"271d3557-0503-4e07-afc9-405add3c98fe"@en . "CONTENTdm"@en . "http://resolve.library.ubc.ca/cgi-bin/catsearch?bid=1190017"@en . "Discorder"@en . "CITR-FM (Radio station : Vancouver, B.C.)"@en . "2015-03-11"@en . "1989-06-01"@en . "https://open.library.ubc.ca/collections/discorder/items/1.0050223/source.json"@en . "24 pages"@en . "application/pdf"@en . " THE TWELFTH ANNUAL\nVancouver Folk Music Festiv\nJULY 14,15,16,1989\niefs\nJERICHO BEACH PARK\n, . En*1\"'\nnd\n^r^.\n. (5ulg\u00C2\u00B0\n^^^^rr\nvtv.BC #Mouiti\n\"^et^sYV\u00C2\u00B0Vfn^nd\nrtk\e^ . .klnd v ue^ \u00C2\u00ABfce**\n\u00E2\u0080\u00A2Fron>&r^^e^o^;^\u00E2\u0080\u009E\u00C2\u00AB\n>vef-; VVet*s_^M*\noN\n^-S^\nvX\N'v\nd\ws\n.BC\nlet***\n,v^*\nria\n\u00E2\u0096\u00A0alia\n^\n>Yvttv\nihi^'\nnC\n^90*\n&w. ;7 ^^t^i3 ;c - ^>rr: 0n\n. BC\ne\<\nf\u00C2\u00B0rX>eS_,G^V\u00C2\u00B0\ntur\u00C2\u00BB()\n.peoP^d.P.\u00C2\u00A3-l\nJoe*\ntan\u00C2\u00B0\no\^\n\u00C2\u00A3\u00C2\u00BB\n. W^\ngaO'\n. Bra^1\n, doet^ aatn*0 , ^io w ^vwv**^ .,\u00E2\u0080\u009E\u00C2\u00ABo\* ..,\u00C2\u00BB\u00C2\u00BB\u00C2\u00BB* , -retM\" .,Mtt>e* ^\ned\^ '\nass^u \u00E2\u0080\u009E\u00C2\u00BB\u00C2\u00AB^ W***\"-, *W\n*l*M* * ^ft*,W^*oe** ,ma ^.ma 3* Life**10 . V^*0 * \N^C\n. Te^ne\nX)aO*e\nssee\n\w\nl\ve\n*&gsg&s&$&'\ncss^\n^c^r.NV va^^cVve\>^ft.\nd\u00C2\u00ABv\n\u00C2\u00AB*\"\"^\n**>>\"\n>Y\u00C2\u00BB\<*\n6 Daytime Stages\n(Sat. and Sun.)\n3 Evening Concerts\n(Fri.. Sat. and Sun.)\nChildren's programming\n\"A festival that combines all the familiar licks you know and love\nwith a world cruise into some of the most amazing and unexpected\nmusical destinations you*re likely to experience anywhere.\"\nThis year theme programmes include China, Central\nAmerica, Australia and a survey of Canadian\nCeltic Music.\nTickets available in Vancouver at Black Swan Records, 2H36 W.\n4th Avenue (734-2828); Highlife Records, 1317 Commercial Drive\n(251-6964). Zulu Records, 1869 W. 4th Avenue (738-3232); and all\nTicketmaster Outlets (280-4444). In Victoria at Mezzrow's, 3625\nDouglas Street (381-2633) and all Ticketmaster Outlets\nthroughout the province\nFor more information, mail or phone orders please\ncontact the Vancouver Folk Music Festival, 3271 Main\nStreet, Vancouver, B.C. V5V 3M6 (604) 879 2931\nCredit card orders at VFMF office only. ^J^ft disorder\nThat Magazine from CITR FM 102\nJUNE 1989*ISSUE#77\nEDITOR Kevin Smith\nEDITORIAL ASSISTANT Viola Funk\nWRITERS Pat Mullan, Jennifer Bredl, Lane Dun-\nlop, Janis McKenzie, Warren White, Viola Funk,\nBill Baker, Sheila West\nART DIRECTOR Scott Chernoff\nPHOTOGRAPHERS Kelly Wood, Scott Chernoff\nCOVER Jeanna South\nPROGRAM GUIDE Kathryn Hayashi\nTYPESETTING AMS Desktop Publishing\nADVERTISING Andrea Lupini, Bill Baker\nDISTRIBUTION Pierre Huish\nACCOUNTS AND SUBSCRIPTION GUYRandy Iwata\nDiscorder is That Magazine from CiTR 101.9fM/pub-\nlished monthly by the Student Radio Society of the University of British Columbia/printed in Surrey, Canada.\nDiscorder prints what it wants/the CiTR On the Dial\nprogram guide/ the CiTR Spinlist record chart/17,500\ncopies to over 200 spots. Twelve-month subscriptions are $12 in Canada/$12 (US) to the US/$20 elsewhere/payable by cheque to Discorder Magazine. We\nwant your stuff: send in stories, drawings, photos/ and\nwe don't give it back.\nCiTR 101.9fM is 1800 watts of stereophonic bliss/on\ncable fM from UBC to Langley, Squamish to Point\nRoberts, USA, but not on Shaw Cable in White Rock (bug\nthem about it) /now available on most clock radios and in\ncars too.\nOffice hours for CiTR, Discorder, CiTR Mobile Sound\nRental are Mon-Fri, 10am - 4pm (please avoid Fri-afts.)\nCall office 228-3017/News Sports 224-4320 /DJ 228-\nCiTR. Send stuff to Discorder Magazine or CiTR Radio/\nSUB Rm 233/UBC, Vancouver, BC/V6T 2A5/Fax (604)\n228-6093.\n VIDEO EYE\nfree videos from your government\n20 ON THE DIAL\neveryperson's guide to cltr\n21 SPINLIST\nthe hlpper sounds\n22 ART AND ABOUT\nIt's time to participate\nREGINALD LISSEL\n(U> 4&i Xti&cr street\u00E2\u0080\u0094* ^f\\nPI\n16 UF\u00E2\u0082\u00AC FAKING VOUBYf\nARE YOU A SOCIAL PARIAHf\nCOINC NOWHERE. FAfiTf\nYW* 0A0EBLY fiOOM\ncan you turn your life around\nwith just one phone call.\nDiscorder needs artists, writers,\nphotographers, word processors, etc\nSo shift into the fast lane, enjoy\nnew found popularity, and go where\nyou know you belong\n- straight to the top. gone 228-3017 \u00C2\u00AB write\n57 Drscorder Magazine\nCiTR-6138 SUB Blvd.\nVancouver, B.C.-V6T2A5 CAFE\nGALLERY\n829 GRANVILLE STREET\nVANCOUVER, CANADA\n(604) 684-8900\nTAFS\nCAFE\nGALLERY\n829 GRANVILLE STREET\nVANCOUVER, CANADA\n(604) 684-8900\nTAFS\nCAFE\nGALLERY\n829 GRANVILLE STREET\nVANCOUVER, CANADA\n(604) 684-8900 AIRHEAD\nc/o CITR\n6138 SUB Blvd.\nVancouver, B.C\nV6T 2A5\nFEELINGS\nDear Airhead,\nThis letter is not to comment on how I liked last\nmonth's article on 101 ways to kill Tiffany, but to\nmake a protestical comment. I hope that the owners/\nmanagers of such clubs as 86 Street Music Hall read\nthis, because this letter goes out to you. You inconsiderate tightassed dumbfucks. I am sick and tired of\nseeing an awesome group coming to town (no, that\ndoes not include Bon Jovi) and to find out that they're\nplaying at some \"No Minors\" club like yours, you\nmotherfuckers. I am making such a big shit because\nI am fifteen with a face that makes me look thirteen.\nIt's great for getting into movies, but I have no chance\nof sneaking into a club to see a group such as the Dead\nMilkmen.\nI also hope that some of the decent groups out\nthere read Discorder because I would hope that some\nof you would follow DOA's example and play at\nplaces such as the SUB Ballroom where all ages could\ngo, because I know of shitloads of people who feel the\nsame way.\nI thank you Airhead for your time and allowing\nme to express my feelings,\nJC\nPRIORITIES\nDear Airhead,\nRabid barbaric vegetarians have desecrated one\nof Vancouver's sacred shrines. I speak of the Nazare\nMarket on Commercial Drive. A place where people\nof modest means could enjoy the finest barbecued\nchicken in Vancouver. These chickens, who died so\nthat they could be served at the Nazare Market, died\nfor a worthy cause. They became culinary master-\nworks, their subtle flavours to be remembered long\nafter they were gone. Indeed it can be said that they\ndied well. This cannot be said of other chickens who\nare squandered in some of the other less revered\nyuppie hellholes of this city. Places that were far more\ndeserving of a torch job by fanatic urban terrorists or\nby outraged patrons. One of Vancouver's culinary\ngems is gone; only the good die young. I hope these\nmisguided dogooders get the help they so desperately\nneed or at least get their priorities right.\nSimon Pryor\nBarbecued chicken worshipper\nJUNE 1989 5 The Dead Kennedys are long gone. The court case is\nlong over. He was in town acting in the movie Terminal City-Ricochet. He sure can talk - and talk and talk.\nAnd now, a man who really needs no introduction...Jello\nBiafra. Interview by Pat Mullan.\nDISCORDER: Tell us about Terminal City-\nRicochet and your new career as an actor.\nJELLO: I'm not particularly happy with what I\nhave done in the film. I hadn't done anything\nlike this before except 15 seconds of fame in the\nfilm Tapeheads. Thankfully some of the more\nexperienced actors and the director were very\nhelpful in giving me pointers and ideas on how\nto build my character. I stage-acted years ago\nbefore Dead Kennedys but I hadn't done anything since, so I was reaching way back into my\nmemory from method-acting teachers in my\nteenage years. It was an interesting experience;\nthe film should be pretty unusual too when it\nfinally comes out in the fall.\nIn the film I play the right-hand hatchet\nman of a corrupt right-wing corporate politician\nwho has privatised all forms of government into\na shopping mall version of a fascist state. This\nperson, named Ross Glimore, is played by Peter\nBreck in masterful fashion. He was an Emmy\nAward-winner for the Big Valley of all things.\nHe played Nick Barclay and was also in Shock\nCorridor. Mark Bennett plays Alex the apathetic everyman who gets caught up in this web\nof corruption and lies, and Lisa Brown plays\nBeatrice, who kind of shows him the way out, as\nwell as Jermaine Hoad's character, Ace the\nbrain-damaged hockey goalie who was hit in the\nhead with a puck.\nD: How did you first find out about the Ricochet\nproject?\nJ: It sort of found me. I believei\nLester, who has managed DOA\nbooked Dead Kennedys tours,\nit. I saw scripts from early oi\nsuggestions for improvements.\nknow until I got here that I w<\nappointed the equivalent of\nthe film. So I've also been hea\nthe soundtrack. I figured if I di]\ncollaborations with the Ministry\ncago (whichresulted in Lard) why\nthing up here with DOA and NoMeansNi\nI've been recording some songs with both tj\nbands that are at various stages of completiqHI\nthey don't all go on the soundtrack they'll c<\nout in some other way.\nD: Do you have any interest in going into acting\nas a career? J: If I can balance it with my ever-\nfrenzied personal life, why not. I never have all\nthe time for all the things I want to do; I seem to\nbe juggling 5 or 6 so-called careers as it is\u00E2\u0080\u0094\nsinging, spoken word, collage art, Alternative\nTentacles, acting, musicology.