@prefix vivo: . @prefix edm: . @prefix ns0: . @prefix dcterms: . @prefix skos: . vivo:departmentOrSchool "Arts, Faculty of"@en, "Library, Archival and Information Studies (SLAIS), School of"@en ; edm:dataProvider "DSpace"@en ; ns0:degreeCampus "UBCV"@en ; dcterms:creator "Shoemaker, Kathryn E."@en ; dcterms:issued "2010-01-16T18:44:09Z"@en, "2005"@en ; vivo:relatedDegree "Master of Arts - MA"@en ; ns0:degreeGrantor "University of British Columbia"@en ; dcterms:description """This is a story about the different kinds of thinking and spiritual celebration that children use to deal with death and grief. Two young girls, Lunamoon and Crowgirl become close friends at a children's residential cancer treatment centre. The girls and four other children form a small gang and name themselves 'The Googlegobbets.' Using storytelling, art, literature, music, drama, and celebrations 'The Googlebgobbets' support each other as they deal with pain, fear, anger, and grief. The novel begins when thirteen year old, Karen, tells her best friend, Nora that she's off to 'Chemo Camp' for her summer vacation. At the camp Karen immediately becomes close friends with nine year old roommate, Crowgirl. Inspired by Crowgirl's nickname she chooses a nickname, Lunamoon. Lunamoon has a curable form of cancer that she rightly believes she can beat. Crowgirl is terminally ill and relatively at peace with her impending death. However, Lunamoon is shocked to learn that Crowgirl's mother rarely visits. Raised by an agnostic parent, Lunamoon tries to create a kind of eternity, a forever in her imagination with cues in the real world that will refresh her memories of Crowgirl on a daily basis. Lunamoon moves from magical thinking to imaginative story telling as a means of dealing with the imminent death of her friend. She can't understand Crowgirl's mother as there is no clear reason for her behaviour. As well Lunamoon must face the unfairness of all their illnesses. She hears Crowgirl say, "...life is good." but she feels that life is unfair. Will Lunamoon ever understand Crowgirl's feeling? Perhaps she won't, at least not entirely."""@en ; edm:aggregatedCHO "https://circle.library.ubc.ca/rest/handle/2429/18329?expand=metadata"@en ; skos:note "CROWGIRL'S AMAZING ADVENTURE SCRAPBOOK By KATHRYN E. SHOEMAKER B.A. Immaculate Heart College, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In T H E FACULTY OF GRADUATE STUDIES (Children's Literature) THE UNIVERSITY OF BRITISH COLUMBIA November 2005 © Kathryn E. Shoemaker, 2005 A B S T R A C T This is a story about the different kinds of thinking and spiritual celebration that children use to deal with death and grief. Two young girls, Lunamoon and Crowgirl become close friends at a children's residential cancer treatment centre. The girls and four other children form a small gang and name themselves 'The Googlegobbets.' Using storytelling, art, literature, music, drama, and celebrations 'The Googlebgobbets' support each other as they deal with pain, fear, anger, and grief. The novel begins when thirteen year old, Karen, tells her best friend, Nora that she's off to 'Chemo Camp' for her summer vacation. At the camp Karen immediately becomes close friends with nine year old roommate, Crowgirl . Inspired by Crowgirl's nickname she chooses a nickname, Lunamoon. Lunamoon has a curable form of cancer that she rightly believes she can beat. Crowgirl is terminally i l l and relatively at peace with her impending death. However, Lunamoon is shocked to learn that Crowgirl's mother rarely visits. Raised by an agnostic parent, Lunamoon tries to create a k i n d of eternity, a forever i n her imagination with cues in the real world that w i l l refresh her memories of Crowgirl on a daily basis. Lunamoon moves from magical thinking to imaginative story telling as a means of dealing with the imminent death of her friend. She can't understand Crowgirl's mother as there is no clear reason for her behaviour. As well Lunamoon must face the unfairness of al l their illnesses. She hears Crowgirl say, \"...life is good.\" but she feels that life is unfair. W i l l Lunamoon ever understand Crowgirl's feeling? Perhaps she won't, at least not entirely. T A B L E O F C O N T E N T S A b s t r a c t i i Table of Contents i v D e d i c a t i o n v i A c k n o w l e d g e m e n t s v i i Chapter One: Chemo or There Goes M y Summer Vacation 1 Chapter Two: Out of the Woods 2 6 Chapter Three: Getting to K n o w Y o u 39 Chapter Four: B e l l , Books & Time 5 7 Chapter Five: M o r n i n g Has Broken, Blackbird Has Spoken 7 9 Chapter Six: A Goofy M i x 1 0 9 Chapter Seven: Meet the Parents 1 3 3 Chapter Eight: Red Shoes & P i n k Clouds 163 Chapter Nine: Wishes and Dreams, M o o n Dreams 1 8 9 Chapter Ten: D r e a m M o t h e r 2 0 1 Chapter Eleven: D r e a m T i m e 2 2 0 Chapter Twelve: Pirate Booty 2 4 7 Chapter T h i r t e e n : Plans 2 6 6 Chapter Fourteen: French Toast, Cheeseburgers, Skinny Fries and Princess M o o n Cake 2 8 9 Chapter Fifteen: F l y M e to the M o o n 3 2 1 Chapter Sixteen: A Bir thday Everyday 3 4 6 Chapter Seventeen: Have a D r e a m 3 7 4 D E D I C A T I O N This work is dedicated to my dear friend, J e n n i Power A C K N O W L E D G E M E N T S This thesis is submitted for the degree of Master of Arts in Children's Literature offered by the Universi ty of Bri t ish Columbia's m u l t i d i s c i p l i n a r y Master of Arts i n Children's Literature Program. This program is offered joint ly by the School of Library, A r c h i v a l and Information Studies, the Department of Engl ish, the Department of Language and Literacy Education and the Department of Theatre, F i l m and Creative W r i t i n g . Thank you to my thesis supervisor, Alison Acheson, and members of my thesis committee, Professor Theresa Rogers and Richard Van Camp. I thank the members of my thesis group, Harmony H o , Kara Stanley and Carolye Kuchta. As well I thank Judi th Saltman for her insights and support. P A N E L l : Chapter title, 'Chemo: There Goes M y Summer Vacation' written at the top of a split panel view of two thirteen year old girls talking to each other on phones i n their respective bedrooms. P A N E L 2: Close-up of Karen's face while talking to her friend, Nora. K A R E N : N O R A ? W E L L , T H E R E GOES M Y S U M M E R V A C A T I O N ! I ' M G O I N G TO T O W N F O R C H E M O . I ' M O F F TO C H E M O C A M P . P A N E L 3: Close-up of Karen on the phone. K A R E N : H A N G O N . IT'S M Y O T H E R L I N E . K A R E N : M O M . I 'LL C A L L Y O U R I G H T B A C K . I ' M T A L K I N G TO NORA. OKAY. YES. YES. OKAY. P A N E L 4: Close-up of Nora speaking. N O R A : C H E M O ! C H E M O C A M P ! W H A T A R E Y O U T A L K I N G A B O U T ? P A N E L 5: books. Long shot of Nora in her bedroom with shelves filled with N O R A : Y O U DON'T C A L L M E F O R T W O W E E K S . N O W Y O U T E L L M E T H A T Y O U ' R E G O I N G TO C H E M O ! C H E M O C A M P ! W H A T ' S G O I N G O N , GIRLFRIEND? P A N E L 6: Close-up of Karen's face as she talks on the phone. K A R E N T H I N K I N G : O H M Y G O D ! I K N E W S H E ' D W A N T TO K N O W E V E R Y T H I N G . K A R E N : SO H E R E ' S T H E GOOD PART. I C A N R E A D A LOT. IT'S NOT W H A T I P L A N N E D F O R S U M M E R V A C A T I O N , B U T I 'LL W O R K W I T H IT. P A N E L 7: Close-up of Karen's mouth. K A R E N : H E Y ! IT'S N O T G O I N G TO K I L L M E . P A N E L 8: Close-up of Karen's face and hair as she speaks on the phone. K A R E N : A L M O S T E V E R Y O N E GETS O V E R M Y K I N D O F C A N C E R . T H E DOCTORS SAID, \" IT 'S T H E G O O D K I N D . \" K A R E N : J U S T A M I N U T E ! P A N E L 9: Close-up of the lower half of Nora's face as she speaks on the phone. N O R A : J U S T A M I N U T E ? T E L L M E . H O W L O N G H A V E Y O U K N O W N ? I T H O U G H T I WAS Y O U R BEST F R I E N D ! P A N E L 10: K A R E N : Y O U A R E . K A R E N : I J U S T F O U N D O U T A F E W DAYS A G O . I N E E D E D A F E W DAYS TO T H I N K A B O U T IT, TO G E T U S E D TO IT. P A N E L l i : N O R A T H I N K I N G : S H E C O U L D DIE. M Y BEST F R I E N D C O U L D DIE! P A N E L 12: K A R E N : Y O U K N O W H O W T I R E D I WAS A L L LAST M O N T H ? H O W I K E P T F E E L I N G K I N D O F F L U E Y ? K A R E N : LAST W E E K M O M M A D E M E GO F O R TESTS. K A R E N : J U S T A M I N U T E , IT'S M Y O T H E R L I N E A G A I N ! P A N E L 13: K A R E N T H I N K I N G : H O V E R M O T H E R ! M Y F R I C K I N M O T H E R L I N E A G A I N . K A R E N : M O M , OKAY. I P R O M I S E . I P R O M I S E . I 'LL C A L L Y O U R I G H T B A C K . K A R E N : N O R A , I ' M SORRY I DIDN'T C A L L Y O U . I C O U L D N ' T U N T I L N O W . K A R E N : SORRY, I J U S T C O U L D N ' T . K A R E N : I H A V E TO GO. M O M N E E D S M E TO C A L L H E R R I G H T BACK. C A N Y O U C O M E O V E R T O M O R R O W ? K A R E N : I 'LL T E L L Y O U A B O U T M Y C H E M O C A M P A N D E V E R Y T H I N G . I P R O M I S E . P A N E L 15: N O R A : OKAY, THIS T O T A L L Y C R E E P S M E OUT. I T ' L L B E I N M Y H E A D A L L N I G H T . P A N E L 16: K A R E N : P L E A S E , DON'T W O R R Y . I T O L D Y O U , I H A V E T H E K I N D O F C A N C E R T H A T C A N B E C U R E D , ' T H E GOOD K I N D ' , T H E Y C A L L IT. K A R E N : D O N ' T B E S C A R E D . P A N E L 17: K A R E N : I ' M NOT. I ' M N O T S C A R E D . Y O U CAN'T B E IF I ' M NOT. P A N E L 18: N O R A : H O W C A N T H E R E B E A 'GOOD KIND'? K A R E N T H I N K I N G : H E R E IT IS. THIS IS W H Y I WAS A F R A I D TO T E L L H E R . K A R E N : I S W E A R T H A T ' S W H A T T H E DOCTORS SAID. N O R A : OKAY. I 'LL T R Y NOT TO W O R R Y . I R E A L L Y W I L L TRY. N O R A : W H A T T I M E T O M O R R O W ? K A R E N : C O M E O V E R W H E N E V E R Y O U W A N T . P A N E L 20: K A R E N : P L E A S E , D O N ' T B E C R E E P E D OUT. R E M E M B E R W H A T T H E DOCTORS SAID. K A R E N : T H E Y C A N C U R E M E A L M O S T 100%. P A N E L 21: N O R A : OKAY, G I R L F R I E N D . I H A V E TO GO TO T H E DENTIST FIRST. I C A N G E T H E R E A R O U N D 3:30. P A N E L 22: K A R E N : COOL. S E E Y O U T H E N . DON'T, DON'T W O R R Y . I ' M F I N E . K A R E N : I ' M R E A L L Y , R E A L L Y F I N E . K A R E N : O H ! WAIT! P A N E L 23: K A R E N : I M E A N T TO A S K Y O U . C O U L D I B O R R O W T H A T B O O K , T H E O N E W I T H T H E D E A D DOG? C H A P T E R O N E / P . 4 P A N E L 24: N O R A : Y O U M E A N THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME? Y E A H , OF C O U R S E . N O R A : IT'S GOOD. A N Y T H I N G ELSE? P A N E L 25: K A R E N : DO Y O U H A V E A N Y O T H E R S ? K A R E N : I ' M G O I N G TO N E E D LOTS O F BOOKS. K A R E N : M A Y B E Y O U R M O M C A N C H E C K A T H E R L I B R A R Y F O R B O O K S O N CD. P A N E L 26: N O R A : N O P R O B L E M . T H I N K I N G : T H A N K GOD, S O M E T H I N G I C A N DO. N O R A : H E Y , I 'LL B R I N G A COPY O F M Y N E W W E E T S I E BAT BOOK. Y O U ' R E G O I N G TO L O V E IT. N O R A : O H , I 'LL A S K M O M TO F I N D S O M E M O R E M O O N STORIES F O R Y O U . P A N E L 27: N O R A : G I R L F R I E N D , I L O V E Y O U ! K A R E N : N O R A , I L O V E Y O U TOO. Y O U ' R E T H E BEST. P A N E L 28: Split panel of the two girls hanging up their phones i n their respective bedrooms. 1 P A N E L 29: Split panel with a close-up of each gir l . N O R A T H I N K I N G : THIS IS NOT FAIR. N O T FAIR! T H I N K I N G : T H A T ' S D O N E . K A R E N T H I N K I N G : B U T N O W NORA'S G O I N G TO W O R R Y . I H O P E S H E ISN'T S C A R E D TO B E W I T H M E . K A R E N T H I N K I N G : W H A T A M I T H I N K I N G ? SHE'S T H E O N L Y O N E W H O DID T A L K TO M E W H E N D A D D I E D . P A N E L 30: K A R E N : HI M O M . SORRY. I F I N A L L Y C A L L E D NORA. P A N E L 31: M R S . L O G A N : GOOD, Y O U S H O U L D H A V E D O N E T H A T B E F O R E THIS. M R S . L O G A N : W H A T DID S H E SAY? P A N E L 32: K A R E N : IT S C A R E D H E R . I K N E W IT W O U L D . M R S . L O G A N : IT S C A R E D Y O U A N D M E TOO. P A N E L 33: K A R E N : NORA'S A G O O D F R I E N D . SHE'S M Y BEST F R I E N D . S H E ' L L B E OKAY. M R S . L O G A N : S H E W I L L . P A N E L 34: M R S . L O G A N : SO H E R E I A M S H O P P I N G . I N E E D TO K N O W W H A T Y O U W A N T TO T A K E W I T H Y O U . P A N E L 35: K A R E N : A N E W L O N G D I S T A N C E C A R D SO I C A N C A L L G R A N D M A , M O R E H A I R CLIPS, Y O G U R T RAISINS, K A R E N : O H , A N D A L A P T O P ! J U S T K I D D I N G ! P A N E L 36: M R S . L O G A N : W E L L , THIS IS A G O O D T I M E TO G R A N T T H A T W I S H . K A R E N : W H O A . R E A L L Y ? M R S . L O G A N : Y E S , R E A L L Y . IT'S F O R M E TOO. W I T H A L A P T O P Y O U C A N E - M A I L M E AS O F T E N AS Y O U W A N T . Y O U C A N E - M A I L Y O U R F R I E N D S . M R S . L O G A N : A N D Y O U C A N W R I T E O N IT. C H A P T E R O N E / P. 6 P A N E L 38: M R S . L O G A N : I F O U N D A S E C O N D H A N D O N E . I C A L L E D T H E CLINIC. T H E Y SAID Y O U C A N B R I N G Y O U R O W N L A P T O P A N D T H E Y ' L L L E T Y O U U S E T H E I R P R I N T E R . P A N E L 39: K A R E N : O H M Y G O D , T H A T IS SO G R E A T . M O M , I L O V E Y O U ! P A N E L 40: M R S . L O G A N : I K N O W , I ' M A W O N D E R F U L M O T H E R . P A N E L 41: K A R E N : YES, Y O U A R E ! M O S T O F T H E T I M E . P A N E L 42: Split panel showing Karen and M r s . Logan talking on their phones. M R S . L O G A N : W H A T E L S E DO Y O U N E E D ? K A R E N : A P O R T A B L E D V D P L A Y E R ? P A N E L 43: M R S . L O G A N : V E R Y F U N N Y , B U T G U E S S W H A T ? T H E L A P T O P PLAYS D V D S . P A N E L 44: K A R E N : H E Y , I WAS O N L Y K I D D I N G . T H A T IS SO COOL, M O M . P A N E L 45: K A R E N T H I N K I N G : I CAN'T B E L I E V E I ' M G E T T I N G A L A P T O P . IS T H A T O N E G O O D T H I N G A B O U T THIS STUPID C A N C E R , O R W H A T ? K A R E N T H I N K I N G : G O D , G E T M E T H R O U G H THIS W I T H O U T H O V E R M O T H E R G L U E D TO M E . STUCK, G L U E STUCK, T I G H T L Y S T U C K AS G L U E L O V E C A N B E . K A R E N T H I N K I N G : AS G L U E L O V E C A N B E . G O I N G TO T H E CITY, T H A T C O U L D B E GOOD. G O O D , T I M E TO M Y S E L F . THAT'S G O O D . P A N E L 47: K A R E N T H I N K I N G : I N E E D TO GET T H R O U G H T H I S A L I V E . P A N E L 48: Nora and her mother, Mrs . Mi l ler are packing a basket with books, CDs, a long distance card, a writing journal and writing supplies, a thesaurus, gum and jel ly beans. P A N E L 49: Nora adds a small wrapped gift to the basket. P A N E L 50: The next day Nora and her mother arrive at Karen's with a basket. C A P T I O N : T H E N E X T DAY. P A N E L 51: Closeup of Nora's face. N O R A : DO W E H A V E STUFF! GOOD S T U F F F O R Y O U ! G I R L F R I E N D , Y O U A R E SO G O I N G TO L O V E T H I S . K A R E N : T H I S IS SO A M A Z I N G . T H A N K Y O U , N O R A . T H A N K Y O U , M R S . M I L L E R . M R S . M I L L E R : H E R E A R E S O M E L I B R A R Y BOOKS. I H O P E Y O U L I K E T H E M . S O M E A R E O N CDS. M R S . M I L L E R : E - M A I L N O R A W H E N Y O U F I N I S H T H E S E A N D W E ' L L S E N D M O R E W I T H Y O U R M O M . M R S . M I L L E R : I ' M OFF. N O R A , I 'LL P I C K Y O U U P A T 9:30. K A R E N , Y O U ' R E I N M Y PRAYERS. B E W E L L . C H A P T E R O N E / P. 8 P A N E L 53: N O R A : Y O U H A V E TO T E L L M E M O R E A B O U T THIS. I C O U L D N ' T K E E P IT O U T O F M Y H E A D . I ' M T R Y I N G N O T TO W O R R Y . I DON'T W A N T TO M A K E IT W O R S E F O R Y O U . N O R A : I T H I N K IF Y O U T E L L M E M O R E I 'LL B E LESS W O R R I E D . N O R A : I C O U L D N ' T H E L P M Y S E L F . Y O U K N O W M E . P A N E L 54: The girls walk upstairs. K A R E N : I K N E W Y O U W O U L D . C O M E U P TO M Y R O O M . I 'LL T E L L Y O U A L L A B O U T IT W H I L E I F I N I S H P A C K I N G . K A R E N : SO BEST G I R L F R I E N D , H E L P M E F I G U R E OUT W H A T TO T A K E . P A N E L 55: The girls walking into Karen's room. T H I N K I N G : A N D P L E A S E , P L E A S E DON'T CRY. K A R E N T H I N K I N G : P L E A S E DON'T M A K E M E CRY, N O T T I L L IT'S A L L OVER. P A N E L 56: Nora and Karen packing. P A N E L 57: Closeup of Nora. N O R A : SO N O W T E L L M E . W H A T ' S G O I N G TO H A P P E N ? P A N E L 58: Close-up of Karen. K A R E N : TO G E T RID O F M Y C A N C E R I H A V E TO T A K E D R U G S T H A T W I L L K I L L IT. A N D TO DO T H A T T H E D R U G S H A V E TO B E S U P E R , S U P E R P O W E R F U L . T H E Y H A V E TO B E S T R O N G E N O U G H TO ZAP T H E C A N C E R C E L L S SO T H E Y E N D U P Z A P P I N G O T H E R T H I N G S TOO. T H A T ' S W H Y M Y H A I R W I L L P R O B A B L Y F A L L OUT. I M I G H T F E E L N A U S E O U S , B U T T H E Y ' V E GOT D R U G S TO H E L P T H A T . N O R A : Y O U SAID T H E D O C T O R SAID T H E Y C A N C U R E Y O U . K A R E N : L I K E I SAID, T H E Y SAID M Y C A N C E R H A S T H E T H E BEST C U R E R A T E . K A R E N : IT'S A LOT TO G E T U S E D TO. T H E Y G A V E M E S O M E G O O D BOOKS. I F E E L M U C H B E T T E R SINCE I R E A D T H E M . P A N E L 60: K A R E N : I W I S H IT W A S N ' T H A P P E N I N G TO M E . A N D TO M O M . W E W E R E J U S T G E T T I N G TO B E O K A Y A G A I N . N O R A : IT'S SO U N F A I R . BUT, G I R L F R I E N D , Y O U A R E T O T A L L Y S T R O N G . I DON'T K N O W A N Y O N E E L S E SO S T R O N G . I ' M H E R E F O R Y O U , BEST F R I E N D . I ' M H E R E F O R Y O U . P A N E L 61: N o r a hugging Karen. C H A P T E R O N E / P . 9 P A N E L 62: K A R E N : W H A T ' S THIS? N O R A : IT'S A SURPRISE. O P E N IT U P J U S T B E F O R E Y O U GO TO S L E E P T O M O R R O W N I G H T . K A R E N : Y O U ' R E SO T O T A L L Y SWEET, BEST F R I E N D . P A N E L 63: Clock shows the time is one hour later. N O R A : N O W T H A T Y O U ' V E E X P L A I N E D IT, IT'S NOT SO SCARY. STILL C R E E P Y , B U T NOT SO SCARY. K A R E N : T H A N K G O D , M Y C A N C E R H A S A H I G H S U R V I V A L R A T E . P A N E L 64: N O R A : SO, C A N Y O U H A V E VISITORS? K A R E N : AS L O N G AS Y O U D O N ' T H A V E A C O L D , ' C A U S E M Y I M M U N E S Y S T E M W I L L B E M A J O R L Y Z A P P E D . M O M SAID Y O U C O U L D R I D E W I T H H E R W H E N E V E R S H E C O M E S TO VISIT M E . P A N E L 65: N O R A : W H E N W I L L T H A T BE? K A R E N : W E ' R E D R I V I N G T H E R E T O M O R R O W . M O M SAID S H E ' L L C O M E O N W E E K E N D S U N L E S S I N E E D H E R SOONER. N O R A : G I R L F R I E N D , I 'LL C O M E THIS SATURDAY. E - M A I L M E O R C A L L M E IF Y O U W A N T M E TO B R I N G S O M E T H I N G . P A N E L 66: K A R E N : W H A T A S U M M E R V A C A T I O N ! H E Y , I ' M G O I N G TO G E T T O T A L L Y T I R E D , T H R O W U P , L O S E M Y H A I R A N D C O M E B A C K B A L D J U S T I N T I M E F O R S C H O O L ! N O R A : Y O U ' V E GOT W E I R D H A I R ANYWAY. P E O P L E W I L L J U S T T H I N K IT'S A N E W LOOK, GIRL! K A R E N : I C O U L D P U T STICKERS O R TATTOOS O N T H E B A L D SPOTS. N O R A : SO M O O N GIRL, LET'S GO E A T T H E SUSHI Y O U R M O M O R D E R E D W H I L E Y O U ' V E STILL GOT A N A P P E T I T E . P A N E L 67: Chapter title, 'Out of the Woods' written above a view of Karen and her m o m driving along a wooded highway. P A N E L 68: Signs of civil ization: residences, stores, schools, traffic lights. P A N E L 69: Suburban neighbourhood. P A N E L 70: A l ibrary. P A N E L 71: A cluster of small shops and eateries M R S . L O G A N : W E ' R E A L M O S T T H E R E . LET'S STOP TO E A T B E F O R E W E C H E C K Y O U I N . M R S . L O G A N : W H E R E DO Y O U W A N T TO EAT? K A R E N : A N Y W H E R E T H A T SERVES B I G C H O C O L A T E S H A K E S A N D S K I N N Y FIRES. LOTS O F S K I N N Y F R I E S . P A N E L 72: A road side diner called Ducky's P A N E L 73: Karen and her m o m sitting i n a booth eating a meal. K A R E N : H O W M A N Y F O O D G R O U P S I N THIS M E A L ? M R S . L O G A N : A L L T H E B R O W N A N D W H I T E G R O U P S E X C E P T F O R T H E T O M A T O SLICE A N D L E T T U C E . IT'S A FAST F O O D FEAST. P A N E L 74: Karen and her m o m finishing their meals. P A N E L 75: Karen and her m o m leaving Ducky's. P A N E L 76: Karen and her m o m enter the Chemo Camp parking lot. K A R E N : THIS M U S T B E IT. IT D O E S N ' T L O O K TOO B A D . A N D IT'S N O T V E R Y F A R F R O M DUCKY'S. K A R E N : W E PASSED A L I B R A R Y E A R L I E R . DO Y O U T H I N K I C A N W A L K D O W N T H E R E ? W I L L T H E Y L E T M E ? M R S . L O G A N : LET'S A S K T H E M . P A N E L 77: Overhead view of Karen and her mother entering the treatment centre. P A N E L 78: Karen and her mother i n the reception area. P A N E L 79: The administrator, M r s . Muncie , shows Nora and her m o m the facilities. P A N E L 80: The dining room. P A N E L 81: The rec room. P A N E L 82: The garden P A N E L 83: The art room with its walls covered with colourful collages. P A N E L 84: The music room with its walls covered with posters from famous musicals: 'South Pacific', 'The King and I', 'Guys and Dolls' , 'Grease', 'Cats', and 'The Lion King' . P A N E L 85: Mrs . Muncie , Karen, and her mom enter the residential wing. P A N E L 86: Mrs . Muncie approaches a woman wearing a brightly coloured scarf and a red cardigan. M R S . M U N C I E : A R L A , T H I S IS K A R E N A N D H E R M O M , M R S . L O G A N . A R L A : H I ! I 'LL B E Y O U R P R I M A R Y N U R S E . Y O U ' L L B E S E E I N G LOTS OF M E . M R S . L O G A N : W H A T A G R E A T SCARF! A R L A : T H A N K S . I L I K E B R I G H T C O L O U R S . P A N E L 87: Close-up of Carlotta, a nine year old gir l nicknamed Crowgirl . P A N E L 88: Crowgirl sinking back onto her bed as she watches her mother leave the room C R O W G I R L T H I N K I N G : T H E R E S H E GOES. L E A V I N G AS S O O N AS POSSIBLE. S H E CAN'T STAND TO B E H E R E . W O U L D M Y R E A L M O T H E R B E L I K E T H A T ? P A N E L 89: Close-up of Crowgirl's face C R O W G I R L T H I N K I N G : IF I C O U L D F I N D H E R I K N O W S H E ' D B E D I F F E R E N T . S H E W O U L D N ' T A C T L I K E S H E M I N D E D B E I N G W I T H M E . I B E T S H E ' D B E M O R E L I K E A R L A . C R O W G I R L T H I N K I N G : O H W E L L , I G E T TO W O R K O N M Y S C R A P B O O K N O W . P A N E L 90: Crowgirl removes a cl ipping from a large envelope. P A N E L 91: A magazine clipping of a story and pictures about a Glockenspiel, the Orloj i n Prague, Czechoslovakia. The large old clock looks like an animated marionette theatre with figures that emerge from inside the clock on the hour and half hour. In this picture a skeleton, an old man, a young girl and a rooster parade along the clock's front edge. P A N E L 92: Crowgirl creating a collage that features her own glockenspiel made from cut-outs of children, crows and clock face numbers. P A N E L 93: Large image of Crowgirl's collage i n progress. C H A P T E R T W O / P. 16 P A N E L 94: A R L A : H E Y , M Y L I T T L E C R O W G I R L ! LOOK, I H A V E A R O O M M A T E F O R Y O U . P A N E L 95: A r i a standing i n the doorway with Karen and M r s . Logan as Crowgirl looks up from her collage work. Karen is dressed i n a feathery black boa wrapped sweater top that matches her spiky hair. Little spiky bits of her hair are held i n place by an assortment of quirky plastic bug and b i r d clips. P A N E L 96: Close-up of Karen's hair clips. P A N E L 97: Karen standing at the foot of Crowgirl's bed. P A N E L 98: A R L A : C A R L O T T A , M Y D E A R C R O W G I R L , THIS IS K A R E N A N D H E R M O T H E R , M R S . L O G A N . C R O W G I R L : H I ! Y O U C A N C A L L M E C R O W G I R L . T H A T ' S M Y N I C K N A M E . P A N E L 100: K A R E N : THAT'S SO N E A T ! W H E R E DID Y O U G E T S U C H A C O O L N I C K N A M E ? P A N E L 101: CROWGIRL: Y O U CAN'T S E E IT N O W B U T I H A V E B L A C K H A I R , J U S T AS D A R K AS Y O U R S . A N D I ' M R E A L L Y G O O D A T F I N D I N G T I N Y S H I N Y T H I N G S , G O O D AS A C R O W . CROWGIRL: SEE. I E V E N H A V E A L I T T L E S T U F F E D C R O W , M Y C R O W B A B Y . A R L A S T A R T E D C A L L I N G M E H E R D E A R C R O W G I R L . P A N E L 102: Close-up of a stuffed toy mouse wearing feather wings and a black, felt crow beak tied over its nose. P A N E L 103: Bird's eye view of the room showing two beds, a small, round table, a window with a window seat on the south side of the room and Crowgirl's personal items including a small , silver jewelry chest, bunches of silver balloons, collages taped on the walls, a book shelf and a desk. C H A P T E R T W O / P. 17 P A N E L 104: K A R E N : O H , M Y GOD, I W A N T A N I C K N A M E TOO. I L I K E COCKATOOS. T H A T ' S T O O OBVIOUS, TOO TOO OBVIOUS, TOO TOO, T W O -T W O , T W O . K A R E N : TWO, CAW-TWO-TWO F O R SORT O F A C O C K A T O O C R O W . K A R E N : A B L A C K COCKATOO. SO Y O U ' R E C R O W G I R L . I 'LL B E CAW-T W O - T W O . P A N E L 105: K A R E N : W H A T A M SAYING? K A R E N : M Y F A V O U R I T E T H I N G IS T H E M O O N . I N E E D A M O O N N I C K N A M E . K A R E N : I L O V E M O O N S T O N E S . M O O N S T O N E , M O O N , M O O N , L U N A . P A N E L 106: K A R E N : L U N A M O O N ! I 'LL B E L U N A M O O N . K A R E N : Y O U ' R E C R O W G I R L , I ' M L U N A M O O N . P A N E L 107: C R O W G I R L : C R O W G I R L : I L I K E T H E M O O N TOO! I L I K E N I G H T T H I N G S . M O O N T H I N G S , C R O W T H I N G S . L U N A M O O N : M E TOO! P A N E L 108: C R O W G I R L : W A N N A S E E M Y SCRAPBOOK? I 'VE B E E N W O R K I N G O N G L O C K E N S P I E L S . SEE, I 'M M A K I N G U P M Y V E R Y O W N W I T H P I C T U R E S T H A T J E D D R E W A N D S O M E P H O T O S HIS D A D T O O K O F US A R O U N D H E R E . C H A P T E R T W O / P . 18 P A N E L 109: Detailed view of the glockenspiel scrapbook page i n progress. P A N E L n o : View of Lunamoon moving toward the door. View of a wall clock. L U N A M O O N : I DO. I L O V E T H A T C L O C K B U T FIRST I N E E D TO S E E M Y M O M . L U N A M O O N : I 'LL L O O K AS S O O N AS M O M L E A V E S . P A N E L i l l : Close-up of Lunamoon looking at her wristwatch. CROWGIRL: COOL! W E ' L L H A V E LOTS O F T I M E TO L O O K A N D T A L K . P A N E L 112: View of Lunamoon and her mom bringing bags and books into the room. M R S . L O G A N : OKAY H O N E Y , M Y N E W L U N A M O O N , Y O U ' V E GOT Y O U R C E L SO Y O U C A N C A L L M E W H E N E V E R Y O U W A N T . M R S . L O G A N : SO C A L L M E . H O N E Y , L U N A M O O N , I L I K E T H A T N A M E . I L O V E Y O U . E - M A I L M E TOO. L U N A M O O N : I L O V E Y O U TOO, M O M . I 'LL C A L L A N D E - M A I L . I P R O M I S E . P A N E L 113: Lunamoon and her m o m walking toward the exit. L U N A M O O N : C R O W G I R L ' S COOL, ISN'T S H E ? M R S . L O G A N : S H E IS, A N D F R I E N D L Y F O R H E R A G E . P A N E L 114: L U N A M O O N : I T H I N K SHE'S G O I N G TO B E A C O O L R O O M M A T E , K I N D O F L I K E T H E L I T T L E SISTER I U S E D TO A S K Y O U FOR. M R S . L O G A N : W H A T A W A Y TO G E T A B A B Y SISTER. I ' M T H E O N E W H O ' S S U P P O S E D TO GET N A U S E A T E D . L U N A M O O N : T H A N K S F O R R E M I N D I N G M E , M O M ! P A N E L 115: Lunamoon and her mom walking into the parking lot. M R S . L O G A N : LET'S H O P E Y O U ' R E O N E OF T H E L U C K Y O N E S W H O D O E S N ' T G E T N A U S E A T E D . P A N E L 116: Mrs . Logan getting into her car. M R S . L O G A N : I GUESS I B E T T E R START D R I V I N G . Y O U K N O W I L O V E Y O U , S W E E T I E . M R S . L O G A N : Y O U L E T M E K N O W IF Y O U N E E D A N Y T H I N G . S E E Y O U S A T U R D A Y . L U N A M O O N : I W I L L , I W I L L . GO O N , I ' M F I N E . I B E T T E R GO L O O K A T C R O W G I R L ' S SCRAPBOOK. P A N E L 117: Bird's eye view of the clinic/chemo camp and its urban sett ing. P A N E L 118: Chapter title, 'Getting to Know You' written over a view of Lunamoon returning to her room. L U N A M O O N : I ' M BACK. LET'S S E E T H A T N E A T C L O C K Y O U ' R E M A K I N G . L U N A M O O N : WAIT, Y O U SAID IT WAS A G L O C K E N S P I E L . W H A T ' S T H A T ? CROWGIRL: IT'S K I N D O F A G I A N T C L O C K . SORT OF A C A L E N D A R W I T H BIG P U P P E T S . Y O U K N O W , L I K E T H E L I T T L E P E O P L E T H A T C O M E O U T O F T H E C L O C K AT T H E E N T R A N C E TO 'IT'S A S M A L L W O R L D ' A T D I S N E Y L A N D . P A N E L 119: L U N A M O O N : I K N O W W H A T Y O U M E A N . T H E Y C O M E O U T E V E R Y F I F T E E N M I N U T E S W H E N Y O U ' R E SITTING I N T H E B O A T W A I T I N G TO GO I N . CROWGIRL: Y E A H . B U T T H E S E A R E R E A L L Y O L D , L I K E SIX H U N D R E D Y E A R S . W E L L , N O T M I N E , ' C A U S E I ' M M A K I N G M I N E O U T O F CUT-OUTS. P A N E L 120: L U N A M O O N : M A Y I S E E M O R E ? CROWGIRL: W H A T DO Y O U W A N T TO S E E FIRST? I H A V E M Y G R E A T A D V E N T U R E I N T H E J U N G L E W I T H A L L T H E B A B Y G O R I L L A S A N D T H E I R M O M M I E S . P A N E L 121: View of a double spread collage of crows i n the scrapbook. P A N E L 122: View of a double spread collage of children dancing i n the sky. P A N E L 123: View of a double spread collage of crows and children i n the sky. P A N E L 124: L U N A M O O N : Y O U ' R E R E A L L Y G O O D A T THIS. I L O V E T H E W A Y Y O U P U T A L L Y O U R CUT-OUTS T O G E T H E R . L U N A M O O N : T H E Y ' R E A M A Z I N G , A B S O L U T E L Y A M A Z I N G . IT'S C R O W G I R L ' S A M A Z I N G A D V E N T U R E SCRAPBOOK! P A N E L 125: Lunamoon starting to use her eel phone. CROWGIRL: I DON'T T H I N K Y O U ' R E SUPPOSED TO U S E T H A T I N H E R E . L U N A M O O N : N O O N E SAID A N Y T H I N G . IT'S N O T L I K E Y O U H A V E A P A C E M A K E R , DO YOU? CROWGIRL: Y O U ' R E SILLY. B U T I R E A L L Y DON'T T H I N K W E ' R E S U P P O S E D TO U S E T H E M I N H E R E . T H E R E ' S A PAY P H O N E D O W N T H E H A L L . P A N E L 126: CROWGIRL: W H A T DO Y O U N E E D A P H O N E FOR? L U N A M O O N : CROWGIRL: I W A N T TO C A L L M Y M O M . M Y M O T H E R ' D K I L L M E IF I C A L L E D H E R D U R I N G T H E DAY! P A N E L 127: L U N A M O O N : W H A T ? CROWGIRL: N O T R E A L L Y , B U T SHE'S N O T A P H O N E P E R S O N . L U N A M O O N : I W A N T M O M TO B R I N G M E A S C R A P B O O K ' C A U S E I W A N T TO M A K E O N E TOO. CROWGIRL: Y O U DO? L U N A M O O N : I DO. P A N E L 128: View of Lunamoon unpacking her things as Crowgirl observes while she works on her scrapbook. L U N A M O O N : T H O S E L O O K N E A T . CROWGIRL: M Y T R E A S U R E S ? T H E Y ' R E M Y F I N D I N G S . I T O L D Y O U , I SPOT T H