"94aee4be-0834-4c5a-baa6-01daad2d1f64"@en . "CONTENTdm"@en . "http://resolve.library.ubc.ca/cgi-bin/catsearch?bid=1190017"@en . "Discorder"@en . "CITR-FM (Radio station : Vancouver, B.C.)"@en . "2015-03-11"@en . "1993-03-01"@en . "https://open.library.ubc.ca/collections/discorder/items/1.0049905/source.json"@en . "28 pages"@en . "application/pdf"@en . " < p'J>s# .-iprciob* fvtf*\u00C2\u00BB\u00C2\u00ABn ^M\n'JQ^..^'**** *1f^Pm '\nr *vm&*s,&**i\n::.:% \u00C2\u00AB*< '* *_* *LI\n\u00E2\u0080\u00A2ft *.*)* \u00E2\u0096\u00A0 r- .\nl^jy* t* =\u00E2\u0096\u00A0\u00E2\u0080\u00A2 -\n,.*\u00E2\u0080\u00A2**\npb ** \u00C2\u00BBA it\u00C2\u00AB \u00C2\u00AB** ******,W1 tf \u00E2\u0096\u00A0-.,.0*>H lilWHJll'\nyuuii\nAND TO COMPLETE THE 'UPCOMING SHOW MOTIF;\nJAWBOX\nGRIPPE\nCD/CASS\nJAWBOX\nNOVELTY\nCD/LP/CASS\n: as _>v- ?\u00E2\u0096\u00A0'_ i <* ' *\n\u00E2\u0096\u00A0 'I'lrlyl1! '1\n\"tUGCSr\nPOND\nPON0\nCD/LP/CASS\n\"AN INTOXICATION, HYPNOTICALLY\nSWIRLING MIX OF SWING DRUMS AND\nACCIDENTALLY FEROCIOUS GUITAR-\n-MELODY MAKER\nTREEPEOPLE\nJUSTKIDDING\nCDAP/CASS\n\"THEY'RE EVERYTHING DINOSAUR JR. WISH THEY COULD BL1\n*0 HOUSE\n\u00E2\u0080\u00A2'TREEPEOPLE ARE ONE HELL OF A BAND\"\n-ROCKET\nTMEGITS\nFRENCHING THE BULLY\nCD/UVCASS\n\"PUNK ROCK THIS PASSIONATE CANNOT BE IGNORED\"\n.THE ROCKET.\nDIRT FISHERMEN\nVENA CAVA\nCIMCASS\n\"IMAGINE DEBBIE GIBSON POSSESED BY KISS\"\n\"IF YOU'RE FOND OF WELL-CRAFTED TUNES WrTH AN EDGE\n(WALKABOUTS, FASTBACKS, FOR EXAMPLE) VENA CA VA IS\nJUStTHETHWa\n-ROCKPOOL\nam\nTHE FUN CARGO RECORDS WAY OF STAYING REGULAR! Q.\n\u00E2\u0096\u00A0o\nV)\nlowest prife& best $$ for your stuff\nr*\nP\n\nm Wm\nUS\nYAWN!\nDear Airhead,\nI'm writing in regard lo Mr. Sean\nO'Leary's letter in the Jan' 93\nissue. First off, I agree that\nSparkmarker are a great band, but\nin my humble opinion, I don't\nfeel they are \"perhaps the only\ngreat band*' in Vancouver. I guess\nMr. O'Leary doesn't attend any\ngigs outside the downtown core,\nbecause if he had, he would have\nnoticed some other great bands\nsuch as B.N.U., Grave Mistake,\nSeamen, Sludge, Thumbscrew,\nCat's Game, Face X Off, Ten Feet\nTall, Rusty Nails. Strain (whom\nKim also plays for!) etc...etc...Or\nmaybe Sean doesn't support these\nbeforementioned bands because\nmost of them aren't from Vancouver, and probably aren't much\ninto the enviro/political thing as\nSparkmarker are. I don't know, I\nlisten to music for good music's\nsake, and I'm open to alot of different kinds ie. hardcore, punk,\ngrind/death metal, thrash, grunge\nand even rap, so as you can probably guess, I hear a lot of different\nlyrical content in the music, and\nthough some might be un-p.c,\nsexist and downright degrading\n(ie. GG.Allin, Dwarves, Ice-T,\nMentors etc.), I take them for\nwhat I consider them to be entertainment! For me music is either\none of two things 1) great! or 2)\nShitty! So be it, \"nuf said. Mr.\nO'Leary also went on to slag the\n\"Nappy Dugout\" for it's name\nwhich of course means \"a vaginal\" So what, at the shows I've\nattended there, I haven't heard a\nhell of a lot of females complaining about the sexi st, hidden mean -\ning of the name. Maybe someone,\nincluding females would care if it\nwas called \"The Open Twat\" or\nsomething like that. But it isn't,\nso why bitch? The Nappy Dugout\nis the only place putting on all-\nage hardcore/punk gigs every\nweekend and they are huge asset\nto our hurting little scene. As for\nShakey's head not being in the\nright place, the way I see, he's\ndone and is doing a hell of a lot\n: for the scene than Sean\nO'Leary is doing by bitching\nabout a stupid name. S o put up or\nshut up! Get out and support the\nlocal bands and the local scene!