\nD: Any comments on skinheads and their connection with white supremist groups?\nJ: I think it's being very tightly co-ordinated\nfrom behind the scenes much like brownshirts\nwere for Hitler. Why else would you see so\nmuch of it so quickly? Even in towns where\nthere was no music scene.and thus no punks for\nthugs to go beat up on, all of a sudden there are\nskinheads. Some of whom are organisedhardcore\nracists. Granted it says something for the intelligence of the white supremacists that it took\nthem 10 years to figure out how to manipulate\nkids through skinhead fashion and the musical\novertones that go with it.\nI think t's very interest.in3p4h.at out of\nnowhere suddenly they're off \u00C2\u00A33<|pEldo Rivera,\nMorton Downey, Oprah Wi&niw. fThey're in\nRolling Stone high-fashion photography jand\nstuff, you know, just a blueprint in a way., A\nhow-to guide for kids who hale tjfe ogfents,\nsince their parents are probably tr^pie^Bio are\nreadmg Rolling Stone am^y.nfi, npyf know\nhow to make mum mjK^-ri^fc^on tr^ outside\n^what they are on Ug^fnside aj|p%o be|i up black\nople.\" After ajCwhat arj/fne cops/going to do\n1 there's jjriot of evii||fce that^uiey are in on\n/ JF I\nD: What,-are JelkfMfra's favourite films?\nJ: I iikj&ay UfnSps Steckle^ who did The In-\n|rediDj^StraJl\u00C2\u00A7etCreatures^Vho Stopped Liv-\nng And Bejjlme Mixed^up Zombies, Her-\nschel Gordjii Lewis andAick Zed who is part\nof the Cinjfna of Transgression underground\nfork. You're only beginning to have an\npground cmern^jfo the level of underground\nmultc where\ncamera and\nDave Mpi*!\nI Supersta\nto be Thi\n> a super-8 or video\n1 for the hell of it.\ngeles has done\nI Love Doll\nf favourite!\nJementi\nmilit;\ncostumei\nmost as profoi\nlor in the mid-'50's\nchildren's film evefj\narent. Set design, i\nSeuss. It's very r.\nthe origina^\nshow which has noltj|al in anyth\u00C2\u00A3f$l\non television as far as ml\nand cops goes.\nD: What do you think of the seen?\ntoday? You've got a new president whol!\n:.DISCORDER: Hey Mr Biafra, can I ask you a question?\nJello: Real fast.\nD: Okay, what is the difference between an American and a Canadian?\nJ: That's for you to decide.\nD: And what right does the media have to pry into things?\nJ: Well you're prying right now so-\nD: 4s that allowed?\nJ: I'm allowing it now against my better judgement 'cause your questions are awfully\nstupid. ^k\nEh But the thing is, wouldn't it be nice to suck up to^Wicc\nlick them, in regards to that, like people phoning you, rSugding^u, trying to track\nyou down. How do you deal with this? ^*\u00C2\u00BBS^^\nJ: Well kinda like this. I say, \"Farewell to you sir.\"\n6 DISCORDER up his information with lovely little catchphrases\nlike \"A thousand beams of light\".\nJ: I don't know who fed him that because he is\none of the most cold-hearted, dangerous fascists\nto come along in a long time. George Bush has\nbeen linked to many allegations of cocaine-\nrunning, running heroin out of the Golden Triangle in Vietnam, and the lunatics have finally\ntaken over the asylum. If Ollie North writes a\nMein Kampf equivalent in the form of a TV\nminiseries rather than a book, imagine what will\nhappen when someone like him becomes president. You have a very careful conditioning\nthrough this corporate-ownedmedia to get people\nto look forward to vicious fascism. Someone\nlike Ollie North, who is basically a Nazi psychopath, also allegedly involved with drug running,\nfor all practical purposes made out to be this\npatriotic hero simply because he lied and stole\nfrom people. That seems to be the spirit of\nshopping mall America in a nutshell. As I say,\nmilitantly stupid and very frightening. Even the\nmost conservative people probably deep down\ninside are frightened of what's happening to the\nplanet, running out of space, what's happening\nto their kids at school. But there's no'better way\nto corral that fright into something that is easily\nmanipulated than drug hysteria. Which is ironic\nconsidering who may or may not be involved\nwith bringing in the drugs to begin with.\nD: Where do you get your information?\nJ: I get it from all over the place. I get it from\npublications likeMultinatianalMonitor, The\nProgressive Maj\u00C2\u00A3gtffl| fiiti&n and In\nform\npmg will get inc\n^ound up with this huge press service\nthese people cutting things out of their\nlocal papers and sending them to Alternative\nTentacles. The best I can do is regurgitate them\nback in the form of sticking them in songs or\ncollage art or whatever. That's how I found out\nan amazing amount of information; the latest\nbeing about Gary Hydneck, the serial killer in\nPhiladelphia who kept retarded women in a\nholed-out part of his basement. Only recently\ndid it reach me that his line of defence in his trial\nis going to be that he was an Army LSD experiment victim. Right after that, of course, he\ndisappears from the news altogether. The\nAmercian media has finally taken some steps to\ncurb the impulse to make pop stars out of serial\nkillers, so you don't hear as much about Gary\nHydneck as you did the superstars like John\nWayne Casey or David Berkowitz or Charles\nManson.\nD: What do you feel about the death penalty and\nthe recent Bundy execution?\nJ: Oh, it's typical. I'm sure if one of these cable\nstations televised weekly executions it would\n^become the highest-rated program in the coun-\nujlggg&djw Morton Downey or John Travolta\n[evision and\nV shows?\nthe TV\nitions run by\nRCA, which\nHITGeneral Electric,\nlargest nuclear arms\nand nucIea^p'Cw'er'cbmponent manufacturers,\nso you will not see any news coverage of defence industry corruption or anything like that\non NBC anymore. Up until his recent death, one\nof the main stockholders in Cap City Industries,\nwhich owns ABC, was William Casey, director\nof the CIA. And Lawrence Tish, who heads\nLows Corporation, which bought out CBS, installed himself as chairman of the board and\nfired almost 4 dozen members of the staff in the\nnews department headquarters in New York.\nReason being \"Well, the news department isn't\npulling its weight. The news mustmake aprofit.\"\nHow do you make a profit through journalism\ntelling it like it is? You don't tell it like it is; you\ngive people thirtysomething, you give people\nUSA Today and Rambo as a way to manipulate\nthem into being sedated, obedient shoppers.\nD: Who were your influences or heroes as you\ngrew up?\nJ: Heroes is an archaic term that implies specta\ntor worship of God from afar which is something\nI have been trying to get away from with my own\nart ever since the beginning. People can mail\nstuff in to put in my collage art. People could get\nup on the stage during a Dead Kennedys show.\nWestern society is one of the few in the world in\nwhich every form of culture is a spectator sport.\nI was sharpened a bit by my sixth grade teacher\nwho was very right-wing to the point of praising\nNational Guardsmen for blowing away students\nat Kent State. I was the only one in class who\nargued with her. Early on I saw it in comic book\nterms to a degree. I would come home from\nschool, watch maybe half an hour of cartoons on\nTV and then the news would come on. I would\njust watch that too and see very little difference\nbetween the two programs. My favourite cartoon characters were Bullwinkle and Senator\nEverett Dirkson. So I guess I kept up with world\nand current events the way other people keep up\nwith sports. I just remembered a lot of names and\ndetails and incidents to the point where I noticed\nwhen these names popped up in Contragate,\nhow many of them I had heard of from Watergate or even the Kennedy assassination.\nI've always been curious; we're taught not\nto be curious by our media and by our school\nsystem, and taught not to remember things that\nare right in front of our eyes. I'll talk to people\nI've known for years and they'll say they don't\nremember anything that happened to 'em in\ngrade school or even high school. And they have\nno concrete memory of Vietnam or Watergate.\nWe were teenagers when that was going on. But\nthey can recite verbatim TV commercials and\njingles that date back to the mid-'60's when we\nJUNE 1989 7 \u00C2\u00A3A GABBA HEY GABBA GABBA HEY GABBA GABBA HEY GABBA GABBAl\n*A HEY GABBA GABBA HEY GABBA GABBA\nCiTR 10/9\nPRESENTS\nY GABBA GABBA HEY GABBA GABBAl\nGABBA GABBA HEY GABBA GABBAl\n/\"\u00E2\u0080\u00A2 A \"Q T3 A <\"' A 1\nWEDNESDAY\nUNE 14\nGABBA GA\n3ABBA GA\nGABBA GABBA I\nTHE COMMODORE\nY GARRA GARRA HEY GARRA GARRA HEV GARRA\nJj|A GABBA HEY\nGABBA HEY GS Ik GABBA HEY bnboTrGTiD^.. I^x un\"6Dn ^AETTT rTET^GABBA GAt>;\nGABBA HEY GABBA GABBA HEY GABBA GABBA HEY PRODUCED BY PERRYSCOPE\nTickets: At all -ncK^Q^asre^^ locations, including\nLower Mainland Eaton's and Infocentres in Major Malls.\nCHARGE BY PHONE: 280 4444. _\nFRIDAY\nJUNE 9\nTHE COMMODORE\nwith special guests\nThe Scramblers\nTickets at all\nCiTR\n101.9 fM\nPRESENTS\nOH\nT^fT4^ffIf^ locations,\nincluding Lower Mainland\nEaton's and Infocentres\nin Major Malls.\nCharge by Phone: 280-4444\nPRODUCED BY\nPERRYSCOPE were all little kids. So it's not as if their memory\nisn't there; it's just that certain things are selectively wiped out as history is rewritten before\nour eyes. I think there was a sign right above Jim\nJones' body at Jonestown that said, 'Those who\ndo not remember the past are condemned to\nrepeat it.