I N G S . I F I N D L I T T L E T R E A S U R E S E V E R Y W H E R E I GO. I ' M A C R O W ! P A N E L 129: Close-up of Crowgirl opening the drawers of a small silver chest and withdrawing a small box. CROWGIRL: T H E S E A R E M Y BEST O N E S . I E V E N F O U N D T H E B O X . P A N E L 130: Close-up of a small glass hummingbird L U N A M O O N : B E A U T I F U L . P A N E L 131: View of Crowgirl and Lunamoon looking at some of Crowgirl's t iny treasures. P A N E L 132: Bird's eye view of Lunamoon and Crowgirl . L U N A M O O N : I ' M G O I N G TO M E E T T H E O T H E R GUYS O N O U R F L O O R . I 'LL B E B A C K I N A BIT. L U N A M O O N : Y O U W A N N A C O M E W I T H ? P A N E L 133: CROWGIRL: W A L K I N G A R O U N D IS SO E X H A U S T I N G . I 'LL STAY H E R E A N D W O R K O N M Y S C R A P B O O K . L U N A M O O N : S U R E . S E E Y O U I N A BIT. P A N E L 134: Lunamoon leaving the room and walking down the hal l . L U N A M O O N T H I N K I N G : I ' M L U N A M O O N , L U N A M O O N . M O O N G I R L A T C A M P , AT C H E M O C A M P W I T H A C R O W G I R L , G I R L G E N I U S C O L L A G E ARTIST. O N M Y O W N , SORT OF. T R A D E D I N M Y M O T H E R F O R A L I T T L E SISTER, SISTER CROW, C R O W G I R L . other children on the ward. L U N A M O O N T H I N K I N G : W H O W I L L I M E E T , F R I E N D O R FOE? T H E F U R T H E R A D V E N T U R E S O F L U N A M O O N AT C H E M O , L U N A M O O N I N T H E CITY. P A N E L 136: View of Lunamoon entering the room next to hers where she wi l l meet Jenna, a young girl who looks about eleven years old. Jenna is wearing a Yankee baseball cap and shirt. Jenna has a bulletin board next to her bed covered with lots of baseball pictures and a large collection of brightly coloured post-its, on each is written a fancy word and its definition. Jenna's roommate, Melani looks like a nine year old. She is wearing a furry fuschia coloured feather boa scarf wound around her head turban style. Melani also wears a pair of crystal hummingbird earrings and a bright pink kimono. Over her bed five fancy cloth carp swim round and round through the air on their mobile lines. P A N E L 137: L U N A M O O N : C O O L F I S H . H I , I ' M K A R E N . W H A T A M I SAYING? I ' M L U N A M O O N , C R O W G I R L ' S N E W R O O M M A T E . J E N N A : I WAS W O N D E R I N G W H E N C R O W G I R L W O U L D GET A N E W R O O M M A T E . H I ! I ' M J E N N A A N D T H E F I S H G I R L IS M E L A N I . P A N E L 138: M E L A N I : H E Y , W H A T IS IT W I T H T H E N I C K N A M E S ? P A N E L 139: L U N A M O O N : O H M Y GOD! I T H O U G H T C R O W G I R L WAS A COOL, C O O L N A M E . L U N A M O O N : Y O U K N O W , L I K E A T C A M P P E O P L E H A V E N I C K N A M E S . I L I K E H A V I N G A N I C K N A M E H E R E . P A N E L 140 L U N A M O O N : SO! I ' M L U N A M O O N ' C A U S E I H A V E A T H I N G F O R M O O N S . L U N A M O O N : S E E ! A M O O N S T O N E . I H A V E A M O O N S T O N E R I N G . P A N E L 141: J E N N A : Y O U ' R E RIGHT. N I C K N A M E S A R E C O O L F O R H E R E . SO F I S H G I R L , W H A T A L I A S DO Y O U W A N T ? M E L A N I : A L I A S ! Y O U SO DON'T F O O L M E . M E L A N I : SHE'S A L W A Y S T R Y I N G TO F O O L M E W I T H A W E I R D N E W W O R D ! C A L L M E P I N K I E . P A N E L 142 J E N N A : P I N K I E ! H O W IS T H A T W A Y COOL? M E L A N I : Y E A H , P I N K I E , Y O U K N O W L I K E P I N K I E F L A M I N G O . A N D IT'S W A Y C O O L ' C A U S E I T H I N K IT'S COOL. L U N A M O O N : Y O U L O O K L I K E A P I N K I E . Y O U N E E D F L U F F Y P I N K SLIPPERS TO GO W I T H T H A T BOA. W H A T DO T H E Y C A L L T H O S E ? L U N A M O O N : O H , I GOT IT! M U L E S . Y O U N E E D P I N K M U L E S . P A N E L 143: PINKIE: N O W Y O U , J E N N A . W H A T ' S Y O U R ALIAS? BESIDES Y A N K E E G I R L ? J E N N A : W H A T ' S W R O N G W I T H Y A N K E E G I R L ? T H A T ' S M E I ' M A Y A N K E E A L L R I G H T . I L U U U V E T H E Y A N K E E S . T H E Y ' R E M Y T E A M ! P A N E L 144: L U N A M O O N : Y O U A R E A Y A N K E E G I R L . L O O K AT A L L T H O S E B A S E B A L L CARDS A N D W O R D S . W O R D S ! Y O U ' R E A SERIOUS W O R D C O L L E C T O R . L U N A M O O N : A R E G U L A R Y A N K E E D O O D L E D A N D Y ! PINKIE S I N G I N G : ' Y A N K E E D O O D L E C A M E TO T O W N . . . . ' P A N E L 145: PINKIE: I H A V E A S O N G TOO. IT'S F R O M T H A T O L D M O V I E , ' F U N N Y F A C E ' . PINKIE: ' M E M B E R T H E S O N G A B O U T P I N K ? L U N A M O O N : I'VE GOT A G A Z I L L I O N SONGS, E S P E C I A L L Y F R O M O L D M O V I E S A N D M U S I C A L S . P A N E L 146: PINKIE: IF Y O U L I K E M U S I C A L S Y O U ' L L L O V E K I M , O U R M U S I C T H E R A P I S T . H E ' S SO INTO O L D M U S I C A L S . H E ' S B E E N T E A C H I N G US SONGS F R O M T H E M . Y A N K E E G I R L S I N G I N G : H E Y , ' G E T T I N G TO K N O W Y O U , G E T T I N G TO K N O W A L L A B O U T Y O U ! ' P A N E L 147: Y A N K E E G I R L : THIS IS G E T T I N G S E V E R E L Y R I D I C U L O U S ! C O M E O N , L U N A M O O N , I 'LL T A K E Y O U TO 'GET TO K N O W J E D A N D B U D D Y ACROSS T H E H A L L . P A N E L 148: Yankeegirl leads Lunamoon toward the door as Pinkie sits down i n front of a computer. P A N E L 149: Yankeegirl and Lunamoon stand i n the doorway of J e d and Buddy's room. P A N E L 150: Two boys, Jed and Buddy, look up from their activities as Yankeegirl and Lunamoon enter their room. J e d is nine years old and Buddy is short and small for his eleven years of age. L U N A M O O N : HI! Y A N K E E G I R L : THIS IS C R O W G I R L ' S R O O M M A T E , L U N A M O O N . P A N E L 151: B U D D Y : H E Y , I 'M O L D E R T H A N I L O O K . H O W O L D A R E YOU? L U N A M O O N : T H I R T E E N . B U D D Y : I ' M N O T T H A T O L D . I ' M E L E V E N . E V E R Y B O D Y C A L L S M E B U D D Y . F E T C H , E H ? P A N E L 152: The sound of a hand bell rings from down the hall D I N I N G H A L L : R I N G , R I N G , R I N G P A N E L 153: B U D D Y : T H A T ' S D I N N E R . T I M E TO G E T THIS S T U F F C L E A N E D U P . Y A N K E E G I R L : I GUESS I G O T T A GO. P A N E L 154: Close-up of a large collection of things spread out on Buddy's bed: pirate dress-up items, bones, coins, stamps, odd shaped boxes, bottles, maps and drawings. L U N A M O O N : W H A T ' S A L L T H A T ? C H A P T E R T H R E E / P . 27 P A N E L 155: B U D D Y : PIRATE STUFF. I ' M A P I R A T E B U F F . I C O L L E C T P I R A T E P A R A P H E R N A L I A A S . J E N N A W O U L D SAY. P A N E L 156: B U D D Y : L O O K ! O N E O F M Y BEST T H I N G S IS THIS PIRATE G A M E , SORT O F L I K E PIRATE M O N O P O L Y . L U N A M O O N : I B E T T E R GO B A C K TO M Y R O O M , G E T R E A D Y F O R D I N N E R A N D S E E W H A T C R O W G I R L IS U P TO. P A N E L 157: B U D D Y : SHE'S P R O B A B L Y W O R K I N G O N H E R SCRAPBOOK. Y O U S H O U L D SEE IT. L U N A M O O N : I DID. IT'S A M A Z I N G . B U D D Y : S O M E T I M E S I G I V E H E R T H I N G S F O R IT T H A T M Y B I G B R O T H E R , N O L A N , BRINGS. N O L A N , G O O F Y N A M E , E H ? A N D M I N E ' S E V E N GOOFIER. T H A T ' S W H Y M Y N I C K N A M E ' S B U D D Y . B U D D Y : A N Y W A Y N O L A N ' S A C O L L E C T O R L I K E M E . W H E N H E SAW C R O W G I R L ' S S C R A P B O O K H E S T A R T E D B R I N G I N G T H I N G S F O R H E R TOO. I G I V E H E R S T U F F A N D J E D D R A W S T H I N G S F O R H E R . H E E V E N M A K E S M A P S F O R H E R PICTURES. L U N A M O O N : I B E T T E R GO. S E E Y O U L A T E R , GUYS. P A N E L 158: View of J e d looking up from his drawing. B U D D Y : YES, M Y M A T E Y ! Y O U ' L L GET U S E D TO M E . I T H I N K A N D T A L K I N P I R A T E ! L U N A M O O N : W E L L T H E N , M A T E Y , N E X T T I M E I S E E Y O U , Y O U C A N T E L L M E Y O U R N A M E , Y O U R R E A L N A M E . P A N E L 159: B U D D Y : W H Y S H I V E R M E T I M B E R S . A GUY'S GOTTA H A V E A S E C R E T O R T W O . L U N A M O O N : SO I 'LL T E L L Y O U M Y R E A L N A M E W H E N Y O U T E L L M E Y O U R S 'CAUSE, BY T H E WAY, I GOT A N I C K N A M E TODAY. I N E V E R H A D O N E B E F O R E B U T I W A N T E D O N E A F T E R I M E T C R O W G I R L . SO T O D A Y I B E C A M E L U N A M O O N . P A N E L 160: L U N A M O O N : K I N D A N E A T ! C R O W G I R L A N D L U N A M O O N . G O O D I M A G E . DON'T Y O U T H I N K ? L I K E A STORY T I T L E . B U D D Y : A P I R A T E STORY? I H A V E A N I C K N A M E B U T W H O ' S E V E R H E A R D OF A PIRATE N A M E D B U D D Y ? S O U N D S L I K E S O M E O L D LADY'S Y A P P Y D O G . B U D D Y : I N E E D A P I R A T E N A M E . YES, I N D E E D Y , A P I R A T E N A M E . I S H O U L D H A V E T H O U G H T O F THIS B E F O R E N O W ! P A N E L 161: B U D D Y : BY T H I R T E E N B E L L S I 'LL H A V E A N A M E TO SUIT M E PIRATE L I F E . J E D : H E Y , IF E V E R Y O N E ' S , L I K E G E T T I N G A N I C K N A M E , I W A N T O N E TOO. B U D D Y : W E L L , S A I L O R J E D , Y E S H A L L H A V E O N E . W H A T DO Y O U H A V E I N M I N D ? J E D : L I K E , I DON'T K N O W . B U T I W A N T O N E . P A N E L 163: B U D D Y : W E ' L L A L L T H I N K A B O U T IT. L U N A M O O N : O K A Y A N D D O N ' T F O R G E T I W A N T TO K N O W Y O U R R E A L N A M E , B U D D Y . P A N E L 164: View of Lunamoon leaving the boys and walking next door to her room and a view of Lunamoon's thoughts depicted as collaged words made of magazine cut-outs. L U N A M O O N T H I N K I N G : J E D A N D B U D D Y , B U D D Y J E D , C R O W G I R L , L U N A M O O N , P I N K I E A N D Y A N K E E G I R L . Y A N K E E , Y A N K E E , P I N K I E . P I N K M O O N , L U N A M O O N , C R O W G I R L , C R O W B A B Y , M O O N BABY, M O O N C R O W , M O O N BABY, M O O N M A M M A , M A M A M O O N . G I R L , Y A N K E E G I R L , P I N K , GIRL, M O O N G I R L , N A M E S , F U N N Y N A M E S , N I C K N A M E S , G I R L N A M E S , N E W N A M E S , T R U E N A M E S , F U N N Y N A M E S , S I L L Y N A M E S . . . F U N N Y G I R L S . F U N N Y F A C E , F U N N Y M O O N . . . M O O N F U N N Y , M O O N , M O O N , W H A T ' S O N T H E M O O N ? P A N E L 165: Chapter title ' Bell , Books & Time' written over a view of Crowgirl working on her scrapbook. C R O W G I R L : GO A H E A D TO T H E D I N I N G R O O M . I ' M T I R E D . I ' M STAYING H E R E . L U N A M O O N : A R L A SAID S O M E OF T H E KIDS E A T T O G E T H E R B U T I 'LL STAY H E R E T O N I G H T . S H E SAID T H A T W A S OKAY. P A N E L 166: CROWGIRL: D O N ' T Y O U W A N N A GO? M A K E S O M E N E W F R I E N D S ? A N D SING? CROWGIRL: DO Y O U L I K E TO SING? L U N A M O O N : T H A T ' S OKAY. I'D R A T H E R STAY H E R E . I 'VE M E T E N O U G H N E W P E O P L E F O R O N E DAY. L U N A M O O N T H I N K I N G : M O R E T H A N E N O U G H . L U N A M O O N : I L O V E T H E SONGS F R O M M U S I C A L S B U T I CAN'T C A R R Y A T U N E . Y A N K E E G I R L A N D P I N K I E T O L D M E Y O U GUYS H A V E B E E N L E A R N I N G S O M E O F T H E M . C R O W G I R L : W H O A R E Y O U T A L K I N G A B O U T ? P A N E L 168: L U N A M O O N : J E N N A A N D M E L A N I . T H E N I C K N A M E T H I N G IS S P R E A D I N G . J E D A N D B U D D Y A R E T R Y I N G TO T H I N K O F N A M E S TOO. CROWGIRL: THAT'S SO COOL. P A N E L 169: L U N A M O O N : I GUESS A R L A R E A L L Y S T A R T E D S O M E T H I N G . P A N E L 170: View of Lunamoon and Crowgirl sitting on their bed eating from dinner trays. A clock is visible displaying 6:15. The meal is a chicken stir fry, carrot and raisin salad and a lemon snow pudding dessert. P A N E L 171: L U N A M O O N T H I N K I N G : T H I S IS P R E T T Y TASTY. B E T T E R T H A N I E X P E C T E D . L U N A M O O N : Y O U ' V E H A R D L Y E A T E N A N Y T H I N G . D O N ' T Y O U L I K E T H E FOOD? C R O W G I R L : I L I K E IT. I D O N ' T F E E L M U C H L I K E E A T I N G T O N I G H T . IT'S O N E O F T H O S E DAYS. I T A K E A F E W BITES A N D N I B B L E . T H E O N L Y T H I N G I F E E L L I K E E A T I N G IS T H E L E M O N S N O W P U D D I N G . M Y F A V O U R I T E P A R T IS T H E F L O A T I N G S N O W P U F F S . P A N E L 172: L U N A M O O N : THIS IS SORT O F L I K E A S L E E P - O V E R . B U T I L I K E IT B E T T E R W H E N P E O P L E C O M E TO M Y H O U S E . W H A T A B O U T Y O U ? L U N A M O O N : DO Y O U L I K E TO GO TO S O M E O N E ' S H O U S E O R H A V E Y O U R F R I E N D S C O M E TO YOURS? C R O W G I R L : I L I K E TO GO TO M Y F R I E N D S . M Y M O T H E R DOESN'T L E T M E H A V E F R I E N D S O V E R M U C H . B U T S H E D O E S N ' T M I N D IF I STAY O V E R A T T H E I R H O U S E S . C R O W G I R L : I T H I N K S H E L I K E S IT W H E N I ' M AWAY. P A N E L 173: L U N A M O O N : Y O U DO. W H Y ? CROWGIRL: M Y M O T H E R W O R K S A LOT. THAT'S W H Y I 'M H E R E E V E N T H O U G H W E L I V E I N T O W N . S H E T R A V E L S O N H E R J O B . A N Y W A Y SHE'S NOT T H A T INTO W H A T I ' M D O I N G . C R O W G I R L : E V E R Y T H I N G ' S C O O L AS L O N G AS I STAY QUIET A N D DON'T B O T H E R H E R . IT'S OKAY. E V E R Y T H I N G ' S C O O L W I T H H E R AWAY. I K N O W IT S O U N D S K I N D O F W E I R D , B U T I ' M U S E D TO H E R B E I N G T H A T WAY. C R O W G I R L : M Y F R I E N D S T H I N K SHE'S W E I R D TOO. I WAS G O I N G TO GO TO B O A R D I N G S C H O O L B E F O R E I GOT SICK. C R O W G I R L : I W A N T E D TO GO. P A N E L 175: C R O W G I R L : I WAS T R Y I N G TO T A L K M Y BEST F R I E N D , E M , E M T H E S I N G I N G N U R S E , INTO G O I N G W I T H M E . C R O W G I R L : SHE'S NOT R E A L L Y A N U R S E , B U T S H E W A N T S TO B E O N E W H E N S H E G R O W S U P . C R O W G I R L : I T H O U G H T IT W O U L D B E F U N TO H A V E F R I E N D S A R O U N D A L L D A Y A N D A L L N I G H T , L I K E H A V I N G SISTERS. P A N E L 176: C R O W G I R L : I K I N D O F GOT T H A T W H E N I C A M E H E R E . IT'S L I K E A S L E E P - O V E R E V E R Y D A Y . ISN'T IT? L U N A M O O N : DON'T L I K E ? Y O U ' R E R I G H T . B U T W H A T IF Y O U G E T A R O O M M A T E Y O U P A N E L 177: CROWGIRL: H E Y , IT D O E S N ' T LAST T H A T L O N G . A N Y W A Y IF Y O U D O N ' T G E T A L O N G Y O U C A N T E L L A R L A . P A N E L 178: CROWGIRL: SO, W H A T DO Y O U T H I N K ? A R E W E G O I N G TO B E G O O D FRIENDS? L U N A M O O N : W E W I L L B E . I T H O U G H T I WAS G O I N G TO B E O N M Y O W N H E R E , B U T I T H I N K IT'S G O I N G TO B E O K A Y TO H A V E A R O O M M A T E . M O R E O K A Y T H A N I W O U L D H A V E T H O U G H T L U N A M O O N T H I N K I N G : YES. YES. I T H I N K SO. F O R A N I N E Y E A R O L D SHE'S S W E E T A N D S M A R T . I L I K E H E R . I L I K E H E R A LOT. P A N E L 179: L U N A M O O N : Y O U ' V E B E E N H E R E F O R A W H I L E SO Y O U C A N T E L L M E W H A T TO E X P E C T . M Y D O C T O R T O L D M E A BIT. I DON'T F E E L Q U I T E SO S C A R E D AS I DID W H E N S H E FIRST T O L D M E I WAS SICK. L U N A M O O N : S H E SAID A L M O S T E V E R Y O N E W I T H M Y C A N C E R GETS C U R E D . SO W H A T DO Y O U H A V E ? L U N A M O O N T H I N K I N G : O H , W H Y DID I A S K T H A T C R O W G I R L : I ' M N O T SO L U C K Y . I 'VE GOT S O M E T H I N G THAT'S N O T G O I N G AWAY. NOT SO F A R . P A N E L 180: L U N A M O O N : H O W C A N Y O U B E SO C A L M A B O U T IT? C R O W G I R L T H I N K I N G : T H A T WAS D U M B TO T E L L H E R . L U N A M O O N : Y O U S E E M P R E T T Y C A L M A B O U T IT. A R E Y O U R E A L L Y T H A T C A L M ? P A N E L 181: CROWGIRL: C A L M ? A M I C A L M ? M U S T B E T H E PILLS. A N D SINGING. C R O W G I R L S I N G I N G : ' W H E N E V E R I F E E L A F R A I D ... I W H I S T L E A H A P P Y T U N E . . . P A N E L 182: CROWGIRL: I ' M T I R E D A N D I ' M SORT O F U S E D TO T H I N G S . B U T S O M E T I M E S I 'M T I R E D OF B E I N G SICK. IT'S W E I R D B U T P A R T O F IT'S B E G I N N I N G TO B E OKAY. I M E A N T H E P A R T A B O U T H A V I N G S O M E T H I N G T E R M I N A L AS Y A N K E E G I R L W O U L D C A L L IT. CROWGIRL: I 'VE GOT LOTS O F P I L L S A N D S T U F F F O R T H E P A I N . I ' M GOOD, R E A L L Y G O O D A T I M A G I N I N G M Y S E L F INTO O T H E R P L A C E S W H E N IT GETS B A D . CROWGIRL: I GO INTO M Y P I C T U R E S . THAT'S P A R T L Y W H A T M Y S C R A P B O O K IS FOR. I F I N D R E A L L Y N E A T T H I N G S TO M A K E INTO PICTURES, P I C T U R E S OF S P E C I A L P L A C E S W I T H S T R A N G E A N D A M A Z I N G A N I M A L S A N D M A G I C P E O P L E . CROWGIRL: T H E N I I M A G I N E M Y S E L F INTO T H E M . P A N E L 184: CROWGIRL: S O M E T I M E S I S E E A STORY I N T H E P I C T U R E . B U T M O S T O F T H E T I M E I GO INTO T H E M A N D W A N D E R A R O U N D . I L I K E TO P U T T O G E T H E R T H I N G S T H A T L O O K B E A U T I F U L , OR F U N N Y , F U N N Y W E I R D . I L I K E W E I R D . CROWGIRL: I L I K E Y O U R H A I R ! CROWGIRL: I L O V E Y O U R H A I R . IT'S A BIT L I K E M I N E A N D Y O U H A V E N ' T H A D C H E M O Y E T . P A N E L 185: CROWGIRL: I L O V E Y O U R BUGS. T H O S E N E A T CLIPS. W H E R E DID Y O U G E T T H O S E ? L U N A M O O N : M Y M O M GOT T H E M . SHE'S G R E A T AT F I N D I N G T H I N G S I L I K E . R E A L L Y COOL T H I N G S . CROWGIRL: I W I S H M Y M O T H E R WAS. S H E DOESN'T K N O W W H A T I L I K E . S H E P R O B A B L Y T H I N K S I ' M W E I R D . P A N E L 186: L U N A M O O N : M A Y B E S H E ' S TOO BUSY. CROWGIRL: SHE'S BUSY. B U T S H E DOESN'T G E T M E . I ' M A D O P T E D . M Y R E A L M O M W O U L D G E T M E . L U N A M O O N : I DON'T K N O W A B O U T T H A T . I K N O W KIDS W H O H A V E R E A L M O M S . I M E A N B I R T H M O M S . A N D T H E Y F E E L J U S T L I K E Y O U DO. C H A P T E R F O U R / P . 33 P A N E L 187: L U N A M O O N : W H A T A B O U T Y O U R DAD? CROWGIRL: I DON'T H A V E O N E . I M E A N I N E V E R K N E W H I M . H E L E F T US R I G H T A F T E R T H E Y A D O P T E D M E . W H A T A B O U T Y O U R D A D ? L U N A M O O N : H E D I E D A C O U P L E O F Y E A R S A G O I N A C A R A C C I D E N T . P A N E L 188: CROWGIRL: I ' M SORRY. P A N E L 189: L U N A M O O N : C R O W G I R L , W H A T K I N D O F STORIES DO Y O U L I K E ? C R O W G I R L : M A G I C ONES A N D ONES K I N D OF L I K E FAIRY T A L E S B U T NOT J U S T STORIES A B O U T O L D E N T I M E S . CROWGIRL: I L I K E STORIES T H A T H A P P E N A T N I G H T , I N T H E SKY, O U T I N S P A C E O N . . . CROWGIRL: O N U H , M A G I C P L A N E T S A N D O N T H E M O O N . P A N E L 190: CROWGIRL: O N C E I H A D A N A N N Y W H O R E A D TO M E . CROWGIRL: F A I R Y T A L E S A N D LOTS OF P I C T U R E B O O K S . I L O V E IN THE NIGHT KITCHEN. I G U E S S I L I K E STORIES A B O U T D R E A M I N G , A N D F L Y I N G INTO T H E N I G H T L I K E PETER PAN. P A N E L 191: CROWGIRL: I I M A G I N E M Y S E L F F L Y I N G INTO F A I R Y L A N D S I N T H E SKY L I K E I F L Y INTO M Y O W N P I C T U R E S . CROWGIRL: O H , O H , O H R I G H T , A N D A N D I L I K E STORIES A B O U T L I T T L E T H I N G S , L I T T L E T E E N Y T I N Y T H I N G S . T H I N G S I F I N D , L I T T L E D O L L P E O P L E . P A N E L 192: CROWGIRL: S T R A N G E SORTS O F T H I N G S , S T R A N G E A N D W E I R D T H I N G S . T H E A D D A M S F A M I L Y . W E L L THAT'S N O T Q U I T E A STORY U N L E S S Y O U M E A N T H E T V S H O W O R M O V I E . BUT M Y M O T H E R H A S A B O O K O F A D D A M S C A R T O O N S . CROWGIRL: O H , A N D JAMES AND THE GIANT PEACH, T H A T IS A B O O K A N D I SAW T H A T V I D E O . A N D I L I K E THE NIGHTMARE BEFORE CHRISTMAS. I H A V E IT A N D IT IS SO G R E A T . L U N A M O O N : I L I K E T H O S E TOO. W E ' R E B O T H W E I R D A R E N ' T W E ? T H A T ' S W H Y W E ' L L G E T A L O N G . P A N E L : 193 L U N A M O O N T H I N K I N G : I L I K E D O L L S A N D L I T T L E T H I N G S TOO, O L D AS I A M . I STILL L O V E M Y D O L L S . L U N A M O O N : DO Y O U L I K E DOLLS? CROWGIRL: I H A V E M Y L I T T L E C R O W B A B Y . A N D I L I K E STORIES A B O U T BIRDS. T H A T S A M E N A N N Y R E A D STORIES A B O U T R A V E N T H E T R I C K S T E R . P A N E L 194: C R O W G I R L : W E L L , I ' M C R O W G I R L A R E N ' T I? IT'D B E W E I R D IF I DIDN'T L I K E F L Y I N G STORIES A N D C R O W STORIES. P A N E L 195: L U N A M O O N : I B R O U G H T LOT O F BOOKS. W A N T M E TO R E A D TO YOU? L U N A M O O N : I R E A D TO M Y M O M W H I L E S H E COOKS. CROWGIRL: Y O U H A V E A N E A T M O T H E R . S H E L O O K S N E A T TOO. CROWGIRL: YES. R E A D TO M E , P L E A S E . P A N E L 196: L U N A M O O N : NORA, M Y BEST F R I E N D , H E R M O M ' S A L I B R A R I A N . S H E L O A N E D M E T H E S E . LET'S SEE W H A T S O U N D S I N T E R E S T I N G . L U N A M O O N : STARGIRL, TOM'S MIDNIGHT GARDEN, SAMMYKEYES AND THE SISTERS OF MERCY, THE LIBRARY CARD, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT TIME, CRICKET IN TIME SQUARE. P A N E L 197: L U N A M O O N : THE SILENT PLAYMATE, SWEAR TO HOWDY, DANGEROUS 70 ANGELS, ALICE'S ADVENTURES IN WONDERLAND A N D THROUGH THE LOOKING GLASS, THE LITTLE INK DRINKER, EMYLYN'S MOON, MOONLORE. L U N A M O O N : W H A T SOUNDS GOOD? THAT'S STUPID! IT'S I M P O S S I B L E TO T E L L F R O M A T I T L E . CROWGIRL: NOT F O R M E . I W A N T TO H E A R TOM'S MIDNIGHT GARDEN. S O U N D S L I K E A N I G H T STORY. P A N E L 198: L U N A M O O N : A L L R I G H T . T E L L M E R I G H T A W A Y IF Y O U DON'T L I K E IT ' C A U S E S H E M I G H T H A V E G I V E N M E S O M E , O H , I D O N ' T K N O W . J U S T T E L L M E . OKAY. L U N A M O O N T H I N K I N G : I D O N ' T W A N T TO SAY ' O V E R Y O U R H E A D . ' L U N A M O O N : T E L L IF IF Y O U DON'T L I K E IT, OKAY. P A N E L 199: C R O W G I R L : I W I L L . CROWGIRL: Y O U DIDN'T E A T A L L Y O U R L E M O N P U D D I N G . C O U L D I H A V E IT? L U N A M O O N : O H S U R E . M O M A N D I H A D A BIG L U N C H AT DUCKY'S. N O W O N D E R I F O R G O T TO EAT DESSERT. P A N E L 2 0 0 : Lunamoon begins to read Tom's Midnight Garden while Crowgirl eats dessert. P A N E L 201: Closeup of Lunamoon's face P A N E L 202: View of Crowgirl pull ing out her scrapbook work. P A N E L 203: View of Lunamoon reading as Crowgirl works on a scrapbook page. P A N E L 204: Lunamoon pauses and looks over at Crowgirl. L U N A M O O N : S H A L L I R E A D S O M E M O R E ? CROWGIRL: P L E A S E , LET'S K E E P G O I N G . L U N A M O O N : W H E N DO W E H A V E TO T U R N T H E L I G H T S OUT? P A N E L 205: Closeup of Crowgirl's eyes. CROWGIRL: A N Y T I M E . A R E A ' S P R E T T Y N I C E A B O U T T H A T . S H E L I K E L E A V E S IT TO US MOST O F T H E T I M E . P A N E L 206: View of Crowgirl on her bed working. The clock on her bedside table displays the time as 7:30 pm. CROWGIRL: IT'S E A R L Y . W E C O U L D B R U S H O U R T E E T H N O W A N D T H E N R E A D . IF Y O U W A N T TO? L U N A M O O N : SOUNDS G O O D TO M E . I 'LL P U T O N M Y P A J A M A S . L U N A M O O N : I 'LL R E A D O N E M O R E C H A P T E R T H E N I W A N T TO R E A D A B O O K TO M Y S E L F . P A N E L 207: View of Lunamoon putting the book down. P A N E L 208: View of Lunamoon i n pajamas cl imbing back on the bed. P A N E L 209: View of Lunamoon picking up the book. P A N E L 210: Closeup of Lunamoon speaking. L U N A M O O N : ISN'T THIS GOOD? I W A S O N L Y G O I N G TO R E A D O N E M O R E C H A P T E R B U T IT WAS SO G O O D I D I D N ' T W A N T TO STOP. P A N E L 211: Closeup of Crowgirl . C R O W G I R L : DO Y O U T H I N K H E S A W A GHOST? P A N E L 212: Bird's eye view of the two girls. L U N A M O O N : IT S E E M S L I K E O N E . P A N E L 213: Closeup of Lunamoon. L U N A M O O N : IT S E E M S L I K E O N E . IT S T A R T E D W E L L , A C L O C K T H A T STRIKES T H I R T E E N , A M O O N A N D A G A R D E N , S O M E T H I N G TO L O O K F O R W A R D TO. P A N E L 214: Lunamoon putting aside Tom's Midnight Garden. P A N E L 215: Crowgirl continues to work on her scrapbook. P A N E L 216: View of the clock face with the hands at 8:33. P A N E L 217: Lunamoon asleep with her Weetzie Bat book open. C H A P T E R F O U R / P . 37 P A N E L 218: C R O W G I R L W H I S P E R I N G : A R E Y O U A S L E E P YET? L U N A M O O N : A L M O S T . L U N A M O O N : B U T N O T N O W ! P A N E L 219: CROWGIRL: I ' M SORRY, I J U S T W A N T E D TO SAY I ' M G L A D Y O U ' R E H E R E . L U N A M O O N : I ' M G L A D Y O U ' R E M Y R O O M M A T E . L U N A M O O N : G O O D N I G H T , C R O W G I R L . P A N E L 220: CROWGIRL: G O O D N I G H T , L U N A M O O N . Nora gave her. P A N E L 222: C A R D F R O M N O R A : D E A R K A R E N , I K N O W Y O U ' L L W A N T THIS TO B E A SECRET. H E R E IS A L I T T L E M O O N PRINCESS D O L L TO K E E P Y O U C O M P A N Y U N D E R Y O U R P I L L O W . I W O N ' T T E L L A SOUL. M O M A N D I F O U N D H E R F O R Y O U R B I R T H D A Y A T A V E R Y S P E C I A L D O L L S H O P . SHE'S H A N D M A D E A N D O N E O F A K I N D L I K E Y O U . W E T H O U G H T Y O U S H O U L D H A V E H E R N O W TO R E M I N D Y O U O F A L L O U R L O V E , M O O N D R E A M S A N D W I S H E S F O R Y O U . B E W E L L , M Y D E A R E S T K A R E N , L O V E , N O R A P A N E L 223: Closeup of a tiny dol l . P A N E L 224: Closeup of the doll sitting on the pillow right next to Lunamoon's face P A N E L 225: Chapter title, ' M o r n i n g Has Broken.. .Blackbird has spoken' written across the top of the panel. P A N E L 226: Lunamoon waking up P A N E L 227: View of Lunamoon waking up, lying motionless, eyes shut. P A N E L 228: Close-up of Lunamoon's hand-drawn calendar of treatment program that has an x on the Thursday. P A N E L 229: Close-up of Lunamoon's closed eyes. L U N A M O O N T H I N K I N G : OKAY. H A L F A DAY. A N I G H T . M Y FIRST M O R N I N G . W A K I N G U P W I T H A R O O M M A T E . D I D N ' T E X P E C T T H A T . L U N A M O O N T H I N K I N G : I ' M W O R K I N G O N IT. I ' M W O R K I N G W I T H IT. W I T H H E R . P A N E L 230: d o l l . Close-up of Lunamoon's pil low and her hand near the little L U N A M O O N T H I N K I N G : S H A R I N G A R O O M . A R O O M W I T H A R O O M M A T E . SO F A R OKAY. IT'S O K A Y E X C E P T . L U N A M O O N T H I N K I N G : E X C E P T I DON'T T H I N K I 'LL G E T M U C H R E A D I N G I N . P A N E L 231: Bird's eye view of the whole room. L U N A M O O N T H I N K I N G : R E A D I N G A L O U D . GOOD. O H G O D , I C A N H A R D L Y WAIT TO R E A D M O R E O F T O M ' S M I D N I G H T G A R D E N . L U N A M O O N T H I N K I N G : I 'LL WAIT. I 'LL W A I T A N D R E A D IT W I T H C R O W G I R L . P A N E L 232: Close-up of Lunamoon's face L U N A M O O N T H I N K I N G : A T L E A S T I S T A R T E D T H E W E E T Z I E BOOK. P I N K I E . PINKIE'S L I K E A L I T T L E U N B L E A C H E D W E E T Z I E . N O . A B A L D W E E T Z I E . L U N A M O O N T H I N K I N G : C R O W G I R L , SHE'S K I N D OF A N I C E W I T C H B A B Y . G O D , C R O W G I R L A N D W I T C H B A B Y B O T H H A V E L O S E R M O M S W H O P R A C T I C A L L Y A B A N D O N T H E M . P A N E L 233: Close-up of Lunamoon's closed eyes and forehead. L U N A M O O N T H I N K I N G : F O R A L I T T L E K I D , CROWGIRL'S R E A L L Y W I T H IT. G R E A T AT ART. O H N O , O H O H O H W H A T IF S H E T A L K S A L L T H E T I M E ? P R E T T Y CHATTY. C H A T T Y P R E T T Y C R O W . C H A T C H A T C H A T . P A N E L 234: Close-up of Crowgirl's open eyes. C R O W G I R L T H I N K I N G : IS S H E A W A K E Y E T ? I S H O U L D N ' T W A K E H E R . I S H O U L D WAIT 'TIL 7:30, J U S T B E F O R E B R E A K F A S T C O M E S . C R O W G I R L T H I N K I N G : O H M Y G O S H ! I S L E P T A L L N I G H T W I T H O U T E V E N O N E BAD D R E A M . CAN'T B E L I E V E IT. N O BAD D R E A M S ! P A N E L 235: Crowgirl sits up. T H I N K I N G : I H O P E , I H O P E , I R E A L L Y H O P E I DIDN'T S C A R E H E R . P E O P L E DON'T L I K E ' T E R M I N A L . ' SCARY W O R D . SHE'S W A Y TOO N I C E . S H E W O N ' T SAY A N Y T H I N G . P A N E L 236: Crowgirl quietly slides off the bed and walks to the washroom pul l ing along her portable intravenous dr ip . L U N A M O O N : H E Y , Y O U ' R E A W A K E TOO! C R O W G I R L : Y U P . G O T T A P E E . P A N E L 237: Lunamoon sits up. L U N A M O O N : B R E A K F A S T I N B E D ! THIS IS N E A T . SO N E A T . SO COOL. L U N A M O O N T H I N K I N G : W H A T A M I T A L K I N G A B O U T ? IT'S A H O S P I T A L . ' C O U R S E IT'S B R E A K F A S T I N B E D ! P A N E L 238: Crowgirl returning to her bed. CROWGIRL: B R E A K F A S T I N B E D , B U T L O O K A T IT! L U N A M O O N T H I N K I N G : M A Y B E SHE'S A BIT PICKY. L U N A M O O N : DON'T Y O U L I K E O A T M E A L ? P A N E L 239: Close-up of Crowgirl looking at her breakfast tray. CROWGIRL: I H A T E O A T M E A L . H A T E , H A T E O A T M E A L . I H A T E O R A N G E J U I C E A N D I R E A L L Y H A T E B R O W N B R E A D ! L U N A M O O N : W H A T W O U L D Y O U L I K E ? P A N E L 240: CROWGIRL: F R E N C H TOAST W I T H M A P L E S Y R U P A N D B A C O N . A N D A BIG BIG C U P O F H O T C H O C O L A T E W I T H LOTS O F B A B Y M A R S H M A L L O W S . L U N A M O O N : DO T H E Y E V E R S E R V E F R E N C H TOAST? P A N E L 241: CROWGIRL: N O T SINCE I 'VE B E E N H E R E . B U T Y O U C A N A S K F O R W H A T E V E R Y O U W A N T O N Y O U B I R T H D A Y . M I N E ' S C O M I N G S O O N SO I 'LL B E O R D E R I N G M Y F A V O U R I T E S . L U N A M O O N : W H E N ' S Y O U R B I R T H D A Y ? P A N E L 242: A r i a i n the doorway. CROWGIRL: J U L Y T E N T H A N D T H A T ' S P R E T T Y S O O N . Y E S Y E S Y E S YES Y E S ! CROWGIRL: Y U C K Y , N O W I'VE GOT TO E A T A L I T T L E O R A R I A ' S G O I N G TO N A G M E . A R L A : H E R E T H E Y A R E , C R O W G I R L A N D L U N A M O O N A L L B R I G H T A N D P E R K Y I N T H E M O R N I N G ! P A N E L 243: CROWGIRL: L O O K , I E V E N A T E A BIT O F THIS Y U C K Y B R E A K F A S T . A R L A : I C A N SEE. A BIT IS R I G H T . A BIT IS N O T E N O U G H . L I S T E N , M Y S W E E T C R O W G I R L . A R L A : Y O U ' R E G O I N G TO B E A S C R A W N Y L O O K I N G C R O W IF Y O U DON'T E A T A BIT M O R E . F O R A C R O W Y O U ' R E P R E T T Y D A R N PICKY, IF Y O U A S K M E . P A N E L 244: CROWGIRL: S E E , I T O L D Y O U A R L A W O U L D N A G M E . L U N A M O O N T H I N K I N G : P R E T T Y PICKY F O R A C R O W . A R L A : A T L E A S T E A T T H E TOAST W I T H S O M E P E A N U T B U T T E R , P L E A S E . CROWGIRL: O N E P I E C E , OKAY? P A N E L 245: A R L A : OKAY, T H E N I W A N T Y O U GIRLS TO G E T D R E S S E D A N D M E E T M E D O W N T H E H A L L . Y O U ' R E G O I N G TO B E L U N A M O O N ' S H E L P E R THIS M O R N I N G SINCE IT'S H E R FIRST T I M E H E R E . P A N E L 245: Close-up of Lunamoon putting bug hair clips i n her hair. L U N A M O O N T H I N K I N G : R E M E M B E R . A S K M O M A N D N O R A TO G E T S O M E B U G H A I R CLIPS F O R C R O W G I R L . L U N A M O O N : W H A T ' S D O W N T H E H A L L ? CROWGIRL: THAT'S W H E R E W E G E T O U R B L O O D TESTS. IF Y O U ' R E G O I N G TO G E T A K I N D O F DRIP T R E A T M E N T T H E Y H O O K Y O U U P I N T H E R E . IT'S D I F F E R E N T F O R E V E R Y O N E . P A N E L 246: CROWGIRL: I 'VE B E E N H E R E T H E L O N G E S T SO I 'VE S E E N M O S T O F T H E T R E A T M E N T S . I 'VE H A D M O S T O F T H E M ! CROWGIRL: DON'T L O O K A T T H E N E E D L E S . T H E Y ' R E N O T SO B A D IF Y O U L O O K AWAY. SING. O H , I F O R G O T Y O U D O N ' T SING. T H E N ' W H I S T L E A H A P P Y T U N E . ' IT S O U N D S SILLY B U T IT W O R K S . CROWGIRL: Y O U M I G H T G E T TO T A K E PILLS O R G E T A PORT. P A N E L 247: L U N A M O O N : W H A T ' S A PORT? CROWGIRL: THIS T H I N G . THIS IS SO T H E Y D O N ' T H A V E TO K E E P P O K I N G Y O U W I T H N E E D L E S . L U N A M O O N T H I N K I N G : I H O P E I DON'T H A V E TO P U L L A R O U N D O N E OF T H O S E DRIPS. W H A T A DRIP. W H A T A DRIP. W H A T A DRIP DRIP D R A G . P A N E L 248: Crowgirl shows Lunamoon her port. L U N A M O O N : H O W DO Y O U G E T D R E S S E D W I T H T H A T T H I N G ? CROWGIRL: SEE. IT'S EASY. P A N E L 249: Crowgirl and Lunamoon walking down the hal l toward Yankeegirl and Pinkie. Y A N K E E G I R L : H E Y , C R O W G I R L . DID L U N A M O O N T E L L Y O U O U R N E W N A M E S ? SHE'S S T A R T E D S O M E T H I N G . C R O W G I R L : S H E DID. Y A N K E E G I R L IS GOOD. Y O U C O U L D B E DICTIONARY G I R L TOO! Y A N K E E G I R L : I ' M D E F I N I T E L Y Y A N K E E G I R L . A N D O F C O U R S E THIS P I N K A P P A R I T I O N H A D TO B E P I N K I E . P I N K I E T H E F A S H I O N Q U E E N , P I N K I E F A S H I O N I S T A . P A N E L 250: Close-up of Pinkie. PINKIE: I ' M SO A N A P P A R I T I O N , P I N K I E A P P A R I T I O N . P A N E L 251: View of all four girls i n the hall . PINKIE: A R E Y O U GUYS G O I N G TO T R E A T M E N T ? L U N A M O O N : YES. M Y FIRST T I M E . Y A N K E E G I R L : Y O U ' L L B E F I N E . C R O W G I R L K N O W S E V E R Y T H I N G . DON'T Y O U , G I R L ? \" Y A N K E E G I R L : H E Y , ' W H I S T L E A H A P P Y T U N E . . . . ' P A N E L 252: Crowgirl and Lunamoon enter the lab area for blood work and chemo therapy. P A N E L 253: Girls engaged i n assorted medical procedures. P A N E L 254: Close-up of Lunamoon's face with a wary but not petrified expression. P A N E L 255: View of Crowgirl standing next to Lunamoon who is being given an injection. C R O W G I R L : W H A T ' S A N A P P A R I T I O N ? L U N A M O O N : I T H I N K IT'S A SORT O F V I S I O N O R GHOST. C R O W G I R L : A R E Y O U F E E L I N G O K A Y A B O U T THIS? L U N A M O O N T H I N K I N G : I T H I N K I ' M C O O L W I T H IT. IT'S N O T TOO B A D YET. N O T TOO B A D . L U N A M O O N : Y O U ' R E R I G H T A B O U T N O T L O O K I N G AT T H E N E E D L E S . L U N A M O O N : T H E O N L Y T H I N G I ' M R E A L L Y W O R R I E D A B O U T IS G E T T I N G N A U S E A T E D . I H A T E T H R O W I N G U P . I H A T E T H A T M O R E T H A N A N Y T H I N G . P A N E L 257: CROWGIRL: M A Y B E I ' M W E I R D . I DON'T M I N D P U K I N G , B U T F E E L I N G N A U S E A T E D IS S U P E R Y U C K Y A N D I H A T E T H A T . CROWGIRL: Y O U M I G H T O N L Y G E T R E A L L Y R E A L L Y T I R E D . L U N A M O O N : T I R E D ISN'T TOO B A D . IS IT? P A N E L 258: CROWGIRL: IT'S P R E T T Y T I R E D . IT'S T H E K I N D OF T I R E D W H E R E Y O U DON'T F E E L L I K E D O I N G A N Y T H I N G . A N D I M E A N N O T H I N G . N O T E V E N W A T C H I N G TV. C R O W G I R L : S O M E T I M E S I L I E H E R E L I K E A Z O M B I E , A T O T A L Z O M B I E , F O R A F E W DAYS. P A N E L : 259 L U N A M O O N T H I N K I N G : I S U P P O S E T H A T M E A N S N O T E V E N R E A D I N G . G R E A T ! T H E T H I N G I M O S T W A N T E D TO DO. L U N A M O O N T H I N K I N G : I J U S T W A N T TO G E T THIS O V E R W I T H . G E T THIS S U M M E R O V E R W I T H . L U N A M O O N : O V E R ! C H A P T E R F I V E / P . 