\nSee Ya', Peace, Love and\nGranola\nLU' Mike Hunt\nSatanville, A.D.\nDear Mike Hunt. \"~\nWhy don't you guys just exchange\nphone numbers, already, and quit\nsquabbling in these pages which\nwe hold so sacred for more meaningful topics.\nAl K. llolic\nSOAPBOX\nDear Airhead,\nI am taking a political science\nclass right now that is excessively\ndull. It is so dull that instead of\nlistening to anything that is said,\nI draw endless series of bunnies. I\ndraw fat bunnies and old bunnies\nand bunnies that have been genetically altered by the U.S. Army\nso that they can deliver important\nand secret messages. This type of\nabominably obsessive\ncupulsiveness is antisocial, and\nirrelevant to anyone except for\nThe discorder writes artical s\nlike I draw bunnies. Most of your\npublication is elitist and impermeable to anyone outside your\ncharmed little circle. Do we really need reviews of shows at the\nrockcandy in Seattle, gli b and obscure references to Chappel Hill\nN.C. and inteviews that consist of\nunpopular band name dropping?\nI do believe that discorder and\nCITR should promote new music\nbut only in a way that does not\nmake you looklike snothead (temporarily) downwardly mobile\ncollage kids who stroke their vicious little egos in a furious quest\nto make others look like sheep.\nWhy don't you run a contest\nfor who can take a photograph of\nIhe rudest looking vegetable? Or\nhave a suggestions column for\nWhat you can do with your empty\npackages of cornflakes (you could\nask all the bands you interview\nthis and see what they say!).\nMaybe have a something on cool\nand cheap bars to go to (a Guys\nGuide to the Flipsides type\nthingy). Diversify. On the other\nhand maybe you be interested in\nprinting some bunny pictures.\nYours Forever and ever,\nAndrew Kitching\nVancouver, BC\nDear Andrew,\nrm sorry to say but we at Discorder don't do this magazine\nmonth-in and month-out solely for\nyou. So, (ta-da.lightbulb) maybe\nthe reason why Discorder seems\n'elitist\" and \"impermeable\" to\nyou is because you don't have the\nslightest fuck as to what's going\non within music circles today.\nSorry, man, but even you aren't\nas cool as you would like to think\nI would like to submit your\nquote in regards to interviews consisting of \"unpopular band name\ndropping\" as Exhibit A. From this\nalone Fm lead to believe that you\ndon't have a clue as to what Dis-\ncdrdcr' s mandate/content consists\nof. \"Unpopular bands,\" in terms\nof commercial success, are all\nthat this magazine deal with\u00E2\u0080\u0094\neven Mitsou (a, heaven forbid,\nFrench-Canadian artist!) and\nMudhoney (who will probably be\ndropped from Reprise in the next\nyear because of failure to move\nmajor-label amounts of their new\nalbum) are unpopular out of their\nrespective levels. So, for Discorder to run articles on bands\nthat are unpopular to you, or ourselves, is probably a pretty\nSecondly, as the editor, I\nfeel that it is important (not that I\nhave to justify it to you , or anybody else) to review shows from\nSeattle and make references lo\nChapel Hill. N.C. By not doing\nso Discorder would then be writing for one audience, the local\nreaders, therefore making us elitist and impermeable to the readers\noutside of Vancouver. On more\nthan one occassion bands have\nplayed in Seattle and neglected to\ncross the border to play our fair\ncity, so this, in itself, is more than\nshows. As far as your imperially\nstupid suggestions go (photo\nC/O B13B SUB BIvl.\nYiicimr, B.C.\nYBT2A5\nMM!I=M._\ncontest. ..guide to cheap and cool\nbars), I've never condoned the\npatronizing of a bar for the sheer\nlack of anything to do, nor have I\never known a bar to be \"cool\" or\n\"cheap.