\" So here we go. It's just something that\ninterests me; just an obsessive interest. I have no\nhobbies, only obsessions, and my obsessions are\nhow I make my living. Thankfully.\nD: What would you say motivates you? Do you\ncare so much about the planet and all the people\naround you or do you just want the truth?\nJ: I would say more of just living life as one continual prank against people who go around screwing the rest of us. I just never get tired of creative\nacts of positive sabotage. I think using art as a\nweapon is far better than using art as a sedative\ndrug or a religion. The only art that interests me\nis the kind that is used as a weapon\u00E2\u0080\u0094be it music,\nfilm, printed word, street theatre, whathave you.\nD: How important do you see environmental\nissues as being to the average American?\nJ: I would say their idea of environment is\nhaving a nice VCR and a TV and maybe a car\nwith a cool stereo in it. The closest they come to\nenvironmental consciousness is getting annoyed\nwhen they're stuck in traffic jams. There is a\nlittle bit of an environmental consciousness\ncoming back right as the Earth is getting ready to\nchoke to death. Of course, the Bush administration' s answer is to encourage more nuclear power\nand irradiated food.\nWhat the American companies want to do\nis bombard produce with certain kinds of rays,\nespecially frozen vegetables and things, which\nthey've been doing to peas since the '60's.\nWhich gives them a shelf life of many many\nyears. It also changes the molecular structure of\nthe vegetables so it may stay on the shelf for\nyears, but all the nutrients will be gone and you\nwill be a good candidate for cancer of the mouth\nand gums if you eat a lot of this stuff. But you\nhave no way of knowing whether you're eating\nirradiated food or not because the Reagan administration prohibited the Federal Trade\nCommission from requiring any labelling of\nirradiated food. And not only that, but in order to\nirradiate food, you must use the same kind of\nhigh-risk process with plutonium and nuclear\nfuel rods that caused the accident at Three Mile\nIsland. And there are no Three Mile Island type\nregulations for food-processing plants. It's all\nbeing slipped by under people's noses for the\nmost part. They finally found a little logo of a\nlittle bird the irradiation companies can put on\nproducts. \"Hey, it's irradiated, so it must be\ngood!\"\nD: How about the '90's? Any words of wisdom\non the last decade of the twentieth century?\nJ: Never in a million years would I have predicted the '80's would be so evil. I figured if\nthings swung back and forth every ten years the\n*80's were going to be anice interesting antidote\nto the '70's. But oh no, everything just got even\nworse\u00E2\u0080\u0094more greed, more corruption, more\nboring music for the big-time entertainment\nindustry. Now we even have a lot of underground people embracing corny '70's rock; you\nknow, plodding hard rock or bad imitations of\nthe Eagles masquerading as roots rock or disco\nmasquerading as futuristic dance music. I think\nin the '90's a lot more things will hopefully\ncome to a head and people will have to get off\ntheir butts and take a stand. But then again, the\nmask is already off Contragate and the ecological disasters are right in front of everybody's\neyes but they choose to do nothing. The mask is\noff and nobody cares. They are too sedated and\ntoo frightened and figure there's nothing any\none individual can do to stop it because that's the\nway they've been bred to believe.\nD: So how about rock stars as politicians? It\nseems to be a natural. They know how to use the\nmedia to project images people worship. Will\nthere be pyrotechnics in the White House?\nJ: Well my first reaction is boy, do I hope not.\nGenerally, though, I think most rock musicians\nthat care about a lot of things going on realise\nthat their art and music is a far more powerful\ntool than running for political office and having\nto kiss ass to political action committees and\npower brokers and pompous moneybags. Keep\nin mind that part of the reason we see the higher\nstructure having less and less actual vision is\nbecause it's more and more entrenched among a\nsmaller and smaller wealthy ruling class. America does have a class system now and those\nwealthy people are inbreeding like mad. Why do\nyou think that English royal families are so\nstupid? People always talk about depleting the\ngene pool through inbreeding among families in\nbackwoods towns or Southern hillbillies. That\nmay or may not be true but I do think we're\nseeing a lot of evidence of that within the wealthy\npower structure. Each generation is stupider\nthan the one before it. How else do you get\npeople like Dan Quayle becoming vice-president? Although I would feel much better about\nQuayle becoming president than George Bush.\nReagan, at least, was senile and lazy so the most\nvicious part of his agenda never really got off the\nground. If you think the Reagan Supreme Court\nis doing damage to what's left of the American\nConstitution, just wait till Bush gets a hold of it.\nD: Would you like to comment on some of your\npranks? Possibly something with a local flavour?\nJ: What you may be referring to is when Dead\nKennedys played a benefit for the Squamish\nFive in Victoria. On the way back on the ferry\none of the people co-ordinating the benefit\npointed out this oily man in the cafeteria accosting old ladies, grinning at them and similing. In\nother words, he looked like he was trying to win\nvotes or sell snake oil. The guy said he was an\nup-and-coming right wing politician in this\nprovince; one of the most notorious far right\npeople. Then the guy realises he knows what this\nman drives, so down to the bottom of the ferry\nwe went, found this person's car and plastered\n\"Free the Five\" stickers all over the back bumper.\nHe got into the Mercedes convertible, hightailed\nit off the boat, never once bothering to check that\nsomething was a little wrong with his car. And\nlet's just say, he is your premier now.\n100%\nCOTTON\nT- SHIRTS\ntextile dyers and printers 669-0127\n132 Powell St., Vancouver\n&ertrude stein the mod\nlanguage poets critici\n*\u00C2\u00A3j Losophy gertrude st\n^ historyfiction f\n\u00E2\u0096\u00A0* gertrud\nage poe\nbopht a:\nuctura\ne steii\nology :\neory g>\n68i-8i99 s^rrfs12\"6\nJUNE 1989 9 Once upon a time, two and a bit years ago, there was a bunch of art students at Emily Carr\nCollege of Art and Design. Emily Carr was holding a Spring dance and needed bands.\nA couple of these students decided to get together and form a band. Armed with some\nother students, a fistful of songs and the name Vulcan Death Grip, they played the gig\nand had fun. In fact, the students had so much fun that they decided to form a full-time band. Thus\nwas born Curious George.\nThings have moved rather quickly for this five-member band. In the Spring of 1988 they released an eight-song demo and soon after an amateur video of the song Pit Bull Attack. Last month\nsaw the release of their album Children of a Common Mother and the start of a Canada-US tour.\nI recently sat down with a couple of the band members\u00E2\u0080\u0094Iain Ross, the guitar player, and Sean\nThompson, the bass player \u00E2\u0080\u0094 and their manager Brian Thalken, to discuss Curious George. Here's\nwhat they had to say.\nThe Band's Name\nIain: I think Curious George is pretty good, it\nsays a lot about us.\nWhen you think of Curious George you think of\nthe children's book; a lot of fun and getting into\nmischief. Sean: And it's got nothing to do with\nSatan or death either.\nOn Being a Punk Band\nS: Maybe.\nI: Definitely punk-influenced. I don't know if\npunk really exists anymore.\nS: We're somewhere betweem Primate Punk\nand Monkey Metal. I: We're not a hardcore\nthrash band. We play melodic music, maybe it's\nfast and it's loud but there is a melody and there\nis structure to the songs.\nOn Clubs\nI: We like playing smaller clubs. The Arts Club\nis a lot of fun. We always seem to pack the place.\nIt's small and intimate. I like having people two\nfeet away from me as opposed to somewhere\nlike 86 Street where the nearest person other\nthan fellow band members is a hundred feet\naway. It's kind of intimidating.\nS: All ages shows\u00E2\u0080\u0094that's my preference. In big\nhalls like the Lux or the New York Theatre.\nThose are the most fun gigs \u00E2\u0080\u0094 having a few\nexcited kids go wild. And they're not drinking\neither.\nI: They really get into it. I recognise faces from\nthe all ages gigs and I see them at clubs and I\nguess they've got their fake ID. They really like\nto go out and see bands. They're like, \"Yeah,\nlet's go see a band, let's go and support them.\"\nThey're not going out just to be vseen'.\nOn Their Front Man Ian V.\nI: Ian is a great frontman, he has a great time.\nThat's our biggest asset because people remember Ian. Sure the band is fine but people say \"Oh\nyour frontman, he's real good.\" Ian is charismatic and he talks right to the audience.\nS: Sometimes he talks too much, but they love it.\nI: He's a big guy but he's not really nasty or\nanything. People like that.\nS: The whole image behind the band that we try\nto keep with us\u00E2\u0080\u0094having fun.he always puts that\nacross to the audience properly. He never takes\nhimself too seriously.