43 P A N E L 260: Close-up of Lunamoon. L U N A M O O N T H I N K I N G : I CAN'T B E A R TO T H I N K A B O U T T H E H A I R STUFF. N O . DON'T T H I N K . I ' M T H I N K I N G OF... O F A P P A R I T I O N S . W H A T ' S A G O O D A P P A R I T I O N TO SEE, TO M E E T ? A N A P P A R I T I O N O F P I N K F L A M I N G O S A N D P I N K PIRATES O N A T R O P I C A L I S L A N D . L U N A M O O N T H I N K I N G : A N A P P A R I T I O N O F L E T T E R S F L O A T I N G I N T H E AIR, F L Y I N G INTO E A C H O T H E R M A K I N G E X O T I C W O R D S : P A R R O T , PIROT... . P A N E L 261: Panel filled with letters and words. L U N A M O O N T H I N K I N G : TAROT, P A N T , PAIR, P A R R O T , RAP, P A R R O T T A P , R A P T A P , RAP T A P , R A P R A P TAP, P A R T R A T I O N , R A P T A P A P P A R I T I O N . L U N A M O O N T H I N K I N G : O N E T R E A T M E N T D O N E . O N E D O N E , O N E D O N E ! P A N E L 262: View of Crowgirl and Lunamoon talking. L U N A M O O N : N O W W H A T C A N W E DO F O R T H E REST OF T H E DAY? CROWGIRL: I N T H E M O R N I N G E V E R Y B O D Y ' S D O I N G D I F F E R E N T K I N D S OF TESTS A N D T R E A T M E N T S , B U T BY A B O U T 11 A M A L M O S T E V E R Y O N E ' S B A C K . C R O W G I R L : S O M E T I M E S W E G E T T O G E T H E R F O R A W H I L E B E F O R E L U N C H . CROWGIRL: U S U A L L Y I VISIT J E D A N D B U D D Y . I W A N T B U D D Y TO L E T M E P L A Y HIS PIRATE G A M E B U T H E SAYS I ' M TOO Y O U N G . H E SAYS I W O N T G E T IT. C R O W G I R L : M A Y B E H E ' L L L E T Y O U PLAY? T H E N I C O U L D W A T C H . L U N A M O O N : I ' M N O T INTO G A M E S . I CAN'T C O N C E N T R A T E , I ' M A L W A Y S T H I N K I N G O F S O M E T H I N G E L S E . P A N E L 264: C R O W G I R L : HIS P I R A T E G A M E S L O O K S J U S T L I K E M O N O P O L Y . H E ' S SILLY. A N Y B O D Y C A N P L A Y M O N O P O L Y . L U N A M O O N : IT M I G H T B E D I F F E R E N T . L U N A M O O N T H I N K I N G : SHOOT! I H A T E G A M E S . I DON'T C A R E W H A T IT IS-1 DON'T W A N T TO P L A Y IT. C H A P T E R F I V E / P . 44 P A N E L 265: CROWGIRL: B U D D Y , H E R E W E A R E . B U D D Y : T H E C R O W A N D T H E M O O N . J E D : L U N A M O O N , I L I K E T H O U G H T O F A N A M E F O R M Y S E L F . I D R A W A L L T H E T I M E A N D . . . L I K E , I S H O U L D B E D AVI NCI. P A N E L 266: L U N A M O O N : DAVINCI. COOL. T H A T ' S T R U L Y COOL. D A V I N C I , O U R R E S I D E N T ARTIST. B U D D Y : W H I L E W E ' R E O N T H E S U B J E C T , L E T M E I N T R O D U C E M Y S E L F . A T Y O U R S E R V I C E , C A P T A I N M A R R O W , M Y M A T E Y S . L U N A M O O N : A Y E , A Y E , SIR. M A Y I A S K W H E R E IS Y O U R P A R R O T ? C A P T A I N : J U S T A M I N U T E . P O L L Y S L E P T I N . P A N E L 268: Captain holding a parrot puppet. C A P T A I N : P O L L Y W A N T A CROW? CROWGIRL: DON'T B E SILLY. P A R R O T S D O N ' T E A T C R O W S P A N E L 269: D A V I N C I : SHE'S R I G H T . C A P T A I N : W H E R E ' S Y O U R H U M O U R M A T E Y S ? P A N E L 270: It is lunch time. Crowgirl, Lunamoon, Davinci, Captain Marrow, Yankeegirl and Pinkie sit together at a round table i n the dining room. Y A N K E E G I R L : H E Y , C R O W G I R L , Y O U H A V E N ' T B E E N H E R E F O R A W H I L E . CROWGIRL: I ' M O K A Y TODAY. CROWGIRL: N O T P A S T A A G A I N ! P A N E L 271: PINKIE: Y O U A R E SO T H E PICKIEST E A T E R I 'VE E V E R M E T . IS T H E R E A N Y T H I N G Y O U EAT? CROWGIRL: I A M NOT. I L O V E H A M B U R G E R S A N D FRIES, A N D F I S H A N D CHIPS, BLTS A N D PIZZA. D A V I N C I : Y O U ' R E L I K E A J U N K F O O D ADDICT. M Y M O T H E R W O N ' T L E T M E EAT T H A T S T U F F . A N D , L I K E , S H E SAYS IT W I L L M A K E M E SICKER. Y A N K E E G I R L : I L I K E J U N K FOOD. W H A T ' S W R O N G W I T H IT? C A P T A I N : H A V E N ' T Y O U GUYS H E A R D O F N U T R I T I O N ? Y A N K E E G I R L : N U T R I T I O N S M I T I O N . I J U S T L I K E S O M E T H I N G TO TASTE GOOD. H A L F T H E T I M E I ' M J U S T G O I N G TO P U K E IT U P . W H A T D I F F E R E N C E DOES IT M A K E ? Y O U K N O W W H A T I ' M SAYING! P A N E L 273: PINKIE: T H A N K S . I 'M E A T I N G . P A N E L 274: D A V I N C I : N E W TOPIC! T H A N K S TO L U N A M O O N W E A L L H A V E N I C K N A M E S . I ' M D A V I N C I . A N D I, L I K E , D R A W . G E T IT? G U E S S W H A T B U D D Y C A M E U P W I T H ? IT'S L I K E A PIRATE T H I N G . Y A N K E E G I R L : D A V I N C I , THAT'S P E R F E C T . P A N E L 275: C A P T A I N : A R E N ' T Y O U G O I N G TO G U E S S M Y N A M E ? L U N A M O O N : H E Y , Y O U P R O M I S E D TO T E L L M E Y O U R R E A L N A M E ! C A P T A I N : W H A T WAS I T H I N K I N G ? P A N E L 276: C A P T A I N : L I S T E N , I 'M C A P T A I N M A R R O W N O W . T H A T ' S M Y N A M E . N O M O R E B U D D Y . N O M O R E L I S T L E . L U N A M O O N : L I S T L E ! THAT'S W E I R D P E C U L I A R . W H A T IS IT? C A P T A I N : IT'S M Y F A T H E R ' S N A M E A N D HIS F A T H E R ' S A N D HIS F A T H E R ' S . A N E N D L E S S L I N E O F LISTLES. CROWGIRL: IT'S SO W E I R D IT'S R E A L L Y N E A T . L U N A M O O N : RIGHT. IT'S W E I R D A N D STRANGE. W H Y NOT C A P T A I N LISTLE O R C A P T A I N LISTLESS? O R C A P T A I N LISTING? LISTING, Y O U K N O W . T H E BOAT IS LISTING. C A P T A I N ; NO. I A M C A P T A I N M A R R O W , HEY, M Y L I F E IS A L L A B O U T M A R R O W . THAT'S IT. N O M O R E BUDDY. N O M O R E LISTLE! P A N E L 278: L U N A M O O N : A Y E , A Y E SIR. Y O U ' R E T H E C A P T A I N . P A N E L 279: View of the gang finishing their lunches. P A N E L 280: View of the gang going back to their rooms. P A N E L 281: View of Crowgirl and Lunamoon i n their room. L U N A M O O N : DOES E V E R Y O N E T A K E A N A P ? C R O W G I R L : Y E A H . J U S T L I K E D A Y - C A R E . N A P T I M E . E X C E P T Y O U DON'T H A V E TO S L E E P . R E M E M B E R W H A T I SAID A B O U T G E T T I N G R E A L L Y R E A L L Y T I R E D . Y O U M A Y W A N T TO S L E E P B U T Y O U C A N D R A W , W A T C H DVDS, U S E Y O U R C O M P U T E R . L U N A M O O N : W E C A N R E A D , C A N ' T W E ? P A N E L 282: View of Crowgirl sitting cross-legged on top of her bed. C R O W G I R L : Y E A H . W I L L Y O U R E A D M O R E O F TOM'S MIDNIGHT GARDEN? L U N A M O O N : OKAY. H O W A B O U T I R E A D A C O U P L E O F C H A P T E R S A N D T H E N I 'LL R E A D M Y O W N BOOK. C R O W G I R L : I ' M A N A W E S O M E R E A D E R . DO Y O U H A V E A B O O K I C A N R E A D W H I L E Y O U READ? L U N A M O O N : H E R E . T A K E A LOOK. P A N E L 284: View of Crowgirl looking at Lunamoon's bookshelf. P A N E L 285: View of Crowgirl holding three Little Ink Drinker books. C R O W G I R L : T H E S E L O O K S GOOD. F U N N Y P I C T U R E S . A N D T H E Y ' R E N O T V E R Y L O N G . P A N E L 286: View of Lunamoon reading to Crowgirl . P A N E L 287: View of Crowgirl falling asleep as Lunamoon reads. P A N E L 288: View of Crowgirl falling asleep as Lunamoon reads. A clock shows the time as 1:30 pm. P A N E L 289: Close-up of Lunamoon. L U N A M O O N T H I N K I N G : I S H O U L D GO TO S L E E P . O H M Y GOD! IT'S TOO G O O D TO STOP. I 'LL J U S T F I N I S H THIS C H A P T E R P A N E L 290: View of Lunamoon reading to herself. P A N E L 291: View of two girls asleep. The clock shows the time as 3:12 A R L A : A R E Y O U T W O G O I N G TO S L E E P A L L A F T E R N O O N ? CROWGIRL: P O O H , I F E L L A S L E E P W H I L E Y O U W E R E R E A D I N G . L U N A M O O N : I 'LL R E A D S O M E M O R E O F IT A G A I N T O N I G H T . OKAY? L U N A M O O N : W H Y DON'T Y O U R E A D IT N O W ? W E D O N ' T H A V E TO DO A N Y T H I N G , DO W E ? C R O W G I R L : N O . W E C A N R E A D . OKAY. I 'LL R E A D . W H A T A R E Y O U G O I N G TO DO? L U N A M O O N : I C O U L D R E A D A L L A F T E R N O O N A N D E V E R Y D A Y . P A N E L 293: View of both girls reading. C R O W G I R L : W H A T ' S H A L L U C I N A T I N G M E A N ? L U N A M O O N : O H , IT'S W H E N Y O U T H I N K Y O U S E E S O M E T H I N G B U T Y O U 1 R E A L L Y DON'T ' C A U S E IT'S O N L Y I N Y O U R H E A D . P A N E L 294: Close-up of Crowgirl . C R O W G I R L I DO T H A T A L L T H E T I M E . I S E E T H I N G S I N M Y I M A G I N A T I O N . L U N A M O O N : T H A T ' S D I F F E R E N T - Y O U K N O W IT'S I N Y O U R H E A D . RIGHT? C R O W G I R L : Y E A H . P A N E L 295: Close-up of Lunamoon. L U N A M O O N : I T H I N K A N H A L L U C I N A T I O N IS W H E N IT LOOKS SO R E A L Y O U B E L I E V E IT IS R E A L . SO I N Y O U R BOOK, W H E N T H E L I T T L E B O Y SEES T H E I N K D R I N K E R F O R T H E FIRST T I M E H E CAN'T B E L I E V E HIS E Y E S SO H E T H I N K S M A Y B E IT'S A M I N D TRICK. CROWGIRL: OKAY. I G E T IT. P A N E L 296: Close-up of Lunamoon looking worried. L U N A M O O N T H I N K I N G : THIS C O U L D B E A N N O Y I N G . I H O P E SHE'S N O T G O I N G TO A S K M E A B O U T A W O R D E V E R Y M I N U T E . P A N E L 297: Clock displaying 3:53 p m . CROWGIRL: OKAY, Y O U I N K D R I N K E R ! I F I N I S H E D IT. L U N A M O O N : Y O U R E A D T H E W H O L E T H I N G ? CROWGIRL: T H E W H O L E T H I N G . I T O L D Y O U I ' M A W E S O M E . IT W A S O N L Y T H I R T Y - F I V E P A G E S . CROWGIRL: A N D IT H A D P I C T U R E S . L U N A M O O N : Y O U A R E FAST. CROWGIRL: I ' M G O I N G TO W O R K O N M Y SCRAPBOOK. I 'LL R E A D T H E O T H E R I N K D R I N K E R BOOKS L A T E R . CROWGIRL: T H E I N K D R I N K E R G A V E M E A C O O L I D E A F O R M Y BOOK. L U N A M O O N : GOOD. I 'LL F I N I S H M Y C H A P T E R , T H E N I ' M G O I N G TO C H E C K M Y E - M A I L . P A N E L 299: Chapter title, A G O O F Y M I X , written over a bird's eye cutaway view of the residential rooms. P A N E L 300: View of Lunamoon working on her laptop and Crowgirl working on her scrapbook. L U N A M O O N : M Y M O M ' S C O M I N G SATURDAY. SHE'S G O I N G TO B R I N G M Y F R I E N D , NORA. L U N A M O O N : A N D A S C R A P B O O K ! CROWGIRL: M Y F R I E N D , E M , IS C O M I N G . P A N E L 301: L U N A M O O N : W H E N ? CROWGIRL: TODAY. S H E VISITS A LOT. L U N A M O O N : C A N W E H A V E G U E S T S A N Y T I M E ? P A N E L 302: CROWGIRL: J U S T A B O U T A N Y T I M E . I T H I N K . L U N A M O O N : Y O U ' R E L U C K Y . Y O U R F R I E N D S L I V E N E A R B Y . P A N E L 303: View of E m approaching Crowgirl's room E M : \" I ' M F O R E V E R B L O W I N G B U B B L E S . . . L O V E L Y B U U U U B L L L L L L E S I N T H E AIR.\" CROWGIRL: THAT'S M Y F R I E N D , E M . SHE'S M Y S I N G I N G N U R S E . A L W A Y S S I N G I N G S O M E T H I N G . L U N A M O O N : A L W A Y S ? P A N E L 304: C R O W G I R L : L U N A M O O N : C R O W G I R L : P A N E L 305: CROWGIRL: L U N A M O O N : P A N E L 306: E M : C R O W G I R L : L U N A M O O N : A L W A Y S . N O , S O M E T I M E S S H E W H I S T L E S . A N D SHE'S B L O W I N G R E A L B U B B L E S ! O F C O U R S E . E M W O U L D DO T H A T TOO! E M . E M , I H A V E A R O O M M A T E , A N E W R O O M M A T E . H I , E M . I ' M L U N A M O O N . Y O U ' V E GOT A N I C K N A M E TOO! A N D SHE'S T H I R T E E N . Y O U M U S T B E C R O W G I R L ' S BEST F R I E N D . 111 E M : W E ' R E BEST F R I E N D S , B U T C A R L O T T A H A S LOTS OF BEST F R I E N D S , D O N ' T Y O U , C A R ? P A N E L 307: L U N A M O O N : Y O U C A L L H E R CAR? E M : Y E A H , IT WAS A R L A W H O S T A R T E D C A L L I N G Y O U C R O W G I R L , W A S N ' T IT? CROWGIRL: Y O U K N O W , I ' M G E T T I N G TO L I K E IT B E T T E R T H A N C A R L O T T A . c E M : I 'LL C A L L Y O U C R O W G I R L IF Y O U L I K E . BET Y O U R M O T H E R W O N ' T . CROWGIRL: O H , S H E WON'T. I 'LL A L W A Y S B E C A R L O T T A TO H E R . P A N E L 308: L U N A M O O N : H O W DID Y O U T W O GET TO B E BEST F R I E N D S ? E M : P R E - S C H O O L A N D D A Y - C A R E . A N D A R T CLASSES. CROWGIRL: W E W E R E I N T H E S A M E D A Y - C A R E P R E - S C H O O L SINCE W E W E R E T W O Y E A R S O L D . A N D T H E N W E W E N T TO A R T CLASSES T O G E T H E R . P A N E L 309: View of E m opening a bag and displaying six fresh pink popcorn balls, a plate of chocolate chip cookies, and a tub of liquorice all sorts. E M : L O O K W H A T I H A V E . T R E A T S ! E M : I'D H A V E B R O U G H T M O R E P O P C O R N B A L L S IF I K N E W A B O U T Y O U R N E W R O O M M A T E . L U N A M O O N : N U T R I T I O U S S N A C K S F O R A L L ! CROWGIRL: L U N A M O O N C A N H A V E M I N E . I 'LL E A T M O R E L I Q U O R I C E . E M : I 'LL T A K E T H E S E TO T H E GUYS. P A N E L 310: C R O W G I R L : OKAY, B U T T H E Y ' V E A L L GOT N I C K N A M E S NOW. J E D IS DAVINCI , Y O U K N O W , ' C A U S E H E DRAWS. O U R P I R A T E B U D D Y IS C A P T A I N M A R R O W . J E N N A IS Y A N K E E G I R L . M E L A N I , G U E S S W H A T ? SHE'S P I N K I E . P I N K P O P C O R N B A L L S . THAT'S P E R F E C T F O R P I N K I E . E M : W H A T ' S W I T H T H E N A M E S ? C R O W G I R L : L U N A M O O N S T A R T E D IT ' C A U S E S H E SAYS THIS IS L I K E C A M P . P E O P L E G E T N I C K N A M E S A T C A M P . P A N E L 311: E M : I T H O U G H T IT WAS T H E C O U N S E L L O R S W H O GOT N I C K N A M E S . C R O W G I R L : W H O CARES? W E T H O U G H T IT WAS N E A T TO H A V E T H E M H E R E . E M : IT'S COOL. B U T DON'T Y O U GO TO T H E W O O D S F O R C A M P ? L U N A M O O N : N O T IF Y O U L I V E I N T H E W O O D S L I K E M E . E M : SO IF I W E R E H E R E W H A T W O U L D M Y N I C K N A M E BE? CROWGIRL: Y O U ' R E SO E M I CAN'T T H I N K OF A N Y T H I N G . L U N A M O O N : W H A T N I C K N A M E DO Y O U W A N T ? P A N E L 313: E M : F U N N Y , I CAN'T T H I N K . M A Y B E N I C K N A M E S A R E J U S T F O R C A M P . CROWGIRL: H O W A B O U T B U B B L E S ? P A N E L 314: E M : B U B B L E S ! V E R Y F U N N Y . I K N O W I ' M K I N D A R O U N D . C R O W G I R L : T H A T W A S N ' T W H A T I M E A N T . I T H I N K B U B B L E S IS P E R F E C T 'CAUSE. . .YOU'RE B U B B L Y , T I C K L Y F U N , H A P P Y . Y O U S I N G A N D Y O U M A K E E V E R Y O N E F E E L GOOD. P A N E L 315: E M : I ' M G O I N G TO T A K E T H E S E P O P C O R N B A L L S TO T H E G A N G . A N D D O N ' T Y O U D A R E C A L L M E B U B B L E S . I ' M E M . C R O W G I R L : O H E M , DON'T G E T Y O U R K N I C K E R S I N A TWIST, AS Y O U R M O M W O U L D SAY. E M : O H , SILLY! Y O U K N O W M E . I ' M F I N E . L U N A M O O N , DON'T W O R R Y A B O U T US. W E J U S T L I K E TO T E A S E E A C H O T H E R . P A N E L 318: View of E m returning to Crowgirl and Lunamoon. C R O W G I R L : E M , S H A L L W E GET TO W O R K ? E M : I ' M H E L P I N G C R O W G I R L M A K E P A G E S I N H E R SCRAPBOOK. C R O W G I R L : E M , Y O U H A V E TO S E E THIS. T H I S IS SO C R E E P Y . IT'S A W H O L E STORY A B O U T COBRAS. P A N E L 319: Close-up of E m and Crowgirl looking at magazines. E M : Y O U M E A N COBRAS, T H E S N A K E S ? C R O W G I R L : Y E S . E M : N O , I D O N ' T W A N T TO DO C O B R A A D V E N T U R E S . T H A T ' S T O O SCARY. IT 'LL G I V E M E B A D D R E A M S F O R S U R E . P A N E L 320: C R O W G I R L : OKAY. I 'VE GOT A G O O D IDEA. W E N E E D A B U N C H O F T H I N G S TO M A K E A M I D N I G H T G A R D E N L I K E TOM'S M I D N I G H T G A R D E N . L U N A M O O N ' S R E A D I N G M E T H I S G R E A T BOOK. E M : SO W H A T DO W E N E E D ? P A N E L 321: CROWGIRL: I ' M L O O K I N G F O R P I C T U R E S O F W H I T E F L O W E R S , B U S H E S W I T H W H I T E F L O W E R S ' C A U S E Y O U C A N S E E W H I T E F L O W E R S I N T H E N I G H T . A N D W E N E E D N I G H T SKY P I C T U R E S . G A R D E N F U R N I T U R E W O U L D B E GOOD. PICTURES O F T H E SKY W I T H A M O O N , M O O N PICTURES. L U N A M O O N : I 'LL L O O K O N T H E I N T E R N E T . I 'LL START W I T H G A R D E N S A N D G A R D E N F U R N I T U R E . P A N E L 322: L U N A M O O N : O H M Y GOD. L O O K . I F O U N D S O M E A M A Z I N G G A R D E N STATUES A N D F O U N T A I N S . T H E S E A R E COOL. N I G H T SKY P I C T U R E S W I T H M O O N S . P A N E L 323: L U N A M O O N : H E R E ' S A P I C T U R E O F A G R E E N H O U S E . C O O L L U N A M O O N : A N D H E R E ' S A G A Z E B O W I T H W H I T E F L O W E R S I N B L O O M . IT SAYS T H E Y ' R E H Y A C I N T H S . P A N E L 324: E m and Crowgirl cutting out swatches of night blue from magazines and arranging them on a page of Crowgirl's scrapbook. P A N E L 325: A large panel of the collage i n progress. C H A P T E R SIX/P.55 P A N E L 326: E M : THIS IS S U C H F U N . I W I S H I C O U L D STAY L O N G E R , B U T I H A V E TO GO. M O M ' S P I C K I N G M E U P O U T F R O N T I N A C O U P L E O F M I N U T E S . CROWGIRL: C A N Y O U C O M E T O M O R R O W ? E M : N O . B U T I 'LL B E H E R E T H E DAY A F T E R , F O R S U R E . P A N E L 327: CROWGIRL: SAY H I TO E V E R Y O N E F O R M E . E M : I W I L L . B Y E L U N A M O O N . P A N E L 328: View of Lunamoon and Crowgirl working on the midnight garden picture. L U N A M O O N : W H A T A B O U T D I N N E R ? S H A L L W E GO OR STAY? CROWGIRL: I F E E L P R E T T Y GOOD. LET'S GO. P A N E L 329: Large panel showing the gang eating dinner together. C A P T A I N : N O W T H A T W E H A V E S P E C I A L N I C K N A M E S , M A Y B E W E S H O U L D G I V E O U R S E L V E S A K I N D O F C L U B N A M E . W E ' R E L I K E T H E KIDS O F C A B I N B L A H B L A H . W H A T DO Y O U T H I N K ? Y A N K E E G I R L : Y O U ' R E R I G H T . W E N E E D A C A B I N N A M E . W E ' V E GOT L U N A M O O N , C R O W G I R L , D A V I N C I , C A P T A I N M A R R O W , P I N K I E A N D Y A N K E E G I R L . L I K E , W H A T DOES T H A T S O U N D L I K E ? P A N E L 330: D A V I N C I : IT DOESN'T S O U N D M U C H L I K E A B A N D ? BIRDS, A M O O N , A PIRATE, A N D ARTIST A N D A B A S E B A L L GIRL. L I K E , W H A T IS T H A T ? D A V I N C I : L I K E , A R E W E A CIRCUS O R A D A N C E T R O U P E ? L I K E , W E ' R E A B A N D O F GOOFIES, W E ' R E A G O O G L E , A G O O G L E OF GOOFS, A G O O G L E O F U H ? L U N A M O O N : T H E G O O G L E G O O F S . G O O G L E US! C A P T A I N : I L I K E T H A T , T H E G O O G L E G O O F S . Y A N K E E G I R L : IT'S K I N D A SILLY. PINKIE: Y A N K E E G I R L ' S SO RIGHT. IT IS SILLY, TOO SILLY. P A N E L 332: CROWGIRL: W E L L , W H A T ' S W R O N G W I T H SILLY? PINKIE: I SO W A N T S O M E T H I N G M O R E E X O T I C . L U N A M O O N : PINKIE'S R I G H T TOO. BUT W E ' R E S U C H A G O O F Y M I X . P A N E L 333: CROWGIRL: Y E A H . W E ' R E S U C H A G O O F Y M I X SO W E ' R E T H E G O O G L E G O O F S . Y A N K E E G I R L : I 'VE GOT IT. I 'VE GOT A N E W W O R D : G O B B E T . IT'S P E R F E C T . T H E G O O G L E G O B B E T S . D A V I N C I : L I K E , W H A T ' S A G O B B E T ? Y A N K E E G I R L : IT M E A N S A M O U T H F U L : PINKIE: THAT'S SO NOT M O R E E X O T I C . IT STILL S O U N D S SILLY TO M E . P A N E L 334: C A P T A I N : OKAY. LET'S V O T E . E V E R Y O N E W H O W A N T S US TO B E T H E G O O G L E G O B B E T S RAISE Y O U R H A N D . A G A I N S T ? OKAY. IT'S F O U R F O R G O O G L E G O B B E T S . T H A T ' S A A R E T H E R E S T OF Y O U OKAY? PINKIE: W E L L , G O B B E T S IS B E T T E R T H A N GOOFS. C A P T A I N : M A J O R I T Y . P A N E L 335: L U N A M O O N : GOOFS, G O B B E T , GOONS, L O O N S . G O O G L E L O O N S . IT'S OKAY. I L I K E A BIT O F SILLY. S I L L I E R W O U L D B E F I N E W I T H M E . D A V I N C I : L I K E , OKAY T H E N IT'S G O O G L E G O B B E T S F O R E V E R ! D A V I N C I : I 'LL D R A W A F L A G . A N D L I K E , S O M E O N E N E E D S TO W R I T E A M O T T O . P A N E L 336: L U N A M O O N : W E C O U L D H A V E O U R O W N T-SHIRTS W I T H DAVINCI'S D E S I G N O N T H E M . I 'LL A S K M O M TO B R I N G S O M E T R A N S F E R S H E E T S . PINKIE: C A N T H E Y B E P I N K ? I B E T M Y D A D C A N G E T T-SHIRTS. C A P T A I N : W H Y NOT? I 'LL W R I T E T H E M O T T O . P A N E L 337: View of the gang leaving the dining room. rooms. P A N E L 339: Lunamoon and Crowgirl prepare for bed. CROWGIRL: I ' M T I R E D . G O O D T I R E D , N O T SICK T I R E D . T O D A Y WAS F U N . L U N A M O O N : SO F A R THIS S T I L L F E E L S SORT O F L I K E C A M P . C R O W G I R L T H I N K I N G : IF O N L Y IT R E A L L Y WAS C A M P . P A N E L 340: CROWGIRL: IT WAS A G O O D DAY. A G O O D DAY. L U N A M O O N : SO W H A T DO Y O U T H I N K O F O U R G O O G L E G O B B E T S ? CROWGIRL: W H A T DO Y O U M E A N ? L U N A M O O N : W E L L , W H A T C A N W E DO AS G O O G L E G O B B E T S BESIDES W E A R T-SHIRTS? CROWGIRL: Y O U M E A N L I K E , C O U L D W E H A V E A P A R T Y O R A C L U B H O U S E ? L U N A M O O N : W E C O U L D H A V E A PARTY. B U T W H E R E C O U L D W E H A V E A C L U B H O U S E ? L U N A M O O N : W O U L D T H E Y L E T US H A V E A T E N T I N T H E G A R D E N ? L U N A M O O N : W E C O U L D D E C O R A T E IT. E V E N S P E N D T H E N I G H T I N IT. IT'S S U M M E R A F T E R A L L . L U N A M O O N : W O U L D N ' T T H A T B E COOL? CROWGIRL: V E R Y V E R Y COOL. LET'S A S K A R L A T O M O R R O W . P A N E L 342: L U N A M O O N : COOL. V E R Y COOL. W A N T M E TO R E A D N O W ? CROWGIRL: Y E S . YES, P L E A S E . CROWGIRL: I ' M G O I N G TO W R I T E D O W N S O M E O F T H E T H I N G S W E N E E D F O R T H E M I D N I G H T G A R D E N P I C T U R E . P A N E L 345: Close-up of Crowgirl's list of things i n Tom's Midnight Garden: a view of a meadow, cows, geese, an owl, a summer house, an aviary, a man with a wheelbarrow and a garden door. P A N E L 346: View of Crowgirl sketching some of the items on her list. P A N E L 347: Lunamoon putting a book mark at the end of a chapter. CROWGIRL: W H A T ' S A N A V I A R Y ? L U N A M O O N : IT'S L I K E A B I G BIRD C A G E . O N E THAT'S B I G E N O U G H F O R T R E E S A N D LOTS O F D I F F E R E N T K I N D S O F BIRDS. A N D IT H A S R O O M F O R T H E M TO F L Y A R O U N D INSIDE IT. C R O W G I R L : A N A V I A R Y F O R CROWS. P A N E L 348: L U N A M O O N : I DON'T T H I N K P E O P L E P U T C R O W S I N T H E M , M O R E L I K E F I N C H E S , O R P A R R O T S O R F L A M I N G O S . F A N C Y BIRDS. L U N A M O O N : CROWS A R E T O O C L E V E R . T H E Y L I V E I N R O O K E R I E S . CROWS W O U L D F I N D A W A Y TO E S C A P E . CROWGIRL: W H A T ' S A S U M M E R H O U S E ? L U N A M O O N : I T H I N K IT'S L I K E A T E A H O U S E O R G A Z E B O . Y O U F O U N D O N E THIS A F T E R N O O N I N Y O U R M A G A Z I N E . CROWGIRL: T H E G O O G L E G O B B E T S S H O U L D H A V E A S U M M E R H O U S E . P A N E L 350: L U N A M O O N : W E L L , AT L E A S T W E C O U L D H A V E A S U M M E R T E N T . W E H A V E O N E A T A H O M E . I ' M S U R E M O M W I L L L E T US U S E IT IF A R L A SAYS IT'S O K A Y . CROWGIRL: I'D L O V E TO H A V E A S L E E P - O U T I N IT. A S L E E P - O U T F O R A L L O F US, A L L T H E G O O G L E G O B B E T S . P A N E L 351: L U N A M O O N : H O W A B O U T F O R Y O U R B I R T H D A Y . Y O U SAID IT W A S SOON. I T ' L L B E W A R M E N O U G H BY T H E N . CROWGIRL: T H A T W O U L D B E SO COOL. I R E A L L Y R E A L L Y W A N T TO DO T H A T . L U N A M O O N : C O O L I N D E E D ! N O W I W A N T TO R E A D TO M Y S E L F . C H A P T E R SIX/P. 60 P A N E L 352: C R O W G I R L : M A Y I GET O N E OF T H E O T H E R I N K D R I N K E R S ? C R O W G I R L : I W I S H I C O U L D D R I N K U P STORIES AS FAST AS T H E I N K D R I N K E R . P A N E L 353: L U N A M O O N : W H A T A R E Y O U T A L K I N G A B O U T ? C R O W G I R L : O H . Y O U H A V E N ' T R E A D T H E S E ? L U N A M O O N : N O . C R O W G I R L : T H E Y ' R E A B O U T A B O O K V A M P I R E W H O D R I N K S T H E W O R D S O F F PAGES. L U N A M O O N : W O R D S I N S T E A D O F B L O O D ? C R O W G I R L : Y E A H , T H A T ' S W H Y H E ' S A B O O K V A M P I R E . I S U P P O S E H E C O U L D B E A W O R D V A M P I R E ' C A U S E IT'S T H E W O R D S H E D R I N K S , NOT T H E B O O K P A G E S . L U N A M O O N : W H A T A S U P E R C O O L C O N C E P T . P A N E L : 355: Overhead view of the girls reading to themselves. P A N E L 356: Chapter title, 'Meet the Parents' written over a bird's eye view of the treatment centre and its neighbourhood. P A N E L 357: View of Lunamoon and Crowgirl i n their respective beds later F r i d a y evening. L U N A M O O N : I 'M T I R E D T O N I G H T . V E R Y T I R E D . C R O W G I R L : S O M E T I M E S IT'S L I K E T H A T . I 'VE B E E N SO T I R E D T H A T I C O U L D O N L Y L I E H E R E S T I L L AS STONE. N O T E V E N T H I N K I N G . O N L Y B R E A T H I N G I N A N D OUT. I N A N D OUT. C R O W G I R L T H I N K I N G : S O M E T I M E S IT M A K E S M E T H I N K L I K E M A Y B E I ' M D E A D . D E A D . AS IF I D I E D . W H A T IF IT'S L I K E T H A T ? T H A T I 'LL B E L Y I N G STILL AS S T O N E A N D S E E E V E R Y T H I N G . I GUESS I'D B E INVISIBLE. W I L L I B E INVISIBLE? C R O W G I R L T H I N K I N G : L U N A M O O N . M Y BEST R O O M M A T E E V E R . C R O W G I R L T H I N K I N G : H E Y , STILL N O B A D D R E A M S SINCE Y O U ' V E B E E N H E R E . C R O W G I R L T H I N K I N G : Y O U ' R E N O T G O I N G TO DIE. B U T I T H I N K I M I G H T . DON'T T H I N K Y O U W I L L . P A N E L 359: CROWGIRL: T H I N K I N G : I'D A L M O S T R A T H E R D I E T H A N H A V E A N O T H E R R O O M M A T E DIE. NOT Y E T . I ' M N O T R E A D Y . N O T YET. C R O W G I R L T H I N K I N G : NOT N O W . N O T A N O T H E R . P A N E L 360: View of Crowgirl beginning to read the third Ink Drinker book to herself. P A N E L 362: View of Crowgirl reaching for her scrapbook. P A N E L 368: View of Crowgirl working on a midnight garden picture as her bedside clock displays the time as 9:30. P A N E L 369: Large panel of the midnight garden picture. P A N E L 370: Lunamoon waking up. L U N A M O O N : W H A T T I M E IS IT? CROWGIRL: 11:15. P A N E L 371: L U N A M O O N : O H M Y G O D . I W E N T R I G H T TO S L E E P . I N E V E R DO T H A T . C R O W G I R L : I R E A D T H E T H I R D L I T T L E I N K D R I N K E R . A L L O F IT. L U N A M O O N : W A N T A N O T H E R B O O K ? CROWGIRL: NOT N O W , T H A N K S . I ' M W O R K I N G O N M Y S C R A P B O O K . P A N E L 372: Large panel of Crowgirl 's midnight garden picture. P A N E L 373: L U N A M O O N : IS Y O U R M O M C O M I N G T O M O R R O W ? CROWGIRL: N O . SHE'S A W A Y W O R K I N G . S H E T R A V E L S A LOT. R E M E M B E R ? THAT'S W H Y I ' M H E R E E V E N T H O U G H W E L I V E I N T O W N . P A N E L 374: L U N A M O O N : DON'T Y O U MISS H E R ? CROWGIRL: N O T R E A L L Y . I T O L D Y O U B E F O R E S H E DOESN'T L I K E TO C O M E H E R E . IT UPSETS H E R . P A N E L 375: L U N A M O O N : Y E A H . B U T SHE'S Y O U R M O M . CROWGIRL: N O . R E M E M B E R ? SHE'S N O T M Y R E A L M O M . L U N A M O O N : STILL, SHE'S T H E O N E Y O U L I V E W I T H . CROWGIRL: IT M U S T S E E M W E I R D TO Y O U , ' C A U S E Y O U ' V E GOT S U C H A N E A T M O M . CROWGIRL: W H E N IT C O M E S TO M O M S I WAS U N L U C K Y . P A N E L 377: CROWGIRL: W H E N IT C O M E S TO F R I E N D S . I ' M R E A L L Y L U C K Y . I H A V E E M A N D A L L M Y S C H O O L F R I E N D S . N O W A R L A , Y A N K E E G I R L , P I N K I E A N D A L L T H E REST OF Y O U GUYS. CROWGIRL: A N D Y O U . A L L Y O U GUYS A R E M Y L U C K . P A N E L 378: CROWGIRL: Y O U K N O W I ' M L U C K Y W I T H O T H E R P E O P L E ' S M O M S . L I K E E M ' S . E V E N S O M E O F T H E DADS L I K E PINKIE'S D A D , BOB, A R E R E A L L Y COOL. CROWGIRL: DAVINCI'S D A D IS S U P E R N I C E . Y O U ' L L S E E THIS W E E K E N D . L U N A M O O N : F O R N I N E Y E A R S O L D Y O U ' R E WAY T O O G R O W N U P . C R O W G I R L : H A V E N ' T Y O U NOTICED? W E ' R E A L L S U P E R G R O W N U P A R O U N D H E R E . L U N A M O O N : Y O U ' R E R I G H T . E V E R Y O N E IS C O M P A R E D TO M Y F R I E N D S . E X C E P T N O R A . S H E GETS E V E R Y T H I N G . C R O W G I R L : F O R T H I R T E E N , Y O U ' R E W A Y TOO N I C E ! P A N E L 380: L U N A M O O N : OKAY, Y O U W I S E L I T T L E C R O W , W A N T M E TO R E A D ? C H A P T E R S E V E N / P . 