des pecheurs. Am: Faibjes mortels (Lambillote). 1. <1'3t sCD DB'-0> ©, ©3 0©z CVBt 33"; >D ©Bz Ot 3GVB' OB o3>' ©a sc. 8©V" 0> U3 ©z3'3': *C3, ©BsC va o>, ©GV©" Aa O'Q*; ©8'3- Ot An< ©CUO» <OQ«. — 211 — Chords. *C3, B'O BB, ODz CBO©": 'B033-, 'BObB-, <Vb©z 'C03O", ©a ©a >©b3- ©COO", ©OO, CBzSO ©, QBZ 8 ©D>3- 2. ^O'ffl G B 30©b <, 3333 ©SOB'; DDB -Ot *C3 SO'©, Ot O ©G©b© OO" <b3-T US '333b 3, Va A"<V'C- <OQ//; <Vb©z >Q Uj3" ©G 3CVB'- — 212 — N° 28—Trust in Mary. Confianee en Marie. Air : Vois a tes picds (Lambillote). 1. ©BBbO, <3V"Ot CSO'©, <a fflObD- A^<- B'Q*; BCD 8©V" DG O'G! O'D' '©' C ©a V© 3'D! Chorus. A *C3, O'Bt 8VO- 'BObD- < ASC8D'; ©GO©", ©U OO Ot An< <1V 'CfflUO* <OQ//; 0©z VD- BO- ODz VB' ! — 213 — 2. O ©'Bt DD ADD'8' D, >sao©z du o cm'; sCD DO ©D'©t e>t A"< VU O' DAB' 3'3'- -, 3. <1'©t o© s ©a OV'Q*: ©3©3 ©33'©'; V'B' O ©©' ©UbOb AtG, O" BOO', 3GOO'. — 214 — N° 29. Same Subject—Mdme sujet. Am: Koine de France (Aloys Kunc). 3©BO, *C3 VB OOb: 3D BO" 0< 33" BB; DD bDs g; ©<D-Q3" < b©V" <um» o d va 03t©>: Chorus. *C3 O'U >>, B'O 3B, DD ObDs A" B©V" 'G8BO- *C3 O'U >>, B'O BB, COS" 3, ©CVOO* 33"- — 215 — 2. .©•V©'3' VB DCOE"'- DDO S, Ob< S OOD"; ©v>3< Bt ©D' DQ"3 z3bD" B' OD S Vac fflObD- 3. ©V©bB", <3V <3'8 ©Os©", VCBO" Ot O V'B" OS"; 003t©t 3a OO' © S, ©3©3 VG BCVD'. — 216 — N° 30.—Promise of Faithfulness to Mary. Promesse de fldelite a Marie. Am : Je 1'ai jure (Hermann). 1. C03sQ, *C3 E» 03*3^ : 0) O30J *B3 VvODs3; O' VB'Bs *G3 LO" D«Db; C3«SO D, D©z 8' sCVB". Chorus. ODz OB COB*©, CO" CUO <OQ*, 0©z OB C03$©: *C3 O' 3 BsB^, *C3 V©- Bs©- — 217 — 2. CO©*©, >n O O' VvA"B DBAsB O 8©V" OBs©"; O-Bs Us© AtG G ©3«©b: >'B>'< 3a 'O sa 3© V«3b? 3. C03$©, >n s© E» VvA"B 3333 ©033 B©V" VG As©- >> 33 VB' O ©BsC O' -OOs©" Ot AtG- 4. CO©*©, >n s© O' VvA"B DCUO ©a sGV©" <; <1'©t A8' A"<3b©Us©: D©C S, Ob< g OUs©. — 21S — N° 31 — The Month of Mary. Le mois de Marie. Air: Jc Diets ma confiance (Lambillotc). 1. '0-*C3 VCB' US C BCOCO; E» Va OAB' ©'3 BCAOt: ©s <]~v>s VD' O OG' 0030- 3* S- 0'8Z O'CO *cb a <Ob©". 2 3'S O'ffl V'B E» a 05A3O"; Ot A'K ©3 S — 219 — *C3 a 05ZU3"- 3DB 05 3©V" DB '-O'OObBb; 33 'U COJbBb, *£_© a 3zUb3- 3. >G' ABO BQV^ <1'©t S3' VB* *C3 U 8D O VD B3-05B', V©z, ©BsC O', D© 8 C- 033- 0>3Z COS" 3, VU Db C 03-O>- — 220 — N° 32.—Catholic forever! Catholiques a tout jamais ! Air : Catholique et Breton toujours ! Chorus. . A *C3, Vv>!>3'3- O' CBbB DO'-O' <IVl©z DOO- <V'E>t C8>3": ©Bz <-B3'3> O, <Vb©z g33, Q33- 1. DD ©bB' 3-OBB" O 30U<3" A'OD'; OB>' C ©Bz B VB, BQV" A" OS 38© ! - . 2 30s©3 bQQ.,3 >>3 A", 030' DAB- 33- 221 OB'Q* A" 333' B'3 = ©a ©a^ O' ©OO- 3. 03©, 3©3' 33*3, 05 Sb3s 3* D30'<s; OD OB' C-OD'G O 'B'-< 3a ©Bz VO'? 4. *B3'3 E» 030' C O, 0'8Z 03 C Vi'OB; COO' E» ©©©O' O D ©a ©bSO 3-Ab-O'. 5. COO' V'O© BbOiT ©, >B>-< 3a ©OzOt^? 0< O ©'Bt BOC C Vi'O© C 8©-05D'- 2r'2 • N3 33— Our Lady Help of Christians. Notre-Dame auxiliatrice. Am: Chretiens qui com battens (Lambillotc). 1. ©Bz ©05© < O ©'Bt ©8a"; ©G-V©" AtG *C3 3CVB'- Chorus. A *C3, 3GOO', ©3©3 a DBS'; '©' 'Gz C O03©" 0©z VG03b3"- 2. 3D*a©// OO, 8©V" 'CBB'Q'; A'KVsEt © s, '©' 'Cz <V C^03s©. o O. 