\" People die nightly because of drinking drivers, drinking\nwalkers and, simply, drinking.\nPersonally, I couldn't think of\nanything more sheepish. Maybe\nit's time for a sheering, Andrew?\nCALL TO ARMS\nHey, Discorder Readers.\nA couple of months ago, two\nstrange things happened. First, my\nsister Scout got employed out B .C.\nway. Then, I got hired as\nProgramme Director at CHRW, a\n3,000 Watt station in London, Ont.\nThese events seem to have had\nlittle correlation, until I looked\nback and realized that 3 of my\nfavourite releases of 1992 wen-\nCub, Coal, and The Sweaters.\n(None of which seem to be avail-\nableon this side ofthe mountains.\nDammit !!!) This led me to ask\nthe rhetorical question that \"If\nstuff this cool is coming out of\nB.C., what else is being produced\nout there that we don'l get to\nhear?\"; An early morning chat\n(Very Early: I had forgotten the\ntime difference) with Narduar led\nto his suggestion that I render the\nquestion un-rhetorical by asking\nit the very pages of Discorder\nmagazine.\nSo: Whaddaya got? I'm\nspeaking specifically to bands/\nartists out there who produce indie\nCD's/Cassettes/7-inches that they\nthink are pretty damned good We\nprobably will, too. We broadcast\nat 3,000 watts, and we report to\nCMJ and National Chart. If you\ncall us, we'd be glad to tell you\nhow you're doing if your play is\nat sub-chart levels. In short, we're\ninterested in what you sound like.\nOur address is:\nCHRW 94.7 FM\nRm.245\nUniversity Community Ctr.\nUniversity of Western Ontario\nLondon, Ontario\nN6A 3K7\n(519)661-3601\nThanks, and I hope to hear from\nYou,\nJames Roccbi\nProgramme Director\nbrought to you by the creator of bound and gagged (Caliber Press/lconografix), Michael Aushenker...order by phone @ 313-455-3599. CANADA'S LARGEST AND BEST KNOWN RECORD STORES m.\n__Wtr*Wrt\n\\nTrade licks with some ol the best minds in the business. The Music West\nConference brings you 3 full streams of programming in 1 intensive weekend.\nlllfll'li'ill-llliWIiMEWI\nAdvanced seminars on the business of music. Love 'em or loathe 'em, 95% of the world's music distribution is in the\nhands of 6 major record companies. Get detailed insider info on how it's done from the top players in the industry.\nGuitar Player Magazine presents an extensive series of clinics for guitar players. Learn first hand from famous\nplayers and the most respected instructors in the business. Plus, workshops with loe Walsh, Alex Skolnick\n(Testament) and Seymour Duncan.\nmmnmrn\nStan Kulin - President of Warner Music Canada. Robbie Robertson -ex The Band,and legendary\nsongwriter. Peter Jenner - manager extraordinaire from Pink Floyd to Billy Bragg, and The\nDisposable Heroes of Hiphopcrisy. David Loiterton - Managing Director of MMA Music,\nHong Kong.\n[\u00E2\u0096\u00A0': :;;_M,aJ\nInternational hitmakers and top songwriting instructors discuss the agony and the ecstasy\nof honing the craft without losing the inspiration. At demo critique sessions, delegate's\nsongs ore personally critiqued by record and publishing company talent scouts.\nS u i\n2 0 3-\nrnby\nTrVHJSIC\nWEST\nM q y 7,8,9\nVancouver Trade &\nConvention Centre\nFor more information:\nP H 0 N E F A C S I M I L E\n604.684.9338 604.684.9337 DESERT WOMAN\nby Karen Rempel\nThe needle is climbing inlo ihe red zone. I glare at it and jam the gas pedal to the floor. Fucking piece of shit. I want\nto make it to Las Vegas tonight, get the divorce started. Why didn't the jerk fix the goddamn radiator?