6 5 P A N E L 381: CROWGIRL: Y O U B E T T E R B E F O R E I G E T W A Y TOO G R O W N U P F O R IT. L U N A M O O N : H E R E W E A R E , P A G E 98. T H E C H A P T E R IS ' T H E L A T E M R . B A R T H O L O M E W . . . . \" P A N E L 382: View of Lunamoon starting another chapter of Tom's Midnight Garden. The clock displays the time as 11:55 P A N E L 383: View of the clock and it is now 12:00 midnight. C R O W G I R L : H E Y , L O O K ! IT'S M I D N I G H T A N D W E ' R E I N T H E M I D N I G H T G A R D E N ! CROWGIRL: IF T H E Y ' R E NOT GHOSTS, W H A T A R E T H E Y ? L U N A M O O N : I DON'T K N O W . W E I R D . ISN'T IT? C R O W G I R L : M A Y B E W E ' L L F I N D O U T I N T H E N E X T C H A P T E R . P A N E L 385: L U N A M O O N : O H N O , I ' M G E T T I N G S L E E P Y A G A I N . CROWGIRL: SO, LET'S GO TO S L E E P . C R O W G I R L T H I N K I N G : . IF O N L Y I R E A L L Y W E R E S L E E P Y . C R O W G I R L T H I N K I N G : O H P O O H . TONIGHT'S G O I N G TO B E O N E O F M Y W I D E A W A K E N I G H T S . A T L E A S T I CAN'T H A V E A B A D D R E A M IF I ' M A W A K E . P A N E L 386: View of Crowgirl quietly picking up her scrapbook. P A N E L 387: View of Crowgirl looking at a picture of a baby gorilla with its m o t h e r . P A N E L 388: View of Crowgirl looking at another picture of mother gorilla giving her baby a piggyback ride. P A N E L 389: View of Crowgirl looking at a close-up of a mother gorilla grooming her baby. P A N E L 390: View of Crowgirl looking at a close-up of a baby gorilla n u r s i n g . C R O W G I R L T H I N K I N G : Y O U S W E E T L I T T L E BABY. Y O U R M O T H E R CAN'T H E L P L O V I N G Y O U . close-up of a baby gorilla nursing. P A N E L 392: View of the girls waking up the next morning. L U N A M O O N : A R E Y O U A W A K E ? CROWGIRL: I T H I N K SO. YES. I ' M A W A K E . YES. I A M . I A M A W A K E . L U N A M O O N : H E Y , M Y M O M A N D N O R A W I L L B E H E R E SOON. P A N E L 393: L U N A M O O N : W H E N ' S E M C O M I N G ? CROWGIRL: A R O U N D E L E V E N ' C A U S E W E U S U A L L Y GO D O W N TO DUCKY'S F O R L U N C H . E M ' S M O M DRIVES. P A N E L 394: L U N A M O O N : M A Y B E M Y M O M A N D N O R A A N D I C O U L D C O M E TOO? CROWGIRL: DO Y O U W A N T TO? L U N A M O O N : YES. M O S T D E F I N I T E L Y . H E Y , Y O U G E T TO H A V E H A M B U R G E R S A N D FRIES. P A N E L 395: CROWGIRL: I K N O W . W H Y DO Y O U T H I N K I W A N T TO GO? CROWGIRL: I 'VE GOT TO H A V E A H A M B U R G E R O R DIE! H A M B U R G E R S , FRIES A N D L E M O N M E R I N G U E PIE! R E A L FOOD! H E Y , I ' M A R H Y M E R A P P E R . C R O W G I R L T H I N K I N G : D U M B . NOT R E A D Y F O R T H E ' D ' W O R D . S H E DOESN'T T H I N K T H A T ' S F U N N Y Y E T . L U N A M O O N : O H M Y GOD. T H A T S O U N D S D E E - L I S H . P A N E L 396: C R O W G I R L : W E J U S T H A V E TO S I G N O U T A T T H E D E S K . B U T IT'S N O P R O B L E M W I T H T W O M O M S . L U N A M O O N : I H O P E I C A N STAY A W A K E . I 'VE B E E N G E T T I N G SO T I R E D A R O U N D L U N C H T I M E . L U N A M O O N T H I N K I N G : P L E A S E L E T M E STAY A W A K E . I DON'T W A N T TO F A L L S L E E P O N M O M A N D NORA. P A N E L 397: L U N A M O O N : M O M , N O R A , W E L C O M E TO THIS W O R L D ! N O R A : COOL! W H A T A L O T O F B A L L O O N S E V E R Y W H E R E . P A N E L 398: C R O W G I R L : THAT'S B E C A U S E W E CAN'T H A V E F L O W E R S OR P L A N T S I N H E R E . T H E Y M I G H T H A V E B U G S O R F U N G U S S T U F F T H A T ' S B A D F O R US. T H A T ' S W H Y P I N K I E H A S C L O T H F I S H I N S T E A D O F R E A L O N E S . P A N E L 399: L U N A M O O N : N O R A , THIS IS M Y R O O M M A T E , C R O W G I R L . N O R A : HI C R O W G I R L . K A R E N . SORRY, I M E A N L U N A M O O N . H E R M O M T O L D M E A L L A B O U T Y O U A N D T H E N I C K N A M E S A N D Y O U R A M A Z I N G S C R A P B O O K . M R S . L O G A N : YES, S P E A K I N G O F W H I C H , H E R E IT IS, K A R E N . H E R E ' S T H E S C R A P B O O K . P A N E L 4 0 0 : M R S . L O G A N : C R O W G I R L , I H E A R Y O U ' R E M A K I N G A B E A U T I F U L BOOK. L U N A M O O N : M A Y I S H O W T H E M ? P A N E L 401: C R O W G I R L : YES. S U R E . H E R E IT IS. C R O W G I R L : M Y F R I E N D E M A N D I J U S T S T A R T E D A N E W P I C T U R E O F A M I D N I G H T G A R D E N . N O R A : Y O U ' R E R E A D I N G TOM'S MIDNIGHT GARDEN? P A N E L 402: C R O W G I R L : L U N A M O O N ' S R E A D I N G IT TO M E . N O R A : I L O V E T H A T BOOK. CROWGIRL: SO IF T H E Y ' R E N O T GHOSTS, W H A T A R E T H E Y ? P A N E L 403: N O R A : I W O N ' T T E L L Y O U . IT 'LL SPOIL IT. L U N A M O O N : NORA'S R I G H T . W E J U S T H A V E TO K E E P R E A D I N G . P A N E L 404: C R O W G I R L : I T H I N K I H E A R E M . DO Y O U H E A R SINGING? N O R A : H E Y , Y O U ' R E R I G H T . S O M E O N E ' S S I N G I N G ' S I N G I N G I N T H E R A I N . ' P A N E L 405: L U N A M O O N : W H Y I N T H E W O R L D A R E Y O U S I N G I N G T H A T SONG? IT ISN'T E V E N R A I N I N G ! E M : V E R Y F U N N Y . M O M A N D I W A T C H E D ' S I N G I N G I N T H E R A I N ' LAST N I G H T A N D I CAN'T STOP IT. IT'S M Y N E W A B S O L U T E F A V O U R I T E . E M : SO I ' M S I N G I N G W I T H M Y S U N PARASOL. M O M SAID IF I W O N ' T W E A R A H A T I N T H E S U N T H E N I H A V E TO C A R R Y A P A R A S O L TO P R O T E C T M Y F R E C K L E S . E M : SO H E R E I A M S I N G I N G I N T H E S U N . CROWGIRL: N O R A , DO Y O U A N D L U N A M O O N A N D M R S . L O G A N W A N T TO GO TO DUCKY'S W I T H US? N O R A : YES, W E DO D O N ' T W E , G I R L F R I E N D ? M R S . L O G A N : C E R T A I N L Y . P A N E L 407: CROWGIRL: E M , W H E R E ' S Y O U R M O M ? E M : SHE'S D O W N T H E H A L L R E A D I N G . I 'LL C A L L H E R W H E N W E ' R E R E A D Y TO GO. P A N E L 4 0 8 M R S . L O G A N : I J U S T W A N T TO C H A T W I T H T H E N U R S E . Y O U G I R L S C A N WAIT A F E W M I N U T E S CAN'T Y O U ? L U N A M O O N : OKAY M O M . B U T I 'VE B E E N G E T T I N G SUPER, S U P E R T I R E D L A T E L Y SO IT W O U L D B E G O O D IF W E C O U L D GO S O O N . CROWGIRL: Y E A H , A N D IT'S G O I N G TO G E T C R O W D E D D O W N T H E R E W I T H A L L T H E O T H E R F A M I L I E S W H O C O M E F O R T H E W E E K E N D . P A N E L 409: L U N A M O O N : M O M B E F O R E I F O R G E T . C A N W E B O R R O W T H E G A R D E N T E N T ? M R S . L O G A N : I GUESS SO. W H A T ' S IT FOR? CROWGIRL: F O R A N O U T D O O R S L E E P - O U T O N M Y B I R T H D A Y . C H A P T E R S E V E N / P . 70 P A N E L 410: L U N A M O O N : A R L A SAID IF T H E W E A T H E R W A S W A R M W E C O U L D S L E E P I N T H E G A R D E N . M R S . L O G A N : OKAY. M A K E A LIST O F W H A T Y O U W A N T M E TO B R I N G N E X T W E E K . P A N E L 411: N O R A : W E H A V E S O M E L A N T E R N S A N D O T H E R S T U F F . I T H I N K W E H A V E S O M E A I R M A T T R E S S E S , TOO. M R S . L O G A N : Y O U GIRLS F I G U R E IT OUT. I 'LL B E B A C K I N T E N M I N U T E S . P A N E L 412: View of the girls and the two mothers signing out. P A N E L 414: Close-up view of the Ducky's sign. P A N E L 415: Wide overhead view of the inside of Ducky's showing family groups i n the booths. P A N E L 416: A waitress arrives at the group's booth. CROWGIRL: I 'LL H A V E T H E D U C K Y C O M B O , A C H O C O L A T E S H A K E A N D L E M O N M E R I N G U E PIE. A N D P L E A S E M A K E IT A BIG SLICE. L U N A M O O N : I CAN'T B E L I E V E Y O U C A N EAT A L L O F T H A T ! P A N E L 417: M R S . L O G A N : K A R E N , W H A T W I L L Y O U H A V E ? L U N A M O O N : A S M A L L C H O C O L A T E S H A K E A N D A B L T O N B R O W N . E M : I 'LL H A V E T H E D U C K Y C O M B O W I T H C H E E S E . N O R A : A L L Y O U M E A T E A T E R S ! I 'LL H A V E F R E N C H TOAST. CROWGIRL: I L O V E F R E N C H TOAST. B U T I T H I N K I H A V E E N O U G H F O R N O W . L U N A M O O N : J U S T W A I T F O R Y O U R B I R T H D A Y , T H E N I T ' L L T A S T E E V E N B E T T E R . P A N E L 419: CROWGIRL: H E Y , H E R E ' S P I N K I E W I T H H E R P A R E N T S . O H , A N D DAVINCI A N D HIS D A D . P A N E L 420: Overhead shot of the kids and their families in booths tucking into their meals. P A N E L 421: View of the girls and the two mothers i n their booth. M R S . L O G A N : Y O U L O O K A L I T T L E S L E E P Y , H O N E Y . L U N A M O O N : I A M . I ' M T I R E D B U T I F E E L OKAY, J U S T R E A L L Y T I R E D . P A N E L 422: E M ' S M O M : W H Y D O N ' T Y O U A N D Y O U R D A U G H T E R GO B A C K A N D H A V E S O M E T I M E T O G E T H E R . I 'LL STAY W I T H T H E GIRLS W H I L E T H E Y F I N I S H T H E I R PIES. P A N E L 423: E M : I B R O U G H T S O M E M O R E G R E A T DVDS. ' S I N G I N G I N T H E R A I N . ' Y O U H A V E TO C H E C K IT OUT. I L O V E IT. W E W A T C H E D A N O T H E R O N E , B U T IT'S R E A L L Y SAD. E M : E V E N T H O U G H IT'S SAD I T H O U G H T Y O U W O U L D L O V E T H E D A N C I N G A N D T H E M U S I C . A N D T H E L O O K O F IT. P A N E L 424: CROWGIRL: W H A T IS IT? E M : T H E R E D SHOES, ' A B A L L E T M O V I E . W E F O U N D IT I N T H E O L D M U S I C A L SECTION. M O M L O V E D IT W H E N S H E WAS A K I D SO W E GOT IT. N O R A : I K N O W T H A T O N E . IT'S B E A U T I F U L . A N D SAD. CROWGIRL: Y O U GUYS! SO IT'S SAD. W H A T ' S T H E BIG D E A L ? E M : C R O W G I R L , IT L O O K S SO A M A Z I N G , B E T T E R T H A N M O S T OF T H E M U S I C V I D E O S I 'VE S E E N . E M : W H E N I SAW IT I T H O U G H T W E C O U L D DO A S C R A P B O O K P I C T U R E OF IT. P A N E L 426: View of Lunamoon and her m o m returning to Lunamoon's r o o m . L U N A M O O N : I 'M D O I N G P R E T T Y W E L L , M O M . L I K E I E - M A I L E D Y O U E V E R Y O N E IS R E A L L Y N I C E TO M E H E R E . IT'S W E I R D . I ' M A C T U A L L Y H A V I N G A G O O D T I M E . L U N A M O O N : I 'VE B E E N F E E L I N G M O R E A N D M O R E T I R E D SO I J U S T REST A LOT. P A N E L 427: L U N A M O O N : Y O U C A N S E E H O W S W E E T C R O W G I R L IS. SHE'S L I K E A L I T T L E SISTER. B U T I ' M W O R R I E D A B O U T H E R . M R S . L O G A N : H O W SO? P A N E L 428: L U N A M O O N : S H E T O L D M E SHE'S T E R M I N A L SO I T H I N K SHE'S G O I N G TO DIE. SHE'S SO C A L M A B O U T IT. L U N A M O O N : I'D B E SO M A D . P A N E L 429: M R S . L O G A N : I GUESS SHE'S H A D T I M E TO G E T U S E D TO T H E I D E A . M A Y B E SHE'S T I R E D O F B E I N G SICK. L U N A M O O N : H E R M O M H A R D L Y E V E R C O M E S TO VISIT. B U T C R O W G I R L SAYS IT'S OKAY. I DON'T U N D E R S T A N D T H A T . P A N E L 430: M R S . L O G A N : I 'VE B E E N D O I N G S O M E R E A D I N G A B O U T C A N C E R I N C H I L D R E N . E V E R Y O N E H A N D L E S THIS K I N D OF STRESS I N D I F F E R E N T WAYS. S O M E P E O P L E DON'T H A N D L E T H I N G S L I K E THIS V E R Y W E L L . M R S . L O G A N : IT'S M U S T B E V E R Y SAD F O R C R O W G I R L ' S M O M TO K N O W T H A T H E R D A U G H T E R IS G O I N G TO DIE. P A N E L 431: L U N A M O O N : A L L I K N O W IS, T H A N K G O O D N E S S Y O U ' R E M Y M O M . L U N A M O O N : A L L M O M A R E S U R E N O T C R E A T E D E Q U A L . N O T A T A L L . P A N E L 432: M R S . L O G A N : THAT'S T R U E . W H O K N O W S W H A T H E R M O M ' S L I F E H A S B E E N . M R S . L O G A N : C O M E A N D T A K E A N A P . I 'LL SIT W I T H Y O U . P A N E L 432: View of Lunamoon falling asleep. P A N E L 433: View of Lunamoon's m o m saying good-bye and leaving. P A N E L 434: Chapter title, 'Red Shoes & Pink Clouds' written across the top of a panel with a view of the girls working on their scrapbooks. P A N E L 435: View of Crowgirl and Lunamoon working on their scrapbooks as a clock displays the time, 3:55 pm. P A N E L 436: View of Lunamoon creating a lunar landscape scrapbook page. P A N E L 437: Close-up view of Lunamoon's hand lettered title pages for a moon story. P A N E L 438: View of a dinner bell being rung. L U N A M O O N : OKAY, T I M E TO TIDY U P . W H A T DO Y O U W A N T M E TO DO? L U N A M O O N : P U T A L L THIS A W A Y O R L E A V E IT O U T F O R L A T E R ? CROWGIRL: L E A V E IT OUT. I 'LL TRY TO W O R K O N M Y S C R A P B O O K SO I C A N S H O W LISA O N M O N D A Y . L U N A M O O N : W H O ' S LISA? P A N E L 440: CROWGIRL: T H E A R T T H E R A P I S T . Y O U ' L L M E E T H E R O N M O N D A Y . SHE'S H E R E O N M O N D A Y S A N D W E D N E S D A Y S . IT'S O P T I O N A L . P A N E L 441: L U N A M O O N : I 'LL P U T M I N E AWAY. I ' M G E T T I N G S L E E P Y . M A Y B E I 'LL T A K E A L I T T L E N A P A F T E R D I N N E R B E F O R E I R E A D TOM'S MIDNIGHT GARDEN. CROWGIRL: Y O U S H O U L D S E E H O W M U C H W E DID W H I L E Y O U W E R E S L E E P I N G . L U N A M O O N : OKAY. LET'S SEE W H A T C U L I N A R Y D E L I G H T S T H E Y ' V E F I X E D F O R O U R D I N N E R T O N I G H T . C R O W G I R L : C U L I N A R Y . Y O U A R E F A N C Y . C R O W G I R L : Y O U ' R E D O I N G A Y A N K E E G I R L . P A N E L 443: View of the girls i n their room after dinner with a clock v i s i b l e . L U N A M O O N : I A M T O T A L L Y B A G G E D . I N E E D A N A P B E F O R E I R E A D TO Y O U . C R O W G I R L : N O P R O B L E M . I 'LL W O R K O N M Y P I C T U R E . I T H I N K I 'LL W A T C H ' T H E R E D SHOES. ' P A N E L 444: L U N A M O O N : I L O V E T H A T M O V I E . B U T IT'S SAD, SO SAD. T O T A L L Y SAD. CROWGIRL: Y O U TOO! L U N A M O O N : M E TOO W H A T ? P A N E L 445: C R O W G I R L : W H E N E M G A V E THIS TO M E S H E A N D N O R A M A D E A BIG D E A L O U T O F H O W SAD IT IS. B U T E V E R Y O N E SAYS IT'S B E A U T I F U L . L U N A M O O N : IT IS. I W I S H I WASN'T SO T I R E D . I 'LL P R O B A B L Y J U S T F A L L A S L E E P . Y O U GO A H E A D . P A N E L 446: L U N A M O O N : W A N T TO W A T C H IT O N M Y LAPTOP? CROWGIRL: W O W ! Y E A H . T H A T ' D B E G R E A T . IT C O U L D SIT R I G H T O N B E D S I D E T A B L E , C O U L D N ' T IT? P A N E L 447: L U N A M O O N : H E R E , I 'LL SET IT U P . C R O W G I R L : T H A N K S . W A N T M E TO W E A R T H E H E A D S E T ? P A N E L 448: L U N A M O O N : DON'T B O T H E R . I W A N T TO H E A R T H E M U S I C . P A N E L 449: View of Crowgirl putting aside her scrapbook and watching The Red Shoes while Lunamoon sleeps. P A N E L 450: View of clock displaying the^time as 9:05 pm. P A N E L 451: L U N A M O O N : IS IT O V E R ? CROWGIRL: IT WAS O V E R A N H O U R A G O . E M W A S R I G H T . IT'S B E A U T I F U L . I ' M G O I N G TO M A K E A P I C T U R E O F IT. L U N A M O O N : SAD, H U H ? P A N E L 452: C R O W G I R L : W E L L , IT'S R E A L L Y SAD W H E N V I C K I R U N S O F F T H E B A L C O N Y A T T H E E N D . I DON'T T H I N K IT'S SO T E R R I B L E I N T H E B A L L E T ' C A U S E SHE'S SO T I R E D A N D T H E N S H E F I N A L L Y G E T S TO STOP. L U N A M O O N : I N E V E R T H O U G H T O F IT L I K E T H A T . Y O U ' R E RIGHT. IF Y O U C O U L D N ' T STOP, IF Y O U C O U L D N ' T REST, IT W O U L D B E A W F U L . P A N E L 453: C R O W G I R L T H I N K I N G : IT IS A W F U L . IT'S L I K E B E I N G A F R A I D TO S L E E P 'CAUSE Y O U M I G H T H A V E B A D D R E A M S O R N E V E R W A K E U P . L U N A M O O N : IT'S SO B E A U T I F U L I N T H E B E G I N N I N G W H E N SHE'S SO E X C I T E D A N D E V E R Y T H I N G ' S W O N D E R F U L . S H E GETS H E R D R E A M . CROWGIRL: IT'S A B E A U T I F U L D R E A M . L U N A M O O N : DO Y O U W A N T M E TO R E A D ? CROWGIRL: N O T T O N I G H T . I J U S T W A N T TO R E M E M B E R T H E D A N C I N G S C E N E S . P A N E L 455: View of the girls asleep the next morning. W E E K E N D N U R S E : Y O U GIRLS A R E G O I N G TO S L E E P A L L DAY! W A K E UP! L U N A M O O N : I SLEPT I N A G A I N . W H A T T I M E IS IT? C R O W G I R L : I WAS A W A K E A L O N G T I M E I M A G I N I N G T H E R E D SHOES. I GUESS I F I N A L L Y F E L L A S L E E P A R O U N D 2 A M . P A N E L 456: W E E K E N D N U R S E : W E L L , IT'S A L M O S T L U N C H . L U N A M O O N W H I S P E R I N G : W H A T IS S H E T A L K I N G A B O U T ? IT'S O N L Y 8:30! I T H O U G H T M A Y B E IT W A S 11:30. C R O W G I R L : DON'T M I N D H E R . S H E L I K E S TO T E A S E , B U T SHE'S N I C E . L U N A M O O N : SO W H A T DO W E DO O N SUNDAYS? C R O W G I R L : I GO TO S U N D A Y M E E T I N G . IT'S SORT O F L I K E S U N D A Y S C H O O L E X C E P T IT'S F O R E V E R Y O N E N O M A T T E R W H A T R E L I G I O N Y O U A R E . P A N E L 458: CROWGIRL: W E DO A S H O R T M E D I T A T I O N T O G E T H E R . T W O C O U N S E L L O R S R U N IT. A D A M A N D N O M I . T H E Y ' R E SURVIVORS. T H E Y B O T H H A D C A N C E R W H E N T H E Y W E R E KIDS L I K E US. C R O W G I R L : S O M E P E O P L E SAY P R A Y E R S TO T H E M S E L V E S A N D S O M E L I K E M E , PRACTICE A K I N D OF P I C T U R E M E D I T A T I O N . P I N K I E DOES T H A T TOO. SHE'S R E A L L Y GOOD. M A Y B E S H E ' L L DO O N E O U T L O U D F O R US. P A N E L 459: C R O W G I R L : S O M E T I M E S W E M A K E U P O U R O W N P E R S O N A L PRAYERS O R T H O U G H T M A I L TO S E N D TO O U R F R I E N D S A N D F A M I L Y . L U N A M O O N : M O M A N D I DON'T GO TO C H U R C H . M Y M O M ' S NOT R E L I G I O U S . B U T I 'LL GO W I T H Y O U . P A N E L 460: L U N A M O O N : IS THIS T H E S E C R E T TO Y O U R C A L M N E S S ? C R O W G I R L : I D O N ' T K N O W . M A Y B E . I L I K E D O I N G T H E M E D I T A T I O N S . P A N E L 461: CROWGIRL: A F T E R M E E T I N G W E H A V E B R U N C H . U S U A L L Y T H E R E ' S E G G S B E N N Y O N S U N D A Y . T H E N W E C A N S E E W H A T T H E R E S T O F T H E G A N G IS D O I N G . L U N A M O O N : M A Y B E C A P T A I N M A R R O W W I L L H A V E O U R MOTTO? C H A P T E R E I G H T / P . 78 P A N E L 462: Wide overhead view of the Sunday meeting. P A N E L 463: L U N A M O O N T H I N K I N G : I A L W A Y S W A N T E D TO GO TO S U N D A Y S C H O O L . L U N A M O O N T H I N K I N G : I W A N T E D TO H E A R T H E B I B L E STORIES P A N E L 464: L U N A M O O N T H I N K I N G : M E D I T A T I O N S O U N D S R E A L L Y COOL. P A N E L 465: View of the two group leaders, A d a m and N o m i . A D A M : LET'S A L L W E L C O M E O U R N E W M E M B E R , K A R E N . C R O W G I R L : W E C A L L H E R L U N A M O O N . A D A M : W E L L , OKAY. W E L C O M E L U N A M O O N . A N D W E L C O M E TO A L L O U R F A M I L Y M E M B E R S . N O M I : LET'S B E G I N THIS M O R N I N G W I T H A P E R S O N A L V I S U A L I S A T I O N O R SILENT P R A Y E R S A N D T H O U G H T S F O R FIVE M I N U T E S . R E M E M B E R IF Y O U CAN'T T H I N K O F A N Y T H I N G START B Y R E P E A T I N G T H E N A M E S O F T H E P E O P L E Y O U L O V E A N D W I S H W E L L . I N C L U D E Y O U R S E L F , W I S H G O O D T H I N G S F O R Y O U R S E L F . P A N E L 467: L U N A M O O N T H I N K I N G : N O O N E K N O W S I PRAY. I DON'T E V E N K N O W IF I B E L I E V E I N GOD, B U T I W A N T TO PRAY. I W A N T TO B E L I E V E . H E R E ' S M Y S A M E O L D PRAYER. I GUESS I 'LL U S E IT N O W . L U N A M O O N T H I N K I N G : GOD, I DON'T K N O W IF Y O U ' R E T H E R E , B U T IF Y O U A R E . I H O P E Y O U A R E . I CAN'T P R E T E N D TO B E C E R T A I N . I H O P E Y O U U N D E R S T A N D . IF Y O U ' R E AS S M A R T A N D A L L K N O W I N G AS E V E R Y O N E SAYS T H E N Y O U K N O W I ' M NOT A H Y P O C R I T E O R A L I A R , I ' M J U S T NOT S U R E . L U N A M O O N T H I N K I N G : SO H E R E IT IS. H E R E ' S M Y P R A Y E R TODAY. P L E A S E K E E P M Y M O T H E R W E L L A N D SAFE. A N D T H E S A M E F O R N O R A A N D H E R F A M I L Y , F O R M Y U N C L E B I L L A N D HIS F A M I L Y , F O R M Y A U N T A N D F O R M Y G R A N D M A . . . . L U N A M O O N T H I N K I N G : M A K E A L L M Y N E W F R I E N D S W E L L . K E E P D A D C L E A R I N M Y H E A D A N D H E A R T . L U N A M O O N T H I N K I N G : A N D P L E A S E H E L P C R O W G I R L . H E L P H E R A N D E V E R Y O N E H E R E . M A K E T H E M W E L L . M A K E A L L OF US W E L L . P A N E L : 469: A D A M : W H O W O U L D L I K E TO A VISUALISATION? PINKIE: I W I L L . P A N E L 470: Close-up of Crowgirl whispering i n Lunamoon's ear. C R O W G I R L : COOL, S H E IS SO G O O D A T THIS. Y O U ' L L S E E . P A N E L 470: PINKIE: W E L C O M E A B O A R D M Y C A T A M A R A N SKY G L I D E R . SIT BACK. W E A R E L I F T I N G INTO P I N K C L O U D S A N D S A I L I N G TO A W A R M , W A R M T R O P I C A L I S L A N D . IT'S V E R Y W A R M . IT'S W A R M W I T H A SOFT , SOFT W A R M B R E E Z E . P A N E L 471: PINKIE: H E R E W E A R E L A N D I N G G E N T L Y , S L I D I N G G E N T L Y A L O N G T H E B E A C H . Y O U R F E E T T O U C H T H E W A R M S A N D . N O W W E ' R E W A L K I N G , S L O W L Y W A L K I N G A L O N G T H E W A R M S A N D Y B E A C H T O W A R D A G I A N T T R O P I C A L T R E E H O U S E H I G H A B O V E T H E B E A C H . P I N K O R C H I D S H A N G F R O M A L L T H E B R A N C H E S . L I T T L E M O N K E Y S S C A M P E R U P A N D D O W N P I C K I N G T I N Y P I N K P L U M S . P A N E L 472: PINKIE: T H E R E ' S A H A M M O C K F O R E V E R Y O N E O F US. F I N D O N E A N D C L I M B INTO IT. G E N T L Y A N D Q U I E T L Y T H E T R E E B E G I N S TO SWAY. T H E H A M M O C K S B E G I N TO ROCK. Y O U F E E L Y O U R S E L F D R I F T I N G O F F TO S L E E P , O F F TO A W A R M P E A C E F U L S L E E P , A W A R M H E A L I N G S L E E P I N G C A L M . P A N E L 473: Ful l page visual of the gang with thought balloons that are f i l led with visual imaginings. C H A P T E R E I G H T / P . 8 l P A N E L 474: A D A M : T H A N K Y O U , M E L A N I . Y O U T O O K US TO A L O V E L Y , M A G I C A L P L A C E . N O M I : N O W L E T S H O L D H A N D S . Q U I E T L Y I N O U R T H O U G H T S LET'S W I S H E A C H O T H E R A G O O D W E E K . L U N A M O O N T H I N K I N G : L E T M Y F R I E N D , C R O W G I R L , B E W E L L A N D H E L P M E B E W E L L . H E L P M E B E A GOOD BIG SISTER. L U N A M O O N T H I N K I N G : T H A N K Y O U F O R M O M A N D F O R A L L M Y F R I E N D S , N E W A N D O L D . P A N E L 475: C R O W G I R L T H I N K I N G : T H A N K Y O U F O R L U N A M O O N . M A K E H E R W E L L . IF Y O U CAN'T M A K E M E W E L L , T H E N F O R S U R E M A K E H E R W E L L . P L E A S E . C R O W G I R L T H I N K I N G : P L E A S E L E T M E H A V E M Y B I R T H D A Y S L E E P - O U T . P A N E L 476: Large panel with a view of the group holding hands. P A N E L 477: Large panel with a view of the gang finishing brunch. L U N A M O O N : H O W A R E Y O U C O M I N G W I T H O U R M O T T O ? C A P T A I N : I ' M STUCK. I CAN'T T H I N K O F T H E R I G H T T H I N G . C O M E O N Y O U GUYS, H E L P M E . P A N E L 478: C R O W G I R L : H O W A B O U T ' D E A T H O N O U R H E E L S ' Y A N K E E G I R L : C R O W G I R L ! W H E R E ' D Y O U G E T T H A T C R E E P Y IDEA? C R O W G I R L : I N T H E S E C O N D I N K D R I N K E R B O O K T H E R E ' S A C H A P T E R C A L L E D ' D E A T H O N M Y H E E L S . ' A R E N ' T W E A L L F I G H T I N G F O R O U R LIVES? P A N E L 479: PINKIE: W E L L , Y E A H , B U T IT'S K I N D O F D A R K A N D I ' M SO NOT N E E D I N G T H A T R E M I N D E R . C A P T A I N : D U H ! PIRATES A R E A BIT D A R K . T H E Y ' R E C R I M I N A L S . D A V I N C I : L I K E , I DON'T L I K E TO T H I N K O F T H E M T H A T WAY. T H E Y ' R E O U T H A V I N G A D V E N T U R E S A T SEA. P A N E L 4 8 0 : C A P T A I N : Y E A H . D A R K A D V E N T U R E S . L U N A M O O N : WAIT A M I N U T E ! S I N C E W H E N A R E W E A L L PIRATES? I T H O U G H T W E W E R E A L L G O O G L E G O B B E T S . CROWGIRL: G O O G L E G O B B E T S W I T H ' D E A T H O N O U R ' H E E L S ! ' P A N E L 481: Y A N K E E G I R L : CROWGIRL'S R I G H T . M A Y B E ' D E A T H O N O U R H E E L S ' IS O U R M O T T O . Y O U K N O W W H A T I ' M SAYING? IT'S T R U E W E A R E R U N N I N G F O R O U R LIVES L U N A M O O N : T H E N W E T U R N A R O U N D A N D S T O M P D E A T H W I T H O U R ' H \" E \" A \" L \" S ' . S M A R T ! S M A R T A N D WITTY H U H ? P A N E L 483: D A V I N C I : THAT'S G O O D , L I K E ' H ' ' E ' 'A' 'L ' 'S' F O R H E E L S . C A P T A I N : 'BY J O V E SHE'S GOT IT!' P A N E L 484: C R O W G I R L : ' M Y F A I R LADY! ' E V E R Y O N E S I N G I N G T O G E T H E R : 'BY J O V E SHE'S GOT IT!' P A N E L 485: C R O W G I R L : S P E A K I N G O F M U S I C A L S E M B R O U G H T M E T W O , 'SINGING I N T H E R A I N ' A N D ' T H E R E D SHOES. ' L E T M E K N O W IF Y O U W A N T TO B O R R O W T H E M . PINKIE: I W A N T TO S E E ' S I N G I N G I N T H E R A I N ' A G A I N . P A N E L 486: L U N A M O O N : Y O U GUYS, Y O U 'GUYS A N D D O L L S ! ' IT'S A N O L D M U S I C A L . DON'T Y O U K N O W IT? L U N A M O O N : I ' M T I R E D . I ' M G O I N G TO T A K E A N A P . P A N E L 487: C R O W G I R L : WAIT A M I N U T E . W E F O R G O T TO M E N T I O N O U R I D E A F O R A N O U T D O O R S L E E P - O U T . C R O W G I R L : L U N A M O O N A N D I A S K E D A R L A A N D S H E SAID T H A T IF T H E W E A T H E R IS W A R M W E C A N A L L H A V E A S L E E P - O U T O N M Y B I R T H D A Y . P A N E L 4 8 8 : PINKIE: T H A T SO S O U N D S L I K E F U N . L U N A M O O N : I T H I N K SO TOO. P A N E L 489: View of Crowgirl and Lunamoon i n their room after resting. C R O W G I R L : I GUESS Y O U T H I N K IT WAS C R E E P Y O F M E TO SAY ' D E A T H O N O U R H E E L S ' . L U N A M O O N : Y E A H , I DID. I DID F O R A W H I L E . B U T T H E M O R E W E J O K E D A B O U T IT T H E M O R E I T H O U G H T IT WAS GOOD. IT IS GOOD. IT'S SORT O F P E R F E C T . P A N E L 490: C R O W G I R L : I T H I N K SO. C R O W G I R L : Y O U S H O U L D R E A D T H E S E I N K D R I N K E R BOOKS. T H E Y ' R E F U N N Y W E I R D . A N D Y O U K N O W , T H E Y M A D E M E T H I N K T H A T W E ' R E L I K E T H E M . W E ' R E B L O O D D R I N K E R S . W E ' R E P R A C T I C A L L Y V A M P I R E S . P A N E L 491: L U N A M O O N : OKAY, N O W Y O U ' R E B E I N G W E I R D . CROWGIRL: W E GET B L O O D . DON'T W E ? P A N E L 492: L U N A M O O N : DO YOU? CROWGIRL: YES, B U T I GUESS W E D O N ' T A L L G E T B L O O D . B U T W E G E T A L L THIS O T H E R STUFF. P A N E L 493: L U N A M O O N : W E ' V E G O N E F R O M G O O G L E G O O F S TO G O O G L E G O B B E T S TO PIRATES TO V A M P I R E S . CROWGIRL: S I N G I N G V A M P I R E S A N D M U S I C A L C R O W S ! P A N E L 494: L U N A M O O N : S P E A K I N G O F M U S I C A L S , LET'S W A T C H 'SINGING I N T H E R A I N . ' A L L W E N E E D IS E M ' S P A R A S O L F O R A L I T T L E D A N C E A R O U N D T H E R O O M ! P A N E L 495: Chapter title, 'Wishes and Dreams, M o o n Dreams' lettered over a view of Lunamoon waking up early the next morning. L U N A M O O N : OKAY, C R O W G I R L . RISE A N D S H I N E . CROWS A R E U P . P A N E L 496: L U N A M O O N : C R O W G I R L , Y O U ' R E A L W A Y S A W A K E . L U N A M O O N : C O M E O N , W A K E U P ! P A N E L 497: L U N A M O O N T H I N K I N G : Y O U ' R E WAY TOO STILL. L U N A M O O N : OKAY! THIS ISN'T F U N N Y . W A K E U P . L U N A M O O N T H I N K I N G : I K N O W Y O U SAID Y O U M I G H T DIE. B U T Y O U ' V E B E E N SO P E R K Y . Y O U CAN'T B E D E A D . N O . N O . P L E A S E DON'T B E D E A D . L U N A M O O N : C R O W G I R L , W A K E U P ! P L E A S E W A K E U P . P L E A S E . Y O U ' R E R E A L L Y S C A R I N G M E ! P A N E L 499: View of Lunamoon gingerly touching Crowgirl . L U N A M O O N S H O U T I N G : A R L A ! A R L A ! S O M E B O D Y C O M E QUICK. P A N E L 500: V I E W O F L U N A M O O N P U S H I N G A R E D A L E R T B U T T O N . A R L A : W H A T IS IT? L U N A M O O N : C R O W G I R L W O N ' T W A K E U P . SHE'S B R E A T H I N G , B U T S H E W O N ' T W A K E U P . P A N E L 501: View of a medical team rushing into the room. P A N E L 502: L U N A M O O N : W H A T ' S W R O N G W I T H H E R ? A R L A : I 'M N O T S U R E . W E ' L L F I N D O U T I N A BIT. P A N E L 503: A R L A : GO VISIT J E D A N D B U D D Y W H I L E W E L O O K A F T E R C R O W G I R L . P A N E L 504: View of Lunamoon standing in Buddy and Davinci's doorway. L U N A M O O N : S O M E T H I N G ' S W R O N G W I T H C R O W G I R L . C A P T A I N : W H A T H A P P E N E D ? L U N A M O O N : I DON'T K N O W . S H E W O U L D N ' T W A K E U P . D A V I N C I : THAT'S B A D . I K N O W SHE'S B E E N S I C K E R T H A N M O S T O F US B U T S H E WAS D O I N G SO GOOD A L L LAST W E E K . P A N E L 506: S H E H A S N ' T B E E N T H A T H E A L T H Y SINCE I C A M E H E R E . SHE'S B E E N SO M U C H B E T T E R . P A N E L 507: D A V I N C I : S H E WAS L I K E R E A L L Y SICK A F E W W E E K S A G O . B U T S H E GOT B E T T E R R E A L FAST. P A N E L 508: L U N A M O O N : I 'LL GO B A C K TO M Y R O O M A N D G E T D R E S S E D . D A V I N C I : C A P T A I N : C H A P T E R N I N E / P . 