\nOn Girlfriends and Groupies\nI: It can't hurt.\nS: What are groupies?\nI: Yes, I have a girlfriend.\nS:No.\nI: Kurt...may be.\nS & I: Ian V.\u00E2\u0080\u0094Yes.\nI: Brian Clement the drummer. No, but I know\nthis girl Brian really likes.\nA Means To The End?\nI: It might be, you can never tell.\nBrian: Hey, a lot worse bands have made it. I: A\nlot worse. And lots and lots of them. Just turn on\nthe radio. S: Hey, we are the greatest.\nI: Who knows. I never thought we'd get this far.\nI'm real happy we have an album out\u00E2\u0080\u0094that's\ngreat. Even if it ended here I'd be real happy\nabout it. Hopefully things will go further.\nSpike Stylus\n10 DISCORDER JUNE 1989 11 Some things will always be argued over. Like, which Corey is cuter \u00E2\u0080\u0094 Corey Haim or\nCorey Feldman? Is George Bush a Texan or is he really from Delaware? Is that really\nBrian Mulroney's chin or does he have a third elbow? But one thing is taken for\ngranted and can not be argued \u00E2\u0080\u0094 in a world of jaded pop stars and medicore albums\nfrom bands like The Replacements and REM, the VIOLENT FEMMES remain a breath of\nfresh air. They do not record albums because they have to or because they need the money,\nthey do it because they want to record and have fun. And they're fronted by a man who firmly\nbelieves that the COUNTRY DEATH SONG is a happy song, one that give him a warm feeling\ninside. You gotta wonder about a man like that. And, yes, GORDON GANO deserves to be\nwondered about. Not that I lay around all the time and try to figure out what goes on in this\nman's mind, but I have to admit that the thought has occurred to me once in awhile. How could\nthe same mind write ADD IT UP, BLACK GIRLS, and NOTHING WORTH LIVING FOR,\nalso write songs like, JESUS WALKING ON THE WATER and FAITH. The journey into\nGordon Gano's mind begins. And prepare yourself, because the cause of the man's madness\nis not pretty.\nDISCORDER: What happened to the band\nafter THE BLIND LEADING THE NAKED?\nDid you officially break up?\nGORDON GANO: It really depends on who\nyou talk to and what they feel like telling you\nbecause there is more than one version and there\nis truth in more than one story. So, yes, the band\nbroke up, and no, it didn't break up. Either one\nor a combination.\nNow is that a classic answer or what? I could\nsee I was dealing with a professional here. I had\na feeling that the truth about the schizophrenia\nbehind the Violent Femmes would eventually\ncome out. I just had to be patient.\nD: So when did the three of you, (Gordon,\nBRIAN RITCHIE, VICTOR DELORENZO),\ndecide to get back together and record a fourth\nalbum?\nGG: Right before we went into the studio. I\nwanted to record some of my songs. The time\nwas right. And the first people that I would think\nof playing with would be Brian and Victor,\nwhich collectively, when we're playing together\ndoing my songs, we're known as the Violent\nFemmes. It was the best experience that I' ve had\nin a recording studio, and I think that most\nfelt the same way about their own expe-\niw what about the religious viewpoint that\nHkt Femmes songs have taken on in the past.\nThis album does not seem to focus as much on\nreligion and God as much as the previous two.\nHere was no conscious decision whatso-\nis record in relation to others as far as\nct matter. Also I do recognize that that\nt as many spiritual catch words and\nfat jump out or even a whole song that\nthis record. It doesn't have any thing\nIH changing viewpoint for myself, it\nipenedto come out like that.\nfcaUo c\nButt)\nHBut the back cover of THE BLIND\n\u00E2\u0096\u00A0THE NAKED. What was it like\n\u00E2\u0096\u00A0Vd&ad fish on both arms. It did not\nfun, but then I'm not the one who thinks\nCountry Death Song is a warm song.\n^^very unpleasant experience, but\n^^\u00C2\u00BB you might think. It was a very\n\u00E2\u0096\u00A0^Kasant experience because to keep\n'om stinking and rotting they had been\nd putting your arms down inside the\nlike packing your arm solid with some-\nthat had been frozen. And when your\nfish (pay attention all youfrat boys)\n!e's no place for it to move. And the fish were\nBfevy. So it was a feeling of having your whole\narm cut off. It wasn't just slimy and stinky. It\nwas, 'I'm having my arm cut off!' It was very\nunpleasant. And also the teeth were very sharp.\nAnd a little stub on one of the fish on Victor's\narm stabbed him and pricked him in his arm and\nit became infected. We have a theory that he got\nbrain fever from it and hasn't been the same\nThis explains Victor's madness, but leaves\nGordon's unaccounted for. There has to be something. I needed to stall until the solution\nbecame clearer. A question about the new album, yeah, that ought to stall him long enough.\nD: Now, if this were your third album, you'd\nhave a normal title for it. However, and you\nprobably noticed this as well, it's number four\non the Femmes scoresheet. So why \"3\"?\nGG: Well, even the name Violent Femmes is\none of the most misleading names around. So it\nmakes sense for the album title to be also simply\nmisleading. Although, the title \"3\" is fun, it's a\nnice little joke, and I've heard some people are\nvery upset by that. Also it's the three of us\nplaying live in the studio.\nOkay, enough of this fooling around. I have to\nget to the whole point of this interview, to ask\nwhat's been on my mind for years. How does a\nmind get to the stage where it can be so brilliantly demented? I knew I would have to tread\ncarefully.\nD: The Country Death Song and Nothing Worth\nLiving For are two of the most depressing songs\never. Where did the urge come from to write\nthese songs, these masterpieces of twisted genius? (Okay, so I really didn't say 'masterpieces\nof twisted genius' whenlwas asking the question\nto Gordon, but it looks great in print.)\nGG: Both of them are different. The Country\nDeath Song strangely enough gives me a very\nwarm, (and I swear he started laughing sinisterly\nat this point), family feeling inside. Because the\nsong was really written out of a love for all those\nkinds of old country and folk songs which al\nways have the most horrible things happen in\nthem. My father used to play alot of those old\nrecords and play his guitar and sing alot of old\ncountry songs. Nothing Worth Living For was a\nvery different sort of thing. That's just very\nmuch how I was feeling and I was able to write\nit while I was in that sort of mind set. And it just\ncame out in music when I was feeling like that as\na way of trying to deal with it.\nThen it hit me. The source of Gordon's anxiety\nand the cause of his dementia. Please, bear with\nD: So when you're not on tour and when you're\nnot writing songs about throwing little girls in\nthe well, do you get to go to many Brewers'\ngames?\nGG: Sometimes. SIGMUND SNOPEK, who is\nthe keyboard player, is a big, big, Brewers fan,\nand he'll go to lots of games. We're already\ntalking about getting tickets after the tour. I do\nlike the Brewers, but...\nOkay, this is it. I've seen the kind of behavior\nthat is written about in Gordon's songs before,\nbutl' ve never connected the two. But it all makes\nsense now. Gordon sproblem is...\nGG: I have reverted to the team of my childhood, (at this point his voice begins to waiver\nand a strange sensation starts to overtake me, I\nfeel the urge to throw someone into a well), I\ngrew up as a real youngster in Connecticut, and\nnow I live there again, and I've lived in and out\nof NEW YORK CITY for a few years, so the\nNEW YORK METS...\nFrom this point on all is lost as my mind\nstarts spinning and I think of how horrible the Mets are and how anyone must\nbe crazy to cheer for them. A bunch of crybabies\nwith million dollar contracts. I knew something\nhad to have affected Gordon s perception of the\nworld. Cheering for Darryl Strawberry does\nthat to a person. I understand it all now. Add It\nUp, I HEAR THE RAIN, NO KILLING, NIGHTMARES \u00E2\u0080\u0094 all the product of a New York Mets\nfan. It was so simple an explanation. The interview had to come to an end. I could go on no\nlonger. Gordon then attempted to whoo me to\nMetdom with promises of free tickets, backstage\npasses, and a job as a back up singer on this tour,\nbut I resisted his efforts to turn me to the dark\nside. I quickly threw down the phone and ran out\nof the room, screaming 'ROGER CLEMENS is\nbetter than DWIGHT GOODEN any day 111' I\ncould not be bought.\nSo beware on June 16. A rather ordinary looking man may come up to you, and, clutching his\nNew York Mets program tightly against his\nheart, promise you the world if only you ll say\nthat GARY CARTER isn't an over-the-hill\nwashed up liability. Don't listen to him. Be\ncontent in knowing that although Gordon Gano\nhas no baseball sense whatsoever, he and the\nother Femmes produce some of the most interesting songs anywhere. Smile politely, then tell\nGordon you love his music and you're going to\nhis concert.\nRob Boper\n.111-.111 939 Davie St.\n688-2650\nJUNE 1989 13 S\u00C2\u00A3A\u00C2\u00A3m,Ajf &%***\u00C2\u00AB\n%\nTICKETS: All ^fi&m locations,\nIncluding Lower Mainland\nEatons and infocentres In\nMajor Malls. Charge by Phone\n280-4444 produced by\nperryscope\nPRESENTS\nRadiators\nbead\nmusic\n1 e\nn\nTHURSDAY JUNE 8\nTICKETS: -*\t\nAt all Tictc&ijjytxsTEab. locations,\nincluding Lower Mainland Eaton's and\nInfocentres in Major Malls.