\nMy thoughts fly back to the garage. Another Saturday, limmy jamming with his nowhere band, more interested\nin getting stoned than playing music. I am excruciatingly bored with the whole thing, and pissed off because he's still\ndoing drugs. Why didn't I say something right when he started? It's loo late now. All I want is for things lo be like when\nwe met Wildly in love, great sex, and no drugs. I blame everything that has gone wrong since then on the drugs. I'm\n\"Let's go home now,\" I suggest\n\"Go home? We haven't even started yet. Besides, I jusl opened a beer.\" I know what will happen next. He'll finish\nthe beer and open another, and on it will go until the party ends and everyone else goes home. Only then will he be ready\ngo. Well fuck that shit\n\"I want to go. Right now.\"\n\"Well go then. Take the car.\"\nI swallow my pride. \"I want you to come wilh me.\"\n\"I'm not leaving.\"\nThe long-buried rage swells in my throat. I 've made a point of keeping calm for the past four years, never letting\nhim know that anything bothers me, wanting everything lo be good between us. When I finally notice thai the gap is\nwidening, it's too late; I don't know how to go back to the turning point and make it come out different. Each time I\ntry, and fail, my depression grows. Until now. Somehow it has changed, transmuted\ninto overwhelming anger. I can't keep il in any more. I'm going lo explode.\nI spin away from him and slam out ihe door. The bang gives me no\nsatisfaction. \"Fucking Asshole!\" I scream al the top of my lungs. Now my throat hurts;\ninfuriation is just beginning. I jump in ihe Rabbit, digging in my purse for his car keys.\nI lis house keys are on the chain loo. Well let him worry about it. I start\nthe car, trembling with fury. I don't know what to do. I need lo do something. I've got\nit! I'U divorce ihe bastard.\nMomentarily relieved at finding an answer, I rush off, Vegas bound. I only stop\nonce, to get gas, a road map, smokes, and a six-pack of Coke. I wanl to maintain my\nmomentum, hoping the relief wiU last. But an hour of fighting traffic to reach the\noutskirts of L.A. rekindles my anger.\nAt least here on ihe number fifteen I can floor it; there are no olher cars around\nto get in my way. I look at the needle again. It's halfway up in the red now. My throat\nraw, I swaUow the scream. The asshole was too lazy to even fix the\ngoddamn car. Memories flood my mind...\n\"When are you going to take the car in?\"\n\"I'U do it afler work tomorrow.\"\nThe next day, \"Did you lake the car in?\"\n\"Nah, I stopped by the garage for a few beer after work.\"Translation: he was out of pot and had to go find some,\nihen hang out wilh his friends to smoke it.\n\"WiU you do the dishes tonight?\"\n\"Sure, as soon as the game's over.\" Then ihe phone rings. \"Gotta slop by the garage, I 'U do them when I get back.\"\nOf course he never does.\n\"Let's go to a movie tonight.\"\n\"Can't, babe, I have to rehearse.\"\nThe tapes in my head spin faster...WUl you? I want lo. Let's. I can'l. Come back. I have to. Don't you. Yes, but.\nWon't you. Why. Why. Why\nI reach for a cigarette, but the pack is empty. Groping into the glove compartment, I glance at the red. Not far\nto go now. My hand finds the new pack. Pulling il out, my ring snags on a baggie. What's this? Peyote buttons. Whal\nthe hell is limmy doing wilh peyote? He's even worse than I thought. Now I reaUy need a cigarette. Inhaling deeply,\nI wait for the smoke to duU the ache in my chest. Instead, it intensifies, as the words in my head get louder.\nIf he can do it, then I can too. Why should I be the only one to sacrifice and worry and plan and take care of things?\nHow come I never get to have any fun? I glance at the baggie on the seat beside me. I quickly grab a handful, guUtily.\nThey feel just Like mushrooms that have been silting in the bottom drawer of the fridge too long; dried and wrinkled.