87 P A N E L 509: A view of Lunamoon returning to her room. L U N A M O O N T H I N K I N G : O H M Y GOD! I WAS SO W O R R I E D A B O U T T H R O W I N G UP, B E I N G N A U S E A T E D . W O R S T CASE, D Y I N G A N D B R E A K I N G M O M ' S H E A R T A G A I N . L U N A M O O N T H I N K I N G : N O W IT'S M Y H E A R T . M Y H E A R T , M Y H E A R T . P A N E L 510: A very large panel showing the top of Lunamoon's head with a large thought balloon. L U N A M O O N T H I N K I N G : I T H O U G H T I K N E W A B O U T D Y I N G . W H A T WAS I T H I N K I N G ? N O T T H I N K I N G . N O T T H I N K I N G . T H E D O C T O R SAID I'D B E OKAY. B U T W H A T A B O U T M Y N E W F R I E N D ? A L L M Y N E W FRIENDS? I ' M NOT R E A D Y F O R A N Y M O R E P E O P L E TO DIE! THIS IS SO M U C H W O R S E T H A N I E X P E C T E D ! C H E M O C A M P ! T H I S IS D E A T H C A M P . L U N A M O O N T H I N K I N G : M Y S W E E T L I T T L E C R O W G I R L , L O O K AT Y O U , SO B R I G H T A N D S P A R K Y . C R E A T I N G A D V E N T U R E S , C R E A T I N G , C R E A T I N G , C R E A T I N G A P L A C E TO B E , A P L A C E TO GO, A P L A C E TO B E . L I K E T H E R A V E N B R I N G I N G L I G H T . R A V E N S A N D CROWS A N D B R I G H T BIRD GIRLS, B R I G H T L I G H T GIRLS, DAY A N D N I G H T C R O W G I R L . I S E E Y O U E V E R Y W H E R E , E V E R Y D A Y . C H A P T E R N I N E / P . 8 8 P A N E L 512: A close-up view of Lunamoon and a large thought balloon which includes images of crows. L U N A M O O N T H I N K I N G : I F O U N D DAD I N M Y EYES. I ' M G O I N G TO S E E C R O W G I R L I N E V E R Y C R O W , I N E V E R Y N I G H T SKY. I N M Y V O I C E . I N M Y V O I C E , I N M Y STORIES. P A N E L 513: A close-up of Lunamoon and her thought balloon which is filled with images of crows. P A N E L 514: View of A r i a talking to Lunamoon, Davinci and Captain M a r r o w . A R L A : H E Y , KIDS. H E R E ' S W H A T ' S H A P P E N I N G W I T H C R O W G I R L . W E ' V E GOT H E R D O W N T H E H A L L . SHE'S S E M I C O N S C I O U S B U T SHE'S S T A B L E SO Y O U C A N VISIT H E R . P A N E L 515: A R L A : L U N A M O O N , T H I S IS Y O U R FIRST T I M E H E R E . I W A N T Y O U TO K N O W T H A T E V E N T H O U G H S H E L O O K S U N C O N S C I O U S A L W A Y S A S S U M E S H E C A N H E A R Y O U . IT'S G O O D F O R H E R TO H A V E C O M P A N Y . A R L A : T A L K TO H E R . R E A D TO H E R . SING TO H E R . P A N E L 516: D A V I N C I : KIM'S C O M I N G T H I S A F T E R N O O N SO, L I K E , H E C A N B R I N G US I N TO S I N G F O R H E R . L U N A M O O N : W E W A T C H E D ' S I N G I N G I N T H E R A I N ' LAST N I G H T . C R O W G I R L L O V E D IT. S H E R E A L L Y L O V E D IT. P A N E L 517: C A P T A I N : K I M W I L L K N O W T H O S E SONGS. H E ' L L H A V E US S I N G I N G T H E M R I G H T A W A Y . C H A P T E R N I N E / P . 9 0 P A N E L 518: A R L A : OKAY, GUYS, I K N O W Y O U ' L L B E A BIG H E L P . VISIT C R O W G I R L A N Y T I M E Y O U W A N T . L U N A M O O N : W H A T ' S G O I N G TO H A P P E N TO H E R ? P A N E L 519: A R L A : I ' M NOT S U R E . SHE'S B E E N H A P P Y T H I S W E E K . A N D S H E S E E M E D S T R O N G E R . SHE'S SICK B U T SHE'S S T R O N G W I L L E D . A R L A : I T H I N K SHE'S F I G H T I N G F O R M O R E T I M E . A R L A : Y O U C A N K E E P H E R C O M P A N Y . DO W H A T E V E R Y O U W A N T : T A L K , R E A D , SING, OR J U S T SIT T H E R E A N D M E D I T A T E . P U T O N A D V D A N D W A T C H IT W I T H H E R . P A N E L 521: L U N A M O O N : THIS IS SCARY. A R L A : IT IS SCARY. I K N O W . A R L A : T A L K TO H E R . S H E ' L L K N O W Y O U ' R E T H E R E . Y O U C A N H O L D H E R H A N D . IT'S H A R D T H E FIRST T I M E , B U T Y O U ' L L F E E L B E T T E R O N C E Y O U ' R E I N T H E R E W I T H H E R . P A N E L 522: A R L A : C O M E A N D A S K M E IF Y O U H A V E A N Y Q U E S T I O N S . A S K K I M A N D L O R I TOO. T H E Y ' L L H A V E GOOD IDEAS F O R Y O U . D A V I N C I : H E Y , M Y DAD'S C O M I N G THIS A F T E R N O O N . L I K E , H E ' L L K N O W T H O S E ' S I N G I N G I N T H E R A I N ' T U N E S . P A N E L 523: L U N A M O O N : I T H O U G H T T O D A Y WAS A R T . C A P T A I N : IT IS. Y O U C A N C H O O S E A R T O R M U S I C . L U N A M O O N : W H A T IF Y O U W A N T B O T H ? P A N E L 524: D A V I N C I : DO M U S I C T O D A Y A N D L I K E , A R T T O M O R R O W . C A P T A I N : LET'S A S K P I N K I E TO DO H E R I S L A N D TRIPS. P A N E L 525: View of Lunamoon in their room looking at Crowgirl's scrapbook. P A N E L 526: Large panel close-up of Crowgirl's midnight garden collage. L U N A M O O N T H I N K I N G : H E R E Y O U A R E , Y O U A M A Z I N G C R O W G I R L A D V E N T U R E R I N Y O U R M I D N I G H T G A R D E N . L U N A M O O N T H I N K I N G : A M O O N S C A P E ! A M O O N S C A P E , O F C O U R S E , C R O W G I R L O N T H E M O O N . L A D D E R S TO T H E M O O N , F L Y I N G TO T H E M O O N . F L Y M E . F L Y Y O U . L U N A M O O N T H I N K I N G : M O O N D R E A M S F O R E V E R , C R O W G I R L . D R E A M S O F M A M A , M A M A M O O N . P A N E L 527: L U N A M O O N T H I N K I N G : F O R A B A B Y C R O W , M O M M A M O O N F O R E V E R . Y O U W I L L F I N D Y O U R M O M M A O N T H E M O O N . P A N E L 528: View of the gang, K i m and Davinci's dad, Bob, gathered outside Crowgirl's room. L U N A M O O N : A R E W E A L L G O I N G TO FIT I N T H E R E ? K I M : N O . S O M E O F Y O U C A N B E I N T H E H A L L . BOB S H O U L D B E I N T H E R O O M SO C R O W G I R L C A N H E A R HIS GUITAR. L U N A M O O N T H I N K I N G : I S H O U L D B E OUT H E R E SO N O O N E C A N H E A R M E ! P A N E L 529: View of Pinkie, Davinci, K i m and Bob next to Crowgirl's bed s i n g i n g . P A N E L 530: View of Captain doing a Gene Kelly imitation with an empty IV stand. P A N E L 531: View of Lunamoon and Yankeegirl standing i n the doorway with a view of the others around Crowgirl's bed. P A N E L 532: Later that day Lunamoon approaches Crowgirl's bed. Chapter title, 'Dream Mother' is lettered across the top of the panel. L U N A M O O N : H I C R O W G I R L . I 'VE GOT T O M ' S M I D N I G H T G A R D E N . W E DIDN'T R E A D LAST N I G H T SO I T H O U G H T W E C O U L D C A T C H U P N O W . L U N A M O O N : LET'S S E E W H A T H A T T I E A N D T O M A R E U P TO. P A N E L 533: View of Lunamoon reading to Crowgirl . P A N E L 534: View of A r i a entering the room. A R L A : T H E R E Y O U A R E . DO Y O U W A N T TO E A T I N H E R E OR GO TO T H E L U N C H R O O M ? A R L A : GO E A T W I T H T H E O T H E R S . I 'LL SIT A N D C H A T W I T H C R O W G I R L F O R A W H I L E . P A N E L 535: A R L A : GO O N N O W . I 'LL BET C R O W G I R L W A N T S Y O U TO T A K E A B R E A K TOO. D O N ' T Y O U SWEETIE? L U N A M O O N : OKAY. I W I L L . P A N E L 536: L U N A M O O N : C R O W G I R L , W E ' L L B E B A C K TO SING M O R E T U N E S F R O M ' S I N G I N G I N T H E R A I N . ' A R L A : N O W T H A T ' S A P L A N . L U N A M O O N : S E E Y O U L A T E R . P A N E L 537: View of Lunamoon carrying Crowbaby and her M o o n Princess dol l . L U N A M O O N : I B R O U G H T Y O U S O M E T H I N G . T W O S O M E T H I N G S . H E R E ' S Y O U R C R O W B A B Y . L U N A M O O N : DID I T E L L Y O U I STILL L I K E DOLLS? P R O B A B L Y NOT. IT'S K I N D O F A S E C R E T SINCE I ' M G E T T I N G A BIT O L D F O R T H E M . P A N E L 538: Close-up of Moon Princess. L U N A M O O N : I B R O U G H T Y O U M Y M O O N PRINCESS D O L L . I 'VE B E E N H I D I N G H E R U N D E R M Y P I L L O W . P A N E L 539: L U N A M O O N : I 'LL P U T T H E M AT T H E TOP O F Y O U R P I L L O W . N O W Y O U ' L L H A V E C O M P A N Y A L L T H E T I M E , DAY A N D N I G H T . L U N A M O O N : P R O M I S E , P L E A S E P R O M I S E N E V E R TO T E L L A N Y O N E T H A T I T A L K TO M Y D O L L S . IT S O U N D S L A M E B U T I K N O W T H E Y L I S T E N TO M E . I T E L L T H E M STORIES. P A N E L 541: Close-up of Lunamoon holding M o o n Princess. L U N A M O O N : T H E Y K N O W I STILL C A R E A B O U T T H E M . I C O U L D N E V E R P A C K T H E M U P A N D STICK T H E M A W A Y I N A CLOSET. P A N E L 542: Close-up of Lunamoon holding Crowbaby and M o o n Princess as i f the two toys are having a conversation with each other. L U N A M O O N : I L I K E TO S E E T H E M I N M Y R O O M . I G I V E T H E M TOYS TO P L A Y W I T H A N D A T C H R I S T M A S I P U T U P A L I T T L E T R E E J U S T F O R T H E M . L U N A M O O N : P L E A S E D O N ' T Y O U E V E R T E L L A N Y O N E . P A N E L 543: Lunamoon placing the dol l and Crowbaby on Crowgirl's p i l low. L U N A M O O N : SO D E A R C R O W G I R L , I M A D E U P A STORY F O R Y O U A N D C R O W B A B Y . L U N A M O O N : O N C E U P O N A T I M E , R E A L L Y Q U I T E R E C E N T L Y , J U S T A F E W Y E A R S A G O , INTO THIS W O R L D P O P P E D , S C R E A M I N G A N D S Q U I R M I N G A W I L D BABY. P A N E L 544: Close-up of a mother holding a black haired baby. L U N A M O O N : H E R M O T H E R L O O K E D A T T H E B O B B I N G H E A D O F B L A C K P R I C K L Y H A I R A N D SAID, \" M Y L I T T L E C R O W B A B Y ! H E R E Y O U A R E . H E R E Y O U A R E C A W I N G A N D C A W I N G L I K E A T I N Y CROW. A N D L O O K AT Y O U ! L O O K AT Y O U W I T H Y O U R B L A C K F E A T H E R Y C R O W N A N D Y O U R SOFT B L A C K F U Z Z A L L O V E R , A L L O V E R Y O U R S Q U I R M I N G L I T T L E BODY. Y O U A R E M Y S W E E T E S T C R O W B A B Y . \" P A N E L 545: A view of a mother rocking and singing to her baby. L U N A M O O N : A N D T H E N S H E W R A P P E D H E R L I T T L E B I R D Y B A B Y T I G H T AS S O F T L Y T I G H T C A N B E A N D S A N G A L I T T L E C R O W B A B Y L U L L A B Y TO H E R . P A N E L 546: A picture of a little crow looking at a little moon. L U N A M O O N : A L I T T L E C R O O N , M Y L I T T L E C R O W , A L I T T L E M O O N , M Y L I T T L E BIRD, A L I T T L E ROCK, M Y L I T T L E B U N , A L I T T L E N A P , M Y L I T T L E B. L U N A M O O N : M Y L I T T L E C R O W , A L I T T L E C R O O N , M Y L I T T L E B I R D , A L I T T L E M O O N , M Y L I T T L E B U N , A L I T T L E R O C K . L U N A M O O N : M Y L I T T L E B, A L I T T L E N A P F O R Y O U A N D M E . P A N E L 547: A dark haired toddler. L U N A M O O N : P R E T T Y S O O N , S O M E M O N T H S L A T E R C R O W B A B Y WAS W A L K I N G A N D T A L K I N G . S H E H A D G R O W N A F U L L H E A D O F C R O W B L A C K H A I R A N D H E R D A R K B R O W N E Y E S W E R E A L W A Y S L I V E L Y W I T H CURIOSITY. H E R M O T H E R C O U L D S E E T H A T S H E H A D B E C O M E M O R E O F A C R O W G I R L T H A N A C R O W B A B Y SO S H E C A L L E D H E R C R O W G I R L . B U T C R O W G I R L STILL W A N T E D H E R M O T H E R TO C A L L H E R C R O W B A B Y A N D S H E S T I L L W A N T E D H E R M O T H E R TO SING T H E C R O W B A B Y L U L L A B Y TO H E R . P A N E L 548: The toddler and several crows i n a backyard. L U N A M O O N : I N T H E M O R N I N G S A F T E R B R E A K F A S T C R O W G I R L D A R T E D O U T S I D E TO P L A Y B A B Y C R O W I N H E R B A C K Y A R D . T H E R E W E R E CROWS I N T H E B A C K Y A R D . J U S T L I K E T H E C R O W I N H E R Y A R D C R O W G I R L H U N T E D F O R S H I N Y L I T T L E T H I N G S I N T H E GRASS A N D F L O W E R BEDS. C R O W G I R L ' S M O T H E R G A V E H E R B R E A D C R U M B S TO T H R O W TO T H E C R O W S . T H E C R U M B S K E P T T H E M V E R Y BUSY W H I L E C R O W G I R L L O O K E D F O R S H I N Y T R E A S U R E S . P A N E L 549: Crowgirl and her mother enjoying a backyard picnic. L U N A M O O N : S O M E T I M E S H E R M O T H E R B R O U G H T O U T A PICNIC L U N C H . \" I ' M Y O U R C R O W B A B Y . W H A T H A V E Y O U B R O U G H T F O R M E TO EAT, M Y C R O W M O M M Y ? \" L U N A M O O N : A F T E R M A N Y TASTY M O R S E L S C R O W M O M M Y S A N G H E R L I T T L E C R O W G I R L TO S L E E P W I T H H E R C R O W B A B Y L U L L A B Y . P A N E L 550: A close view of Crowgirl and her grandmother. L U N A M O O N : C R O W G I R L ' S G R A N D M O T H E R A L W A Y S C A M E TO VISIT W I T H A B O O K OR T W O I N H A N D . O N E DAY A L O N G W I T H A B O O K A B O U T T W O B A D M I C E S H E G A V E C R O W G I R L A M O U S E P U P P E T . P A N E L 551: A close-up of Crowgirl and her new mouse puppet. L U N A M O O N : C R O W G I R L W I S H E D IT W E R E A L I T T L E C R O W P U P P E T . \"I W A N T IT TO B E M Y L I T T L E C R O W B A B Y J U S T L I K E I ' M Y O U R L I T T L E C R O W B A B Y . \" P A N E L 552: A close-up of the transformed mouse puppet. L U N A M O O N : H E R M O T H E R M A D E A L I T T L E F E A T H E R Y C O S T U M E F O R T H E M O U S E PUPPET. W I T H T H E C O S T U M E O N IT L O O K E D L I K E A F L U F F Y B A B Y B L A C K CROW. F R O M T H E N O N T H E M O U S E P U P P E T WAS C R O W G I R L ' S O W N L I T T L E C R O W B A B Y . P A N E L 553: Crowgirl collecting treasures. L U N A M O O N : C R O W G I R L C O U L D F I N D T H E TINIEST S P A R K L Y T H I N G S W H E R E V E R S H E W E N T . H E R E Y E S Q U I C K L Y F O U N D H I D D E N SURPRISES, T H E TINIEST LOST T R E A S U R E S . O N E D E E P F U L L D R A W E R O F H E R D R E S S E R H E L D L I T T L E S I L V E R BEADS, C R I N K L Y S I L V E R P A P E R W R A P P E R S , T I N Y C H A I N S , GLASS B E A D S I N E V E R Y S H A P E , D I M E S , E N G L I S H COINS, S T A M P S , F E A T H E R S , PIECES O F S I L V E R W I R E , S I L V E R T H R E A D S , S I L V E R R I B B O N S , S I L V E R B U T T O N S , PINS, P E N S , CLASPS, E A R R I N G S , C H A R M S , M O N O P O L Y PIECES, C H E S S PIECES, PINS I N T H E S H A P E O F TOYS, A N I M A L S , C H R I S T M A S O R N A M E N T S , STARS, SEQUINS, G L I T T E R BITS, SILVER S P R I N K L E S . P A N E L 554: Close-up of Crowgirl i n the Tulip bed. L U N A M O O N : O N E DAY I N T H E G A R D E N L I T T L E C R O W G I R L F O U N D A S I L V E R F R O G C H A R M , T H E SIZE OF A N A L M O N D A M O N G T H E T U L I P STEMS. J U S T AS H E R F I N G E R S T O U C H E D IT C R O W G I R L F E L T S O M E T H I N G LIFT H E R U P . B E F O R E S H E C O U L D T U R N H E R H E A D S H E F E L T H E R S E L F D R O P P I N G INTO T H E D A R K N E S S O F A SACK. S H E F E L T H E R S E L F B E I N G L I F T E D U P A N D T H E N S H E F E L T T H E P U L L O F S P E E D I N G AIR. S O M E O N E O R S O M E T H I N G W A S F L Y I N G A W A Y W I T H H E R . P A N E L 555: L U N A M O O N : \" W H E R E A M I GOING? W H O IS S T E A L I N G M E ? \" C H A P T E R T E N / P . l O l P A N E L 556: L U N A M O O N : A N D T H E N S H E F E L T T H E P U L L OF T H E S A C K C H A N G I N G D I R E C T I O N . S H E F E L T T H E P U L L O F A F A L L . G E N T L Y S H E L A N D E D , S I N K I N G INTO S O M E T H I N G R U B B E R Y SOFT. T H E F R O G C H A R M WAS G O N E . I N C O M P L E T E S I L E N C E S H E B R E A T H E D S L O W L Y . A F T E R A M I N U T E OR WAS IT A DAY, S H E DIDN'T K N O W , C R O W G I R L O P E N E D H E R EYES A N D D I S C O V E R E D S H E W A S I N A C R A D L E . P A N E L 557: L U N A M O O N : \" W H E R E A M I? W H O H A S S T O L E N M E ? \" S H E C R I E D A N D C R I E D U N T I L S H E F E L L FAST A S L E E P INTO A M O O N D R E A M . P A N E L 558 L U N A M O O N : THAT'S T H E STORY SO F A R . IT'S A W O R K I N P R O G R E S S . T O M O R R O W W E ' L L F I N D O U T W H A T H A P P E N S N E X T . N I G H T N U R S E : THAT'S Q U I T E A STORY. B U T I G U E S S W E H A V E TO W A I T 'TIL T O M O R R O W , DON'T W E C R O W G I R L ? IT S O U N D S L I K E Y O U R STORY. P A N E L 559: Lunamoon holding Crowgirl 's hand. L U N A M O O N : GOOD N I G H T C R O W G I R L . I 'LL S E E Y O U I N T H E M O R N I N G . W E ' L L A L L B E B A C K W I T H M O R E ' S I N G I N G I N T H E R A I N . ' I A C T U A L L Y S A N G O U T L O U D TODAY. U S U A L L Y I P R E T E N D A N D O N L Y M O U T H T H E W O R D S . L U N A M O O N : W E ' L L H A V E A L I T T L E C R O O N , M Y L I T T L E C R O W , A L I T T L E M O O N , M Y L I T T L E BIRD, A L I T T L E R O C K , M Y L I T T L E B U N , A L I T T L E N A P , M Y L I T T L E B. P A N E L 560: Close-up of Lunamoon giving Crowgirl a kiss on the forehead. L U N A M O O N : N I G H T I E N I G H T . P A N E L 561: Lunamoon i n her bed, eyes shut. L U N A M O O N T H I N K I N G : N O W I ' M A L L BY M Y S E L F . I C O U L D R E A D T O T A L L Y U N D I S T U R B E D IF I W E R E ' N T SO T I R E D . IF O N L Y , IF O N L Y I W E R E N ' T SO D A R N T I R E D . P A N E L 562: L U N A M O O N T H I N K I N G : D E A R G O D , I DON'T E V E N K N O W IF B E L I E V E I N Y O U B U T H E R E I A M A G A I N H O P I N G Y O U A R E T H E R E , H E R E , W H E R E V E R . T O D A Y WAS R O U G H , T O U G H , H O R R I B L E , T O R R I B L E , R O R R I B L E . P A N E L 563: L U N A M O O N T H I N K I N G : I ' M NOT R E A D Y F O R S O M E O N E I K N O W TO DIE A G A I N . D A D WAS W A Y TOO M U C H . I ' M TOO Y O U N G , W A Y TO Y O U N G TO H A V E TO D E A L W I T H THIS. P A N E L 564: L U N A M O O N T H I N K I N G : FIRST I WAS S C A R E D I M I G H T DIE. N O W I ' M N O T S C A R E D I 'LL DIE, B U T I ' M R E A L L Y S C A R E D C R O W G I R L W I L L . P A N E L 565: L U N A M O O N T H I N K I N G : S H E M A Y DIE. I C A N ' T B E L I E V E IT. I DON'T W A N T TO B E L I E V E IT. I ' M A F R A I D IF I B E L I E V E IT S H E W I L L DIE. P A N E L 566: L U N A M O O N T H I N K I N G : H E R E ' S T H E T H I N G , I W A N T TO DO T H E R I G H T T H I N G . I W A N T TO W I S H T H E R I G H T T H I N G F O R H E R . A N D M A Y B E T H A T M E A N S S H E DIES. L U N A M O O N T H I N K I N G : I M E A N I T H I N K SHE'S G E T T I N G T I R E D OF T H E S T R U G G L E A N D T H E P A I N . I W O U L D N ' T W A N T H E R TO B E I N P A I N . L U N A M O O N T H I N K I N G : W H A T DO I W I S H ? P A N E L 568: View of Lunamoon looking up. P A N E L 569: L U N A M O O N T H I N K I N G : W H A T DO I W I S H ? L U N A M O O N T H I N K I N G : I W I S H H E R M O T H E R WAS A B E T T E R M O T H E R . S H E S H O U L D H A V E A H O V E R M O T H E R L I K E M I N E . I W I S H S H E H A D A R E A L M O T H E R W H O W O U L D L O V E H E R T H E W A Y S H E W A N T S TO B E L O V E D . B U T T H A T ' S N O T G O I N G TO H A P P E N . P A N E L 570: L U N A M O O N T H I N K I N G : A T LEAST I C O U L D M A K E U P A D R E A M M O T H E R F O R H E R . L U N A M O O N T H I N K I N G : A N D A D R E A M P L A C E . T H E N L I K E T O M A N D H A T T I E S H E C A N M E E T H E R R E A L M O T H E R I N A D R E A M . M A Y B E H E R M O T H E R C A N B E T H E M O O N PRINCESS, OR T H E M O O N M A M A . P A N E L 571: L U N A M O O N T H I N K I N G : A N D W H E N T H E M O O N M A M A A N D H E R M O O N C H I L D R E N S H I N E O N T H E E A R T H T H E Y F L Y D O W N AS C R O W S A N D C R O W B A B I E S . L U N A M O O N T H I N K I N G : W H E N E V E R I SEE T H E M O O N I W I L L T H I N K OF C R O W G I R L U P T H E R E W I T H H E R L O V I N G M A M A M O O N . P A N E L 572: L U N A M O O N T H I N K I N G : W H E N I S E E CROWS D U R I N G T H E DAY I W I L L T H I N K OF H E R A N D W O N D E R W H I C H O N E S H E IS. I 'LL L O O K F O R T H E O N E F I N D I N G S H I N Y T H I N G S . P A N E L 573: L U N A M O O N T H I N K I N G : THAT'S A W I S H I C A N M A K E T R U E . L U N A M O O N T H I N K I N G : G O O D N I G H T M A M A M O O N . Y O U ' R E T H E O N E . P A N E L 575: View of a moon picture i n Lunamoon's scrapbook. P A N E L 576: View of E m approaching the door to Crowgirl's room. Chapter title, 'Dream Time', written across the top of the panel. P A N E L 577: View of E m stopping just outside the door. E M T H I N K I N G : OKAY. OKAY. I C A N DO THIS. IT'S T I M E TO B U B B L E . E M T H I N K I N G : OKAY. I ' M R E A D Y . P A N E L 578: E m enters the room. Lunamoon is sitting next to Crowgirl. E M : C R O W G I R L ! T A K I N G IT E A S Y A G A I N . Y O U LAZY T H I N G . L U N A M O O N : E M . I ' M SO G L A D Y O U ' R E H E R E . I N E E D H E L P W I T H THIS SINGING. E M : Y O U K N O W M E , I L O V E TO SING. B U T I W A N N A GO G E T C R O W G I R L ' S S C R A P B O O K 'CAUSE I 'LL W O R K O N IT W H I L E W E SING. E M : C R O W G I R L , I H A V E T H E BEST T H I N G S F O R T H E R E D S H O E S ' P I C T U R E . < P A N E L 580: View of E m and Lunamoon leaving the room. L U N A M O O N : GOOD IDEA. I 'LL C O M E A N D G E T M Y S C R A P B O O K TOO. P A N E L 581: View of E m and Lunamoon chatting as they walk down the h a l l . L U N A M O O N : O H M Y G O D E M , W H Y ISN'T H E R M O M H E R E ? SHE'S R E A L L Y SICK. M Y M O M W O U L D B E H E R E I N A M I N U T E . E M : M I N E TOO. B U T C R O W G I R L ' S M O M IS A W A Y A LOT. S H E DOESN'T H A N D L E A N Y O F THIS V E R Y W E L L . IT'S L I K E SHE'S M A D A T C R O W G I R L F O R B E I N G SICK. L I K E S H E C A N H E L P IT T H A T SHE'S SICK! P A N E L 582: E M : I DON'T G E T IT. L U N A M O O N : C R O W G I R L S E E M S TO A C C E P T IT. B U T S H E SAYS H E R R E A L M O M IS D I F F E R E N T . P A N E L 583: E M : S H E D O E S N ' T E V E N K N O W H E R R E A L M O M . S H E DOESN'T K N O W W H O S H E IS OR W H E R E S H E IS. E M : R I G H T N O W , S H E W A N T S US W I T H H E R M O R E T H A N H E R M O M . I K N O W T H A T . ' C A U S E W H E N S H E GETS R E A L L Y SICK L I K E S H E DID B E F O R E S H E L I K E S H E R F R I E N D S W I T H H E R . T H E KIDS H E R E M E A N A LOT TO H E R . Y O U TOO. P A N E L 584: E m and Lunamoon enter Lunamoon and Crowgirl's room. L U N A M O O N : Y E A H , S H E ACTS L I K E T H A T ' S W H A T M A T T E R S M O S T . E M : LAST T I M E S H E WAS R E A L SICK W E S A N G TO H E R . I W A T C H E D M U S I C A L S W I T H H E R . S O M E T I M E S I T A L K E D TO H E R A B O U T T H E P I C T U R E S I N T H E SCRAPBOOK. P A N E L 585: E m picks up Crowgirl's scrapbook. E M : LOOK! D A V I N C I M A D E S P E C I A L D R A W I N G S . W E C U T T H E M O U T A N D P A S T E D T H E M ONTO T H E PICTURES. E M : M E D I T A T I O N S . P I N K I E D I D H E R I S L A N D STORIES. I GUESS Y O U C A L L T H E M P A N E L 586: E m and Lunamoon walking back to Crowgirl's special care room. L U N A M O O N : I 'VE B E E N T E L L I N G H E R STORIES. E M : S H E L O V E S STORIES. L U N A M O O N : I C A N DO STORIES. O H M Y G O D , I ' M E V E N S I N G I N G A BIT. P A N E L 587: E m and Lunamoon set up their scrapbook work and begin to s ing . P A N E L 588: Close-up of Crowgirl . L U N A M O O N A N D E M S I N G I N G : \" M A K E E M L A U G H , M A K E E M L A U G H . . . . \" P A N E L 589: Close-up of E m working on 'The Red Shoes' picture. P A N E L 590: Close-up of Lunamoon working on a moon picture. P A N E L 591: Close-up of the 'Singing in the Rain' D V D . E M : P U T T H E D V D O N A N D W E C A N SING A L O N G . L U N A M O O N : IT'S K A R A O K E T I M E . P A N E L 591: E m and Lunamoon singing as the D V D plays. L U N A M O O N T H I N K I N G : I ' M SINGING. I ' M S I N G I N G O U T L O U D ! P A N E L 592: A View of Lunamoon walking up to Crowgirl's bed later that e v e n i n g . L U N A M O O N : H E Y , C R O W G I R L , I ' M BACK. L U N A M O O N : I O N L Y S L E P T F O R A C O U P L E O F H O U R S . O H M Y G O D , I ' M S U C H A N A P S T E R N O W . P A N E L 593: L U N A M O O N : T I M E TO R E A D TOM'S MIDNIGHT GARDEN. Y O U K N O W , H E ' S B E G I N N I N G TO F I G U R E IT OUT. SO'S HIS B R O T H E R P E T E R . L U N A M O O N : T O M F I G U R E D O U T T H E T W O K I N D S O F T I M E O N T H E G R A N D F A T H E R C L O C K , O R D I N A R Y T I M E A N D E N D L E S S T I M E . P A N E L 594: L U N A M O O N : SO I N O R D I N A R Y T I M E T H E R E A R E SIXTY M I N U T E S I N A N H O U R B U T I N T H E O T H E R T I M E IT'S E N D L E S S , E N D L E S S M I N U T E S . W H E N H E GOES B A C K TO R E G U L A R T I M E , H E FINDS T H A T N O T I M E A T A L L H A S P A S S E D . P A N E L 595: L U N A M O O N : IT'S A D R E A M T I M E . P A N E L 596: L U N A M O O N : T H E O T H E R T H I N G THAT'S N E A T IS D R E A M I N G I N O T H E R PEOPLE'S T I M E . TOM'S B R O T H E R IS T R Y I N G TO M E E T T O M I N T H E G A R D E N I N TOM'S D R E A M T I M E . L U N A M O O N : T H A T IS S U C H A N E A T IDEA. P A N E L 597: L U N A M O O N : D R E A M T I M E IS D I F F E R E N T , ISN'T IT? P A N E L 598: L U N A M O O N : L I K E W H E N Y O U F A L L A S L E E P A N D H A V E A L O N G A N D C O M P L I C A T E D A D V E N T U R E A N D T H E N Y O U W A K E U P A N D F I N D O U T IT'S O N L Y T W E N T Y M I N U T E S L A T E R B U T T H E A D V E N T U R E S E E M E D L I K E IT T O O K H O U R S OR DAYS. P A N E L 599: L U N A M O O N : D R E A M T I M E A N D R E A L T I M E . P A N E L 600: T W O T I M E S . W E C O U L D U S E T W O T I M E S , C O U L D N ' T W E ? P A N E L 601: View of Lunamoon closing Tom's Midnight Garden. L U N A M O O N : I 'VE B E E N W O R K I N G O N Y O U R STORY. H E R E ' S A P O E M TO GO W I T H IT. IT'S F O R Y O U A N D C R O W B A B Y A N D M O O N PRINCESS. P A N E L 602: A little crow on the moon. C A P T I O N : L I T T L E C R O W , DO Y O U K N O W ? DO Y O U K N O W Y O U R M A M A ? DO Y O U K N O W Y O U R PAPA? P A N E L 603: A mother crow on the moon. C A P T I O N : DO Y O U K N O W T H E M O O N ? A N D T H E M A M A I N T H E M O O N ? A N D DO Y O U K N O W T H E P A P A I N T H E M O O N A N D A L L T H E I R L I T T L E M O O N KIDS, T H E M O O N CROWS? C A P T I O N : T H E Y K N O W Y O U , L I T T L E C R O W . T H E Y K N O W Y O U , L I T T L E M O O N C R O W . Y O U A R E A L I T T L E M O O N C R O W A N D Y O U H A V E A M O O N F U L L O F SISTER M O O N CROWS A N D B R O T H E R M O O N CROWS. C H A P T E R E L E V E N / P . i l l P A N E L 605: A large panel with half a moon covered with many baby crows. C A P T I O N : A N D Y O U H A V E A M A M A I N T H E M O O N . A N D A P A P A I N T H E M O O N . Y O U H A V E A R O O K E R Y M O O N . P A N E L 606: A view of Lunamoon holding Crowbaby as she talks to C r o w g i r l . L U N A M O O N : I N T H E STORY C R O W G I R L H E A R S THIS P O E M W H E N S H E W A K E S U P I N T H E C R A D L E . R E M E M B E R LAST N I G H T I T O L D Y O U S H E W O K E U P TO F I N D H E R S E L F I N A C R A D L E . L U N A M O O N : W H E N S H E W A K E S U P S H E IS A L I T T L E B A B Y A G A I N , A H U M A N BABY. H E R BABY-SITTER, N A N N Y SINGS TO H E R A B O U T L I T T L E M O O N CROWS. H E R C R O W L I F E IS O N L Y I N H E R D R E A M T I M E . A M Y S T E R I O U S K I D N A P P E R S T O L E C R O W G I R L F R O M H E R C R O W M O M M Y A N D D R O P P E D H E R INTO S O M E O N E ELSE'S C R A D L E . P A N E L 608: Crowgirl transforming into a crow as she flies toward the m o o n . L U N A M O O N : I N H E R C R A D L E , I N H E R D R E A M I N G C R O W G I R L FLIES TO H E R M O O N F A M I L Y . S H E F L I E S TO H E R M A M A O N T H E M O O N . IS T H A T H E R R E A L M A M A ? C H A P T E R E L E V E N / P . 1 1 2 P A N E L 609: M a m a moon calling to her crow baby. L U N A M O O N : O N T H E M O O N C R O W G I R L H E A R S M A M A M O O N C A L L I N G , \" F O L L O W M E L U N A M O O N : F O L L O W M E , F O L L O W M E INTO T H E SKY. F O L L O W M E , F O L L O W M E , LET'S GO! Y O U A N D I. LET'S GO L I V E I N T H E SKY, W E ' L L F L Y A N D FLY, Y O U A N D I. W E ' L L F L Y U P H I G H , I N T H E SKY, Y O U A N D I.