\nCharge by Phone: 280-4444\nON SALE NOW\nPRODUCED BY PERRYSCOPE ^^^ DAf\ DDAIK1C\nMINISTRY\nLand of Rape and Honey\n(Sire)\nI realised I'd been listening to this album too\nmuch when I arrived at work one afternoon and found\nthat somewhere en route I'd had my head buzzed. Not\nthat extreme a reaction, after ten thousand consecutive listens at full blast. Also it's possible the record\ncontains backwards messages exhorting one to this\nend. Consider the swarms of extremist skins Ministry's recent gigs in the States have attracted.\nWhatever. Land of Rape and Honey will do\nweird things to your mind\u00E2\u0080\u0094none of them undesirable. Sure the clubs are playing it, but misguidedly.\nThis is music to partake of deep in the hellish antechambers of one's soul. To resort to cheap metaphors:\nan album to have an aneurism to. The onslaught\nwanes only on the last track, Abortive, but otherwise\nwhatever bad drugs Jourgensen and his drum machines have done hold sway.\nActually, it's hard to put a finger on any one\nthing the band have altered: the regulation club-music\ncomponents are all intact. Full-frontal bass lines and\ndrum attack; screamed from the other end of a wind\ntunnel vocals; a chorus of speedfreak poodles on\nFLASHBACK; and inspired borrowing from \"The\nGood The Bad And The Ugly\", from which crucial\nbits of You Know What You Are are sampled. Just the\nentire approach is that bit skewed...inverted...well,\nFUCKED, I guess is the best term. Forty minutes\nglorifying psychosis, trauma, disaster, ultra violence\u00E2\u0080\u0094\nlet alone the sheer beauty of juxtaposing \"RAPE\" and\n\"HONEY\". Think about it.\nIn fact, it gets to the point where you begin to\nLIVE the reiteration of Golden Dawn: \"YOU HAVE\nBEEN FOUND GUILY OF COMMERCE WITH\nTHE DEVIL\". And that title track. Ministry have\ntruly encapsulated modem-day America, providing\nthe only valid reaction short of walking into the\nnearest McDonald's with a sawed-off shotgun and\ndoing what comes naturally. Or, to paraphrase the\ngiant billboard on the 499 at Blaine:\nWELCOME TO THE LAND OF RAPE AND\nHONEY AND CHEAP GAS.\nViola Funk\nDESPERATE MINDS\nLast Night I Had The Strangest Dream\n(Chlkara)\nThere's a band practicing within seven blocks\nof where you live who sound just as good, or bad, as\nthese guys. Side One comes across as standard\nhardcore: a humorless flurry of guitar and drums;\nsongs played and sung too fast to leave any impression. The lyrics are sophomoric: the usual indescribable situations expressed by the tragically inarticulate. Side Two is somewhat better. One is able to\ndistinguish between the songs: \"i'm not such a sweet\nthing\" has some vocal harmonies on it; \"maybe i'm\njust naive\" has some accousuc guitar; on \"strive for\nmore\" they actually decrease the tempo. Most of the\nrest of the album sounds like little more than an\nexercise in playing and singing as fast as fast can be.\nMaybe these guys will be as big as Husker Du or the\nReplacements but right now they're just a young band\nwith a long way to go.\nJB Hohm\nBAD BRAINS\nLive\n(SST/Cargo)\nA good recording of a great band. Feel the\ndriving hardcore/reggae force. Witness H.R.'s vocal\ngymnastics. Transcend with the experience of Jah.\nProblem is, it's a live record consisting of old tunes\nfrom their I Against I and Rock For Light LP's\n(except for The Regulator which is really old). Still\nit's worth buying just to hear the Brains Uve since\nyou'll never see them in Canada due to their immoral\nhabits.\nChris Sharpies\nVARIOUS ARTISTS\nWings of Desire\n(original soundtrack by Jurgen Knieper)\n(Nonesuch)\nNous sommes embarker!\nI liked this movie so much I'm reviewing the\nsoundtrack. Side One is composed of brooding pieces\ncomplete with full orchestration and chorus, plus a\nfew bits of German text.\nSide Two features more brooding pieces, including a couple from Nick Cave, and some trapeze\nmusic. There's also a track by a combo called Crime\nand the City Solution. It sounds like Southern Death\nCult played at 16 and 2/3 rpm. The song from Crime\nand the material from Nick Cave alone are worth the\nsticker price of this record. But not only that, buried\ndeep in the credits are the likes of Barry Adamson (ex-\nbassist of Magazine), Kid Congo Powers (guitarist\nfor various american bands), Laurie Anderson, and\nPeter Falk (alias Columbo). Such a deal!\nJB Hohm\nSIMPLE MINDS\nStreet Fighting Years\n(Virgin)\nAs I walked out of the record store, I hyperac-\ntively ripped the cellophane off my eagerly-awaited\ncopy of Simple Minds' latest album, Street Fighting\nYears. I fantasised that Once Upon a Time was only\na temporary departure into the realm of commercial\nschlock-pop. I should have known better. I cracked up\nlaughing as I read the credits and saw the band\npictures. The band attempts to look their stoic best in\nthe cover photo, not unlike similar efforts seen on the\ncovers of U2 albums. The inside sleeve reveals individual photos, a first for Simple Minds, sporting long\nhair and sideburns. But let's backtrack for a moment.\nSimple Minds were a part of the incredible\nassortment of music which appeared during the late\n70's and early 80's, in my opinion the heyday of pop\nmusic. They were a quintessential part of the innovation going on the time. The first time I saw the Love\nSong video was truly a magic moment. The song was\ndancey, powerful, ethereal, and of course, Jim Ken-\nwas the central attraction of the video. I thought allfj|\nlead singers were like Bryan Ferry. But Jim Kerr wasj\na klutzy dancer, cross-eyed and had a strange voice.\nI was hooked. The morel listened, the more I regardedl\nSimple Minds as gods. But unlike other gods, Simple\nMinds just didn't know when enough was enough.\nRoxy Music and the Police did, and split up on time\nthereby retaining their god status. Simple Minds\nnow well past their peak, which they hit in about '81.\nOn Street Fighting Years they could have at\nleast stopped using the name Simple Minds. They\naren't really Simple Minds without drummer Brian\nMcGee and original bassist Derek Forbes, whose\nincredibly innovative bass lines were the focal point\nof the music (until they were rendered inaudible by\nproducer Steve Lillywhite on Sparkle in the Rain). On\nthis album Vono Box's...er, sorry, Jim Kerr's voice\nreally suffers. The guitar sounds like Eric Clapton and\nthe piano sounds like Bruce Homsby. The result is a\nplethora of possible piano 7-Up ads, the front contender being Let it All Come Down. The subjects of\nthe songs are cliches like South Africa and Ireland\n(they should at least leave that to bands like Spirit of\nthe West, who do a much better job), and the lyrics are\nmeaningless. For example, a quote on the inside\nsleeve: \"Out there in the darkness, out there in the\nnight, out there in the starlight, one soul bums brighter\nthan a thousand suns\". What's that supposed tomean!?!\nAre they trying to be surreal? They can go and shove\ntheir sideburns and bagpipes up their asses! Anyway,\nif you insist on buying this crap, it's at least good for\na laugh. But if you want to hear some really good\nmusic, take my advice and check out records like\nSons and Fascinations, Empires and Dance and Sister\nFeelings Call, if you can find them.\nPatrik Sampler\nSNFU\nBetter Than A Stick In The Eye\n(Cargo)\nCanada's hardcore moguls return with another\nplatter of what they do best. This slice of vinyl doesn't\nadvance much further than past LP's but there are\nenough melodic hooks in the tunes to keep it interesting. Tinges of metal and funk appear in a few songs,\nwhich may be due to the new bass player. The band\nalso have a relatively new drummer\u00E2\u0080\u0094none other than\nthe amazing Ted Simm. Lyrics deal with the underrated, unspoken lives of average people such as\npostmen, G.I. Joe's and living shopping malls. Offsetting the hardcore tunes is the \"pop\"-orientated\ncover of Cat Steven's Wild World.\nChris Sharpies real ^ live\naction\nTwo local establishments are back on the\nfront lines after being 'missing from\naction' for far too long. Both the Waterfront and the Smilin' Buddha have followed the Arts Club's lead and have re-opened\ntheir doors to local music acts.\nMy very favorite venue in Vancouver, the\nWaterfront at 686 Powell St., presented its first\nlive show on May 9th since closing in September 1987. A North Shore band called Glynda\nFitzgerald and the Desert Sons accepted the\nhonours by presenting their jangly guitar sound\nof the same vein as fellow North Van'ers The\nRainwalkers. Their ballads tended to be monotonous, but quicker, groovier tunes, such as\nTrain to Spain and Please, Please Me, showed\noff Ms. Fitzgerald's powerful voice and the\nband's danceable pop style.\nWhen the band finished a spontaneous jam\nsession ensued in typical Waterfront fashion\nwith many members of the audience participating. The same grumpy Greeks and surly staff run\nthe place, but unlike the management, the building has undergone a thorough cleaning. Plus,\none can still get the best pizza in town for only\nfive bucks.\nLess than a week later, the Smilin' Buddha,\nat 109 E. Hastings, began its new schedule with\nAxl Rose's Hose, a Guns V Roses spoof band.