'B'O' S, ©© S VG ©-BB' ©, OzO'-<I C B"-0' OV ©OB-OSsD'- N° 34.—Ave, Maria. Air populaire. . 1. 'Q-*G3, 33 0>, DC3E A", ©B' ©O ©O 0'8Z 0©b©: "<1"0, £.3©" — 224 — 2 Ot O'Bz: "ABbB, "DB'U BO', ^ " 'O LO" '©b OsB "O'S '©z DB""- "<W>, C3Q" N° 35.—Ave, maris Stella. Air populaire de l'hymne. 1. ©O B BBB 3< <• OB' O0". OB S O ©'Bt B©b O BBB- 2. ©Bz AB1 8B', 'CO 3< Vn< zOB? — 225 — *C3, '©' '<• 03D> ©a 3<ffl A'B* 3. ©'azQB ATG, '©' C '3BQ-0'- ©a ©zOi Vb3, ©bB G ©O'D- 4. Q-Bs Oz©'B ©, ASO'B 3-V'Q*; >3'>> ©CUbOs AtG ©GO'D>- 5. 03ffl 'BObO o, B©Vh '8D-05D'; 0'8Z COS" ©, 15 — 226 — Q8Z Ot ©8DB- N° 36.—Salve, Regina. Air : Creator al me siderum. 1. A '0-*C3, B'O BB, ©U D-©'©', A©b©; AtG©s©0 3,3 A", 'B BO©", ©V©bgO. 2. o m ©'Bt <a-z©T©». 0>SZ Bm A" DB'-O'- 0< >C DOO' OD 05ffl ©B> COOO'- 3. 0'BZ BCBOO ©• *B3, >@z O', DBObD>; 0'8Z 0©z O© D~A" BAB- ©<A©>'<]0". <33'. N° 37.—The Annunciation. L'Annonciation. (30 Q=> D=CC- AS*-) Air: C'est le mois de Marie (Lambillote). Chorus. <VOt >0-*C3 3' US ©D ©b30; 0< ©D> LO" VnOB D 05t©>. 1. *CD > ©O C *SO©' OSb©: — 228 — "DB'UO DO', " 'O LO" '©b OsB " 2. E>T [5»BZ: " BCD D* "<a ADO-" ©b©; "*B3 S 'S' V©z "O' va A30-" N° 38. Evensong.—Chant du soir. (>L< AS') Air : 0 Marie, un profond silence (Lambillote). 1. A *C3, <VOt CCbO', ADbfflA" DAD3'; Ot AiK ©3 'SOtB, >©b GObD' A^<0'3>- — 229 — 2. B'05' C S' D BZC A", BCbSO" OG ©O'D" Ot 0'3Z O0z©0 ODb, >Q LO" ©G©'©t S- 3. OBG D'CC OB' Qb3I>" © <1A" 'C03O"; Ot 0'8Z Ob< 03' S • DDffl BB'BOO- — 230 — N°39.—To Mary and Joseph. A Marie et a Joseph. (>i<J DC=GD Av>L-<z !>t >-}.) 1. *CD O'U O' >gs3- VB <VOt >> CDsCb; 0> ©3DD sGVb©" AtG, DO D'CO AB' sO'D- 2 *ffl©V" O'U O', *B3 'OJi C '©' O'G VhO'D- 3 DD Ds®' DA©'©', DO D'CC' AB' s>0 — 231 — TO SAINT JOSEPH. A St. JOSEPH. N° 40. His Privileges.—S8s privileges. Air : Volez. volez, anges de la priere. Chorus. 05 B©3 O ©>Bt DBi-0> ©, '0-*ffl©V" VB DzUEh. ©©t OC DD D'-0> OO' Ot A»< ©<D'03". ]. ©bsc o o> o©a c '©', *ffl3V", C'©bD O'D'; Ot 0'8z ©©' ©8'3- O' ©a Ob©., < >£J©bD. — 232 — 2. 03D'©Z ObDb A" ©b-O' C O Oiffl OD VBO-; Ot V'B *OQt OX DbD C\ Vi'O' © '©©bO O'D' 3. '©ZB"B D©z DD'Bb A", <lVb©z D<D-D'3"; Ot A»< <1V-Ot COS" ©, 05ffl ^O'ffl G ©A'B" — 233 — N° 41.—Joseph the foster Father of Our Lord. Joseph Pere nourricier de N.-S. Am: Noble epoux de Marie. 1 '8 DOE", *?R3V", 03ffl ©VGbgO: O ©'Bt DB'-O', 8© 00©3t. Chorus. Ot Ah< 05ffl ©A'B- 2. O ©'Bt 3'C C- 3' Q3' O'D' O *B3 ObC OO- VU S V'iO'3- — 234 — 3. ©BsC O V'B, *B3 'B©OD>: >©' '©ZB O ©»Q*, '©' Cb©0 Ot A"<- m> m ■ - N°42. His Patronage.—Son Patronage. Am: Ceelitum Joseph 1. a ©a *m©V", o ©'Bt 3'C c- 3$»B DOi'O' 0'8Z B" <0'B'; <'©t >0 ©Bz DD BO' A'i<, ©<D-©>3". 2_ A ©a *ffl©V", '0-*C3, ©u o>, V"0 ©03O' Ot AtG V'lOO-; — 235 — OD DB'-O': V'3- D©"03D> ATG BOO- a ©a *ffl©V", *b© as '05i c OUbOb AtG ©bG* OObD O'D- ©3©B '3- ©3' ©a-©'©' ©UbOb ©©"! N° 43. His Purity.—Sa purete. Air: Qu'il est doux, mdlodieux (Lambillote). Chorus. '0-*m©V", ©v©bgo: O ©'Bt ©BsC O' V©- V'iO'3- i' Ot A'K DD '8'3-, '3©bB", 'BBOB". — 236 — 1. 