\" P A N E L 610: L U N A M O O N : SO I N T H E H O U R S OF D R E A M T I M E T H E B A B Y FLIES TO H E R M A M A M O O N . L U N A M O O N : I M A D E T W O P I C T U R E S TO GO W I T H T H E STORY. P A N E L 611: L U N A M O O N : SO SWEET C R O W G I R L , I ' M T I R E D . S W E E T M O O N D R E A M S TO Y O U . I 'LL B E B A C K I N T H E M O R N I N G . C A P T A I N M A R R O W ' S G O I N G TO T E A C H US T H E P I R A T E G A M E . W E ' L L P L A Y IT I N H E R E SO Y O U C A N L E A R N T O O . L U N A M O O N : I ' M NOT V E R Y G O O D A T G A M E S . I 'LL T R Y TO K E E P M Y M I N D O N IT L O N G E N O U G H TO P L A Y P R O P E R L Y . P A N E L 612: L U N A M O O N : H E R E ' S O N E M O R E P O E M TO G I V E Y O U S W E E T M A M A M O O N D R E A M S : P A N E L 613: C A P T I O N : M A M A M O O N T H E M A M A I N T H E M O O N T U M B L E D D O W N , D O W N , D O W N , D O W N A M O O N S T R E A M A N D INTO T H E M I D N I G H T ZOO W I T H A L L H E R L I T T L E M O O N KIDS A N D H E R M O O N M O T H S A N D A C O W A N D A CAT, A F I D D L E A N D A RAT, A D O G , A F I S H A N D A S P O O N . P A N E L 614: C A P T I O N : T H E Y A L L P L A Y E D I N T H E ZOO. M A M A M O O N G R E W S L E E P Y . S H E G R E W V E R Y V E R Y S L E E P Y . A N D T H E N A L L T H E L I T T L E M O O N KIDS A N D A L L T H E M O O N M O T H S S A N G M A M A M O O N A L U L L A B Y . C L I M B I N G U P T H E L U L L A B Y L A D D E R E V E R Y O N E SAID, \"GOOD N I G H T M A M A M O O N , G O O D N I G H T , G O O D N I G H T . \" \" G O O D N I G H T , \" S H E SAID, \"GOOD N I G H T , M Y L I T T L E M O O N KIDS, G O O D N I G H T , Y O U M O O N M O T H S , G O O D N I G H T ZOO, G O O D N I G H T , Y O U . \" L U N A M O O N : N I G H T I E N I G H T , S W E E T C R O W G I R L . P A N E L 616: Lunamoon giving Crowbaby a kiss. L U N A M O O N : G O O D N I G H T S W E E T C R O W B A B Y A N D L I T T L E M O O N . P A N E L 617: The next day Lunamoon enters Crowgirl's room. L U N A M O O N S I N G I N G : G O O D M O R N I N G , GOOD M O R N I N G , M O R N I N G H A S B R O K E N ! I ' M S T A R T I N G TO L I K E THIS S I N G I N G BUSINESS. P A N E L 618: L U N A M O O N : I WAS L O O K I N G T H R O U G H Y O U R S C R A P B O O K THIS M O R N I N G A N D I S T A R T E D TO M A K E U P A P I N K I E STORY F O R Y O U R T R O P I C A L A D V E N T U R E P I C T U R E . I R E M E M B E R E D T H A T Y O U SAID IT W A S O N E O F Y O U R F A V O U R I T E S TO L O O K AT D U R I N G Y O U R T R E A T M E N T S . L U N A M O O N : H E R E GOES. IT'S A B O U T P I N K I E AS A B U M P T I O U S P R I V A T E E R , A L A D Y PIRATE, O N L Y T H E G O O D K I N D . H O W DO Y O U L I K E H O W I W O R K E D I N Y A N K E E G I R L ' S W E I R D W O R D OF T H E DAY, ' B U M P T I O U S ' W H I C H M E A N S S O M E O N E W H O IS A L L P U F F E D U P A N D F U L L O F B R A G G I N G A B O U T H E R S E L F ? L U N A M O O N : I 'LL P R O B A B L Y H A V E TO STOP A N D T A K E A N A P H A L F W A Y T H R O U G H ' C A U S E I K E E P G E T T I N G SO T I R E D . B U T H E R E GOES. L U N A M O O N : PINKIES T R O P I C A L M I D S U M M E R A D V E N T U R E . P A N E L 620: A view of Crowgirl's tropical collage picture: an ocean made of magazine clippings of many shades of aqua blue, cut-outs of tropical water, flowers, a parasol, palm trees, little fish, parrots, and sailboats made from photographs of clouds. Cut-out flowers and fish surround the cloud boats. On the is land Crowgirl created a house on stilts and a tree fil led with pink flowers and fruits. L U N A M O O N : I S A I L E D T H R O U G H O N E M O R N I N G I N A F L O A T I N G C L O U D BOAT W I T H M Y PALS, C R O W G I R L , P I N K I E , Y A N K E E G I R L , E M A N D N O R A . W E ' R E A B A N D O F P R I V A T E E R S . W E ' R E G O O D PIRATES, D E M O C R A T I C PIRATES. W E E L E C T E D N O R A O U R C A P T A I N . P A N E L 621: L U N A M O O N : A F E W M I N U T E S B E F O R E W E R E A C H E D T H E I S L A N D , B E F O R E W E C O U L D SEE IT, SWEET, D E L I C I O U S B L O S S O M SCENT F I L L E D T H E AIR. W E P A U S E D , C L O S E D O U R E Y E S A N D B R E A T H E D I N A N D O U T S L O W L Y , A L T O G E T H E R . W E E A C H T O O K O N E D E E P C L E A N S I N G B R E A T H A N D O P E N E D O U R E Y E S A N D S A W A P I N K T R O P I C A L I S L A N D , A P I N K P A R A D I S E . L U N A M O O N : E V E R Y T H I N G , T H E S A N D Y B E A C H , T H E T R E E S A N D T E N T S A N D F L O W E R S W E R E A L L P I N K , E V E R Y S H A D E OF PINK. P A N E L 622: L U N A M O O N : A F L U T T E R OF B L U E S H I M M E R E D H O V E R I N G , S H I M M E R I N G O V E R A P I N K S A N D Y B E A C H , A B E A C H O F C R U S H E D S H E L L S A N D P I N K D I A N T H U S . P I N K I E L O V E D T H A T A L L T H E F L O W E R S W E R E I N S H A D E S O F PINK. \"THIS IS M Y D R E A M I S L A N D P A R A D I S E . IT'S M U C H B E T T E R T H A N I E V E R I M A G I N E D . \" P A N E L 623: L U N A M O O N : \" W E L L , \" SAID Y A N K E E G I R L , \"THIS IS Y O U R P A R A D I S E . IT'S NOT M Y I D E A OF P A R A D I S E B U T IT STILL M A K E S A N A M A Z I N G A D V E N T U R E . \" P A N E L 624: Close-up of a portion of Crowgirl's pink island collage. L U N A M O O N : T H E F L U T T E R I N G B L U E S H I M M E R A P P R O A C H E D US. T H E H O V E R I N G MASS O F S E V E R A L H U N D R E D B L U E B U T T E R F L I E S STOPPED A B R U P T L Y , E A C H B U T T E R F L Y C L I N G I N G TO A F I L M Y P A L E B L U E G O W N , A FAIRY B A L L G O W N W O R N BY W H A T M U S T S U R E L Y B E A FAIRY O R A N A N G E L . O R WAS IT A N A P P A R I T I O N ? L U N A M O O N : \" W E L L , I N E V E R , Y O U ' V E C O M E J U S T I N T I M E F O R M Y A F T E R N O O N BIRTHDAY. Y O U ' R E M U C H TOO L A T E F O R M Y M O R N I N G B I R T H D A Y B U T Y O U A R E J U S T O N T I M E F O R THIS O N E ! Y O U DON'T L O O K V E R Y P R E S E N T A B L E . Y O U L O O K L I K E PIRATES!\" P A N E L 625: Drawing of the girls dressed as pirates. PINKIE: W E ' R E N O T PIRATES. W E ' R E P R I V A T E E R S . H E R E TO M A K E T H E SEAS S A F E . B L U E A P P A R I T I O N : W E L L , Y O U C A N ' T C O M E TO M Y A F T E R N O O N B I R T H D A Y W I T H O U T P R O P E R A T T I R E . Y A N K E E G I R L : W H A T IS P R O P E R ATTIRE? P A N E L 626: B L U E A P P A R I T I O N : SAY W H A T ? I A S K T H E QUESTIONS A R O U N D H E R E . Y O U C A N T C O M E TO M Y A F T E R N O O N B I R T H D A Y W I T H O U T P R O P E R A T T I R E . IT ISN'T J U S T A N Y B I R T H D A Y , IT'S M Y A F T E R N O O N B I R T H D A Y . NOT. TO B E C O N F U S E D W I T H M Y M O R N I N G B I R T H D A Y O R M Y L U N C H B I R T H D A Y . N E V E R M I N D T H A T R I G H T N O W . W E M U S T S E E TO Y O U R DRESSES. B L U E A P P A R I T I O N : M Y A F T E R N O O N B I R T H D A Y IS A L W A Y S P I N K SO Y O U M U S T W E A R PINK. P A N E L 627: PINKIE: B U T Y O U H A V E B L U E B U T T E R F L I E S O N . B L U E A P P A R I T I O N : IT'S M Y B I R T H D A Y , I C A N W E A R A N Y C O L O U R I W I S H . H O W E V E R , M Y GUESTS M U S T W E A R P I N K . A N D T H A T ' S F I N A L . PINKIE: W E L L IF IT'S Y O U R P I N K A F T E R N O O N B I R T H D A Y , W H Y DON'T Y O U W E A R P I N K ? B L U E A P P A R I T I O N : H O W R U D E O F Y O U TO A S K , E S P E C I A L L Y O N M Y B I R T H D A Y . P A N E L 629: B L U E A P P A R I T I O N : N E V E R M I N D A L L T H E S E QUESTIONS. LET'S DO S O M E T H I N G A B O U T Y O U R C L O T H E S . A N D Y O U ' L L H A V E TO T A K E O F F T H O S E E A R R I N G S A N D N O S E R I N G S . T H E Y W O N ' T DO A T A L L . E M : B U T W H A T W I L L W E W E A R ? P A N E L 630: B L U E A P P A R I T I O N : F L O W E R S O F C O U R S E . T H E R E A R E P I N K F L O W E R S A N D P I N K B U T T E R F L I E S E V E R Y W H E R E . N O W G E T BUSY. Y O U D O N ' T H A V E M U C H T I M E TO D I T H E R A R O U N D . L U N A M O O N : E V E R Y O N E T H O U G H T IT M I G H T B E I N T E R E S T I N G TO GO TO T H E B L U E A N G E L - F A I R Y ' S P I N K A F T E R N O O N B I R T H D A Y . S H E WAS A N O D D O N E , SO BOSSY, O P I N I O N A T E D , A N D E V E N A BIT V I O L E N T . W E R E A L I S E D T H A T S H E H A D A R R A N G E D E A C H O F US I N A C I R C L E A R O U N D H E R . W E C O U L D M O V E O U R A R M S , B U T O U R F E E T W E R E S T U C K FAST TO T H E G R O U N D . C H A P T E R E L E V E N / P . 119 P A N E L 631: L U N A M O O N : P I N K I E SAID, \"SHE'S SO N O T H I N G B U T A M E A N B L U E W I T C H ! W E ' V E F A L L E N U N D E R H E R S P E L L . \" L U N A M O O N : N O R A SAID, \" C O M E TO Y O U R SENSES. A R E Y O U F O R G E T T I N G W E ' R E I N A D R E A M ? L U N A M O O N M A D E H E R U P . C R O W G I R L , E M A N D P I N K I E I N V E N T E D T H I S ISLAND. W E C A N P U T A N E N D TO H E R S P E L L W H E N E V E R W E W I S H . L U N A M O O N , GET RID O F T H I S B L U E W I T C H ! \" P A N E L 632: L U N A M O O N : \"SAIL US A W A Y F R O M THIS P I N K I S L A N D R I G H T N O W , \" O R D E R E D N O R A . L U N A M O O N : A N D W E DID. W E S A I L E D OUT OF T H A T D R E A M R I G H T B A C K INTO T H I S M O R N I N G . P A N E L 633: L U N A M O O N : I G U E S S T H A T W A S M O R E O F A N A D V E N T U R E T H A N A M E D I T A T I O N . L U N A M O O N : N O W , I R E A L L Y N E E D A N A P . I 'LL STAY H E R E , T H E N W E C A N H A V E L U N C H . P A N E L 634: Chapter title, 'Pirate Booty' written across the top of a scene of the gang arriving in Crowgirl's room to play 'Pirates.' P A N E 635: C A P T A I N : A R R , A R R , H E R E W E A R E , T H E G O O G L E G O B B E T S , H E R E F O R A G A M E O F 'PIRATES. ' L U N A M O O N : C A N W E P L A Y I N T E A M S ? C A P T A I N : T H E R E A R E N ' T E N O U G H OF US. I 'LL SIT O U T T H E FIRST G A M E TO H E L P Y O U L E A R N IT. Y O U F O U R PLAY. P A N E L 636: L U N A M O O N : A N D C R O W G I R L ? C A P T A I N : SHE'S T H E T R E A S U R E G U A R D , W A T C H I N G O V E R O F A L L O U R BOOTY. FIRST OFF, E V E R Y O N E PICKS A SLOOP. W H A T ' S A SLOOP? IT M U S T B E A P I R A T E SHIP, RIGHT? YES, O F C O U R S E IT'S A K I N D OF PIRATE SHIP. AS T H E C A P T A I N I 'LL G I V E Y O U E A C H T E N D O U B L O O N S . P A N E L 639: D A V I N C I : SO, L I K E M O N O P O L Y W E T R Y TO GET T H E M O S T T R E A S U R E ? C A P T A I N : A Y E , A Y E . P A N E L 640: C A P T A I N : Y A N K E E G I R L , R O L L T H E DICE. C A P T A I N : PINKIE: Y A N K E E G I R L : P A N E L 638: C A P T A I N : C A P T A I N : P A N E L 641: A R L A : W H A T ' S A L L THIS? L U N A M O O N : W E ' R E P L A Y I N G T H E P I R A T E G A M E . C A P T A I N M A R R O W ' S T E A C H I N G US. P A N E L 642: A R L A : W H O ' S T H E R I C H E S T P I R A T E I N T H E P A C K ? C A P T A I N : SO F A R , Y A N K E E G I R L . S H E ' S GOT T H E M O S T BOOTY, 150 D O U B L O O N S . IT LOOKS L I K E S H E ' L L B E T H E W I N N E R . C R O W G I R L : IT'S N O T O V E R Y E T . P A N E L 643: PINKIE: W H O SAID T H A T ? C R O W G I R L : I DID. L U N A M O O N : Y O U ' R E A W A K E ! IT'S SO A B O U T T I M E . I ' M I N H E R E A G A I N ! P A N E L 645: A R L A : Y O U A R E . N O T F O R L O N G N O W Y O U ' R E A W A K E . W E ' L L TRY TO M O V E Y O U O U T AS S O O N AS W E C H E C K Y O U O V E R . D A V I N C I : L I K E , W E A L L GOT TO P L A Y PIRATES. A N D W E L I K E , L E A R N E D S O M E N E W SONGS F R O M G U E S S W H A T , J U S T F O R YOU? CROWGIRL: ' S I N G I N G I N T H E RAIN?' P A N E L 644: PINKIE: C R O W G I R L : P A N E L 646: A few hours later Crowgirl is back in the room she shares with L u n a m o o n . C R O W G I R L : M Y O W N B E D . M Y O W N B E D . IT'S SO G O O D TO B E B A C K H E R E . L U N A M O O N : Y O U S C A R E D M E W H E N Y O U DIDN'T W A K E U P . P A N E L 647: C R O W G I R L : I ' M F I N E N O W . Y O U DON'T N E E D TO B E S C A R E D A B O U T M E N O W . L U N A M O O N : B U T IT WAS SO R E A L L Y SCARY W H E N Y O U DIDN'T W A K E U P . P A N E L 648: C R O W G I R L : DO Y O U J U S T H A T E G E T T I N G A R O O M M A T E L I K E M E ? L U N A M O O N : NO. B U T IT H A S B E E N SCARY. I T H O U G H T Y O U D I E D . P A N E L 649: CROWGIRL: NOT Y E T . N O T YET. Y O U M U S T K N O W N O W T H A T I M A Y DIE. L U N A M O O N : DON'T SAY IT, I K N O W . P A N E L 650: CROWGIRL: LAST Y E A R O N E OF M Y R O O M M A T E S DIED. W E H A D A P A R T Y F O R H E R B E F O R E S H E L E F T . S H E W E N T H O M E TO DIE. C R O W G I R L : I DON'T W A N T TO GO H O M E . I W A N T TO STAY W I T H Y O U A N D M Y F R I E N D S . A R L A K N O W S . P A N E L 651: L U N A M O O N : W H A T DOES Y O U R M O T H E R T H I N K ? C R O W G I R L : I H A V E N ' T T O L D H E R Y E T . P A N E L 652: L U N A M O O N : W H Y ? C R O W G I R L : M A Y B E I ' M A F R A I D I 'LL H U R T H E R F E E L I N G S . I DON'T T H I N K S H E ' D H A N D L E M Y B E I N G H O M E V E R Y W E L L . L U N A M O O N : Y O U N E E D TO T A L K TO H E R . CROWGIRL: I K N O W . P A N E L 654: CROWGIRL: I ' M SO H A P P Y W E ' R E G O I N G TO H A V E A P A R T Y O N M Y B I R T H D A Y . C R O W G I R L T H I N K I N G : I H O P E I M A K E IT T H A T L O N G . L U N A M O O N : Y O U ' R E C H A N G I N G T H E S U B J E C T . P A N E L 655: CROWGIRL: I A M . I 'LL T A L K TO M Y M O T H E R . L U N A M O O N : I T H I N K Y O U S H O U L D . L U N A M O O N : W E F O U N D A P L A C E O U T S I D E F O R O U R S L E E P - O U T . IT T O O K US A W H I L E TO D E C I D E , BUT W E F I N A L L Y F I G U R E D IT OUT, V E R Y D E M O C R A T I C A L L Y L I K E R E A L PIRATES. C A P T A I N M A R R O W T O L D US T H A T W E H A D TO V O T E P R O P E R L Y IF W E R E G O I N G TO B E PIRATES. L U N A M O O N : H E T A K E S PIRATE S T U F F W A Y SERIOUSLY. P A N E L 656: L U N A M O O N : M O M E M A I L E D T H A T S H E F O U N D T H E T E N T A N D S O M E A I R M A T T R E S S E S . N O R A H A S S O M E TOO. P A N E L 657: L U N A M O O N : IT'S GOOD TO H A V E Y O U B A C K H E R E . I R E A D S O M E M I D N I G H T G A R D E N TO Y O U . I W O N D E R IF Y O U ' L L R E M E M B E R . W E ' L L R E A D M O R E L A T E R . CROWGIRL: I D R E A M E D I WAS A B A B Y C R O W L I V I N G O N T H E M O O N A N D T H E N A N E V I L S T R A N G E R S T O L E M E A N D D R O P P E D M E INTO A C R A D L E . P A N E L 658: L U N A M O O N : IT WASN'T A D R E A M . IT WAS A STORY I T O L D Y O U . CROWGIRL: Y O U DID! I K E P T D R E A M I N G IT O V E R A N D O V E R . IT M A D E M E R E M E M B E R A L L T H E F U N N Y S H I N Y T H I N G S I U S E D TO F I N D W H E N I WAS L I T T L E . CROWGIRL: I J U S T R E M E M B E R E D I H A V E A T I N Y B R A C E L E T W I T H L I T T L E STONES J U S T L I K E Y O U R R I N G . L U N A M O O N : Y O U M E A N L I T T L E M O O N S T O N E S ? P A N E L 660: CROWGIRL: Y E A H . SEE. H E R E IT IS. CROWGIRL: I WAS W A L K I N G W I T H M Y N A N N Y A N D I F O U N D IT I N T H E GRASS. I W O R E IT F O R A W H I L E , B U T IT'S R E A L L Y TINY. P A N E L 661: L U N A M O O N : IT'S B E A U T I F U L . T H E STONES L O O K J U S T L I K E M Y R I N G . CROWGIRL: DO Y O U W A N T IT? P A N E L 662: L U N A M O O N : B U T IT'S Y O U R T R E A S U R E . A N D IT'S TOO S M A L L F O R M E . CROWGIRL: IT'S TOO S M A L L F O R Y O U BUT N O T TOO S M A L L F O R Y O U R M O O N PRINCESS D O L L . IT C O U L D B E A N E C K L A C E F O R H E R . CROWGIRL: DON'T W O R R Y . I P R O M I S E NOT TO T E L L A N Y O N E Y O U H A V E A D O L L H E R E . P A N E L 663: L U N A M O O N : SO Y O U H E A R D M E . CROWGIRL: I SAID I W O N ' T T E L L A N D I WON'T. B U T I DO N E E D Y O U R H E L P W I T H S O M E T H I N G . P A N E L 664: C R O W G I R L : I N E E D S O M E E N V E L O P E S . L U N A M O O N : N O P R O B L E M . H O W M A N Y ? P A N E L 665: CROWGIRL: A B O U T F I F T E E N . M A Y B E O N L Y T W E L V E . Y E S . I N E E D T W E L V E . A N D I N E E D A C O U P L E O F S M A L L BOXES. L U N A M O O N : I H A V E T H E E N V E L O P E S , BUT N O B O X E S . I T H I N K W E C A N F I N D S O M E . P A N E L 666: L U N A M O O N : W H A T ' S T H I S FOR? CROWGIRL: L O O K I N G I N T H I S C H E S T M A D E M E T H I N K T H A T O N M Y B I R T H D A Y I C O U L D G I V E E A C H O F M Y F R I E N D S O N E O F M Y T R E A S U R E S . L U N A M O O N : IT'S Y O U R B I R T H D A Y . W E ' R E S U P P O S E D TO GIVE Y O U P R E S E N T S . CROWGIRL: N O . NOT THIS B I R T H D A Y . IT'S T I M E F O R M E TO G I V E A W A Y S O M E T H I N G S . C H A P T E R T W E L V E / P . 126 P A N E L 668: CROWGIRL: L O O K A T THIS T I N Y CRYSTAL H U M M I N G B I R D . IT'S F O R PINKIE. C R O W G I R L : O H , I F O R G O T A B O U T T H E S E . T H E Y ' R E P E R F E C T . G O L D COINS F O R C A P T A I N M A R R O W . P A N E L 669: . C R O W G I R L : ISN'T THIS G R E A T F O R D A V I N C I , A G O L D P E N ? L U N A M O O N : O H M Y GOD, T H E S E A R E FANTASTIC GIFTS. C R O W G I R L : F R O M M Y FANTASTIC C R O W G I R L A D V E N T U R E S ! I DON'T H A V E J E W E L L E R Y OR T R E A S U R E F O R Y A N K E E G I R L . S H E DOESN'T L I K E T H A T S T U F F A N Y W A Y . I ' M G O I N G TO G I V E H E R M Y S P E N D I N G M O N E Y TO B U Y BOOKS. H E L P M E R E M E M B E R TO P U T S O M E M O R E I N IF M O M SENDS M O R E B E F O R E M Y BIRTHDAY. P A N E L 670: C R O W G I R L : H E R E ' S W H A T I N E E D A B O X FOR. I ' M G I V I N G A R L A C R O W B A B Y SINCE S H E M A D E H I M F O R M E . I H A D A M O U S E A N D I T O L D A R L A I W I S H E D IT WAS A C R O W SO S H E M A D E IT W I N G S A N D A B E A K . L U N A M O O N : I 'LL F I N D A B O X F O R C R O W B A B Y . W H A T ' S T H E O T H E R B O X FOR? P A N E L 671: C R O W G I R L : F O R M Y CDS A N D DVDS. I 'LL G I V E T H E M TO K I M F O R HIS M U S I C P R O G R A M . C R O W G I R L : N O W , THIS IS W H E R E I R E A L L Y R E A L L Y N E E D Y O U R H E L P . C R O W G I R L : I W A N T TO F I N I S H M Y SCRAPBOOK. M O S T O F T H E P I C T U R E S A R E F I N I S H E D B U T I W A N T A L I T T L E STORY O N E A C H O N E . C O U L D Y O U W R I T E U P M Y STORIES O N Y O U R LAPTOP SO I C O U L D PASTE T H E M I N M Y BOOK? P A N E L 673: View of Lunamoon turning her head away to gain control of herself L U N A M O O N : OF C O U R S E . L U N A M O O N T H I N K I N G : SHE'S P U T T I N G E V E R Y T H I N G I N O R D E R . OKAY, OKAY, I C A N DO T H I S . P A N E L 674: CROWGIRL: W H A T A B O U T E M ? A N D LISA, A D A M A N D N O M I ? L U N A M O O N : W H Y DON'T Y O U M A K E E M A S U R P R I S E P I C T U R E . Y O U A N D E M O N A M A G I C A L J O U R N E Y ? F L Y I N G O N A M A G I C C A R P E T O R U M B R E L L A ? A ' S I N G I N G I N T H E R A I N ' U M B R E L L A ? P A N E L 675: CROWGIRL: I C A N M A K E T H E P I C T U R E . C A N Y O U H E L P M E W I T H A STORY? L U N A M O O N : Y O U DON'T N E E D A STORY F O R E M . I B E T S H E ' D L I K E TO M A K E U P H E R O W N W H E N S H E LOOKS A T IT. P A N E L 676: CROWGIRL: Y O U ' R E R I G H T . E M ' S G O O D A T T H A T . L U N A M O O N : Y O U C O U L D M A K E A D A M A N D N O M I A N O T H E R T R O P I C A L I S L A N D P I C T U R E . C O U L D Y O U T A K E S O M E PICTURES O U T O F T H E BOOK? P A N E L 677: C R O W G I R L : M A Y B E I S H O U L D . I 'M K I N D A T I R E D N O W . I T H I N K I 'LL H A V E A REST. L U N A M O O N : M E TOO. LET'S H A V E A REST. P A N E L 678: L U N A M O O N T H I N K I N G : I 'VE GOT TO REST. I H A T E THIS T I R E D N E S S . T H E S C A R E D E R I F E E L , T H E T I R E D E R I GET. L U N A M O O N : I 'VE GOT A N O T H E R M O O N P O E M F O R Y O U . P A N E L 679: View of Crowgirl's lunar landscape collage of the snowman shape. The poem is i n Lunamoon's speech balloons. L U N A M O O N : S N O W M A N DID Y O U K N O W ? T H E R E ' S A S N O W M A N O N T H E M O O N , N O T A M A N I N T H E M O O N , A S N O W M A N I N T H E M O O N , T W O BIG C R A T E R S A N D A L I T T L E H E A D , A S N O W M A N I N T H E M O O N , A S N O W M A N I N B E D , S L E E P I N G O N T H E M O O N . AS Q U I E T AS C A N B E , A S N O W M A N C R A T E R T H I N G O N T H E M O O N ' S L U M P Y L A N D . A S N O W M A N O N T H E M O O N ! A N D N O T A D R O P I N SIGHT, N O T A S N O W F L A K E O R A CRYSTAL I N T H E L I G H T O F T H E N I G H T . P A N E L 680: Chapter title, 'Plans' written across the top of a view of the girls waking up in the morning. A R L A : W A K E UP, L A D I E S . A R L A : H O W A R E Y O U THIS M O R N I N G ? P A N E L 681: CROWGIRL: I ' M SORT O F T I R E D . W E L L , R E A L L Y T I R E D . A R L A : T I M E W E T A L K E D , DON'T Y O U T H I N K ? P A N E L 682: A R L A : H A V E Y O U S P O K E N W I T H Y O U R M O T H E R Y E T ? C R O W G I R L : NO. I K E E P W A I T I N G . SHE'S B E E N A W A Y T H I S W E E K . A R L A : I K N O W . B U T S H E ' L L B E H E R E O N FRIDAY. W E T H R E E C O U L D T A L K T H E N . C R O W G I R L : CAN'T Y O U DO IT F O R M E ? P A N E L 684: A R L A : I C O U L D , B U T I T H I N K S H E N E E D S TO H E A R IT F R O M Y O U . IT 'LL H E L P H E R A C C E P T Y O U R DECISION. C R O W G I R L : I ' M A F R A I D I 'LL M A K E H E R F E E L B A D . P A N E L 685: A R L A : S H E ' L L P R O B A B L Y B E R E L I E V E D B E C A U S E W E C A N H E L P H E R . I T H I N K S H E WANTS O U R H E L P . C R O W G I R L : I T H I N K SO TOO. STILL I ' M S C A R E D TO T A L K W I T H H E R . A R L A : I 'LL B E W I T H Y O U W H E N Y O U T E L L . C R O W G I R L : Y O U ' L L B E R I G H T H E R E ? A R L A : I W I L L . I PROMISE. P A N E L 687: CROWGIRL: A R L A : IT W I T H H E R . P A N E L 688: CROWGIRL: A R L A : P A N E L 689: CROWGIRL: L U N A M O O N : SO N O W C A N W E T A L K A B O U T T H E S L E E P - O U T ? W H E N L U N A M O O N W A K E S U P Y O U C A N G E T TO W O R K O N L E T H E R S L E E P F O R A W H I L E . S H E T E L L S GOOD STORIES. S H E DOES. SHE'S A P R E T T Y N E A T F R I E N D . Lunamoon waking up. I T H O U G H T Y O U W E R E G O I N G TO S L E E P A L L M O R N I N G ! W H A T T I M E IS IT? C R O W G I R L : IT'S 9:45- I A L R E A D Y H A D B R E A K F A S T . Y U C K Y AS U S U A L . CROWGIRL: I 'M W O R K I N G O N A N E W P I C T U R E . P A N E L 691: L U N A M O O N : I GUESS I B E T T E R G E T U P A N D EAT. C R O W G I R L : T H E N C A N W E T A L K A B O U T T H E S L E E P - O U T ? P A N E L 692: L U N A M O O N : W E C A N . W E S H O U L D T A L K W I T H T H E O T H E R GUYS TOO. A N D W I T H E M . Y O U W A N T E M TO C O M E , DON'T Y O U ? CROWGIRL: DID Y O U A S K H E R ? P A N E L 693: L U N A M O O N : N O . W E T H O U G H T Y O U W O U L D W A N T TO. P A N E L 694: L U N A M O O N : SO, W H A T DO Y O U W A N T TO DO A T Y O U R PARTY? CROWGIRL: P L A Y T H E P I R A T E G A M E A N D T H A T W O R D G A M E , Y O U K N O W T H E O N E W H E R E Y O U M A K E UP DEFINITIONS. P A N E L 695: L U N A M O O N : B A L D E R D A S H ? CROWGIRL: Y E A H , T H A T ' S T H E O N E Y A N K E E G I R L L O V E S . P A N E L 696: L U N A M O O N : COOL. I ' M N O T A BIG F A N OF G A M E S , B U T I DO L I K E W O R D G A M E S . CROWGIRL: W E C O U L D P L A Y FOR PRIZES. I 'VE GOT S O M E M O N E Y TO B U Y PRIZES. W E C O U L D A S K E M A N D H E R M O M TO B U Y T H E M F O R US. L U N A M O O N : I A S K E D N O R A TO PICK U P A C A K E . IT'S A S W E D I S H PRINCESS C A K E , R O U N D A N D C O V E R E D W I T H M A R Z I P A N ICING. CROWGIRL: W H A T ' S M A R Z I P A N ? P A N E L 698: L U N A M O O N : IT'S G R O U N D A L M O N D S A N D SUGAR. T H E C A K E IS SO DELICIOUS A N D R E A L L Y PRETTY. IT LOOKS L I K E A M O O N . L U N A M O O N : SO W H A T A R E Y O U R F A V O U R I T E B I R T H D A Y FOODS? P A N E L 699: CROWGIRL: W H A T DO Y O U M E A N BY B I R T H D A Y FOOD? L U N A M O O N : O N M Y B I R T H D A Y , M Y M O M A L W A Y S L E T S M E H A V E W H A T E V E R I W A N T TO EAT. I A L W A Y S C H O O S E B A K E D POTATOES, LOBSTER, C A E S A R S A L A D A N D G A R L I C B R E A D F O R D I N N E R . P A N E L 700: CROWGIRL: I'D C H O O S E A BIG J U I C Y C H E E S E B U R G E R , FRIES, A C H O C O L A T E S H A K E A N D J E L L Y B E A N S L U N A M O O N : I B E T W E C A N DO T H A T . T H A T ' S T A K E - O U T F R O M DUCKY'S. P A N E L 701: Captain Marrow standing i n the doorway of Lunamoon and Crowgirl's room. C A P T A I N : H E Y , C R O W G I R L , W H A T ' S H A P P E N I N G W I T H Y O U R PARTY? CROWGIRL: L U N A M O O N A N D I J U S T F I G U R E D O U T T H E FOOD. P A N E L 702: Davinci joins the group. D A V I N C I : SO L I K E , W H A T A R E W E H A V I N G ? CROWGIRL: H E R E ' S O U R LIST. P A N E L 703: View of Crowgirl's hand-written list: Ducky's-cheeseburgers, fries, chocolate shakes, jelly beans, (Em) Princess Cake (Nora). P A N E L 704: Close-up of Crowgirl looking at Captain. CROWGIRL: C A N W E P L A Y Y O U R PIRATE G A M E ? I 'LL G E T S O M E PRIZES A N D B O O T Y BAGS F O R E V E R Y O N E . C A P T A I N : N O W T H A T E V E R Y O N E K N O W S H O W TO PLAY, W H Y NOT? CROWGIRL: C O O L . P A N E L 705: Close-up of Lunamoon. Pinkie and Yankeegirl are behind her. L U N A M O O N : H O W A B O U T W E DRESS UP? Y O U C O U L D DRESS AS A PIRATE A N D T H E REST O F US C A N B E W H A T E V E R W E W I S H . C A P T A I N : I A M T H E C A P T A I N ! A B R I L L I A N T IDEA. P A N E L 706: A large panel showing the whole gang talking. L U N A M O O N : I W A N T TO B E A M O O N PRINCESS. I 'LL B E A B L E TO W R A P M Y H A I R L E S S H E A D I N S O M E T H I N G SILVERY, O R G A U Z Y . PINKIE: I ' M SO G O I N G TO B E A P I N K B U T T E R F L Y , A F L U T T E R OF PINK, PINK, PINK. CROWGIRL: OR Y O U C O U L D B E A G I R L PIRATE, A P I N K PIRATE. W H A T A B O U T T H A T ? P A N E L 707: Close-up of Pinkie. PINKIE: W H Y DOES E V E R Y T H I N G SO H A V E TO B E A B O U T PIRATES. I ' M SO NOT INTO PIRATES. L U N A M O O N : IT D O E S N ' T H A V E TO B E . B U T IT'S C R O W G I R L ' S B I R T H D A Y . S H E S H O U L D D E C I D E . PINKIE: IT'S A L W A Y S A B O U T H E R ! D A V I N C I : L I K E W H A T ' S U P W I T H Y O U ? Y A N K E E G I R L : SHE'S D O I N G H E R D I V A T H I N G . P A N E L 709: View of the entire group. CROWGIRL: W H A T ' S A D I V A T H I N G ? L U N A M O O N : IT'S W H E N Y O U W A N T E V E R Y O N E TO PAY A T T E N T I O N TO Y O U , O N L Y Y O U . P A N E L 710: View of Lunamoon and Crowgirl . L U N A M O O N : IT'S Y O U R B I R T H D A Y , SO Y O U DO G E T TO C H O O S E , Y O U GET TO B E T H E DIVA. A N Y W A Y I WAS T H E O N E W H O S U G G E S T E D P I R A T E D R E S S . CROWGIRL: AS L O N G AS W E G E T TO P L A Y PIRATES T H E N I T H I N K E V E R Y O N E C A N DRESS H O W E V E R T H E Y W A N T . C R O W G I R L : W E L L , I ' M G O I N G TO B E A C R O W PIRATE C H A P T E R T H I R T E E N / P . 712 P A N E L 712: C A P T I O N : S E V E R A L DAYS L A T E R A R L A : L U N A M O O N , M A Y I T A L K W I T H Y O U ? L U N A M O O N : N O W ? P A N E L 713: A r i a standing i n the doorway of Lunamoon and Crowgirl's r o o m . A R L A : YES, N O W . P L E A S E W A L K D O W N T H E H A L L W I T H M E . L U N A M O O N : C R O W G I R L , I 'LL B E BACK. IT'S M O R E O F O U R TOP S E C R E T B I R T H D A Y P L A N N I N G . C R O W G I R L : COOL. I L I K E SURPRISES. A R L A : I H A V E N ' T T O L D C R O W G I R L Y E T , B U T W E ' V E GOT TO C H A N G E T H E S L E E P - O U T P L A N S A BIT. L U N A M O O N : W H Y ? P A N E L 715: A R L A : C R O W G I R L ' S N O T S T R O N G E N O U G H TO S P E N D T H E N I G H T O U T S I D E . L U N A M O O N : S H E S E E M S TO B E G E T T I N G W E A K E R . P A N E L 716: A R L A : S H E IS. I T H I N K I H A V E A S O L U T I O N . L U N A M O O N : E V E R Y O N E IS G O I N G TO B E R E A L L Y D I S A P P O I N T E D , E S P E C I A L L Y C R O W G I R L . P A N E L 717: A R L A : I K N O W . BUT W E CAN'T T A K E H E R O U T T H E R E . C H A P T E R T H I R T E E N / P . 134 P A N E L '718: A R L A : H O W A B O U T W E P U T T H E T E N T U P I N Y O U R R O O M A N D Y O U C A N H A V E A N I N D O O R S L E E P - O U T . H E Y , N O BUGS! Y O U ' L L H A V E T H E T E N T , S L E E P I N G B A G S A N D A I R M A T T R E S S E S . L U N A M O O N : I GUESS. B U T W E W O N ' T B E A B L E TO H A V E A B O N F I R E , W I L L W E ? P A N E L 719: A R L A : T R U E . B O N F I R E S A N D O X Y G E N E Q U I P M E N T M A K E B A D C O M P A N Y F O R E A C H O T H E R . A R L A : Y O U C A N D E C O R A T E T H E T E N T A N D T H E R O O M W I T H LOTS O F B A L L O O N S A N D C U T OUTS. W E ' L L B R I N G I N E X T R A C H A I R S A N D T A B L E S . L U N A M O O N : SHE'S G O I N G TO B E SO D I S A P P O I N T E D . A R L A : S H E W I L L BE. B U T I T H I N K S H E K N O W S H E R RESISTANCE IS D O W N P A N E L 721: Close-up of Lunamoon. L U N A M O O N : SHE'S G O I N G TO DIE, ISN'T S H E ? A R L A : I W O U L D H A V E T H O U G H T SO, B U T SHE'S A B O U N C E R . J U S T W H E N I T H I N K SHE'S L O S I N G S H E C O M E S B A C K I N F U L L F O R C E . A R L A : SHE'S A M A Z I N G . SHE'S I N A F I E R C E B A T T L E F O R H E R L I F E . IT D O E S N ' T L O O K GOOD. P A N E L 722: L U N A M O O N : W I L L S H E S U F F E R ? A R L A : Y O U M E A N , W I L L S H E F E E L PAIN? SHE'S O N GOOD P A I N K I L L E R S N O W . W E C A N K E E P H E R V E R Y C O M F O R T A B L E . L U N A M O O N : S H E T O L D M E S H E W A N T S TO STAY H E R E I N S T E A D OF G O I N G H O M E . A R L A : I K N O W . I T H I N K IT IS A GOOD I D E A F O R H E R TO STAY H E R E . P A N E L 724: L U N A M O O N : THIS IS SO SCARY. A R L A : IT IS. A N D IT'S SAD. Y O U ' V E B E C O M E G O O D F R I E N D S . C R O W G I R L L O V E S Y O U A N D A L L H E R F R I E N D S . Y O U ' V E B E E N L I K E A BIG SISTER. C H A P T E R T H I R T E E N / P . 135 P A N E L 725: L U N A M O O N : SHE'S A G R E A T F R I E N D . I 'M NOT L I K E C R O W G I R L - I DON'T H A V E LOTS OF F R I E N D S , E X C E P T F O R NORA. NORA'S M Y BEST F R I E N D . L U N A M O O N : C R O W G I R L ' S L I K E A N E W BEST F R I E N D . IT M A K E S M E SICK T H A T S H E C O U L D DIE. P A N E L 726: A R L A : IT M A K E S M E SICK AT H E A R T TOO. A R L A : F O R N O W W E C A N G I V E C R O W G I R L A G R E A T B I R T H D A Y , H E R BEST B I R T H D A Y . P A N E L 727: L U N A M O O N : SO, I G U E S S W E B E T T E R T E L L H E R A N D T H E O T H E R S A B O U T T H E INSIDE BIT. A R L A : O T H E R S ? DO Y O U W A N T TO T E L L C R O W G I R L A N D I 'LL T E L L T H E P A N E L 728: L U N A M O O N : N O , B U T I W I L L . I K N O W I S H O U L D . A R L A : DON'T W O R R Y , SHE'S G O I N G TO H A N D L E THIS P R E T T Y W E L L . I T H I N K Y O U ' L L B E S U R P R I S E D . C H A P T E R T H I R T E E N / P . 