\nThis is the crew that showed up here at the\nstation for an interview completely and utterly\nsmashed out of their skulls. If that and goof-\nrock/mock songs like Purple Choad City (Paradise City) and Dink in the Sink sound appealing,\nthen check them out. But definitely check out\nwhat's going on at the Buddha and the Waterfront.\nBookings for both are being handled by\nDylan Cree with help at the Waterfront from the\nold bookings agent Kick. Hopefully, they can\nget both stages off the ground and help local\ntalent do the same.\nThe Vancouver Province's music reviewer\nbecomes the reviewee next as the worst-named\nband in Vancouver played the Commodore on\nApril 26th: Bruno Gerussi's Medallion. In preparing to release their first album, In Search of\nthe Fourth Chord, the band has gotten serious\nand cleaned up their sound. They've moved\naway from '70's cock rock and the new songs\nare a little lighter and a little faster.\nUnfortunately, they have yet to master the concept of variety.\nAlso at the Commodore was the show of\nthe month as local faves Sarcastic Mannequins\nopened for Philadelphia's Dead Milkmen.\nIn my opinion the SM's are one of the two\ntop new groups in Vancouver right now, the\nother being Curious George. The threesome\nentertained with their exciting, jazzy-hardcore-\n16 DISCORDER\npop, stage gimmicks and funny clothes. Their\nmusic is similar to that of NoMeansNo in its aggressive bass lines, breaks and tempo changes.\nThis show was the Mannequins first of a cross-\nCanada tour that should establish their popularity throughout the country.\nThe Dead Milkmen's set included no background banner, no stage props and no T-shirts.\nThe crowd was more than satisfied with the\nMilkmen and their music. The epitomy of college radio, the Dead Milkmen have a variety of\nsong styles that range from their biting dance\nclassic You'll Dance to Anything to their James\nBrown soul tune I Beat My Wife. The key to\ntheir success, though, is that they make fun of\neverything that moves.\nFour days later, at Club Soda, Family Plot\nmade their fourth stop on the comeback trail.\nNaomi McCloud has replaced Madelaine Morris as lead singer one of the few bands around\nwith two bassists and no guitar. Ms. McCloud's\nvoice is frighteningly similar to that of Ms.\nMorris and on the surface the switch seems to\nhave gone smoothly. The group has also managed to retain its mysterious, melodic sound and\nslow, flowing vocals that often build into gripping climaxes.\nNow there can be no excuses fornothaving\nanything to do during the month of June with\nsuch high profile bands as The Ramones, P.I.L.\nand the Violent Femmes in town. What? Can't\nafford to go? Well then, I guess I'll see you at the\nWaterfront or the Buddha.\nW.W.\nlocal\nmotion\nIt wasn't so long ago that everyone was\ntalking about how there were no places for\nlocal bands to play anymore, but lately,\nwith the Arts Club back to being a major venue,\nand Club Soda, the Town Pump, and even 86\nStreet and the Commodore putting on multi-\nband showcases, things are definitely looking\nup for Vancouver's musicians. And now the\nWaterfront and the Buddha are jumping into the\nfray (again, after long, sometimes interrupted\nretirements), looking for new and mostly unes-\ntablished bands to play. (Just another reason for\nmusicians to put their phone numbers on demo\ntapes\u00E2\u0080\u0094sometimes promoters ask me to suggest\nbands for opening slots, etc.)\nHaving a demo tape at CiTR can help find\na band an audience, gigs, maybe even a recording or management deal, but with up to thirty (or\neven eighty) demo tapes rolling into the station\neach and every month, there are bound to be\nSOME problems. Mainly the process of getting\nairplay and (maybe) a review just takes time. If\nyour band does submit a tape/bio/press release,\nplease make sure all the bits have a name and, if\npossible, contact phone number, and realise that\nit may be a couple of months or more before you\nget results. And just handing over your tape to\na friend of a friend at CiTR doesn't always\nwork\u00E2\u0080\u0094mailing it in to the attention of Dale\nSawyer (our Demo Tape Director) or dropping\nit off at the station yourself will. Of course, any\ninformation you can give about upcoming performances (as far ahead as possible), helps a\nband's cause too. For one thing, mostly because\nof space and time restrictions, this column tends\nto give priority to bands that are actually play\ning, and not just basement or studio projects.\n(Demo tapes are, by definition, supposed to be\npromotional tools, after all...)\nB ut enough lecturing. Here are this month' s\ndemos:\nJAZZMANIAN DEVILS-Knock Me a Kiss\nWell, give the JDs points, first of all, for\nperhaps the mosthonestcassette title ever: Let's\nDrink. The band here lists its core membership\nas Les, Moishe, Manny, Herschel, and Myron\nGoodman (maybe we're supposed to guess who's\nwho), and frequent guest vocalist Vanessa\nRichards, from Bolero Lava, sings on Knock Me\na Kiss. And, as always, the JDs are very competent and intelligent musicians, and their lyrics\nare funny in places (Honey Chile starts off with\nthe lines \"I got a woman nobody loves but me/\nBut when it comes to loving me she thrills me\nlike JD\"\u00E2\u0080\u0094Are the identical initials mere coincidence?\u00E2\u0080\u0094but degenerates to a list of physical\npeculiarities that's just a bit too familiar), but\nlet's face it, the Jazzmanian Devils are meant to\nbe SEEN as well as heard. They are a wildly\npopular band in bars around town more because\nseeing them is an event than due to what can be\ntransferred onto tape. So I say go catch them\nlive.\nTERMINAL CITY-You + Me\nDrummer Vince Clark says if he hears City\nLove one more time he thinks he'll puke\u00E2\u0080\u0094\nhence this good-bye demo entitled, appropriately enough, RIP. This is a really catchy song\n(maybe not mixed quite as well as it could be,\nprobably because the band broke up before they were finished in the studio), with a cool guitar\nriff and lots of Linda McRae vocals. Well, it's\n' hard to blame Linda for choosing to travel the\nworld with Spirit of the West, but it is definitely\nVancouver's loss. There just aren't enough\nbands around with this kind of grasp of pop sensibilities.\nWAGES OF SIN-Stop the World\nGary, the singer, used to front pop band\nGreen for Go, but there's not much similarity\nbetween that project and this one, which is only\na few months old. If anything, Stop the World\nis more reminiscent of Tin God, both for its\noverall sound and lyrical content (being about\nthe damage humans are doing to the earth, the\nlyrics are well-intentioned but a little obvious).\nThis song's gotpowerful, melodic qualities, and\nworks best when the chorus (with all the instruments and some back-up vocals too) kick in. A\ngood and, I think, sincere start.\nMARY-Him\nAlmost straight off there's a line, \"You\nthink I care but I don't give a flying fuck\", that\nshould be written down in some list of great rock\nand roll lyrics. Maybe I'm totally off-base but\ndidn't these guys used to be associated with\nDeviant and the Clones et al? This is far from\n, being noise, though\u00E2\u0080\u0094Him is rough-edged pop,\nnicely produced and performed but not wimpy.\nIRON GYPSY-Cast Away\nOK, to be fair, this wasn't recorded in some\nfancy studio but live at Club Soda in January.\nAnd I should also say that I don't think metal is\n(or should be) the next happening musical force.\nBut really, this just sounds pretty standard and\nshabby, and dubious-tech gimmicks like the\nmajor digital delay on the vocals (especially\nirritating because the echoed voice is stereo-\nseparated from the original) and heavy use of\nflanged guitar don't help much. Of course, it's\nI always possible that their stage show is incredi-\ni bly original....\nPEDESTRIAN SACRIFICE-Skotz Krotch\nAnother relatively low-fi effort, this one\ncentres on lots of silly yelling about a friend who\nhas a\"realy big crotch\". These two fellas (only\nnamed as Dave and Keith on the cassette cover)\nproudly announce that \"this is a live recording\nfeaturing no overdubs, remixes, or mind-boggling tricks. What you hear is: Dave-Voice,\nKeith-Other Sounds.\" Well, no kidding! This\nsong's quite funny, actually, in the fine tradition\nof bands like Five Year Plan (now Five Year\nFuck, who, by the way, are having a tape/maybe\neven video release party at Club Soda June 25,\nso go).\nTIPPY AGOGO AND THE VOYAGEURS-\nInvoc Arabesque\nFor some reason I can't say anything much\nabout this song, except that it's not much unlike\ndrinking lots of Sangria at La Bodega with your\nfriends while on psychedelics, while at the same\ntime someone in the next room is playing Spanish guitar and singing in a language you don't\nunderstand. Could this be the desired effect?\nJanis\n\"He was a clever man that first found out\nabout eating & drinking.\" Jonathan Swift\nAnd a yet cleverer one that originated the\nrecipe below. It comes from Ireland via a friend's\naunt (wonderful things, aunts), and should be attempted only by those predilected to kinky practices with Vaseline\u00E2\u0080\u0094I mean, um-ah\u00E2\u0080\u0094well,\nyou'll know what I mean after the margarine's\nbeen melted and you get to the \"Make into small\nballs\" part. Anyway, the end result: cookies\nverging on candy. Recommended by 4 out of 5\ndoctors for patients with low blood-sugar levels.