05 O303 O ©'Bt 3'C C As© O C A©s VB©©; 0< *B© '©ZB ©'Q* 33 0'8Z Ot G A^<-3'3' Ot 3bD 2, OB B©V" AsB G BOO: VB O'B, ©a DCD'E- COS" ©> 'B'O' ©G©'©t, t>>8z ©Bz *®3 V3" 3033b. — 237 — N° 44.—Pope Leo's Prayer. Priere de Leon XIII. Air: Puissant protecteur do l'enfance. . Chorus. 3* 3B3" A" >> OO', A '0-*ffl3V", ©GO©"; 0©t >z33 A" BtB, D Ob©s OD BOO- l. 3" O'C 'U O' 3GV3" VB A^<-zC3 0'BZ, '©' S 3AO-, >8 DOE" OObBC- OBAO". 2. ©zB"B 'U3 DO'©' O', '©ZB"B BO ©BO'B- = — 238 — B'azG3b 0'BZ 8VO AtG 0©z ©CO©"- 3. DD OuDs O D© O'D", >Q LO" G 38a" A" OO ©<D-©'3" 0'8Z ©©'LOO DO'D- 4. B©©3' >©OBi-0' O. 'O© 0Q"B ©© 033- 0'8Z 05 CBzSO O QBZ BAD" < ©CO'B'- — 239 — TO THE HOLY ANGELS. AUX SAINTS ANGES. N° 45.—Their Happiness and our Wretchedness. Leur bonheur et notre misere. Air: Devant vous, esprits angeliques (Lambillote). 1. ©DO, U"B DZUE" < <V-Ot U"Dt CSO'©; ©BsC D-A" ©uB V'B, ©>© 05ffl VGbSO. 2. ©BsC ©O'G Ot AB', <1V V'3* DA©3"3>; — 240 — >n ©Bz <]Vb©z A3b3, <Vb©z QBsC 0"-0'- 3. OB O ©'Bt <JV ObBQ*, 05 8"-0' DD DB'-O'; DD Gt V'B- D3-8D': Ot AtG 05ffl ©A"D- — 241 — According to Time and Tide. Propre du Temps. FROM ADVENT SUNDAY TO XMAS. POUR LE TEMPS DE L'AVENT. N° 46.—Longing after the Messiah. Desir du Messie. <Aa>t> >= Aa-) Air : Venez, divin Messie. Chorus. A ©BsC V©-, *C3D O ©»Bt DBi-O'; ©<DO>3" < mm ©b O'©. 16 — 242 — 1. B'B- V'B ©a O'U O© ©BGAbBb < ©B Q'© ©© OO" 2. >S'0>3> S, >8Bffl S, V'B 8 ©<CAOb <• 05ffl 05 -O O ©> 8A>©' 3. ©333 ©aOO', NO'ffl a 8 ©ODb < 05 3> Q3' ©aOD>- — 243 — FOR CHRISTMAS-TIDE. POUR LE TEMPS DE NOEL. N° 47.—The' Announcement of the Nativity. {Dialogue with the shepherds). L'ahnonce de la Nativite. (Dialogue avec les bergers). 1. O'G, osaooo©? »B Db<s > OO'? DD SAb3s V'B, UO'Bt AtG©Oi. ooo*aj> vd>v ©'a©V<]a DG? Bs ©s DG- ©tQ1* < OD* B 0©'C? — 244 — o (t>3at»:>£)T>0 CtG ©"© O ©"©? <V DA ©3"©'? Ot G DZDZ 33 Ot O' ©b30 <jV ©A"-Oi? 0'8Z <3V G OVtG< Ab ©D"8> OO? O© ©3 V'B' St .-& C <B©0>. 3. 05 S', OsaoOOBr VO BfflBsB'r <V ©D BDbG' S, <3V O© uBBB' S- 0< U"B DOE"y ©a OOb QO' ©, - 245 — 00- not© sa 05ffl ©b CVb©' 4. co>a>>=£)t>) Ot G ©z©z 3D Ot, O'Bi ©D ©bSO; © bDb © ©a- Vt^, 0'8Z ©D' ©b ©bD'- "DD VaO* AvO' "OOb CADz©'", ©: " <D C Bs U"Db©s O' "<VOt 03D' 33". 5. <U OsaOO'33, DD 05 3-©b©; ©a ©<DO©", Ot A"< ©Bz <0>©- — 246 — - <1'8 '3 3a OO? ©*Affl Ot OtG? 05©Q ©'B> D ©* Vg 053-V'U- - 6. (>sap>>3fD"D;) 05 Oz©'©' Ot VB, >zO''< ©-V©'- 03©', ©a y©- O', ©sUsa©// Ot oo! <D C Bs ©O'G o> CQ Bt OsD At© ! Ot Au< BV'B- A" *D3©< B B'liOs. 7. (BQVh <Lmh) BQ3 >z Oz©i<s, — 247 — ©a V©- 03-O'; VB DOUB S, VB 8Bz0-t© =S- N° 48. The Nativity.—La Nativite. Am: II est nd le diviu Enfant. Chorus. CBOb©, ©BsC V3- ©Bz <0'Q ©<D03" <i QQOb©, ©BsC V©- ©sUsa©* ©a oo- i. ©uU'©z OCO ©OsD, ©sUs S 0'8Z O© S; 3uU'©z >CO ©Os©, ©©z D 05©' 0©b©i. — 248 — 2, 05©'©z ©Db Q ©O', ©ab-O A" ©3©b©; 03©'©z ©Db Q ©'©>, ©8'3- Ot An< OD'- 3. A *B3, O'Oi' C1 DOi-O', Ot Ai'< s3 Oiffl >£fs-<IO", A *B3, O'OJi C* DO'-O', Ot A"< '©' C '8Ds3- — 249 — N°49— The Angels' Hymn. Le chant des anges. Air : Les anges dans nos campagnes. 1. ©'Bt ©bB© B©V" . CQ© OO 03> OO"; ©DO OU©bSO, 'O Ot©' A" ©U"Ot©: Chorus. " 'Qi-OQ O' 0'3'3s ©A " - 2. <!'©t A8> A©b©, ©a V©- U"CS'©: *D3©< 053' 33, Ot A"< Va ABbD- — 250 — N° 50.