136 P A N E L 729: Lunamoon walks back into her room. CROWGIRL: Y O U ' R E B A C K . CROWGIRL: OKAY, SO W H A T S E C R E T S DO Y O U T W O H A V E ? L U N A M O O N : I T H O U G H T Y O U SAID Y O U L I K E D SURPRISES! P A N E L 730: CROWGIRL: I DO, B U T I C A N STILL A S K . L U N A M O O N : THIS IS N O T A S E C R E T , B U T A R L A SAID T H A T W E N E E D TO M O V E T H E P A R T Y INDOORS. P A N E L 731: C R O W G I R L : N O ! C R O W G I R L : I W A N T TO S L E E P OUTSIDE. I 'VE N E V E R D O N E T H A T ! P A N E L 732: C R O W G I R L : W H A T A R E T H E Y W O R R I E D A B O U T ? I ' M G O I N G TO D I E A N Y W A Y ! C R O W G I R L : SORRY. I S H O U L D N ' T H A V E SAID T H A T . P A N E L 733: L U N A M O O N : IT'S OKAY. Y O U H A V E A POINT. M A Y B E W E S H O U L D A S K A R L A A G A I N . C R O W G I R L : I W A N T TO K N O W W H Y I CAN'T GO OUTSIDE. A R L A : I K N O W THIS IS R E A L L Y D I S A P P O I N T I N G F O R Y O U . CROWGIRL: IT IS. THIS IS K I N D O F L I K E M Y BIG W I S H ! P A N E L 735: A R L A : S O M E O F T H E T H I N G S W E ' R E G I V I N G Y O U W I L L B E V E R Y D I F F I C U L T TO DO OUTSIDE. A R L A : A N D I ' M A F R A I D OF T H E N I G H T C O L D -NOT J U S T F O R Y O U B U T F O R T H E O T H E R S TOO. P A N E L 736: A R L A : Y O U R BIRTHDAY'S N O T F O R A F E W M O R E DAYS. LET'S W A I T TO D E C I D E . B U T IT W O U L D B E G O O D TO F I G U R E O U T H O W TO DO IT I N S I D E J U S T I N C A S E . L U N A M O O N : T H A T S O U N D S L I K E A P L A N . P A N E L 737: Close-up of Crowgirl looking resigned to the plan. C R O W G I R L : I SUPPOSE. P A N E L 738: view of Lunamoon and Crowgirl i n their room. C A P T I O N : L A T E R T H A T DAY. C R O W G I R L : H E R E ' S M Y IDEA. W E ' L L P R O B A B L Y H A V E T H E P A R T Y I N S I D E B U T T H E N L I K E TOM'S MIDNIGHT GARDEN W E ' L L H A V E A M I D N I G H T P A R T Y I N M Y SCRAPBOOK, SORT O F A D R E A M T I M E PARTY. L U N A M O O N : H E R E ' S A N O T H E R G O O D T H I N G A B O U T INSIDE, W E C A N W A T C H DVD'S. W E C A N SING. P A N E L 739: CROWGIRL: W E H A V E TO H A V E S 'MORES! E V E R Y O N E H A S T H E M O N S L E E P - O U T S . A R L A C A N F I G U R E O U T H O W TO DO T H A T . P A N E L 740: Chapter title, 'French Toast, Cheeseburgers, Skinny Fries and Princess M o o n Cake' hand-lettered across the top of a bird's eye view of Lunamoon's bed. P A N E L 741: Lunamoon waking up P A N E L 742: Lunamoon creating a small birthday party scene with Crowbaby and M o o n Princess on Crowgirl's bedside table. P A N E L 743: Lunamoon placing M o o n Princess at a small table. L U N A M O O N T H I N K I N G : Y O U T W O N E E D P A R T Y C L O T H E S O R A T L E A S T P A R T Y HATS. OKAY, I 'LL TIE RIBBONS O N Y O U R H E A D S , LOTS O F C U R L I N G RIBBONS. A N D F L O W E R S . L U N A M O O N T H I N K I N G : N O W Y O U L O O K L I K E P A R T Y P E O P L E . P A N E L 745: A view of the finished party scene, Crowbaby and M o o n Princess sitting at a table decorated with tiny paper flowers, si lk ribbons and tiny doll plates. O n each plate sits a sugar frosted petits fours, each with a candle. L U N A M O O N T H I N K I N G : N O W Y O U ' R E R E A D Y F O R T H E B I R T H D A Y ! P A N E L 746: Lunamoon going back to bed. L U N A M O O N T H I N K I N G : J U S T A BIT M O R E S L E E P . P A N E L 747: Crowgir l waking up. CROWGIRL: F I N A L L Y ! IT'S M Y B I R T H D A Y ! L U N A M O O N : H A P P Y B I R T H D A Y ! P A N E L 748: Crowgirl looking at the birthday scene. CROWGIRL: Y O U M A D E THIS, DIDN'T YOU? L U N A M O O N : C R O W B A B Y A N D M O O N P R I N C E S S C O U L D N ' T WAIT. P A N E L 749: Close-up of Lunamoon. L U N A M O O N : M O M A N D E M ' S M O M W I L L B E H E R E SOON. G U E S S W H A T T H E Y ' R E B R I N G I N G ? CROWGIRL: T H E T E N T A N D S L E E P I N G BAGS. L U N A M O O N : A N D Y O U R F A V O U R I T E B R E A K F A S T , F R E N C H TOAST. A r i a giving Crowgir l a hug. H A P P Y B I R T H D A Y . A R L A : H O W SWEET. P A N E L 752: Close-up of Ar ia . A R L A : I H A V E D I S A P P O I N T I N G N E W S . E A R L Y THIS M O R N I N G C A P T A I N M A R R O W ' S P A R E N T S T O O K H I M H O M E . CROWGIRL: N O T A N O T H E R R E L A P S E ? P A N E L 753: View of A r i a and Lunamoon standing next to Crowgirl ' bed. A R L A : I ' M A F R A I D SO. THIS IS HIS T H I R D R E L A P S E , T H E W O R S T YET. T H E Y ' L L C A R E F O R H I M A T H O M E F O R A W H I L E . P A N E L 751: A R L A : L U N A M O O N : H O W C A N T H A T BE? H E L O O K E D F I N E . P A N E L 754: A R L A : S O M E T I M E S IT H A P P E N S U N E X P E C T E D L Y . W E ' R E A L L G O I N G TO MISS H I M TODAY. A R L A : H E DID S O M E T H I N G R E A L L Y SWEET. H E A S K E D HIS M O M TO L E A V E T H E PIRATE G A M E F O R Y O U TO P L A Y TODAY. L U N A M O O N : W I L L H E C O M E B A C K H E R E ? P A N E L 755: A R L A : I DON'T K N O W IF C A P T A I N W I L L B E BACK. THIS IS A SERIOUS R E L A P S E . B U T L O O K AT O U R C R O W G I R L . A R L A : Y O U K E E P S C A R I N G US A N D T H E N BOING! Y O U ' R E B A C K . C R O W G I R L T H I N K I N G : I T H O U G H T I WAS T H E N E X T O N E O F F T H E G A N G P L A N K . M A Y B E I STILL A M . B U T THIS F I G H T ISN'T OVER. N O T YET. N O T Y E T IT ISN'T. P A N E L 756: E m arrives. E M : H A P P Y B I R T H D A Y ! C R O W G I R L : T H A N K S , E M . E M : W H A T H A P P E N E D ? W H Y IS E V E R Y O N E SO D O W N ? L U N A M O O N : IT'S B U D D Y , C A P T A I N M A R R O W . H E ' S H A D A B A D R E L A P S E . HIS P A R E N T S J U S T T O O K H I M H O M E . C R O W G I R L : H O W C A N W E H A V E A P A R T Y NOW? P A N E L 758: A R L A : W E B E T T E R H A V E A PARTY. T H E LAST T H I N G C A P T A I N SAID W A S , \" T E L L C R O W G I R L H A P P Y B I R T H D A Y A N D H A V E A W O N D E R F U L P A R T Y . \" L U N A M O O N : T H A T M U S T B E W H Y H E L E F T T H E P I R A T E G A M E . P A N E L 759: A R L A : E X A C T L Y . H E W A N T S Y O U TO P L A Y A N D TO H A V E A P A R T Y . C R O W G I R L : OKAY. W E ' L L DO T H A T F O R H I M . H E ' L L B E O U R G U A R D I A N P I R A T E . P A N E L 780: CROWGIRL: W H E R E ' S DAVINCI? LET'S I N V I T E H I M F O R F R E N C H TOAST. L U N A M O O N : DAVINCI , E M ' S M O M A N D M I N E J U S T A R R I V E D W I T H F R E N C H TOAST, B A C O N A N D F R E S H S Q U E E Z E D O R A N G E J U I C E . L U N A M O O N : C O M E O N A N D H A V E B R E A K F A S T W I T H US. P A N E L 781: D A V I N C I : DID A R L A L I K E T E L L YOU? CAPTAIN'S G O N E H O M E . L I K E , H E H A D A B A D R E L A P S E . L U N A M O O N : S H E DID. S H E T O L D US T H A T H E W A N T S US TO P L A Y PIRATES A N D H A V E T H E PARTY F O R C R O W G I R L . P A N E L 782: D A V I N C I : I C A N ' T B E L I E V E H E H A D A N O T H E R O N E . I T H O U G H T H E WAS G O I N G TO B E F I N E . L I K E I T H O U G H T C R O W G I R L WAS I N B A D S H A P E , N O T C A P T A I N . L U N A M O O N : W E R E Y O U H E R E W H E N H E H A D HIS O T H E R R E L A P S E ? P A N E L 783: D A V I N C I : I WAS, B U T IT M U S T N O T H A V E B E E N SO B A D . L I K E H E DIDN'T E V E N S E E M SICK TO M E . B U T HE'S P R E T T Y G O O D A T H I D I N G T H I N G S . L U N A M O O N : C O M E O N . LET'S GO E A T W I T H C R O W G I R L . P A N E L 784: D A V I N C I : I L I K E A T E A L R E A D Y . D A V I N C I : A N D I N E E D TO F I N I S H S O M E T H I N G I ' M M A K I N G F O R C R O W G I R L ' S B I R T H D A Y . P A N E L 785: D A V I N C I : W H E N A R E Y O U G O I N G TO P U T U P T H E T E N T ' C A U S E , L I K E I W A N T TO H E L P D E C O R A T E IT? L U N A M O O N : I N A B O U T A N H O U R . L U N A M O O N : I ' M SORRY A B O U T C A P T A I N . IT M U S T B E SAD F O R Y O U . P A N E L 786: r D A V I N C I : IT IS. L I K E I WASN'T R E A D Y F O R IT. D A V I N C I : HIS M O M SAID I C O U L D C A L L H I M L A T E R TODAY. P A N E L 787: L U N A M O O N : DAVINCI'S B U S Y M A K I N G A B I R T H D A Y S U R P R I S E F O R Y O U . CROWGIRL: W H A T ' S H E M A K I N G ? P A N E L 788: L U N A M O O N : I ' M N O T T E L L I N G . CROWGIRL: P L E A S E , P L E A S E , P L E A S E ! P A N E L 789: L U N A M O O N : N O WAY. I ' M NOT G O I N G TO SPOIL HIS S U R P R I S E A N D T H A T ' S T H A T ! E M : THIS IS R E A D Y TO EAT. CROWGIRL: W H E R E A R E T H E M O M S . L U N A M O O N : T H E Y ' R E D O W N T H E H A L L I N T H E P A R E N T L O U N G E . I T H I N K T H E Y ' R E T A L K I N G A B O U T C A P T A I N M A R R O W . A R L A SAID T H A T R E L A P S E S U P S E T A L L T H E P A R E N T S . CROWGIRL: SHE'S R I G H T . ' M E M B E R PINKIE'S M O M H A D A H O R R I B L E T I M E W H E N P I N K I E GOT P N E U M O N I A . P A N E L 791: E M : N E W S U B J E C T . IT'S Y O U R B I R T H D A Y ! LET'S E A T A N D L I S T E N TO Y O U R N E W CD. IT'S R O G E R S A N D H A M M E R S T E I N , LOTS O F SONGS. H E Y , I A L R E A D Y K N O W M O S T O F T H E M . P A N E L 792: Large panel with E m and Lunamoon singing. E M S I N G I N G : \" H A P P Y T A L K , ...\" L U N A M O O N S I N G I N G : She is holding a paper moon P A N E L 793: After breakfast the gang arrives to decorate the room. E M : C R O W G I R L , I ' M T A K I N G Y O U A N D Y O U R M O M TO T H E M U S I C R O O M W H I L E T H E G A N G D E C O R A T E S . P A N E L 794: L U N A M O O N : A R E Y O U R E A D Y TO START? Y A N K E E G I R L : Y E A H . H E R E ' S M Y B R I L L I A N T I D E A O F T H E DAY. C R O W G I R L STARTS W I T H ' C SO H E R E A R E M Y N E W W O R D S . LET'S H E A R T H E C A C O P H O N Y O F B U S Y W O R K O N O U R C H I M E R I C A L C E L E B R A T I O N . P A N E L 795: View of Lunamoon and Yankeegirl hanging up paper crows. L U N A M O O N : W E R E A L L Y S H O U L D C A L L Y O U W O R D G I R L . P A N E L 796: Large panel showing the gang hanging up paper crows, balloons, paper flowers and ribbons. P A N E L 798: Crowgirl's first view of the decorated room. C R O W G I R L : IT'S B E A U T I F U L . T H E COOLEST, M O S T B E A U T I F U L B I R T H D A Y P A R T Y R O O M I N T H E U N I V E R S E . C R O W G I R L : T H A N K Y O U , T H A N K Y O U E V E R Y O N E . P A N E L 799: Close-up of Crowgirl looking at the paper crows. CROWGIRL: W H O M A D E T H E S E ? L U N A M O O N : DAVINCI A N D P I N K I E M A D E T H E M . T H E Y ' R E L I K E T H E J A P A N E S E H A N G I N G S T H A T H A V E O N E T H O U S A N D C R A N E S F O R H A P P I N E S S . P A N E L 8 0 0 : L U N A M O O N : Y O U H A V E O N E T H O U S A N D M O O N CROWS TO W I S H Y O U H A P P I N E S S A N D H E A L T H . E M : Y A N K E E G I R L W R O T E A F A N C Y W O R D O N E V E R Y S I N G L E O N E . IT 'LL T A K E Y O U A L O N G L O N G T I M E TO R E A D T H E M A L L . E M : S H E SAID T H E Y ' R E E S O T E R I C CROWS ' C A U S E E A C H H A S A S P E C I A L M E A N I N G . P A N E L 801: C R O W G I R L : OKAY, SO W H A T ' S E S O T E R I C M E A N ? L U N A M O O N : Y A N K E E G I R L SAYS IT'S S O M E T H I N G W I T H A SPECIAL, A L M O S T S E C R E T M E A N I N G , S O M E T H I N G N O V E R Y M A N Y P E O P L E K N O W . P A N E L 802: E M : P I N K I E A N D Y A N K E E G I R L W E N T TO G E T D R E S S E D . W E S H O U L D G E T D R E S S E D TOO. C R O W G I R L : T H E N W H A T H A P P E N S ? W H E R E ' S N O R A ? L U N A M O O N : BY T H E T I M E W E G E T D R E S S E D N O R A W I L L B E H E R E W I T H T H E C A K E . CROWGIRL: W H E N DO W E G E T TO P L A Y PIRATES? P A N E L 804: L U N A M O O N : H O W A B O U T W E P L A Y F O R A N H O U R B E F O R E D I N N E R ? T H E M O M S C A N T A K E O U R O R D E R S F O R DUCKY'S. T H E N W E ' L L EAT, SING A BIT A N D H A V E C A K E . IS T H A T A P L A N ? CROWGIRL: I 'VE B E E N T H I N K I N G . I W A N T TO W A I T A F E W DAYS B E F O R E I G I V E O U T M Y GIFTS. SINCE CAPTAIN'S SO SICK IT F E E L S L I K E A B A D I D E A TO DO IT T O N I G H T . P A N E L 805: L U N A M O O N : OKAY. T O N I G H T W E C O U L D DO S O M E T H I N G F O R C A P T A I N . E M : LET'S S I N G A N D R E C O R D O N E O F O U R SONGS. CROWGIRL: T E L L H I M T H E P I R A T E STORY. T H E N I 'LL M A K E A P I C T U R E TO S E N D W I T H IT. E M : I 'VE GOT M O M ' S D I G I C A M SO W E C A N E - M A I L IT TO H I M T O N I G H T O R T O M O R R O W . C R O W G I R L S I N G I N G : \" H A P P Y T A L K . . . \" P A N E L 807: A large panel with a view of Nora arriving as the girls sing 'Happy Talk.' Parents and staff are i n the background. Some are peeking i n the door. A L L SINGING: \" Y O U G O T T A H A V E ...?\" N O R A S I N G I N G : She is flapping her arms like a b ird . L U N A M O O N S I N G I N G : She is holding up sheets of music. P A N E L 808: N O R A : H A P P Y B I R T H D A Y , C R O W G I R L ! CROWGIRL: I, C O U L D H A R D L Y WAIT F O R Y O U . N O W T H E P A R T Y C A N B E G I N . ' H A P P Y T A L K ' A N D A L L . N O R A W H I S P E R I N G : W H A T S H A L L W E DO W I T H Y O U K N O W W H A T ? P A N E L 810: E M : I 'LL GO G E T T H E O T H E R S . CROWGIRL: W H A T A B O U T A R L A ? P A N E L 811: E M : SHE'S S T A Y I N G PAST H E R SHIFT. S H E ' L L B E H E R E . P A N E L 812: N O R A W H I S P E R I N G : E M , W H E R E ' S C R O W G I R L ' S M O M ? E M : S H E SAID S H E ' D B E H E R E L A T E R T O N I G H T . N O R A : W E I R D . W E I R D , T H A T ' S A L L I H A V E TO SAY. P A N E L 814: Em's mom is videotaping, Bob is taking pictures, Nora's mom is at the punch bowl, and Lunamoon's m o m is carrying a notepad. N O R A ' S M O M : W H O W A N T S M O R E P U N C H ? L U N A M O O N ' S M O M : W H O C A N T E L L M E W H E N Y O U P L A N TO T A K E A B R E A K F R O M PIRATES TO GIVE M E Y O U R 'DUCKY' ORDERS? P A N E L 815: L U N A M O O N : MOST OF US H A V E H A D T W O T U R N S , SO M A Y B E I N T E N M I N U T E S W E ' L L STOP TO O R D E R F O O D A N D SING A S O N G F O R C A P T A I N M A R R O W . C R O W G I R L : T H E N LET'S E A C H P I C K O N E OF T H E CROWS TO W I S H H I M W E L L . A R L A : DO Y O U W A N T M E TO F I L M THIS F O R CAPTAIN? Y A N K E E G I R L : G R E A T . I W A N T TO F I N D A N E S O T E R I C C R O W W I S H T H A T STARTS W I T H 'B'. I P U T A L P H A B E T L E T T E R S O N T H E L E G S . L O O K F O R T H E 'B'S F O R O U R B U D D Y , C A P T A I N . P A N E L 817: Y A N K E E G I R L : I 'LL START. H E R E ' S M Y W O R D . B U L W A R K - K E E P A S T R O N G B U L W A R K A G A I N S T Y O U R E N E M Y . IT'S A K I N D O F P R O T E C T I O N . K E E P A B U L W A R K A G A I N S T Y O U R F E A R S . F O R Y O U , C A P T A I N W E S E N D Y O U 'B' W O R D S A N D W I S H E S . D A V I N C I : OKAY. M Y C R O W SAYS B U R B L E . L I K E B U R B L E W I T H L A U G H T E R A N D L I K E B U R B L E AT US Y O U F E A R L E S S C A P T A I N M A R R O W O F T H E G O O G L E G O B B E T S . P A N E L 818: PINKIE: A L L R I G H T , Y O U B U M P T I O U S BOY, Y O U SO B U M P T I O U S B U D D Y , Y O U B U R B L I N G B U M P T I O U S B A N D E R S N A T C H ! L U N A M O O N : Y O U B U R B L I N G B U M P T I O U S B U D M A S T E R . A R L A : M A Y I C H O O S E O N E TO R E A D ? CROWGIRL: C O U R S E Y O U C A N . P A N E L 820: A R L A : C A P T A I N M A R R O W , O U R B R A V E H E A R T , W E W I S H Y O U W E L L , O U R P I R A T E H E R O . W E W I S H Y O U A B R A V E H E A R T . C A P T A I N M A R R O W , B R A V E H E A R T O F T H E G O O G L E G O B B E T S . P A N E L 821: E V E R Y O N E : H I P HIP H O O R A Y F O R O U R B R A V E H E A R T , C A P T A I N M A R R O W . C H A P T E R F O U R T E E N / P . 147 P A N E L 822: Large panel with E m , Pinkie, and Yankeegirl bringing i n the birthday cake. CROWGIRL: T H A T WAS SO G O O D I C O U L D A L M O S T EAT S O M E M O R E . B U T I K N O W S O M E T H I N G Y U M M Y ' S C O M I N G . N O R A : Y O U B E T T E R B E L I E V E , B I R T H D A Y GIRL, Y O U B U R B L I N G B A N D E R S N A T C H ! E M : A L T O G E T H E R , H A P P Y .... E V E R Y O N E S I N G I N G : H A P P Y B I R T H D A Y . . . . P A N E L 823: CROWGIRL: M O S T A M A Z I N G ! A M O O N C A K E W I T H W H I T E CROWS A N D STARS A N D S P A R K L E R S CROWGIRL: A N D T E N C A N D L E S . L U N A M O O N : M A K E A W I S H , A N D DON'T Y O U D A R E T E L L US. P A N E L 824: C R O W G I R L T H I N K I N G : W H E R E E V E R Y O U A R E , M O T H E R , IT'S OKAY. IT'S OKAY, I 'M OKAY. L I F E IS GOOD. F I N D H A P P I N E S S . L U N A M O O N : I H O P E Y O U R W I S H C O M E S T R U E . C H A P T E R F O U R T E E N / P . 148 P A N E L 825: D A V I N C I : L I K E T H A T T A S T E D GOOD. I DON'T U S U A L L Y L I K E C A K E BUT T H A T WAS L I K E S U P E R G O O D O R W H A T ? A R L A : C R O W G I R L , T H E OFFICE J U S T GOT A C A L L F R O M Y O U R M O T H E R ' S O F F I C E . SHE'S S T U C K A T T H E A I R P O R T I N KANSAS. S H E SAID TO W I S H Y O U H A P P Y B I R T H D A Y . A R L A : - A N D TO T E L L Y O U S H E L O V E S Y O U V E R Y M U C H . C R O W G I R L T H I N K I N G : S H E N E V E R SAID TO SAY T H A T . P A N E L 826: CROWGIRL: T H A N K S A R L A . S H E W O R K S H A R D . S H E P R O B A B L Y F E E L S B A D T H A T S H E GOT STUCK. A R L A : I K N O W S H E DOES. S H E ' L L B E H A P P Y Y O U ' R E H A V I N G S U C H A W O N D E R F U L B I R T H D A Y . A large panel of the gang singing more songs from musicals. 3 1 3 P A N E L 828: It's later that evening and Crowgirl and Lunamoon are i n bed ready to go to sleep. L U N A M O O N : DID Y O U L I K E Y O U R PARTY? CROWGIRL: A R E Y O U B E I N G SILLY? I L O V E D IT. IT WAS T H E BEST P A R T Y I 'VE E V E R H A D . CROWGIRL: IT WAS T H E O N L Y P A R T Y I'VE E V E R H A D . I W O N ' T E V E R F O R G E T IT. A N D Y O U E V E N S A N G O U T L O U D A N D P L A Y E D G A M E S . P A N E L 829: CROWGIRL: THIS T E N T , THIS R O O M , I L O V E THIS. DAVINCI'S CROWS. L U N A M O O N : I 'M R E A L L Y SO T I R E D . A R E YOU? P A N E L 830: C R O W G I R L : Y E A H , I A M . C R O W G I R L : LET'S N E V E R T A K E D O W N T H E T E N T A N D D E C O R A T I O N S . L U N A M O O N : W E ' L L A S K A R L A . L U N A M O O N : LET'S L E A V E T H E M U P F O R E V E R . P A N E L 831: L U N A M O O N : I CAN'T K E E P M Y E Y E S O P E N . GOOD N I G H T , B I R T H D A Y GIRL. C R O W G I R L : G O O D N I G H T . T H A N K Y O U , T H A N K Y O U F O R E V E R Y T H I N G . C R O W G I R L : I ' M G O I N G TO H A V E T H E BEST M O O N C R O W D R E A M S . P A N E L 832: View of the room at midnight. Clock hands show the time. C R O W G I R L W H I S P E R I N G L O U D L Y : L U N A M O O N . L U N A M O O N . A R E Y O U A W A K E ? IT'S M I D N I G H T . C R O W G I R L W H I S P E R I N G A B I T L O U D E R : L U N A M O O N ! L U N A M O O N : W H A T IS IT? IS S O M E T H I N G W R O N G ? P A N E L 833: C R O W G I R L : N O . IT'S M I D N I G H T . IT'S M Y M I D N I G H T BIRTHDAY. I W O K E U P A N D SAW T H E T I M E A N D R E M E M B E R E D A B O U T M I D N I G H T A N D M O O N D R E A M S A N D Y O U R STORY. L U N A M O O N : A R E Y O U W O R R I E D A B O U T S O M E T H I N G ? Y O U R M O M ? C R O W G I R L : N O T M O M . T H A T DIDN'T S U R P R I S E M E . N O . B U T O N E T H I N G . M Y GIFTS. SINCE I DIDN'T G I V E T H E M A W A Y T O D A Y I STILL N E E D TO DO T H A T . L U N A M O O N : Y O U C A N , W H E N E V E R Y O U W A N T . P A N E L 835: C R O W G I R L : J U S T I N CASE S O M E T H I N G H A P P E N S , C A N Y O U R E M E M B E R W H A T I W A S G O I N G TO DO? L U N A M O O N : DON'T W O R R Y I R E M E M B E R . I C A N DO IT. C R O W G I R L : I K N E W T H A T . I J U S T W A N T E D TO C H E C K . C H A P T E R F O U R T E E N / P . 152 P A N E L 836 C R O W G I R L : I ' M SORRY I W O K E Y O U U P . W I L L Y O U T E L L M E J U S T A BIT O F T H E M O O N C R O W STORY. J U S T TO H E L P M E GO TO S L E E P ? L U N A M O O N : OKAY. DON'T B E S U R P R I S E D IF I F A L L A S L E E P . P A N E L 837: C R O W G I R L : T H A N K Y O U , T H A N K Y O U . THIS W I L L B E L I K E A M I D N I G H T G A R D E N D R E A M . L U N A M O O N : C L O S E Y O U R EYES SO Y O U C A N S E E A N D H E A R T H E M O O N CROWS, T H E I R W I N G S A N D T H E W I N D . L U N A M O O N : R E M E M B E R W H E N Y O U W E R E A L I T T L E M O O N CROW. P A N E L 838: L U N A M O O N : Y O U W E R E A L I T T L E M O O N C R O W L I V I N G W I T H Y O U R M O O N M A M A . Y O U A N D A L L T H E O T H E R T I N Y M O O N C R O W S D A R T E D A F T E R S P A R K L E S I N T H E SKY, STAR S T R E A K S . L U N A M O O N : Y O U R M O O N M A M A K E P T A C O N S T A N T S H A R P E Y E O N Y O U . N O M A T T E R H O W F A R Y O U F L E W INTO T H E M I D N I G H T SKY Y O U C O U L D SEE H E R SOFT S M I L I N G F A C E , R O U N D A N D B R I G H T , W A T C H I N G Y O U , L O V I N G Y O U . P A N E L 839: Crowgir l fall ing asleep. L U N A M O O N : W H E N Y O U W E R E T I R E D F R O M C H A S I N G S P A R K L E S A N D T W I N K L E S A N D STAR S T R E A K S Y O U F L E W B A C K TO H E R W A R M R O U N D H E A D . L U N A M O O N : A N D T H E N DO Y O U K N O W W H A T H A P P E N E D ? DO Y O U CROWGIRL? P A N E L 840 L U N A M O O N T H I N K I N G : O N L Y I N Y O U R D R E A M S , I N Y O U R D R E A M S Y O U K N O W Y O U R M A M A M O O N . T H E R E Y O U A R E I N Y O U R M I D N I G H T D R E A M T I M E . S W E E T D R E A M S , S W E E T C R O W G I R L . P A N E L 841: View of Crowgirl's midnight garden collage. P A N E L 842: M o o n crows i n the midnight garden collage. P A N E L 843: View of Lunamoon waking up. It's early morning. The chapter title, 'Fly Me to the M o o n ' is written across the top of the panel. P A N E L 844: L U N A M O O N : OKAY Y O U S L E E P Y H E A D , W A K E U P ! L U N A M O O N : C R O W G I R L , I SAID, W A K E U P , Y O U S L E E P Y S L E E P Y H E A D . P A N E L 843: Close-up of Lunamoon. L U N A M O O N T H I N K I N G : DON'T Y O U D A R E B E SICK A G A I N . N O . N O . L U N A M O O N : OKAY. T H I S ISN'T F U N N Y . W A K E U P O R I ' M G O I N G TO S C R E A M A N D Y O U R E A L L Y W I L L W A K E U P . L U N A M O O N : N O W I ' M C O M I N G O V E R TO W A K E Y O U U P ! P A N E L 845: Lunamoon sees that Crowgirl's bed is empty. L U N A M O O N T H I N K I N G : W H E R E A R E YOU? Y O U C A N ' T B E SICK A G A I N . Y O U A L R E A D Y H A D A R E L A P S E . IT'S N O T FAIR. CAPTAIN'S SICK. T W O A T A T I M E , N O . N O T Y O U . N O T Y O U . N O T A G A I N . P A N E L 846: Lunamoon sitting on Crowgirl's bed as A r i a enters the room. L U N A M O O N T H I N K I N G : N O T Y O U R S . Y O U ' R E S U P P O S E D TO B E F I N E N O W . IT'S CAPTAIN'S T U R N . A R L A : SO L A T E . I D I D N ' T W A N T TO W A K E Y O U SINCE Y O U GIRLS W E R E U P P A N E L 847: Close-up of Ar ia . L U N A M O O N : W H E R E ' S C R O W G I R L ? A R L A : SHE'S I N T R O U B L E A G A I N . I ' M SO SORRY. L U N A M O O N : H O W C A N S H E S E E M SO F I N E A N D T H E N GET SICK A G A I N ? A R L A : S H E W A N T E D H E R P A R T Y SO M U C H T H A T I T H I N K S H E P U T A L L H E R F I E R C E W I L L INTO B E I N G W E L L F O R IT. SHE'S A F I G H T E R . B U T I DON'T W A N T TO G E T Y O U R H O P E S U P TOO M U C H . P A N E L 849: Close-up of Lunamoon L U N A M O O N : I W A N T M Y H O P E S . A R L A : I K N O W Y O U DO. I DO TOO. B U T I T H I N K C R O W G I R L IS W O R N O U T W I T H F I G H T I N G . H E R B O D Y N E E D S A B R E A K F R O M T H E B A T T L E S . P A N E L 850: Lunamoon stepping away from A r i a . L U N A M O O N : M A Y I SEE H E R ? A R L A : YES. L E T S GO T O G E T H E R . Y O U GET D R E S S E D A N D G R A B S O M E O F H E R T H I N G S A N D W E ' L L GO S E E H E R . SHE'S S L E E P I N G , D E E P , D E E P S L E E P I N G . P A N E L 851: Lunamoon sitting on her bed. L U N A M O O N T H I N K I N G : O H GOD, H E R E ' S T H E D E A L : T A K E A L L M Y H A I R , M A K E M E T H R O W U P , G I V E M E M O R E P A I N . I 'VE H A D A N E A S Y R I D E . I C A N T A K E WAY M O R E . L U N A M O O N T H I N K I N G : CAN'T Y O U G I V E C R O W G I R L A B R E A K ? P L E A S E . P A N E L 852: Lunamoon tearfully getting dressed. P A N E L 853: Lunamoon gathering some of Crowgirl's things. P A N E L 854: A r i a and Lunamoon walking down the hal l . A R L A : GOOD. Y O U GOT S O M E O F H E R T H I N G S . L U N A M O O N : I W A N T H E R TO H A V E C R O W B A B Y A N D M O O N PRINCESS F O R C O M P A N Y . P A N E L 855: Close-up of Lunamoon. A R L A : Y O U ' R E G O O D C O M P A N Y . T A L K TO H E R T H E W A Y Y O U DID LAST T I M E . T E L L H E R T H E STORIES A G A I N . L U N A M O O N : I W I L L . I 'VE GOT S O M E N E W ONES. P A N E L 856: Close-up of the moon crows. L U N A M O O N : C A N W E B R I N G T H E M O O N CROWS? T H E Y C O U L D H A N G O N T H E COAT R A C K . A R L A : THAT'S A L O V E L Y IDEA. E V E R Y T I M E W E VISIT H E R W E C A N R E A D A C O U P L E O F T H E M . P A N E L 857: Lunamoon hanging moon crows on the coat rack and on some other things i n the room. P A N E L 858: Crowgirl i n bed as several visitors select moon crows to read. P A N E L 859: Pinkie and her dad visit. Pinkie's dad is playing an instrument and singing. P A N E L 860: Davinci and his dad on a visit. Davinci is pinning up a map of the moon on which he had drawn many moon crows. P A N E L 861: Lunamoon entering the room. She is wearing pajamas and carrying Crowgirl 's scrapbook. P A N E L 862: It is late evening. Lunamoon is sitting on the end of Crowgirl's bed. C R O W G I R L : T E L L M E A N O T H E R M I D N I G H T M O O N D R E A M . P L E A S E . C R O W G I R L : IS IT STILL M Y BIRTHDAY? L U N A M O O N : I N H E R E IT'S A B I R T H D A Y E V E R Y D A Y . IT'S A N E W DAY, IT'S A N E V E R - E N D I N G B I R T H D A Y . P A N E L 863: Close-up of Crowgirl. C R O W G I R L : I 'M K E E P I N G M Y E Y E S C L O S E D SO I C A N S E E M O O N M A M A A N D T H E M I D N I G H T SKY. P A N E L 864: Close-up of a lunar landscape. L U N A M O O N : F O L L O W M E P A N E L 866: Close-up of Crowgirl , her eyes closed. L U N A M O O N : F O L L O W M E , F O L L O W M E INTO T H E SKY F O L L O W M E , F O L L O W M E , LET'S GO! Y O U A N D I. LET'S GO L I V E I N T H E SKY. W E ' L L F L Y A N D FLY, Y O U A N D I. W E ' L L F L Y UP H I G H I N T H E SKY, Y O U A N D I. P A N E L 867: Lunamoon standing next to Crowgirl , holding her hand. L U N A M O O N : I 'LL B E T Y O U C A N S E E M A M A M O O N BEST W I T H C L O S E D EYES. C A N Y O U S E E T H E L I T T L E M O O N CROWS W A L K I N G A L L O V E R H E R B U M P Y H E A D , S N U G G L I N G INTO T H E B U M P Y BITS O N H E R C R O W N ? L U N A M O O N : T H E C R O W N OF H E R H E A D IS T H E M O O N R O O K E R Y W H E R E A L L T H E L I T T L E M O O N CROWS GO H O M E TO S L E E P E A C H N I G H T . P A N E L 868: A close view of one of Lunamoon's moonscape pictures. L U N A M O O N : R O O K E R Y M O O N L U N A M O O N : L I T T L E C R O W , DO Y O U K N O W ? DO Y O U K N O W Y O U R M A M A ? DO Y O U K N O W Y O U R PAPA? DO Y O U K N O W T H E M O O N A N D T H E M A M A O N T H E M O O N ? A N D DO Y O U K N O W T H E P A P A O N T H E M O O N A N D A L L T H E I R L I T T L E M O O N KIDS, T H E M O O N CROWS? P A N E L 869: A very large panel showing moon crows on a lunar landscape L U N A M O O N : T H E Y K N O W Y O U , L I T T L E C R O W . T H E Y K N O W Y O U , L I T T L E M O O N C R O W . Y O U A R E A L I T T L E M O O N C R O W A N D Y O U H A V E A M O O N F U L L OF SISTER M O O N CROWS A N D B R O T H E R M O O N CROWS. A N D Y O U H A V E A M A M A O N T H E M O O N A N D A P A P A O N T H E M O O N . Y O U H A V E A R O O K E R Y M O O N . P A N E L 870: Lunamoon looking at a sleeping Crowgirl . P A N E L 871: The next day Lunamoon is talking to a sleeping Crowgirl . L U N A M O O N : I'VE GOT A C O O L IDEA. I 'M G O I N G TO S E E IF W E C A N M O V E T H E T E N T A N D D E C O R A T I O N S INTO THIS R O O M . T H E N IT W I L L B E A B I R T H D A Y A L L T H E T I M E . P A N E L 872: Close-up Lunamoon. L U N A M O O N : DON'T W O R R Y , I H A V E N ' T F O R G O T T E N A B O U T T H E GIFTS. W H E N T H E T I M E IS R I G H T I 'LL DO IT. P A N E L 873: M e d i u m shot of Lunamoon looking at Crowgirl's scrapbook. L U N A M O O N : CAPTAIN'S B R O T H E R E M A I L E D M E . H E ' S D O I N G A BIT B E T T E R . B U T H E ' L L P R O B A B L Y STAY A T H O M E . HE'S W O R K I N G O N HIS PIRATE S T U F F . L U N A M O O N : H E L O V E D O U R D V D . L U N A M O O N : H E Y , I 'VE GOT A P I R A T E STORY B R E W I N G I N M Y H E A D . I 'LL T E L L IT BUT IT N E E D S M O R E W O R K . L U N A M O O N : A R L A M O V E D A COT I N H E R E SO I C A N T A K E A N A P . I E V E N SLEPT H E R E LAST N I G H T . P A N E L 875: Lunamoon sitting on the cot. L U N A M O O N : Y A N K E E G I R L CAN'T STOP W I T H T H E F A N C Y W O R D S . SHE'S GOT A N E W P R O J E C T . I D O N ' T K N O W W H A T . S H E P R O M I S E D TO S H O W US I N A F E W DAYS. Y O U C A N B E T IT'S S O M E T H I N G W I T H W E I R D W O R D S . P A N E L 876: Close-up of Lunamoon. L U N A M O O N : E M ' S C O M I N G L A T E R TODAY. S H E SAID S H E ' D B R I N G A C O U P L E M O R E DVDS OF M U S I C A L S . L U N A M O O N : P I N K I E M I G H T GO H O M E SOON. H E R T R E A T M E N T S A R E A L M O S T D O N E . A R L A SAID S H E ' L L B E R E A D Y TO GO B A C K TO S C H O O L I N S E P T E M B E R . P A N E L 878: Close-up of Lunamoon and her nearly bald head. L U N A M O O N : L I S T E N TO M E , A L L N E W S . D A V I N C I J U S T GOT A N E W R O O M M A T E . H E DOESN'T H A V E A N I C K N A M E Y E T . IT S H O U L D B E G I R A F F E . T H E GUY'S A GIANT A N D H E ' S O N L Y T E N . H E ' S T A L L E R T H A N A R L A . H E ' S K I N D OF SHY. L U N A M O O N : S P E A K I N G OF N I C K N A M E S , I L O O K L I K E A M O O N H E A D N O W . I T O L D N O R A I'D P U T TATTOOS O N M Y H E A D IF I LOST M Y H A I R . SO I G U E S S I B E T T E R GET S O M E . P A N E L 879: Lunamoon lying down on the cot. L U N A M O O N : T H A N K G O O D N E S S F O R THIS COT. I ' M SO T I R E D . P A N E L 8 8 0 : Lunamoon resting. L U N A M O O N : I 'LL T E L L Y O U M Y P I R A T E STORY. B U T I 'LL P R O B A B L Y F A L L A S L E E P S O M E T I M E INTO IT. P A N E L 881: Close-up of a lunar landscape. L U N A M O O N : T H E R E O N C E WAS A B R A V E , B R A V E H E A R T E D C A P T A I N , C A P T A I N M A R R O W , A P R I V A T E E R W H I C H AS Y O U K N O W IS A K I N D O F PIRATE, NOT T H E K I N D W H O LOOTS B U T O N E W H O IS PAID TO DO SPECIAL T H I N G S A N D H A S H I G H A D V E N T U R E S A T SEA. P A N E L 882: Captain M a r r o w as the captain. L U N A M O O N : H E WAS C A P T A I N O F T H E M I D N I G H T S E A A N D S A I L E D BY T H E L I G H T OF T H E M A M A M O O N . W H I T E M O O N C R O W S G U I D E D HIS J O U R N E Y . THIS T I M E H E H A D B E E N G I V E N A D A U N T I N G TASK. HIS J O B WAS TO SAIL HIS SHIP INTO T H E M Y S T E R I O U S A N D T E R R I F Y I N G A N D D E A D L Y S I L E N T S E A OF S T O R M S TO C O L L E C T M O O N ROCKS. P A N E L 883: Davinci as the Braveheart's assistant. L U N A M O O N : O N T H E S E A O F S T O R M S O N L Y T H E S O U N D OF M O O N CROWS C A W I N G B R O K E T H E S I L E N C E . S M A L L C O N S T A N T T R E M O R S S H O O K T H E SHIP. T H E CAPTAIN'S ASSISTANT, A Q U I E T SORT, S P E N T HIS DAYS B E N T O V E R A J O U R N A L D O O D L I N G A N D L I S T I N G A L L T H E M O O N ROCKS H A U L E D ONTO T H E D E C K . P A N E L 884: Close-up of the assistant doodling. L U N A M O O N : S O M E T H I N G S T R A N G E WAS H A P P E N I N G . AS FAST AS T H E R O C K S D R O P P E D INTO T H E C O N T A I N E R T H E R O C K S D I S A P P E A R E D , A F E W A T A T I M E , B U T SO R E G U L A R L Y T H A T T H E C O N T A I N E R N E V E R B E C A M E F U L L N O M A T T E R H O W M A N Y M O O N R O C K S W E N T I N T O IT. P A N E L 885: Close-up of Lunamoon falling asleep. L U N A M O O N : I T O L D Y O U TO W A T C H O U T F O R M E , I ' M D R I F T I N G , D R I F T I N G . . . . P A N E L 886: A r i a entering the room. A R L A : W H A T ' S T H I S , A S L E E P I N G L U N A M O O N ? L U N A M O O N : I K N E W IT. I T O L D C R O W G I R L I'D F A L L A S L E E P O N C E I S T A R T E D TO T E L L H E R M Y N E W STORY. P A N E L 887: Close-up of Ar ia . A R L A : W H A T ' S IT A B O U T ? L U N A M O O N : IT'S F O R T H E C A P T A I N , A M O O N P I R A T E STORY. C R O W G I R L M A D E H I M A P I C T U R E . I 'LL F I N I S H T H E STORY T H E N W E ' L L S E N D IT TO H I M W I T H T H E P I C T U R E . P A N E L 888: Close-up of Lunamoon. L U N A M O O N : C A N W E M O V E T H E T E N T A N D T H E R E S T OF T H E D E C O R A T I O N S I N H E R E ? A R L A : Y E A H . G O O D IDEA. A R L A : G E T T H E KIDS A N D BOB TO H E L P Y O U . P A N E L 889: A r i a and Lunamoon. L U N A M O O N : C R O W G I R L T O L D M E S H E N E V E R H A D A B I R T H D A Y B E F O R E THIS. C A N Y O U I M A G I N E , N E V E R H A V I N G A B I R T H D A Y PARTY? A R L A : N O W S H E C A N H A V E O N E A L L D A Y L O N G , E V E R Y D A Y . P A N E L 890: Lunamoon i n the doorway to Pinkie and Yankeegirl's room. L U N A M O O N : O K A Y Y O U GUYS, A R L A SAID W E C A N M O V E C R O W G I R L ' S P A R T Y T E N T I N H E R E . Y A N K E E G I R L : COOL. LET'S B E