\nA-FUCKING-DDICTIVE. They turn out a bit\ndifferent every time and they're nothing to do\nwith gingerbread, so don't panic if there's no\nresemblance there. Happy slithering about.\nGINGER BISCUITS Makes a lot(nigh on 6\ndozen)\n1 lb margarine 2 lbs flour\n1 1/2 lbs sugar 2 tsps baking soda\n2 tbsps golden syrup 4 tsps ginger\n2 eggs 2 tsps cinnamon\nMelt marg., sugar and syrup in a pot over a\nlow/medium element, stirring all the while.\nRemove from heat, then mix well. Add eggs and\nbeat again. Add flour, baking soda and spices.\nMake into small balls. B ake in a regular oven 10-\n12 minutes\u00E2\u0080\u0094Watch closely. NB: I don't know\nwhat a \"regular oven\" is either; I just put it at 350\ndegrees Fahrenheit. Drop them onto baking\nsheets with teaspoons if you're not keen on\nbathing in margarine.\nGod, and Mr Editor, willing, this column\nmay in future include:\nGreat Eateries of the Past and Present\nThe Wonderful World of Foodial Aromas\nFamous Local Musicians Showcase Their Favourite Fixin's\nBiodegration Time: Food Gets Rude\nBlasts from the Past: Grub of Childhood\nTrippy Food-Shopping Experiences\nFood-Ingesting Methods and What They Re\nveal About Your Personality\nFood & Your Local 7-Eleven: What Do They\nHave in Common?\nPublic input\u00E2\u0080\u0094suggestions, tried-and-true\nrecipes, thoughts relevant to Food, Eating, Their\nAll-Pervasive Roles in Society, What You\nScarfed for Dinner Last Night\u00E2\u0080\u0094is more than\nwelcome.\nWrite to HELL'S KITCHEN,\nc/o DISCORDER/CiTR\n6138 SUB Blvd\nVancouver BC\nV6T 2A4\nJUNE 1989 17 THE HARD ROCK MINERS\nw/guests: from San Francisco\nweirdo pianist D.J. LEIBOWI\n10\n16 17\n23 24\n30 31\nh\nfrom Los Angeles:\nWORLD ENTERTAINMENT WAR\nand GRACIOUS 4\nA pleasant evening of accoustic\nmusic featuring\nDrunks On Arrival with guests\nVIDEO BARBEQUE and\nEXCITED FIRST DAUGHTER\nCURIOUS GEORGE\nRECORD RELEASE PARTY!\nwith guests\nDOORS OPEN 9:30 FRL, 10:30 SA1\nSorry No Minors\nTHE WEEKEND ALTERNATIVE\nARTS CLUB LOUNGE 1181 SEYMOUR\n683-0151\nI * * ii i \m * * \u00E2\u0096\u00A0\u00E2\u0096\u00A0\u00C2\u00BB\n16th & Arbutus 738-6311\nPreceded by \"The Beast\"\nand from China \"Red Sorghum\"\nShowing June 23 - July 6\n\"You don't have to be apart of the\ndowntown Big Apple art scene to laugh at\nthis frantically funny send-up. Applause, -\napplause for Bernadette Peters'.'\nA TRI-STAH RELEASE\nShowing Nightly at 7:30 & 9:30\nIf you're not paranoid\nyou're\nnot\npaying\nattention\nUBC \u00E2\u0080\u00A2 Student Union Building\nLower Concourse\nAll Ages Welcome m^^k M^r -so you go down to the video\nB \u00E2\u0096\u00A0 B^L store to rent a couple of\n^^-^ -BL -BL. movies, but you can't find\nanything that really grabs you. The latest Danny\nDeVito comedy? Seen it. The sci-fi classics of\nthe 1950's? Seen 'em. The Looney Toons series? Seen it - twice. Great. Now what are you\nsupposed to do with that expensive VCR? Leave\nthe video store, spend your money on a six pack\nand head home. When you've settled down at\nholocaust, but McCarthy ism as well. Then there's\nCommunications for Civil Defense, a ridiculously naive half-hour lecture explaining the\nrole of the mighty telephone after an attack,\nproduced by - you guessed it - Bell Telephone.\nThere's Canada's own Operation Lifesaver,\nwhich takes place on the dirt roads of tiny\nCalgary in 1956, and of course we can't forget\nthe perennial favourite Duck and Cover, a ten\nminute educational film designed to firmly in-\nthe kitchen table, grab a pen and paper an^wj^^^till a healthy cold war psychosis in the minds of\nmientagen- elemei\nto Ottawa. There are federal govern\ncies that exist solely to prov ide you with hours o\nFREE entertainment. Hey\u00E2\u0080\u0094you might as well,\nyou pay for this with your tax dollars, chum.\nIf this suggestion conjures up visions of your\nfriend's seventh birthday party, when his parents rented scratchy 16 millimeter prints from\nthe NFB that showed great moments in Canadian history fashioned entirely out of multicoloured pipe cleaners and postage stamps, relax. This is interesting stuff. Grown up stuff, if\nyou know what I mean. The National Archives\nof Canada, specifically the Moving Image and\nSound Archives, publishes a FREE catalogue\nevery couple of years that lists literally tens of\nthousands of hours of recorded information that\ndates back farther than your granddad's baby\nteeth. I'm not talking about Hinterland Who's-\nWho and geography lessons, either. If you\nthought the recent B-movie festival was worth\nblowing your cash on, you're in for a real treat.\nThe public service and corporate promotional\nfilms of thirty years ago, especially American\nones, were infinitely more shameless in their\nefforts to drive their messages home to the\nviewer. Take Civil Defense, for example: with\ntitles like Target: USA, The Day Called \"X\",\nand Flash of Darkness, you know you've got\nsome real sledgehammers coming your way.\nIn the 195O's technicolor shocker Escape Route,\nwe find the cleverly named Mrs. Jones listening\nto her favourite radio soap. Suddenly, air raid\nsirens begin to wail and Civil Delenllr4uthori-\nties interrupt the broadcast, ordering Mrs. Jones\nto hightail it out to the relative safety of the\nsuburbs. The film goes on to stress the importance of keeping your NEW car well maintained\nby your authorized dealer as it may turn out to be\nyour only protection against nuclear fallout;\nyour car radio could be your only lifeline to the\nauthorities. \"But what if your car is old and run\ndown?\" asks the chisel-faced narrator, \"NO\nprotection! NO radio!\" The film ends in a question mark as a mushroom cloud blossoms over\n\"YOUR city\". Only in the credits does it become clear that the film was produced by the\nNational Automobile Dealers of America as a\nten minute commercial chock full of cheap scare\ntactics.\nIf a nuclear survival film made by car salesmen\nisn't your bag, try the 40 minute Motorola/CBS\nTV Theatre presentation of Atomic Attack, the\nstory of a nuclear attack on New York city. This\nfilm contains a cameo appearance by Walter\nMatthau in the role of a municipal health inspector, and deals not only with the spectre of nuclear\n# * * *\nntary school children as they watch Bert\nthe cartoon turtle being victimized by enemy\nnuclear attack. Hfe^^\nOK. Now. How can you get these films for\nyourself? Four steps, three of which are easy.\n1) For your FREE catalogue write to:\nThe National Archives of Canada,\nMoving Image and Sound Archives\n395 Wellington Avenue\nOttawa, ON, K1A0N3\nHint: You're supposed to hire someone to comb\nthe card catalogues for you, but if you mention\nyour field of interest in your letter, they 're likely\nto do some preliminary research for you. FREE.\n2) Select material from the catalogue.\n3) (And this is the tough one.) Write to the\narchive to get addresses for the people who hold]\nthe copyright to the films you've chosen. The\narchives won't dub the films for you without the\"\n^permission of the copyright holders. This can be\nquite difficult to get around, especially since\nmany of these film companies no longer exist,\nbut if you tell everyone you talk to that you're\nonly interested in research, you'll be surprised\nhow lenient they can be. f^B&^r\n4) Once you have obtained copyright clearance,'\nbuy some videotapes and send them to the archives with a list of catalogue numbers for the\nfilms you want. In about eight weeks, you'll\nreceive your videos (sent at the government's\nexpense)!\nNaturally, this can get more complicated, especially since you're dealing with a government\nagency, but what the hell-it's FREE, and these\npeople are employed to perform this exact task-\njust for you!\nNow, when you have friends over to watch the\nLooney Toons series a third time, you can show\nthese short films beforehand - real classy. And\nmake sure you hang on to them so that when\nyour kids have their seventh birthday party, you\nwon't have to call the NFB...you'll already have\ntons of shit they won't understand just lying\naround the basement, ready to roll. And imagine\ntheir shining eyes when you tell them the best\npart...it was all FREE!\nBill Bak\u00C2\u00ABr SPORTS DIGEST 5:30-6:00PM\nJoin LaneDunlop for all the latest in campus sports and sports\neverywhere else for that matter.\nTHE AFRICAN SHOW 8:00-9:30PM\nThe latest in dance music from the African sub-continent plus/\nminus a few oldie but greats and extras. Your host: Umerah\nOnukwulu.\nTHE JAZZ SHOW 9:30PM-12:30AM\nVancouver's longest running prime time jazz program. Features at 11:00. Hosted by the ever-suave Gavin Walker.\nSth: \"Proof Positive\" is the title of oneof J.J. Johnson's finest\nrecordings. The great tombonist in full flight...powerful!\n12th: Recently one of the last of the \"big-boned\" tenors\npassed away, Amett Cobb. Hereheis tonight in frontof a great\nquartet. Texas-tenor by one of the masters.\n19th: Keith Jarrett, Gary Peacock, Jack DeJohnette - a magical trio recorded in Europe, Jarrett and company playing\n\"standards\" and making them new.\n26th: \"The Prisoner\" album by Herbie Hancock with compositions dedicated to the memory of Martin Luther King.\nBLOOD ON THE SADDLE 1:15-3:30PM\nCountry music to scrape the cowshit off your boots to. With\nyer host-poke, Jeff Gray.\nIN CONTEXT/TRIBES & SHADOWS 3:30-5:00pm\nSimplicity in Design, New Music, new views, new Beliefs,\nOld gods, Reinforcement and Negation. In words and pictures. Hosted by Kirby Scott Hill.