—The holy Child Redeemer of mankind. L'Enfant-Redempteur. Air: Minuit,,Chretiens. 1. DZ3Z 3D, O'B'Q* DB'-O'-' BCVOh Aa ©-OD'Q!- ©a V3- ©SGVbBb < ©8z <0'©, JD'-OO a©'©- 'B'-O 3C A©s .DOU'-O' ? ©' ©©'©, ©Bz AC©0. 333'©, 8©V" CS3b©b C, GO'-' QOj! <1V.Ot V'S- Vt©|I 2. DOz 33, *<1C< OBt A'K, ©3©D DOs3© Bz©- — 251 — DD® D ©S'O' D-B'Q*, <V 0©>' ©Bz O© <0©'. ASO>© O' ©BCD-O' O ©3DD B ©<CD3b. SDDO, Oz-- N° 51.—Jesus in the Manger. Jesus dans la creche. Air : Silence, ciel. 1. © S, ©' S, ATGCbB', B©3"©", ©Q3"C; <VOt sCD V'S- Vt^: ©C 03©'©z CO©b3! Chorus. DD DOD'-O', — 252 — Ot VB ©'3 OVb©>. Dz©z 3D, ©sUsa©* ©a v©- CQ Bt OO- ©8Z B'O O O O'Q*, O^Sz >BO D©3' 33! o. <C! V3"Bt ©-VQ//! DOsD© OCO OO! ©BsD S DD sa 'B-! <V Bz OD*, KQz C O'Q*. — 253 — N° 52.—The Charms of the Holy Child. Les charmes de l'Enfant-Jesus. Air : Dans une pauvre Stable. 1. ©sUsa©* <2QZ BT ©a V©- OO; VU S, ©©D S OB D©©b3^- 03©'©z OOb-O' ©, <A" , ©3 DD 3'D O©". Chorus. <C! V3'©z ©Oi©! VCQZ S, V^O©z S, VC©Z S ©'©• Bs©! <KJ V©'©z ©•©'©! — 254; — HJD> C3 Bt om D, Cs© An< OO; ©Db Q ©'©> © S, >U Ot An'< OB>. -* <G OD D'-O' Bt 05 8©© Vi'^DOO©"- 3; *®3, ©a©0 A" ©<©'G" ©'-Os O'OJi V'B ©'©• Bt <V 'BUb-Ov; <OQ*. o< osaooo© DCQ"3 8©V" ©3 '8-zDb©b — 255 - N" 53.—The Child's self-abasement. L'abaissement de l'Homme-Dieu. Am: Le Filsdu Eoido gloire. 1. <D G ©3©B '3- sCD' 3©i©t O' V©- ©CSVO" < <'©t ©Bz <0'©- DD D-©©rO', 05©' OD©b3; ©DDB BG Ot(^ ©susa©* ©a oo: B©V" VB 8BzOO. — 256 — 2. ©b-O', ©-V'ffl OD OCO 03z dJi-G»! VC©b ©Ot^ 83! ©•103' A" 3* ©©t! Ot V'B ©>©' ©, OO" ©©'3" O ! ©>a O'ffl VD* CVbBb, Bs ©O' ©, ©susa©* DiO©"Affl CVbBb. 3. *B3, sBGAabBu A<*DO' A"<, <>©t C 03>D A" 3* ©'©t V©>D- — 257 — 0'BZ 0©©0- DD VBB©: '©'3 ©©'© Ot 0'8Z, D'-O'© ffl DCb 33 OsaoO'B© D©bD' 17 » ■ — 258 — •Si OsaoOOB©' PO' N° 54.—PASTORALE. Is executed by three different groups: a dozen young girls do the part of the Angels; two or three youths in another corner of the church sing that of the .Narrator, while the bulk of the faithful represent the Shep*herds. S'execute en trois choeurs: une douzaine de jeunes h'lles font la partie des Anges; deux ou trois jeune* gens, posted dans un autre coin de l'eglise, font celle du Narrateur, tandis que la masse des fideles person- nine les Beigers. ©'>"! osaooo©, Offl BCBO"! 8©V" BBOb! B C U"3 'Uffl ©b3u AvO' OOb CODz3'. — 259 — tXK>£oi3 >3- CVtQP Ot A©*®? <Oz DG CBsB? O300! DD 0©"©t: <0 O'ffl ©b30 3-Vt^i <C<! Q uDu 3s3>; 05 sC D QB' Os-0>, s©" O VnOB BsfiQ: B C 33 Offl 3^3b Av->» BDb C>DQ«- 00/ t>=> V3bSt>! VB.^SO1- <d c <Vb©z vab-o, . ©a v©- E>» 05 <'©t 3© D<D03" < *D3©< Ot 03©' 33- — 260 — >*at»:>£n). (1) <]©B ! BVOt V'B 1 0< 8©© ©zO©b; 'B'-< 3a <1'©t 03DZ? ©a V©- ©>©>©! OC' *<C< C'Bt O'D" AC<© . B©V" Db-O'. 05D' <Ot <1A" Oz© O' © B"-0' U"G-D©u. >s<l&>?D7): <©B! Oz/ ©'8 O^fflA" 8©© ©3©D V©- OO- ©a V©- ©© 3D (1) Am: Allons, Bergers, quo Ton s'eveille ! — 261 — O' C DBGADbBb. >s'CH»:>DD- <3©BI Oz.' QEOD m *D3©< AnO ©bU' ©sUsa©*AT©T >*■<>.