Kendang tunggal : Balinese solo drumming improvisation
department or school: Arts, Faculty of
department or school: Music, School of
data provider: DSpace
degree campus: UBCV
creator: Sudirana, I Wayan
issued: 2009-08-21T17:19:35Z
issued: 2009
related degree: Master of Arts - MA
degree grantor: University of British Columbia
description: The following thesis is an analytical investigation of Balinese solo drumming (kendang tunggal) in Balinese gamelan music. It is dealing with the solo drumming that is considered improvisational, in particular the styles that are used in the repertory of the gamelan Gong Kebyar. The analysis is culminated in chapter four with analysis of six selected recordings of influential Balinese master drummers, who represent different stages in the development of kebyar style, from its beginning to the present. The focus is on the way these drummers develop their own style or pupuh (drum patterns) within particular Balinese melodies and gong cycles. The term improvisation is carefully used, because the degree of freedom in such meters is often limited. The drummers often describe the way they play in these contexts as bebas (free), but in practice, many drummers usually do not use the opportunity to create spontaneous patterns at all, and instead recycle or reuse the patterns that they have practiced and create a new ordering of well-rehearsed stock phrases. Based on this idea, the basic analysis of solo drumming in two types of Balinese meter is introduced in chapter three that can help outsiders or beginner drummers to understand or at least to clarify how the kendang tunggal works with a certain degree of “limited improvisation” in Balinese gamelan gong kebyar music.
aggregated CHO: https://circle.library.ubc.ca/rest/handle/2429/12466
extent: 2475454 bytes
format: application/pdf
note: KENDANG TUNGGAL: BALINESE SOLO DRUMMING IMPROVISATION by I WAYAN SUDIRANA B.A. (S.Sn)., Institute Seni Indonesia (ISI) Denpasar, 2003 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (MUSIC) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2009 © I Wayan Sudirana, 2009 ii ABSTRACT The following thesis is an analytical investigation of Balinese solo drumming (kendang tunggal) in Balinese gamelan music. It is dealing with the solo drumming that is considered improvisational, in particular the styles that are used in the repertory of the gamelan Gong Kebyar. The analysis is culminated in chapter four with analysis of six selected recordings of influential Balinese master drummers, who represent different stages in the development of kebyar style, from its beginning to the present. The focus is on the way these drummers develop their own style or pupuh (drum patterns) within particular Balinese melodies and gong cycles. The term improvisation is carefully used, because the degree of freedom in such meters is often limited. The drummers often describe the way they play in these contexts as bebas (free), but in practice, many drummers usually do not use the opportunity to create spontaneous patterns at all, and instead recycle or reuse the patterns that they have practiced and create a new ordering of well-rehearsed stock phrases. Based on this idea, the basic analysis of solo drumming in two types of Balinese meter is introduced in chapter three that can help outsiders or beginner drummers to understand or at least to clarify how the kendang tunggal works with a certain degree of “limited improvisation” in Balinese gamelan gong kebyar music. iii TABL E OF CONTENTS Abstract .....................................................................................................................................ii Table of Contents ...............................................................…
has type: Thesis/Dissertation
date issued: 2009-11
is shown at: 10.14288/1.0067619
language: eng
degree discipline: Music
provider: Vancouver : University of British Columbia Library
publisher: University of British Columbia
rights: Attribution-NonCommercial-NoDerivatives 4.0 International
rights URI: http://creativecommons.org/licenses/by-nc-nd/4.0/
scholar level: Graduate
type: Text
identifier URI: http://hdl.handle.net/2429/12466