\nI swaUow one, downing it wilh Coke. I wonder how many to take. 1 swaUow a few more. There are only five left in\nmy hand, so I swaUow them too. That'U leach him.\nGRANVILLE\nCOMPA N Y\nVancouver's DOWNTOWN Bookstore.\nLocated under the historic\nCommodore Ballroom.\n850 Granville St., Vancouver, B.C. V6Z 1K3\nPhone : 687-2213\nOpen 7 days & 7 nights\nI wait to see what wiU happen, my attention shirting from the road to the needle in the red. It's almost at the\ntop now. The words spin faster. Try ing to ignore them, I look around. For the first time I notice the desert, surrounding\nme as far as I can see. I'm suiting to get jumpy, imagining movement al the edge of my\nvision. Scurrying black dots, flashes of light What have I done? I Ught another smoke; calm down you idiot.\nI'm sucked back in now, the words engulfing me. I shouldn't have taken ihe peyote.\nThat's right, you're stupid.\nIt's not the end of the world, I can handle it\nHow would you know? People overdose all the time, go insane.\nFuck off and leave me alone.\nWhat's the matter, Alice, am I scaring you?\nNo you're not scaring me. You have nothing of value to say and I refuse to listen.\nI wrench my thoughts away, see the needle. It's right al the top. Now what do I do? I try to remember what\nhappened the last time it overheated. Steam was everywhere, I remember that It took a gallon of water to fill the\nradiator again. I don't have any water with me. WiU Coke work? Probably not I guess I'd better pull over, let it cool\ndown.\nI uke my foot off the gas, coasting to the side ofthe road. The moment I stop the heat descends on me, pouring\nthrough the open window. I think about stories I've heard, of people dying in the desert. That won't happen to me;\nI've still got five cans of Coke left. My head is starting to swim though. I better find some shade. There's a big cactus,\nmaybe that wiU work. I grab the Cokes, my smokes, and the car blanket\nMy boots sink a little inlo the sand, grains covering the toes. I love these\nboots\u00E2\u0080\u0094just like the Walking Dude's\u00E2\u0080\u0094wom-down heels, the leather scuffed. I\nimagine the sound he makes, clocking along the pavement in the dead of night Shit\nI do not need to be thinking about Stephen King stories right now.\nI look up just in time to prevent my nose from being speared. Ha. I spread\nout the blanket in the shade, facing the car. I want to keep it in sight, make sure it\ndoesn't disappear on me. 1 hear a scurrying behind me, jerk around, visions of black\nwidows crawling up my spine. Nothing there. Must be my imagination. But now I\nstart thinking about rattlers, and scorpions. Don't they Uve in places like this? I walk\naround the cactus, peering for signs of said malevolent creatures. Nada. Ha.\nI sit down again, open a Coke, light a smoke. That peyote must be shit, I don't\nfeel anything. The smoke from my cigarette drifts upward, coiling into dragon-\nshapes, shifting colours from red to gold to green. Okay, maybe I feel it a little. It's\nkind of cool, really. The sand looks wUd, Utile puffs kicking up and whirling down,\nspinning around. Oh. What's it doing now? It's a fucking tornado, tearing around\nthe cactus, higher and higher until I can't see the car. I blink; that's better. It's just\nmy imagination again.\nYou fucking bozo, relax, enjoy the trip.\nWhat do you think I'm doing?\nYou re fighting it. Don't fight, sink into it.\nI'm not fighting it, I'm cool.\nYeah right. Man are you stupid. Cool is the farthest thing from what you are.\nYeah, but..\nWhat's a yeahbut? Close relative of a rabbit?\nAnd off it goes again, the words in my head starting up wilh ferocity. Who are these voices?\nNo you're not; I know you, Mrs. Polanski.