• ADZ CO"©z V"<As©z A" 03©' u»a <3 Bt OsD- D>3at»3j3"0- OsaOOO©, 05ZUO"<- osao©z Bs O'U fflbffir: 03©' Vn<BQbDb O V3©z ©B'3 03b3u QEOD Oidfl1'- mm ©Bz ©a vb<v©z' 0>8Z ©>Bt ©© D© 'U O© S — 262 — 05ffl D3 OO'! (1) 00/ t>=- (2) Ot 0'8z OsaoOO B©V" DD ■< O5O3t0( O ODO'. OBb A" D3 3D V'B' * 3a V©- >Ob-Ob Ot A"<. 033' CO- CBO- S Ot C 33 D A"0' BBOBBt; 0'BZ D3 V'B" AiK, B©V" OQ" O OB D Ot©>: >8at»=£)'D. OOt C 8"-0' 33 V'B" <Ot B"'0' 3a ©<DO'©'; Ot Ai'< 05 33 D 0)t©>, (1) Is sung in two parts.—Se chante on deux parties. (2) Air de la Marche do Turenne. — 263 — 8©V" 3a VB SBzOO- >zO©b S, OzO'<s s, 05 '< 033' OO'Ob A^<000'- sC 33-sSO, Bs sC OzBz 8VO- 8t <V OzU3 <OQ*- 00/ >=>• 05 B©3 •< 30z3' AiK, D" S- 0'8Z ©Osa©'/ V'SO. >©t G 03©' A©'©' OO- Ot B'OtB D(i) OCt CSB'©, O'Bz 0»>''< OB DDE": >=ai»3£)D- i. (3 03D> O'OJi, >D> O'U Ot VB, (i) 3Q= ot -t»t3 E> T)BOl- (2) Am: Dieu d'Israel, Pere de la nature. Se chante en quatre parties.—Is sung in four parts. — 261 — '3 DD A©8 O'U; '3 ©8>3- 0< O'G <]'©t ©a 03O- 2. DD DO'-O', DD 3* ©'©T S; C2 Bt 30 A" 3'E- O'G V'B, '©' OV'G ©'3 O'ffl OV'G- 3. ©O'Q*© O© S DO'-O'; o© o»ao C BB: O OsCO©z O '<BbD", 05ffl ©3 Db Ab05T. OD31 Ah- (1) 3/>h ! 3,>„ ! (1) Air: Triomphe ! Victoire ! (Lambillote). — 265 - <VOt A3' ©bSO; 8Q© CzO©b, ©Osao O03D- ©a v©- S'-O', DD ©3 V'B'; COS" Ot AB' <1'Dt Ob3s AC03O"- — 266 — N°55—The Holy Childhood. La sainte Enfance. Chorus. •iO"<t *g©s! 1. B©* Q3' 03©© O© 05 B©V" Da©s O'U- 2. Q ©O' ©, ©BO 8©V" <A" '©b >VOt O©". 3. O'ffl D S, V© VB© 05 8©V" '<D-OD3". i. 033' LO", sa DOB'-O'; ©Dffl 8B'©©s©'- — 267 — ■si ©CVC3' 3' Aa si- FOR NEW-YEAR'S DAY. POUR LE PREMIER DE L'AN. N° 56.—The Shortness of Life. La brievete de la vie. Am : Le temps de la jeunesse. 1. B'B, O'CO Db-O' D, DOB'Q* DO'; 'CO C OOB'D- O DO A3' DB"- UO BQV" 05 '3"Q*: <1>3t 3' 05O"Q*. Ot VB DO DC O'CO CQ"B ©A'C". — 268 — 2. "0©z As3 C3"t©" 'O LO" OOb©. -"8t D, DO C 'OO" 05ffl >©b©UO". ©BsC Vn0"0 3, O' S U"nODQ"; 0'8Z Db-O' 3D ©, <V U"Ub-0' <OQ*. 3. <JVb©* A3"3 O D 3a ATGVb©"? 05 '©t G A^<-3"3' <V Ot OB* CV"S". 0'8Z .^O' Q 3"B' ©, CtG U"3' sa? 'B'-O 3a 'U3-0 — 269 — *>> G U"CV3"? — 270 - •si ©;>© 3> O© CV)- FOR THE FEAST OF EPIPHANY. POUR L'EPIPHANIE. N° 57. The Magi.—Les Rois mages. Air: Amour, honncur, louanges (F^**). Chorus. D'O© B'D©b, DC©E 3<ffl ©'Q*: B©V" Vn<- zO©b, Ot O *B3 03'O>. l. D'Offl O 0'8Z O'Q* ©sljsa©// CQ Bt OsD; <3V A©s D05'-O' <OQ//! Ot V'3 05 8"-0'ffl — 271 — VCt ©DO ABO'! <V DbBs'O' A" -OD' OB D33b©'. •> ©BsC O A" B'OB OB' 3b3u O OBbB- aV" 33// OD' 0©b-0'- O© S DBB-OiB': BO' O bBD., VB, b© o ©a-©'©', O ViKBGKJu. — 272 — ■oo 333c >3 oo- FOR LENT.—POUR LE CAREME. N° 58. Penance.—La Penitence. Air: Mon doux Jesus, enfin voici le temps. 1. *B© O'U, 05ffl s<D-0'3", sDD® >' 05 8"-0' s3 offl- D< OsG ©>aoo'? <V- '©' C B"*0> sBO'B", *©3 O'U- 2. *B3 O'U, A3s3 Ot A»< •O'DDsQ, ©3©D OsOjt. <Ot 33 s< C3'©t, o©z >b c©sa sa, *B3 O'U — 2-73 — 3. *B© O'U, O ©'Bt O'fflA" DD©Cs O C >©Sza>; .Ot M< 05ffl s333 3©V" sa VCVOO*, *®3 O'U- N° 59. Contrition.—La contrition. Air: Ilelas! quelle doulcur! I. ©a, O'U V'B <a ®oz3-! >3 OsC C Os©'; 18 — 274 — ©a, O'U V'B <a ©oz3- o ©'aos©' f Ot V'B O S<D-©3" Sr O ©'Bt o s©z ©i»3 a? ©a, o> c oo, . >©' C ObDs, 0> C OBb©'. V'B' D©-©s©>, •O'DBsQ, ©3©3 Os03tj — 275 — V'B" D©-©sD', •OODsO, sBO'B- Ot V'B- Ot A"< OC©3s©- S, 3' Q3» AnO©Csa' s. V'B- As05t 0< CBsSO ©, >B 3a O*©? 