S U R E W E B R I N G T H E A C C O U T R E M E N T S ! PINKIE: S H E SO H A D TO G I V E US O N E , O N E M O R E ESOTERIC W O R D . W H A T A R E A C C O U T R E M E N T S ? P A N E L 891: Close-up of Yankeegirl. Y A N K E E G I R L : Y O U ' L L T H A N K M E W H E N Y O U T A K E Y O U R SATS F O R C O L L E G E . M Y SISTER L E A R N E D A L L T H E S E F U N N Y W O R D S A N D S H E GOT A V E R Y H I G H SCORE A N D T H E N A BIG FAT S C H O L A R S H I P . P A N E L 892: Yankeegirl, Lunamoon, and Pinkie toward the party tent. PINKIE: OKAY, SO W H A T ' S A N A C C O U T R E M E N T ? I B E T M Y D A D DOESN'T K N O W W H A T IT IS. L U N A M O O N : L E T M E GUESS. I T H I N K IT'S S T U F F TO DO W I T H S O M E T H I N G . L I K E Y O U H A V E LOTS O F A C C O U T R E M E N T S F O R D R E S S I N G U P A N D D O I N G Y O U R H A I R . S O M E T H I N G I DON'T E X A C T L Y N E E D R I G H T N O W . P A N E L 893: Close-up of Yankeegirl. Y A N K E E G I R L : T H A T IS E X A C T L Y W H A T T H E Y A R E , S P E C I A L T R A P P I N G S , SPECIAL T H I N G S T H A T GO W I T H S O M E T H I N G . L U N A M O O N : N O W T H A T ' S C L E A R . H E L P M E C A R R Y T H E S E A C C O U T R E M E N T S . P A N E L 894: Yankeegirl , Pinkie, and Lunamoon carrying party things down the hal l . P A N E L 895: Kids hanging moon crows PINKIE: C R O W G I R L , W E ' V E C O M E TO P U T U P Y O U R P A R T Y T E N T . A N D W E ' V E GOT A L L T H E A C C O U T R E M E N T S . A N O T H E R N E W W E I R D W O R D , A C C O U T R E M E N T S . T H E Y ' R E A L L T H E T H I N G S Y O U SO N E E D F O R A B I R T H D A Y PARTY. P A N E L 896: Bob helping the kids put up the tent. P A N E L 897: Lunamoon arranging Crowbaby and M o o n Princess. P A N E L 898: Pinkie tying balloons to the tent. P A N E L 899: Kids hanging moon crows. P A N E L 900: Kids looking at the decorated space. D A V I N C I : L I K E , ISN'T T H I S T H E C O O L E S T P A R T Y T E N T ? P A N E L 901: Lunamoon back i n her room. L U N A M O O N T H I N K I N G : F I N A L L Y , A M O M E N T A L O N E . I A L M O S T F O R G O T H O W T I R E D I F E E L . I N E E D A L I T T L E T I M E TO M Y S E L F . P A N E L 902: Close-up of Lunamoon. L U N A M O O N T H I N K I N G : O H M Y GOD, O H D E A R GOD, W H Y ? I W A N T SO M U C H TO B E L I E V E T H E R E ' S S O M E R E A S O N F O R A L L O F THIS. IT M A K E S N O S E N S E TO M E . N O S E N S E N O S E N S E , NOT E V E N N O N S E N S E . N O N S E N S E , I W A N T N O N S E N S E , N O T N O S E N S E . P A N E L 903: Lunamoon drawing as she thinks. L U N A M O O N T H I N K I N G : T H E R E A R E N ' T A N Y D E A L S A R E T H E R E ? E V E N IF I L O O S E A L L M Y H A I R , A N D G E T R E A L L Y SICK IT'S N O T G O I N G SAVE C R O W G I R L , IS IT? L U N A M O O N T H I N K I N G : THAT'S A STUPID D E A L , A D U M B D E A L . P A N E L 904: Lunamoon drawing. L U N A M O O N T H I N K I N G : THAT'S A STUPID D E A L . THIS W H O L E T H I N G IS A STUPID D E A L . W H A T DID A N Y O F US DO TO D E S E R V E THIS B A D D E A L ? D A D , W H A T A B O U T H I M ? IT'S A L L R O T T E N B A D L U C K , R O T T E N B A D D E A L S . C R O W G I R L , W H A T R O T T E N B A D L U C K SHE'S H A D . W H Y ISN'T H E R R O T T E N M O M T H E O N E W H O ' S SICK? THAT'S W H O O U G H T TO B E SICK! P A N E L 905: F u l l page panel of Lunamoon and her drawing. L U N A M O O N T H I N K I N G : SO H E R E ' S T H E D E A L , T H E R E IS N O D E A L . SO I 'M N O T G O I N G TO A S K F O R A D E A L . I W A N T TO ASK. I W A N T TO H O P E F O R O N E , B U T I D O N ' T T H I N K THAT'S T H E WAY T H I N G S W O R K . L U N A M O O N T H I N K I N G : I ' M N O T G O I N G TO P R O M I S E TO B E L I E V E I N Y O U , GOD, IF Y O U M A K E T H I N G S W O R K OUT ' C A U S E I DON'T T H I N K THAT'S A V E R Y G O O D D E A L E I T H E R . A L L I C A N SAY IS I DON'T U N D E R S T A N D A N Y O F THIS. I H A T E T H A T W E ' R E SICK. I H A T E T H A T C R O W G I R L IS D Y I N G . P A N E L 906: E m entering the newly decorated room. E M : W O W ! A N O T H E R P A R T Y R O O M . L U N A M O O N : I ' M SO G L A D Y O U ' R E H E R E . I L O V E IT W H E N Y O U SING W I T H M E . L U N A M O O N : W H A T S H O U L D W E SING? P A N E L 907: Close-up of E m . E M : I K N O W W H A T Y O U L O V E : ' W H I S T L E A H A P P Y T U N E , ' ' H A P P Y T A L K , ' ' S I N G I N G I N T H E R A I N , ' ' M A K E E M L A U G H , M A K E E M L A U G H ! ' P A N E L 908: Davinci , Pinkie, and Yankeegirl jo in E m and Lunamoon. E V E R Y O N E S I N G I N G : T W H I S T L E A HAPPY. . . . ' P A N E L 909: Kids hamming it up as they sing. P A N E L 911: F u l l page panel of the gang singing and acting out 'Make E m L a u g h . ' P A N E L 912: Large panel of Crowgirl's room with the chapter title, 'A Birthday Everyday' pr inted across the top. L U N A M O O N : W E ' R E L I V I N G I N A B I R T H D A Y P A R T Y W I T H E V E R Y T H I N G B U T T H E C A K E . L U N A M O O N : I ' M B A G G E D . CROWGIRL: I C A N F E E L T H E PARTY, T H E SINGING. P A N E L 913: Lunamoon sitting i n a chair next to Crowgirl's bed. L U N A M O O N : C A N Y O U O P E N Y O U R EYES? J U S T A L I T T L E TO S E E E V E R Y T H I N G W E SET UP? CROWGIRL: S O M E T I M E S I T A K E A P E E K . CROWGIRL: T H E GIFTS. R E M E M B E R T H E GIFTS? L U N A M O O N : 'COURSE. I P R O M I S E D Y O U I W O U L D . I W O N ' T F O R G E T . W E C A N DO IT A N Y T I M E . CROWGIRL: I W A N T TO T E L L Y O U A B O U T A C O U P L E M O R E . P A N E L 915: Close-up of Crowgirl . L U N A M O O N : GIFTS? CROWGIRL: YES. W I L L Y O U T E L L M Y M O T H E R T H A T I H A V E G O O D D R E A M S N O W . A N D T E L L H E R I ' M H A P P Y . T E L L H E R L I F E IS GOOD. P A N E L 916: Close-up of Lunamoon. L U N A M O O N : I 'LL T E L L H E R . I W I L L . P A N E L 917: View of the two girls and Crowgirl's scrapbook. CROWGIRL: I W A N T Y O U TO H A V E M Y SCRAPBOOK. L U N A M O O N : B U T Y O U R M O M , W O N ' T S H E W A N T IT? P A N E L 918: Close-up of Crowgirl . CROWGIRL: S H E ' D R A T H E R H E A R T H A T I 'VE B E E N F E E L I N G H A P P Y . L U N A M O O N : Y O U R BOOK'S SO B E A U T I F U L . P A N E L 919: Close-up of the two girls. CROWGIRL: THAT'S W H Y I W A N T Y O U TO H A V E IT. Y O U L O V E IT. Y O U H A V E T H E STORIES TO GO W I T H IT. L U N A M O O N : A R E Y O U S U R E T H A T Y O U R M O M W O N ' T W A N T THIS? CROWGIRL: I ' M S U R E . I ' M R E A L L Y S U R E . CROWGIRL: B E L I E V E M E . T E L L H E R I H A V E H A P P Y D R E A M S A N D L I F E IS GOOD. T H A T ' S T H E BEST T H I N G I C A N G I V E H E R . P A N E L 921: Lunamoon dressed i n pajamas. C A P T I O N : L A T E R T H A T E V E N I N G . CROWGIRL: W I L L Y O U T E L L M E M Y C R O W B A B Y STORY A G A I N ? P L E A S E . L I E B E S I D E M E A N D T E L L M E T H E STORY. L U N A M O O N : OKAY. I 'LL J U S T B R U S H M Y T E E T H . P A N E L 922: Lunamoon lying beside Crowgirl with a shared visual balloon depicting the first scene of the Crowbaby story. L U N A M O O N : O N C E U P O N A T I M E . . . . C H A P T E R S I X T E E N / P . 174 P A N E L 923-P A N E L 928: Shared visual balloons of the Crowbaby story. P A N E L 929: Close-up of Crowbaby. L U N A M O O N : ... Y O U A R E M Y S W E E T E S T C R O W B A B Y . A N D T H E N S H E W R A P P E D H E R L I T T L E B I R D Y BABY T I G H T AS S O F T L Y T I G H T C A N B E A N D S A N G A L I T T L E C R O W B A B Y L U L L A B Y SOFTLY, S W E E T L Y . P A N E L 930: Lunamoon holding Crowgirl's Crowbaby. L U N A M O O N : A L I T T L E C R O O N , M Y L I T T L E C R O W , A L I T T L E M O O N , M Y L I T T L E B I R D , P A N E L 931: Close-up of Lunamoon. L U N A M O O N : A L I T T L E ROCK, M Y L I T T L E B U N , A L I T T L E N A P M Y L I T T L E B. P A N E L 932: L U N A M O O N : M Y L I T T L E C R O W , A L I T T L E C R O O N , M Y L I T T L E BIRD, A L I T T L E M O O N , L U N A M O O N : M Y L I T T L E B U N , A L I T T L E ROCK. M Y L I T T L E B, A L I T T L E N A P F O R Y O U A N D M E . P A N E L 934-P A N E L 941: Sequence of visuals: Crowgirl flying to the moon, landing on the Lunamoon's collage moonscape, walking i n Crowgirl's midnight garden collage. P A N E L 942: Ful l page panel of Crowgirl and Lunamoon i n the midnight garden collage. P A N E L 943: A r i a walking into the room at 5 am. A R L A W H I S P E R I N G : L U N A M O O N , L U N A , S W E E T I E . W A K E U P . C O M E B A C K TO Y O U R R O O M . L U N A M O O N : I C A N S L E E P O N T H E L I T T L E COT. P A N E L 944: A R L A : IT'S A L M O S T M O R N I N G . L U N A M O O N : C R O W G I R L ! SHE'S SO P A N E L 945: A R L A : I K N O W . G I V E H E R A KISS. A R L A : A N D A W I S H . L U N A M O O N : I K I N D OF K N E W S H E WAS G O I N G ' C A U S E S H E A S K E D M E TO T E L L H E R M O M T H A T S H E H A D H A P P Y D R E A M S N O W A N D T H A T L I F E IS G O O D . P A N E L 946: L U N A M O O N : W H Y DID S H E W A N T M E TO T E L L H E R A B O U T T H E D R E A M S ? A R L A : S H E H A D T E R R I B L E N I G H T M A R E S A L M O S T E V E R Y N I G H T OF H E R L I F E . A R L A : IT W I L L B E A G R E A T R E L I E F F O R H E R M O M TO H E A R T H A T T H E Y W E N T AWAY. P A N E L 947: A R L A : H E R M O T H E R P R O B A B L Y S E E M S Q U I T E C O L D TO Y O U . W E D O N ' T K N O W W H A T H E R L I F E H A S B E E N . S O M E P E O P L E A R E E M O T I O N A L L Y F R A G I L E . Y O U K N O W H O W SCARY IT IS TO B E SICK. IT'S V E R Y SCARY TO H A V E A SICK C H I L D . I T H I N K Y O U K N O W T H A T TOO. I T H I N K A L L O F Y O U K N O W T H A T . A R L A : W H A T ' S A M A Z I N G IS T H A T C R O W G I R L F I N A L L Y F O U N D H E R WAY TO H A P P I E R D R E A M S . L U N A M O O N : H E R P I C T U R E S A R E A M A Z I N G TOO. P A N E L 949: Close-up of Ar ia . A R L A : Y O U M A D E A D I F F E R E N C E . Y O U B E C A M E A T R U E F R I E N D , A SPIRIT SISTER. L U N A M O O N : SO WAS E M . P A N E L 950: Lunamoon picking up Crowbaby and M o o n Princess. A R L A : Y O U ' R E RIGHT. O U R C R O W G I R L M A D E F R I E N D S , GOOD F R I E N D S . M A N Y G O O D F R I E N D S . T H A T WAS O N E O F H E R G R E A T GIFTS. P A N E L 951: A r i a standing back as Lunamoon holds Crowgirl's hand one last time. L U N A M O O N : M A Y I T E L L H E R T H E M A M A M O O N P O E M ? A R L A : O F C O U R S E . P A N E L 952: F u l l page panel of a Crowgirl style collage il lustration of Mama M o o n and the moon kids, moon moths and the characters i n the poem with the poem written in Lunamoon's speech balloons. L U N A M O O N : M A M A M O O N L U N A M O O N : T H E M A M A I N T H E M O O N T U M B L E D D O W N , D O W N , D O W N , D O W N A M O O N S T R E A M L U N A M O O N : A N D INTO T H E M I D N I G H T ZOO W I T H A L L H E R L I T T L E M O O N KIDS A N D H E R M O O N M O T H S L U N A M O O N : A N D A C O W A N D A CAT, A N D A F I D D L E A N D A RAT, L U N A M O O N : A D O G , A F I S H A N D A S P O O N . L U N A M O O N : T H E Y A L L P L A Y E D I N T H E ZOO. M A M A . M O O N G R E W S L E E P Y . S H E G R E W V E R Y V E R Y S L E E P Y L U N A M O O N : A N D T H E N A L L T H E L I T T L E M O O N KIDS A N D A L L T H E M O O N M O T H S S A N G M A M A M O O N A L U L L A B Y . L U N A M O O N : A N D C L I M B I N G U P T H E L U L L A B Y L A D D E R E V E R Y O N E SAID, \" G O O D N I G H T M A M A M O O N , G O O D N I G H T , G O O D N I G H T . \" L U N A M O O N : \"GOOD N I G H T , \" S H E SAID, \"GOOD N I G H T , M Y L I T T L E M O O N KIDS, G O O D N I G H T , Y O U M O O N M O T H S , L U N A M O O N : G O O D N I G H T ZOO, G O O D N I G H T , Y O U . \" L U N A M O O N : G O O D N I G H T S W E E T C R O W G I R L , G O O D N I G H T . P A N E L 953: Later the next day Lunamoon sitting at a desk i n her room. L U N A M O O N T H I N K I N G : Y E S T E R D A Y , R I G H T AT T H I S T I M E C R O W G I R L W A S A L I V E . I CAN'T T H I N K OF H E R N O T B E I N G H E R E . L U N A M O O N T H I N K I N G : O H N O . I D O N ' T H A V E A N Y P H O T O S O F H E R . N O T O N E , N O T O N E S I N G L E P H O T O . L U N A M O O N T H I N K I N G : W H A T WAS T H E LAST T H I N G S H E SAID TO M E ? S H E SAID, S H E SAID. L U N A M O O N T H I N K I N G : S H E SAID, \" I ' L L B E H E R E , I 'LL B E H E R E W I T H M Y L I T T L E C R O W B A B Y . \" P A N E L 954: Lunamoon with a visual thought balloon of Crowgirl cuddled up with Crowbab. L U N A M O O N T H I N K I N G : A N D T H E R E S H E W A S C U D D L E D U P W I T H H E R C R O W B A B Y A N D L I T T L E M O O N PRINCESS. I W I S H I H A D A P I C T U R E O F H E R L I K E T H A T . L U N A M O O N T H I N K I N G : I CAN'T B E L I E V E I D O N ' T E V E N H A V E O N E P I C T U R E . I N E E D O N E . I 'M G O I N G TO F O R G E T W H A T S H E L O O K S L I K E . P A N E L 955 -P A N E L 957: Lunamoon's visual memories of Crowgirl . P A N E L 958: Lunamoon drawing and working on a collage of Crowgirl on the moon. Lunamoon cuts and pastes as she works with her grief. L U N A M O O N T H I N K I N G : W I L L I F O R G E T ? I W O N ' T F O R G E T , I W O N ' T . H E R E S H E IS, C R O W G I R L O N T H E M O O N . L U N A M O O N T H I N K I N G : \" L I F E IS GOOD,\" S H E SAID. L I F E IS GOOD? W H A T WAS S H E T H I N K I N G ? WAS S H E T H I N K I N G ? N O , S H E W A S N ' T T H I N K I N G . P A N E L 959: L U N A M O O N T H I N K I N G : S H E W A S N ' T T H I N K I N G . S H E WAS F E E L I N G . S H E M E A N T IT. S H E W A S N ' T M A K I N G T H A T U P . I K N O W S H E WASN'T. S H E W A S N ' T B E I N G S O M E W I S E , O L D , G R O W N - U P D Y I N G KID. S H E M E A N T IT. P A N E L 960: Lunamoon working on her collage. L U N A M O O N T H I N K I N G : I DON'T H O W S H E M E A N T IT, H O W S H E F E L T IT. I DON'T . I W A N T TO, B U T I DON'T G E T IT. I ' M T R Y I N G TO F E E L IT. B U T I DON'T F E E L M U C H O F A N Y T H I N G . I T H I N K I ' M SAD. I ' M SAD A N D S C A R E D . I ' M S C A R E D T H A T L I F E ISN'T G O O D A N D T H A T I ' M N E V E R G O I N G TO F E E L T H A T IT IS G O O D . P A N E L 961: Lunamoon working on her collage P A N E L 962: Lunamoon stops to look at the collage she has been creating. L U N A M O O N T H I N K I N G : C R O W G I R L . H E R E Y O U A R E O N T H E M O O N , O N M Y C O L L A G E M O O N . L O O K I'VE H I D D E N T H I N G S F O R Y O U TO F I N D . C A N Y O U F I N D T H E D R A G O N F L I E S ? A N D M O O N F L I E S ? I 'VE GOT TO M A K E S O M E M O R E . I 'LL H I D E T H E M F O R Y O U . moonscape. L U N A M O O N T H I N K I N G : L I F E M A Y B E R O T T E N A N D N O T V E R Y G O O D B U T THIS IS GOOD. T H I N K I N G O F Y O U O N T H E M O O N , T H I N K I N G O F Y O U AS A C R O W . T H A T F E E L S GOOD. P A N E L 964: Lunamoon pausing during her drawing work. L U N A M O O N T H I N K I N G : OKAY, OKAY. I 'VE GOT TO F I G U R E O U T W H E N W E C A N DO S O M E T H I N G F O R C R O W G I R L . P A N E L 965: Lunamoon walking into Pinkie and Yankeegirl's room. L U N A M O O N : P I N K I E , W H E N A R E Y O U G O I N G H O M E ? PINKIE: S O M E T I M E N E X T W E E K , CAN'T I, DAD? PINKIE'S D A D : Y O U C A N . P A N E L 966: Close-up of Lunamoon. L U N A M O O N : T H E N W E B E T T E R P L A N O U R C E L E B R A T I O N F O R C R O W G I R L . H O W A B O U T THIS S A T U R D A Y N I G H T ? Y A N K E E G I R L : S O U N D S G O O D TO M E . W E S H O U L D A S K A R L A . L U N A M O O N : I 'LL A S K H E R . PINKIE: SO W H A T S H A L L W E DO? L U N A M O O N : H O W A B O U T , IF IT'S OKAY W I T H A R L A , W E DO T H E G A R D E N S L E E P - O U T ? T H E N W E C A N DO S O M E T H I N G S P E C I A L R I G H T A T M I D N I G H T . P A N E L 968: Y A N K E E G I R L : W H Y M I D N I G H T ? L U N A M O O N : C R O W G I R L L O V E D T H E I D E A O F A M I D N I G H T G A R D E N PARTY ' C A U S E S H E L O V E D TOM'S MIDNIGHT GARDEN. P A N E L 969: A r i a entering the room. L U N A M O O N : A R L A , W E ' R E T A L K I N G A B O U T C R O W G I R L ' S C E L E B R A T I O N . H O W A B O U T THIS S A T U R D A Y N I G H T ? C O U L D W E DO T H E S L E E P - O U T W E W E R E P L A N N I N G E A R L I E R ? L U N A M O O N : A N D A R E Y O U O N D U T Y T H A T N I G H T ? A R L A : YES. Y O U C A N . A N D Y E S , I A M . P A N E L 970: L U N A M O O N : W E W A N T TO DO T H E C E L E B R A T I O N P A R T A T M I D N I G H T . C O U L D W E ? A R L A : W H Y NOT! DO Y O U T H I N K Y O U C A N A L L STAY A W A K E ? PINKIE: W E ' L L A L L T A K E NAPS, S U P E R L O N G N A P S . P A N E L 971: A R L A : F I G U R E IT O U T A N D L E T M E K N O W W H A T Y O U N E E D . A R L A : W O U L D Y O U L I K E M E TO C A L L K I M , LISA, N O M I A N D A D A M ? I T H I N K T H E Y W O U L D L I K E TO B E A PART O F IT. A N D I B E T BOB W O U L D L I K E TO B E T H E R E , W O U L D N ' T Y O U ? B O B : YES, I'D L O V E TO B E T H E R E IF IT'S O K A Y W I T H A L L O F Y O U . I 'LL T A K E PICTURES. L U N A M O O N : I A L M O S T F O R G O T Y O U T O O K PICTURES. DO Y O U H A V E S O M E ? I E S P E C I A L L Y W A N T A P I C T U R E O F C R O W G I R L . BOB: I GOT S O M E G R E A T SHOTS O F A L L O F Y O U A N D Q U I T E A F E W OF C R O W G I R L A T H E R B I R T H D A Y . A R L A : IT W O U L D B E N I C E TO H A V E A G O O D P H O T O O F H E R F O R T H E W A R D . P A N E L 973: The celebration discussion continues. Y A N K E E G I R L : SO Y O U ' L L A S K K I M A N D LISA A N D N O M I A N D A D A M ? A R L A : YES. Y O U G U Y S F I G U R E O U T W H A T Y O U W A N T TO DO A N D W E ' L L T A L K L A T E R . L U N A M O O N : I 'LL INVITE E M A N D N O R A . P A N E L 974: Y A N K E E G I R L : W H A T A B O U T T H E I R P A R E N T S ? A R L A : T H E Y ' R E W E L C O M E TO C O M E A N D STAY. SINCE A L L OF Y O U W I L L B E O U T S I D E T H E Y C O U L D S L E E P I N Y O U R BEDS. PINKIE: LET'S A S K D A V I N C I TO C A L L C A P T A I N . A T LEAST TO L E T H I M K N O W . Y A N K E E G I R L : I H A V E A N IDEA. I T H I N K M Y M O M K N O W S H O W TO DO IT A N D LISA C O U L D H E L P US. Y A N K E E G I R L : I SAW IT O N TV. A F T E R T H E T S U N A M I P E O P L E R E L E A S E D H U N D R E D S O F P A P E R L A N T E R N S I N T H E A I R A T N I G H T I N M E M O R Y O F A L L T H E P E O P L E W H O DIED. P A N E L 976: Y A N K E E G I R L : T H E Y W E R E P A P E R L A N T E R N S W I T H C A N D L E S INSIDE T H E M . M O R E L I K E L I T T L E H O T A I R B A L L O O N . PINKIE: T H E R E ' S S O M E T H I N G SO N O T G O O D F O R T H E E N V I R O N M E N T A B O U T T H A T , ISN'T T H E R E ? P A N E L 977: L U N A M O O N : I'VE H E A R D T H A T A B O U T B A L L O O N S B U T M A Y B E IF W E J U S T DID O N E . IT 'LL B E M A D E O F P A P E R . T H A T W O N ' T H U R T T H E E N V I R O N M E N T . P A N E L 978: L U N A M O O N : I L O V E T H A T IDEA. IT 'LL B E L I K E S E N D I N G C R O W G I R L TO T H E M O O N I N A L A N T E R N . S H E W I L L L O V E T H A T . Y A N K E E G I R L : W E C A N O T H E R S F O R T H E L A N T E R N L I G H T . W E ' L L N E E D L I G H T A T M I D N I G H T . PINKIE: T R U E . W E W I L L . I 'M O K A Y W I T H S E N D I N G O N E U P . P A N E L 979: L U N A M O O N : LET'S S E E IF LISA H A S T H E SUPPLIES. W H E R E ' S DAVINCI? H E C A N H E L P . Y A N K E E G I R L : H E ' L L B E B A C K LATER. HIS N E W R O O M M A T E ' S F A M I L Y T O O K T H E M O U T S H O P P I N G . P A N E L 980: Y A N K E E G I R L . Y O U K N O W W H A T W E H A V E TO H A V E ? PINKIE: S 'MORES! W E SO H A V E TO H A V E T H E M . P A N E L 981 Y A N K E E G I R L : M I D N I G H T S 'MORES O N A L I T T L E C A M P F I R E . L U N A M O O N : M O M B R O U G H T O U R H I B A C H I . P A N E L 982: Chapter title, 'Have a Dream,' is lettered across the top of a view of Ar ia talking to Lunamoon i n Lunamoon's room. It is Saturday. The celebration w i l l take place later that evening. A R L A : I ' M H A P P Y TO S E E Y O U ' R E T A K I N G A N A P . L U N A M O O N : I DON'T W A N T TO G E T S L E E P Y L A T E R O N . P A N E L 983: A R L A : Y O U ' V E A L L W O R K E D SO W E L L P U T T I N G T O N I G H T ' S C E L E B R A T I O N T O G E T H E R . L U N A M O O N : IT'S GOOD W O R K . P A N E L 984: A R L A : IT IS. IT H E L P S A L L O F US W I T H O U R SADNESS. IT H E L P S US SAY GOOD B Y E . L U N A M O O N : IT ISN'T G O O D B Y E TO M E . L U N A M O O N : IT K E E P S H E R R E A L . IT K E E P S H E R A L I V E . S H E ' L L A L W A Y S B E H E R E . SHE'S I N T H E STORIES, T H E P I C T U R E S . i P A N E L 985: A R L A : S H E IS. SHE'S SO M U C H I N Y O U R H E A R T , S H E W I L L B E W I T H Y O U F O R E V E R . Y O U ' L L STILL F E E L SAD A N D MISS H E R . A R L A : Y O U ' L L F I N D H E R W I T H Y O U O V E R A N D O V E R A G A I N I N S U R P R I S I N G WAYS, S O M E T I M E S W H E N Y O U A R E N ' T E V E N T H I N K I N G A B O U T H E R . P A N E L 986: L U N A M O O N : I DO K N O W T H A T . I ' M H O P I N G T H A T IT H A P P E N S T H E W A Y IT DID A F T E R M Y D A D D I E D . T H A T DID H A P P E N , A F T E R T H E R E A L L Y H A R D S A D N E S S W E N T A W A Y . A R L A : IT W I L L . IT W I L L . P A N E L 987: A R L A : W O U L D Y O U L I K E TO M O V E I N W I T H Y A N K E E G I R L F O R T H E LAST T W O W E E K S O F Y O U R T R E A T M E N T ? I T H O U G H T Y O U M I G H T L I K E T H A T B E T T E R T H E N G E T T I N G A N E W R O O M M A T E . L U N A M O O N : CAN'T I STAY I N T H E R O O M BY M Y S E L F ? P A N E L 988: A R L A : M A Y B E F O R A F E W DAYS, B U T W E ' L L N E E D T H E S P A C E S O O N . A R L A : F O R S U C H A S H O R T T I M E I T H O U G H T Y O U M I G H T P R E F E R TO STAY W I T H S O M E O N E Y O U K N O W . L U N A M O O N : I W O U L D , B U T IF I C O U L D H A V E A C O U P L E OF DAYS O N M Y O W N , I'D L I K E T H A T TOO. P A N E L 989: A R L A : AS I C A N . OKAY, H O N E Y . I 'LL L E T Y O U STAY O N Y O U R O W N AS L O N G P A N E L 990: Lunamoon sitting on her bed looking tired and sad. L U N A M O O N T H I N K I N G : T H A N K Y O U , GOD. AS T H O U G H Y O U H A V E A H A N D I N THIS! T H A N K Y O U , A R L A . IF O N L Y I C O U L D F I N I S H M Y T R E A T M E N T N O W . I 'VE H A D E N O U G H . P A N E L 991: Lunamoon walks over to the wall and removes a collage she made of Crowgirl finding dragonflies and moonflies. L U N A M O O N T H I N K I N G : I J U S T W A N T TO SIT A N D W O R K O N C O L L A G E S . I DON'T W A N T TO T A L K TO A N Y O N E . I W A N T TO T A L K TO C R O W G I R L . DON'T I? ' C A U S E H E R E Y O U A R E . I 'LL T E L L Y O U A STORY AS Y O U L O O K F O R T H E M O O N FLIES, A N D M O O N BUGS. I 'LL M A K E M O O N B U G S F O R Y O U . P A N E L 992: L U N A M O O N T H I N K I N G : M O O N B U G S . T H A T 'S W H A T W E S H O U L D H A V E F O R T H E S L E E P - O U T . I 'LL M A K E M O O N B U G S TO GO W I T H T H E CROWS A N D L A N T E R N S . L U N A M O O N T H I N K I N G : I 'LL STAY I N F O R A W H I L E A L L BY M Y S E L F A N D M A K E STUFF. P A N E L 993: Several adults, Bob, Em's mom, Nora's m o m and the kids assemble the tent. P A N E L 994: Davinci and Yankeegirl hang moon crows and paper decorations on the tent. P A N E L 995: Pinkie, Lunamoon, and Lunamoon's mom place lanterns around the garden. P A N E L 996: Pinkie and Lunamoon help Davinci f inish the tent. P A N E L 997: E m and Nora carry i n ported white flowering plants. P A N E L 998: The adults set up a food area and the hibachi. and on some of the flowers and bushes. P A N E L 1000: Everyone stands back to admire the scene. P A N E L 1001: Pinkie i n Lunamoon's doorway. A clock shows that it is 1 0 : 4 5 p m . PINKIE: ISN'T IT T I M E TO GO OUTSIDE? P A N E L 1002: Nora looking at Lunamoon. N O R A : IT IS. G I R L F R I E N D , LET'S T A K E O U R T H I N G S TO T H E T E N T . P A N E L 1003: E m carrying a basket of wrapped items. N O R A : E M , W H A T ' S T H A T ? E M : Y O U ' L L SEE. S O M E T H I N G F O R L A T E R . P A N E L 1004: A r i a talking to the gang as they carry sleeping bags out to the g a r d e n . A R L A : A D A M A N D N O M I A R E L I G H T I N G T H E L A N T E R N S A N D H I B A C H I F I R E . L U N A M O O N ' S M O M : W E ' V E GOT H O T C H O C O L A T E A N D L E M O N M E R I N G U E PIE, C R O W G I R L ' S F A V O U R I T E F R O M DUCKY'S . A N D S 'MORES! P A N E L 1005: The group, children and parents are gathered i n the tent, sitting on sleeping bags. Paper lanterns flicker around the tent and among the nearby bushes. P A N E L 1006: N O M I : W H O W A N T S TO S P E A K FIRST? E M : C R O W G I R L IS M Y BEST F R I E N D . W E W E R E A L W A Y S F R I E N D S , E V E N B E F O R E W E C O U L D T A L K . W E K N E W E A C H O T H E R . I T H I N K W E STILL DO. P A N E L 1007: E M : M O M A N D I B R O U G H T W H I T E H Y A C I N T H B U L B S TO P L A N T I N THIS G A R D E N F O R C R O W G I R L . W H I T E F L O W E R S F O R A M I D N I G H T G A R D E N . T O M O R R O W W E ' L L P L A N T T H E M . E M : CROWGIRL'S M O M A S K E D M E TO T E L L Y O U H O W M U C H S H E A P P R E C I A T E S E V E R Y O N E ' S L O V E F O R C R O W G I R L . SHE'S S E N D I N G M O R E W H I T E F L O W E R I N G B U S H E S TO M A K E A M I D N I G H T G A R D E N F O R C R O W G I R L A N D E V E R Y O N E W H O C O M E S H E R E . P A N E L 1008: E M : O T H E R C H I L D R E N W I L L B E A B L E TO E N J O Y CROWGIRL'S G A R D E N A N D T H E Y C A N H A V E S L E E P - O U T S L I K E THIS. P A N E L 1009: F u l l page panel. E M : LET'S SING O N E O F C R O W G I R L ' S F A V O U R I T E SONGS. E V E R Y O N E S I N G I N G : ' H A P P Y T A L K . . . .' E V E R Y O N E S I N G I N G : Everyone holding paper thought balloon. E V E R Y O N E S I N G I N G : Everyone holding paper moons. P A N E L 1010: E M : C R O W G I R L ' S D R E A M WAS THIS G A R D E N . LAST W E E K S H E A S K E D H E R M O M F O R T H E G A R D E N . H E R D R E A M ' S G O N N A C O M E T R U E . P A N E L 1011: L U N A M O O N : O N H E R B I R T H D A Y S H E W A S G O I N G TO G I V E Y O U E A C H A S P E C I A L GIFT. B U T W H E N C A P T A I N GOT SICK A G A I N , S H E T H O U G H T S H E ' D WAIT T I L W E F E L T B E T T E R . L U N A M O O N : S H E A S K E D M E TO G I V E E A C H O F Y O U H E R GIFTS A N D W I S H E S . P A N E L 1012: Lunamoon gives Pinkie the glass hummingbird. P A N E L 1013: Lunamoon gives Davinci a good pen. P A N E L 1015: Lunamoon gives art supplies to Lisa and DVDs to K i m . P A N E L 1016: Lunamoon gives E m a picture. P A N E L 1017: Lunamoon handing Crowbaby to A r i a . L U N A M O O N : C R O W G I R L W A N T E D Y O U TO H A V E C R O W B A B Y B E C A U S E Y O U M A D E T H E W I N G S A N D T U F T Y H E A D P I E C E . P A N E L 1018: A R L A H U G G I N G L U N A M O O N A N D H O L D I N G C R O W B A B Y . A R L A : IT'S T I M E W E H A D S O M E S 'MORES, PIE, A N D H O T C H O C O L A T E . PINKIE: W H A T A B O U T T H E L A N T E R N ? P A N E L 1019: N O R A : W E ' L L H A V E R E F R E S H M E N T S N O W . W E ' L L DO T H E L A N T E R N LAST OF A L L W H E N W E ' R E I N O U R S L E E P I N G BAGS SO W E C A N L I E B A C K A N D W A T C H T H E L A N T E R N RISE INTO T H E SKY. Y A N K E E G I R L : I A G R E E . I H A V E S O M E W I S H STRIPS TO H A N G O N T H E L A N T E R N . P A N E L 1021: Yankeegirl showing the wish strips to the gang. Yankeegirl attaching wish strips to the lantern. P A N E L 1022: Everyone roasting s'mores, dr inking hot chocolate and eating pie. P A N E L 1023: The gang cl imbing into their sleeping bags. P A N E L 1024: A D A M : IS E V E R Y O N E S N U G AS A B U G ? A D A M : W H A T A P E R F E C T N I G H T , A F U L L M O O N B R I G H T N I G H T . A R L A : I 'VE B E E N T H I N K I N G . I H A V E A N I D E A A N D I F I G U R E D O U T H O W TO DO IT. I W A N T TO P U T C R O W B A B Y O N T H E L A N T E R N . T H E N W E C A N S E E C R O W B A B Y GO U P INTO T H E M I D N I G H T SKY O N H E R W A Y TO T H E M O O N A N D C R O W G I R L . P A N E L 1025: PINKIE: B U T T H E L A N T E R N W O N ' T R E A L L Y GO A L L T H E W A Y U P . P A N E L 1026: Y A N K E E G I R L : T R U E , B U T W E ' L L N E V E R K N O W W H E R E IT GOES. I D O N ' T W A N T TO K N O W . I W A N T TO W A T C H IT GO U P A N D T H I N K OF IT G O I N G O N F O R E V E R W I T H A L L O U R W I S H E S . L U N A M O O N : M E TOO. P A N E L 1027: D A V I N C I : Y O U K N O W W H A T ? E V E N IF C R O W B A B Y GOES S O M E W H E R E E L S E , L I K E T H A T C O U L D B E A G O O D T H I N G . D A V I N C I : IT 'LL B E L I K E A GIFT. L I K E I N L U N A M O O N ' S STORY W H E N C R O W B A B Y L A N D E D I N A C R A D L E . D A V I N C I : L I K E , C R O W B A B Y W I L L B E J U S T L I K E C R O W G I R L , S T A R T I N G A N E W L I F E . P A N E L 1028: A R L A : SO IS E V E R Y O N E OKAY W I T H C R O W B A B Y G O I N G O N T H E L A N T E R N ? P A N E L 1029: PINKIE: YES, IT'S SO OKAY. P A N E L 1030: A D A M : L U N A M O O N , T E L L US A C R O W B A B Y STORY W H I L E T H E L A N T E R N RISES. P A N E L 1031: L U N A M O O N : O N C E U P O N A T I M E , N O T V E R Y L O N G A G O , R E A L L Y Q U I T E R E C E N T L Y , INTO THIS W O R L D D R O P P E D , S C R E A M I N G A N D S Q U I R M I N G A W I L D BABY.. . . P A N E L 1032: Large wordless panel of the Crowbaby story. P A N E L 1033: Large panel of the night sky above the tent. L U N A M O O N : F O L L O W M E L U N A M O O N : F O L L O W M E , F O L L O W M E . LET'S GO Y O U A N D I. LET'S GO L I V E I N T H E SKY. W E ' L L F L Y A N D FLY, Y O U A N D I. W E ' L L F L Y UP H I G H I N T H E SKY, Y O U A N D I. Y O U A N D I. P A N E L 1034: Large panel with a view of Crowbaby in the lantern with its wish strips fluttering. P A N E L 1035: Close-up of Crowbaby i n the lantern with full moon. P A N E L 1036: Close-up of one of the wish strips P A N E L 1037: The lantern above a bird's eye view of the tent and garden. P A N E L 1038: Close-up of Crowgirl's statement on a wish strip, \"Life is good.\" P A N E L 1039: Large panel of Crowgirl's midnight garden collage juxtaposed over Lunamoon's lunar landscape collage with its hidden moonbugs and moonflies. "@en ; edm:hasType "Thesis/Dissertation"@en ; vivo:dateIssued "2005-11"@en ; edm:isShownAt "10.14288/1.0092833"@en ; dcterms:language "eng"@en ; ns0:degreeDiscipline "Children's Literature"@en ; edm:provider "Vancouver : University of British Columbia Library"@en ; dcterms:publisher "University of British Columbia"@en ; dcterms:rights "For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use."@en ; ns0:scholarLevel "Graduate"@en ; dcterms:title "Crowgirl’s amazing adventure scrapbook"@en ; dcterms:type "Text"@en ; ns0:identifierURI "http://hdl.handle.net/2429/18329"@en .