\n2nd: Sam Phillips interview. Balkana.\n9th: Dance, Kinesis, Kirov, Fortier Danse-Creation.\n16th: Architecture, Dance, Music, the Arts.\n23rd: Events, new music, new seasons.\nWEDNESDAYS\nHANFORD NUCLEAR PIZZA PIE 10AM-1PM\nNew show! About the Pacific Northwest from Oregon to\nAlaska and all points in between! And at 12 noon:\nSingalong With Rowena Under Her Papadum Tree!\nTHE SPANISH SHOW 1:15-3:00\nMusic from Espanol and community events as well.\nTHIRTY THREE AND A THIRD 3-5:00PM\nTwo hours of the Hottest Vancouver Music.\nB.C. FOLK 5:30-6:30PM\nListen to the thoughts and music of B.C. folk artists.\nTHURSDAYS\nFLEX YOUR HEAD 3-5:00PM\nJinx & Eric play hardcore, so say bye to Mike 'n Gav.\nARTS CAFE 5:30-6:O0PM\nIn-depth arts analysis and general miscellany of commentary\non the local arts scene with a concentration on theatre.\nTOP OF THE BOPS 8:00-9:00PM\nFifties rock therapy heard across Canada, more or less.\nCANCON JOB 910:00PM\nThe latest info on local bands and strictly Canadian tunes,\nalong with the hottest playlist stuff.\n20 DISCORDER\nLIVE FROM THUNDERBIRD RADIO HELL\n10:00pm-midnight\n1st: The Method\n8th: Pedestrian Sacrifice\n15th: The Fab Mavericks\n22nd: Silent Gathering\n29th: Against the Grain\nABSOLUTE VALUE OF NOISE 3-5:00PM\nFound sounds, tape loops, compositions of organized and\nunorganized aurality, power electricians and sound collage,\nand live experimental music. 100% Canadian Industrialism.\nTIED DOWN AND MADE TO TALK 5:30-6:30PM\nThe latest in band interviews, profiles, and tortured\nconfessions from local, national, and international artists\nmixed in with a smattering of their music.\n9th: Violent Femmes\n16th: Bob's Your Uncle, Picasso Set, Guadalcanal Diary\n23rd: Jazz Butcher, Sons of Freedom\n30th: TBA\nHOME TAPING I.N.T.E.R.N.A.T.I.O.N.A.L. 6-9:00PM\n200 proof live mixes, remixes and kilomixes.\nSTOMP ON THAT BOPPA-TRON 9:00-MIDNIGHT\nHouse hip hop, funk, new beat. The latest & greatest in dance\nfloor grooves.\nSOUP STOCK FROM THE BONES OF THE ELEPHANT MAN 12:30-3:30AM\nIndependent music from around the world ranging from\nspoken word to the latest in club tunes.\nSATURDAYS\nTHE SATURDAY EDGE 8:00-NOON\nVancouver's biggest and best acoustic/roots/rogue folk music\nradio show.\nPOWERCHORD 12:15-3:00PM\nVancouver's only true metal show with the underground\nalternative speed to mainstream metal; local demo tapes,\nimports and other rarities.\nCiTR\n101.9 TM-\n7:30\n8:00\n9:00\n10:00\n11:00\n12:00\n1:00\n2:00\n3:00\n4:00\n5:00-\n6:00\n7:00\n8:00\n9:00\n10:00\n11:00\n12:00\n1:00\n2:00\n3:00\n4:00\nWEDNESDAY THURSDAY\nTHE CiTR MORNING SHOW - BBC WORLD SERVICE AT 8:00\nBreakfast\nwith the\nBrowns'\nSoup de Jour\nLinus\nLovelace\nPest\nControl\n<$#\nHanford\nNuclear\nPizza\nPie\nCITR AFTERNOON REPORT: NEWS, SPORTS, WEATHER\nTotal\nHarmonic\nDistortion\nBlood On\nThe Saddle\nIn Context /\nTribes\nSpanish\nShow\nSpike\nBird\nDroppings\nThe Idealist\nHour\nFlex\nYour\nHead\nNarduwar\nAbsolute\nValue of\nNoise\nNEWS, SPORTS, WEATHER, GENERIC REVIEW, INSIGHT AND DAILY FEATURE\nArts Cafe\nSports Digest\nHot\nPink\nAfrican\nShow\nThe\nJazz\nShow\nEnvironmental |\nScatology\nBetty &\nVeronica\nNeon\nMeate\nDream\nThe New\nJennifer\nChan\nShow\nAural\nTentacles\nSpinsters\nPermanent\nCulture\nShock\nThe\nKnight\nAfter\nThe\nVinyl\nTied\nDown...\nTop Of\nThe Bops\nCan-Con\nJob\nLive From\nThunderbird\nRadio Hell\nEating\nVomit\nHome\nTaping\nStomp On\nThat\nBoppa-Tron\nSoup Stock\nFrom The\nBones\nof the\nElephant\nMan\n3-D Radio\nThe\nSaturday\nEdge\nAre you\nSerious\nMusic?\nPower\nChord\nMegablast!\n60 Min\nMins\nSat. Magazine\nHootenanny\nSaturday\nNight\nTunes\n'R'Us\nRadio\nLand\nSin-e-plex\nNickelodeon\nThe\nRockers\nShow\nThe\nBlues\nand\nSoul Show\nSun. Magazine\nJust Like\nWomen/\nElectronic\nSmoke\nSignals\nPlayloud\nThis Is\nNot\nA Test\nIn The\nGrip\nOf\nIncoherency 60 MIN MINS 5-6PM\n60 minimalist minutes. Music for thin ears.\nSATURDAY EVENING MAGAZINE 6:00PM\nThe first and finest news programme. Giving you everything\nand more.\nRADIO LAND MIDNIGHT-3:00AM\nHey, this is your show! Send in your tapes c/o this station and\nI'll play 'cm at least once. I'm looking for new stuff, never\nheard sounds. Don't worry about audio quality, radio is for\ncommunication.\nARE YOU SERIOUS? MUSIC 8:00AM-NOON\nSchoenberg, Varese, Berio, Carter, Maxwell Davies, Bus-\nsotti, Scelsi, Xcnakis, Schafer, Cage, Webem - Artistic Evel\nKnievels. Nouvcau post-modem instrumental compositions\nin a classical vein.\nTHE ROCKERS SHOW 12:15-3:00PM\nReggae, Rock Steady, Soca and Ska.\nTHE BLUES AND SOUL SHOW 3-6:00PM\nBlues, Blues, Blues and every second Sunday, the best of Post\nWar Chicago blues and more.\nna\nSB\nDE LA SOUL\n3 FEET HIGH AND RISING\nN.WA\nSTRAIGHT OUTTA COMPTON\nFRONTm\nNEVER STOP It'\nTACKHEAD\nTICKING TIME BOMB IS\"\nKEITH LEBLANC\nEINSTEIN 11\"\nC MECCA NORMAL\nCALICO KILLS THE CATS\nPIXIES\nDOOLITTLE\nTOM TOM CLUB\nBOOM BOOM CHI BOOM BOOM\nC 13 ENGINES\nBYRAM LAKE BLUES\nC ARLOS PERRON\nIMPERSONATOR II\nSOUL ASYLUM\nCLAM DIP A OTHER DELIGHTS\nSWINGING ERUDITES\nUNCHAINED PARODIES\nBRIAN RITCHIE\nSONIC TEMPLE A COURT OF BABY\nC DIK TAN DYKES\nWASTE MORE VINYL\nFLAMING LIPS\nTELEPATHIC SURGERY\nC FRONT LINE ASSEMBLY\nDIGITAL TENSION DEMENTIA If\"\nLEGENDARY PINK DOTS\nTHE GOLDEN AGE\nLOVE AND ROCKETS\nMOTORCYCLE if\nVARIOUS ARTISTS\nTZOTZILES\nDEAD MILKMEN\nBEELZEBUBBA\nC DESPERATE MINDS\nLAST NIGHT I HAD THE...\nE.U.\nBUCK WILD\nC HEIK AND THE SHAKES\nCITIZEN KANE It'\nJUNGLE BROTHERS\nSTRAIGHT OUT OF IUNGLE it'\nMACHINE GUN\nGENETIC TERRORISTS\nMARRY KELLEY\nGREETINGS FIVE\nNEVILLE BROTHERS\nYELLOW MOON\nRAVI SHANKAR\nINSIDE THE KREMLIN\nREVOLTING COCKS\nSTAINLESS STEEL PROVIDERS\nC VARIOUS ARTISTS\nMR. GARAGERS NEIGHBOURHOOD\nVARIOUS ARTISTS\nLOST ANGELS SOUNDTRACK\nXYMOX\nOBSESSION it'\nAN ASTASIA SCREAMED\nELECTRIC LIZ\nBLACK SUN ENSEMBLE\nLAMBENT FLAME\nCASSANDRA COMPLEX\n30 MINUTES OF DEATH\nCINDY LEE BERRYHILL\nNAKED MOVIE STAR\nCLOCKDVA\nTHE HACKER\nCONTROLLED BLEEDING\nSONGS FROM THE GRINDING WALL\nHELLCOWS\nTOOTHLESS\nHONEYMOON KILLERS\nTAKE IT OFF\nLEMMINGS\nWALK ON AIR\nCANADIAN CASSETTES AND DEMOS\nLI-ISO'S BUILD\nHOOVER EFFECT\nGREEN EGGS AND HAM\nFYF\nWHACK ME\nTERMINAL CITY\nYOU + ME\nDAMAGE CTST DAMAGE\nIELOUSCIDE\nPICASSO SET\nSOMEBODY GIRL\nCORSAGE\nSEASON OF THE WITCH\nSARCASTIC MANNEQUINS\nWHEN 1 BOUGHT THE CAR\nGROUP 49\nANOTHER YUPPIE FUCKSONG\nBIG ELECTRIC CAT\nSEARCHING FOR\nELECTRONIC SMOKE SIGNALS 6:30-9:00PM\nInformation, news interviews and political analysis from the\nglobal cultures of resistance.\nJUST LIKE WOMEN 6:30-9:O0PM\n'Feminist news and analysis and a broad range of women's\nmusic.\nCOMMUNITY\nCiTR provides free airtime for Community Access by community groups and organisations. If your group would like to\nsay something, please phone the CiTR Community Access\nDirector, 228-3017.\nJune 7 - 23\nMurder on the Nile\nby Agatha Christie\nJune 28 -July 14\nCrimes of the Heart\nby Beth Henley\nJuly 19 -August 14\n1837: The Farmers'\nRevolt\nby Rick Salutin\nMONDAYS AND\nSATURDAY MATINEES\n2 FORI\nMFfWoP\n-1-rpflvH02\nI LIVE on ^pm\nJUNE 1989 21 x#\n\u00C2\u00AB\" at i, ^ No lp*\u00C2\u00AB^MSVv.y;;;;: jpl\nVr\nljazz\\nA%e'\nw*\n1S^\n'Hip T.O.lsOR^t\nwith Plfcr A<_\n>.;\nAfj&\npfcGA*\niN\n\u00E2\u0080\u00A2 V\nUNITY f voets \cOM^M^%^^^\n&U\\u00C2\u00B0 \ __J^iGYPSY'/,'/-;-//'//\n$5.00 pizza ^::g;^\nfete* duMaurier Ltd.\nESTIVA\nJune 23 -July 2,1989\nSoul of the City\n-THE COMMODORE-\nAll shows 10 pm, Doors 8:30 pm\n-VANCOUVER EAST CULTURAL CENTRE-\nAll shows 8 pm, Doors 7-00 pm\nJune 23\nMahlothini & the Mohotello\nQueens (south Africa)\nJune 24\nFlora Purim & Airto (Brazil)\nJune 25\nTony Williams Quintet \nJune 27\nPeter Erskine Band \nJune 23\nJazz Passengers (New York)\nJune 24\nEuropean Jazz Quartet\n(Holland / Britain / Germany)\nJune 25\nJohn Scofield Trio \nJune 27\nPauline Oilveros \nJune 29\nBill Frisell Band \nJAZZ\nBLUB\nJune 24 \u00E2\u0080\u00A2 Decidedly Jazz Danceworks on EdJE soopm\nJune 26 \u00E2\u0080\u00A2 George Gruntz Concert Jazz Band eoopm\n-19 allstars including Joe Henderson, Mark Murphy, Joe Daley\n\u00E2\u0080\u00A2 15 Venues, 160 Performances. 400 Musicians from Canada, U.S.A., Africa, South America, Europe, Japan\nPick up a Festival program at ticket outlets, music stores, book stores, etc. for details on all concert, club and free bandstand performances.\nTICKfTS on sale at all itsisrjfczs\u00E2\u0084\u00A2*. locations including Lower Mainland Eaton's and Infocentres in Major Malls.\nBlock Swan Records, Highlife Records. Charge by Phone 280-4444.\nPASSES Discounts from 33%-50% \u00E2\u0080\u00A2 Limited Quantities \u00E2\u0080\u00A2 See program for details or call the Jazz Hotline.\n-JAZZ HOTLINE 682 0706-"@en . "Periodicals"@en . "ML3533.8 D472"@en . "ML3533_8_D472_1989_06"@en . "10.14288/1.0050223"@en . "English"@en . "Vancouver : University of British Columbia Library"@en . "Vancouver : Student Radio Society of the University of British Columbia"@en . "Images provided for research and reference use only. Permission to publish, copy, or otherwise use these recordings must be obtained from CiTR-FM: http://www.citr.ca"@en . "Original Format: Student Radio Society of University of British Columbia"@en . "Rock music--Periodicals"@en . "Discorder"@en . "Text"@en . ""@en .