3, ^O'ffl DO©t3t BA©s©', Ot A"< D3z©t ; — 276 — <0>ffl DO©T©T DA30>: ' Oz DG 0*© I a ©a, «<CD-©'©' ©, s3 33 VCVBO* 3 S, ^O'ffl tDs Ot V'B, CDsS" 3, <1V Db3Uz©T. — 277 — N° 60. Same Subject.—M6me sujet. Air : Grand Dieu, mon cceur touched 1. <3VOt sCD OsQI, s3 OC A* '8 DBs©"; sCD 3>a-3sD', OD® GO 3D- S>s3- DADO' Ot V'B <I O'U- Chorus. 3a, s<D-3'3", s<DO'3", O' C B"'0> OO- 2. »Ot3 D ©©*©, <3-©s3^; — 278 — s<DO'3" O '©ZB ffl" CBbOJT. DD 8>3- V'B <30z ©SO'©* 3. ►c s- saco'T©, sB © O'D, sBO'3- Ot A"<- '©> G CBCDs, GBZ B sGODb: DDDCs OD <a- 8GADs3b. — 279 — N° 61— All is Vanity. Tout n'est que vanite. Air : Tout n'est que vanite. 1. ©'3 VO B©V" <»B SO" O O O'Q*; ADbffl" O OOC", OS A©ZD- DA'Q*- © C sC ©a 'U O 8©V", Bs VvOB'B- O V'B, 8©V'< <3" C O ©'Bt ©3 'U ©b-O- * 2. BB OOO' O -» 280 — 3> DuB" DOB"; Bs 3 C OOb3L O ©O D'3", VD* OS*- O© S OBB>: . <3»©z ©'Bt 05' B'Q//, Ot 0'3z B©V" ©SC", BtB CBbST 3BD>- 3. 'O" ©CBsC A'- OBBbD' O* Os-O^-' 05 B'Bffl B'Q* A" BQV" O uDs C-D33'. D'SBO B©V" DDffl Oa ADbD- — 281 — Ot V'B <1B) Ot 0'8Z BBDBbB © 3bD' 4. O ©'Bt B'S D, DD BOBbD- 3, 3 g Vv<-zDO' O 05 8©V" ©<©'3t ©, <]V-Ot CzDS" D, Ot © G D ©<OB' O 8QV", D 033 O S '©t O 3a ©CV©"? 5. sffl C- ©>B C'B O© DD* G© S — 282 — ©©C- Bs BDOC- ODzC© O DzCbD- O© S OVD' Ot 0'8z '©t O C oc- O B©V" 'B BC ©ZC? '©t O <'©t 05O©'-<]? — 283 — FOR PASSION-TIDE. POUR LE TEMPS DE LA PASSION. N° 62—The Sufferings of Our Lord. Les souffrances de N.-S. Ai 'ACt q3 DCC AS'- Am : Au sang qu'un Dieu va repandre. 1. B©© V3 VB© *B©'3 05ffl ©b-O'; CDS" OO- Affl C ©OtG4 ©< D'-O'! ©a 8> DC©E A", Dz30 VB<©Ss; Ot 0'8z *05C As©© OGbOJT A"<Db-<l. — 584 — 2. *flsDCT- OS ODbDb, OAQ", 03©G"; ODbgs ot 0'8z *Osffl OB ©©0©bB- >sC 'BO, ©< D©"D? <1V ©a Db©b©T <? CbS" O', A\<0'3' ©, DO C 3' 0\Kb3b. N° 63.—The Holy Cross. La sainte Croix. A1 /ACT E)3 >•'< AD3- Air : Vive Jesus, vive sa croix. 1. O ©'Bt © 3a ©ZD-? — 285 — b3Gb3s ©Bt *B©'3 8©3 BGAbB O V3©z 3©V" G 3ZD- Chorus. OD-'©3, 05ffl ZUB, b©G^3s Va CDObD- Affl C '3 © a O'Q//, OBt CDBbSO" OO- *®3'D ©Bt CzSO O 'Uffl S, ©O- S ©b3- 3. 'G LD" DD ©©'©t, ©•O' © <3A" 3Db©0>; Ot A"< ©30D' ©, b©Gb3s Db ©CzUO". — 286 — •oo BCBtG. 3» Aa <>>■ FOR EASTER-TIDE. POUR LE TEMPS PASCAL. N° 64.—The Resurrection. La Resurrection. Am : Jesus parait en vainqueur. 1. <1VOt *B3 COtC: AS©© >©LffiT 0'8Z 0©bO V'B, OVOt *®3 COtC, ©B'Bt AtG^z 3C3t(^ ! 8©3 C'Q *B©'3 V3 OGbffiT a^G, — 287 — LVO OOO OO'; *®3 DOQ", ©a O O'Q*, Ot A"< ©3* B©OB'- 2. V'31 DB'BD' D, 8AO Ot A"< ©3©D ©G-b©"; V'3- DD-BD' ©, ©Bz D CB'Bt DBD'- Ot A"< <3t *B3 VvA"B BCzQBb < 3DB -O'OzObBb. <'©t 3' AB' <Vb©z *g© ©C©tG4 O' VvO053- — 288 — N° 65, Same Subject.—MSme sujet. Am: 0 Filii et filhe. 1. OSffl 3©DO 8GV" ©'3 O'fflA" AOb©: <3V'Ot *©3 BCBtGI- ODU©. Chorus. <3DU©. 2. *CD' O' ffl DAC'3', 0'BZ <A" *0' S, *C S *B3 VB'Bz >Du£>. <IDD©- 3. *e© vb^ vz-<z c- ©B' Aa s®> ODb-O': — 289 — " VB*, BCBTGr 3 <DUQ- # 19 — 29.0 — si >n-3 3' O© s- FOR PENTECOST DAY. POUR LA PENTECOTE. N° 66—The Coming of the Holy-Ghost. La descente du Saint-Esprit sur les Apotres. Am: Esprit-Saint, Dieu de lumiere. Chokus. O ©'Bt 3© D'-O', 'OO, '©B'DDBt; 3©©'8t, ©Ob©i, &, QB* D AD©bD'. l. 05 <©t 3' BViQ* A", <]QO >3i©t bt — 291 — 0©0> ©* 0©bB A", >0-B DBD'Bt OO- 2. D©©'Bt 0>8z <A" 03© OO' D-Ot(^: <VOt Dt©t DO©©' O Bt EO" *b© a A©b©- OB <v>- FOR ALL SAINTS' DAY. POUR LA TOUSSAINT. N° 67.—The Saints' Happiness. Le bonheur des Saints. Am : Chantons les combats et la gloire. 1. 05ffl >0-3© a 03t©', DB<SO O- B'Q*: . O ©'BT DO'-O' O'D' <©t >n ©Bz OVB. DD 'G LB" OUbQO 0'3% Ot VB ATG'ABbD; Ot A"< 0©z OB ©Bz ©a DO©b©. — 293 — 2. ©'Bt >©uB OO- C ©Bz D A©0©bO'; DzB"B BO D-B'Q*, 05ffl D0Q" C D03Db. DD ©a AiKA'G V'B, ©BsC C 8B-03B'; Ot 0>Bz 0©z OB 33* ©Bz DBVbB"- — 294 — •oo <2[>C© 3' OB <n> FOR ALL SOULS' DAY. POUR LE JOUR DES MORTS, N° 68.—The Souls in Purgatory. Les ames du Purgatoire. Air : An fowl des brfilants abimes. 1. >G' '>' G OOz8> A", <M/b©z OBOffl; 3DB BbOiT AJK, DDffl 3* 383". Chorus. OC? OQ! >0> ObDs, BCB'O' <V 0©Ub©» <OQ// — 295 — 2. A UO OD'Q©, DB'-O' DA©"©>; ©"©' ©, ©CV"©", Ot A"< OBO"D". 3. ©ZB"B, ©COB, ©8"3- BOC O; <Ot C DBrO' A", ©< C ©CV©b©//? — 296 — Various Subjects. Sujets divers. RELIGIOUS SUBJECTS. SUJETS RELIGIEUX. N° 69.—The Spiritual Combat. Le combat spirituel. Air: Armons-nous, la voix du Seigneur. Chorus. O ©'Bt ©3©3 '3- V'B- G AB' ©©b©; ^O'ffl Q ©a A^<0>3', 0< 05ffl VGO)b©". VG zOa" C! O 3zO'©- S! VO O' TXAQ'Bul — 297 — 1 ©BsC VC3 zDO' ©, >Q LO" O' ©30t©; VvA"B 33-83' 3, 00©t©t O' ©<Aa'8b. 2. DD Gt DD ©©•<" O, 'G L©" Vv>©-8D'- US C O05D' 33 <: ©3©3 D CQ"3 GzQt^t. — 298 — N° 70.—The Service of God. Le service de Dieu. Am: Dieu seul, Dieuseul. 1. BOC C ©BsC a- BB> ©, COS" D, OV OzUOt <OQ//; D© ffl"B <Ot D© B'D D, O© 3> G ©Bz ©<A-<3b. Chorus. ©BsC <VE» C >U, Ot A«< Va 03t©': ©O© D O' Va QQObD- ©BsC C <]\Kb©z 300- 2. 8QO 3' OD ©'Bt DB'-O', <3i O© DDDCs 3)3; — 299 — BQO 3' OD ©8Z BA©-, 0< 8©V" >z G A^<-03B'. N° 71. Prayer.—La priere. Air : Je suis chr^tien. Chorus. DCBs©, S'B ©s©*, 3© V© 0< BO; <D G- 3'C O' B©s©', Db ©sD' O DCBs©. l. DCBsE, sLo©hD E» ©Os©'©z 03 3©bB"; 3 C s©i a OOBsDt O C VB A^Os©. — 300 — 2 DC©0, Ot O B"-0' 'O ©BsC a A©sD- 05 3' OB', D3C S- Ob< S O' LB" OsB- 3. DCBs©, 'O ©Bz sa <]3i O© ©'B 3bC; V8 0*© A^<-©s©', 0< BsB DCBs©- — 301 — N° 72.—Before Sunday Evensong. Avant la priere du dimanche soir. OE_* £>=> >K 0COS Affl O B=> E> Bt©3.) Air : Goutez, ames ferventes. 1. <VOt US B©V" ©a Db ©ObB'j DD D03t©t: V8 D3zUb3'- Chorus. 05ffl DC33© 05 8"-0' OV'B-: 3a OUBbSO 0'8Z 05 DOO- 2. ©CODE ©, — 302 — 05ffl DOU'-O'i 0'BZ 05 33 D 3a 8 DZUE"- N°73. Death.—La mort. Air: A la mort. Chorus. 33 S, BCD S, B< sC ABO? 03 3' CD'S": 'B© sa? 1. COS" D, B© VO, "D©- S-, ©COB S, 3 g Vv>B'3- O S, 05 8©V" G VGOJ©. — 303 — 2. O G 'U O' CDS" D, ©3' 3 D VC-033"? O G <Vb©z as© O' ©D 3G VC-03D'? 3. U"© B'B, DDGO S, U"©sD G Bs Vi'O'O; Ot VB C3"SO 0>8Z Bs U"©sD O'ffl Db©T. — 304 — N° 74.—The End of the World. La fin du monde. Air : Dieu va ddployer sa puissance. 1. <V-G>t <KDt g ©BsC * 'B C C'Ds A©'DbD>; 9>a, ©VObBb, 05 ©SO ADbBb, O ©'Bt OB© bD<DDDb S- <3VOt, Oz-- ■ 2. ©C" OB©b ADsffl, Ot > s3h offl ©A'3*; ODDQ! Ob3sffl OD sCSDCt: DO S, 3G S, A©bffl" A©z8>! ©Qh, Oz-- 3. ©b QOC'S' A" bBST, — 305 — ©>3 VO O S bO'ST. "©OC© 8©V", <ffl ©C©"©b, ©BsCBDOu" ADbffl" OAO. 3b, Oz-- 4. BGV" CBtGI se z©uSt? 'B-© ©t©t bt ©<C"! OC >U O' V'B ©< Oiffl ©3t? V©t3t OVtG!, <D 3a OO-s©? B©Vh- Oz-- _ 306" — N° 75—Happiness in Heaven. Bonheur du ciel. Air : Beau eiel, eternellc patrie. 1. O ©Bz ©B©* O- V>Q*, 0< Oz C A*<Os©>; 3" G O 3'8t V'U O ©Bz AC <J'B' O- V'Q*. Chorus. A ©C sBO'B" sCf!" '3 OsC Ot V'B, ©-AO- sB V3'3« 0< CBsSO ©, 'O ©Bz s<A'-<Ib. 2 O ©>Bt 05 B"-0> D8'-0>; 05 8©B 3* BBB": CC D S, O'Bb D S, O00> D S 8©V" D30-1 — 307 — N° 76.—Hymn for the Dead. Chant des morts. . Am: Dies iras. I. A 'O ©a, ©V©uSO; U5ffl 'D'(l) C^SO 0» VGA©", Ot O© >B> DCOE. 2, '©>©" ©Bz O© O'G■'; ODB'C 0>8Z '©O* Cu©0, o>bz va C3>SO S- 3. OC C Gt DC©E; >CO O'D- A"< 0> S >©b©': >o ©Bz v^<co>t©. (i) D<iBl-Dh 3- B* B>Bt DDBAiDii D, =19* — 308 — N° 77.—Against Drunkenness. Contre l'ivrognerie. Air de la Marseillaise. 1. A^O©bO, O' ©© ©O'Q*: ©BsC OD'C V'B, *>Q 30s V©z ©»3 3,q// ©tCO O SO COBbB' D© OG<, 05 3 ©'-O'? V© ©'A'B' V3bSO: OCO" 0'8Z OB'9" S, B©3 D3 C0 C- 33"! Chorus. B'O"' 333'©, B©V" ©CzO'<s! O O «C 'B-, B'B ©u3", 0< VG zOa"! — 310 — SUNDRY SONGS. CHANTS DE ClRCONSTANCE. N° 78.—Welcome to the Bishop Salut a l'Eveque. i. OOt C, "13-©!-, ©a 'G' ©©'©; >< '©OsD© 8©V" D3 V'B' ©V'Q// ©3 O'ffl OD B©3 'aBBO'! Ot An< <Ot ASO'© A* DD BB'BBO. 2. ©<D-0>3" < 'B3* Ai'O D'©; — 312 — N° 79.—Barcarole. Air: Divine bergero (Lambillote). 1. A *C3 O'U, 05ffi 3Vn>SO; 3U OO A"<, j©zrp'B B BOO- 2 <]V'Ot BBB, 05ffl 3CA3"; '©z o> ©a Bt©, ©bB ©B©OD'. 3. >©s© ©©b-O', Oiffl ©CSAO". '©' '< 3B^ 03", ©a 3< OO ©'Q*. — 316 — 'St 33'Dffl ©OSb-O' A3' si- LATIN HYMNS.—CHANTS LATINS. O Salutaris. A SBO'Os AsB© 'O 33 aOs As3G)c; 'DC ^-OGt AsBB©, O lADi', "Or A'33Q<- V© TrOG'O 030 3t 3<D©i'C 'QrO©, 'O iOC< 3© ©OO ODs 0©t 0> 0>r>Q. . Ave, maris Stella. <M>, Ci'Os s3G, BO £_©* Oi£_. <T'> BOr i>i-m iOB's 33 fli-C. •Si ©Cb C©t© CITABLE OF CONTENTS. TABLE DES MATIERES. ©B'Bt ------ i5 D'CC- D DCZ©3" - 17 D'Qs O© - - - - - 25 <DUQ AD* D'Os O© - 29 Ob< D DCOE^ - ~ - - 31 BB3' A" D DCOE" - - 34 ©' O© D DCZDB" * - - 35* OB-<]b Affl D DCOE" - ■*. 36 OS'<i A^Ob-<z D DCOE" 36 D ©OC© a DCOE" - - 38 ©COCO A^Ob-<z >© Bs DO' D DCOE" 39 D 'Q-*CD B DCOE" - - 42 D30' Vv>©Os3z - - 44
Other Copies: http://www.worldcat.org/oclc/53695960
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Phrase books
III-2462
Carrier ; English ; French
Vancouver : University of British Columbia Library
[place of publication unknown] : Stuart's Lake Mission
Images provided for research and reference use only. For permission to publish, copy, or otherwise distribute these images please contact digital.initiatives@ubc.ca.
Original Format: Simon Fraser University. PM 2411 C37 1901
Catholic Church--Prayers and devotions--Carrier
Carrier language--Texts
Carrier prayer-book : containing, together with the usual formularies, a complete collection of hymns, catechisms, directions relative to various points of Catholic life
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