\nI'll have no lip in my class. Write \"1 will not be rude to Mrs. Polanski\" fifty times.\nHa, ha, Alice got in trouble. You're jusl stupid, aren't you Alice?\nI'm late, I'm late, for a very important date.\nWho's your date for ihe prom, Alice, Fatty Adrian? I bet you can't wait to kiss old Fattie.\nI try to drown out the voices with song lyrics. \"I've been waiting so long, to be where I'm going, in the sunshine\nof your lo-o-o-o-ove.\" \"Love me two times, I'm going a waaaay.\"\nHey Alice,when areyou going lo do somelhing wilhyour life? Don'tyou thinkyou'realillleoldto be changing\ncareers again?\nFuck off, all of you. I won't listen.\nBut you can't help it, Alice. We're here lo stay. Don'tworry, we 11 never leave you. We'reyourfriends. \"We\nlo-o-ve you, and we know you 11 love us too.\"\nNever. Never, never.\nYoul! see.\n\"I need your love, to keep me happy. I need your love, baby won't you keep me happy?\" My God, what have\nI done? I don'tneed anything from you. Get out! I can'tbear it Bul the voices keep whirling around, faster and faster.\nEveryone I've ever known. Every book I've read, song I've heard, movie I've seen. AU these words, notone of them\nmine. Not even one. An eternity of voices. Why not one of them mine? How can I exist if not one is mine? Where\nam I in all of this? How can I breathe with all these people in my head? No peace, not even a moment's relief. I can't\nstand it Let me breathe. Please? For a minute? I can't fight the weight of all these people anymore. But if I give in\nthey'U suffocate me. What can I do, what can I do? It's too much...I can't do it I give up...Kill me then. I surrender.\nBlackness descends. \"This is the end. My only friend, the end.\" The blackness descends. Blotting oul the\nwords, blotting out me. \"Goodbye, cruel world, I'm leaving you today, goodbye, goodbye, goodbye\"...There's\nnothing left; it's\nall gone now. Only the black remains.\nI float in the black. Cold. It doesn't matter.\nh this death? It doesn't matter.\nAm I here? Itdoesn't matter. Ssh...\nThe black cloaks me in her icy embrace, I float\nI open my eyes. The black crouches over me, but there are holes in her garments now. I see pricks of light\nshining through them. And striding away from me goes ihe shadow of the desert woman, long black hair swirling\nbehind her.\nI strain towards her, hand outstretched. Don't leave me. She is gone.\nI feel the blackness within me. I am here.\n6E_g^\u00C2\u00B0EE_g^ \n^\n1250 RICHARDS\n688-2648\nTHE ORIGINAL\nDR. MARTENS\nLADIES AND MENS FOOTWEAR\nJOIFIEGT *F**E-0*SrI ENGLANI\nwith BOUNCING SOLES for EXTRA COMFORT\navailable at\nthe Dr. Martens Stores\n1208 Robson Street phone 689-4998\nMetrotown Shopping Centre phone 431-7993\nAritzia\n1068 Robson Street ,,/,\u00E2\u0080\u009E\u00E2\u0080\u009E,\u00E2\u0096\u00A0 684-3251\nOakridge Shopping Centre phone 261-2202\nMetrotown Shopping Centre phone 435-7975\nPark Royal Shopping Centre phone 926-7666\nHills Of -Kerrisdale\n2125 West 41st Avenue phone 266-9177 ON SALE THIS MONTH\ng TREEPEOPLE \u00E2\u0080\u00A2 m Mt% $885 ip/oss am cd\nSUPERCHUNK \u00E2\u0080\u00A2 On to m. $7.96 IP/cass; $13.72 CD\nSCREECHING WEASEL\u00E2\u0080\u00A2wgfe $a85tp/cass; $12.83 cd\nJAWBREAKER \u00E2\u0080\u00A2 ewuaa $885 IP/cass; $14.60 CD\nROCKET FROM THE CRYPT \u00E2\u0080\u00A2 to Nmf...$U5 IP/cass; $14.60 CD\nDRIVE UKE JEHU \u00E2\u0080\u00A2 One life Jeto... $8.85 LP/cass; $14.60 CD\nCOFFIN BREAK \u00E2\u0080\u00A2 mm.. $885 IP/cass; $14.60 CD\nGREEN DAY \u00E2\u0080\u00A2 Ke/jM $885 LP/cass: $12.83 CD\nHANSON BROTHERS \u00E2\u0080\u00A2 Gross Misconduct..$a85 LP/cass; $12.83 CD\nJESUS LIZARD \u00E2\u0080\u00A2 liar. $885 IP/cass; $12.83 CD\nMYSTERY MACHINE \u00E2\u0080\u00A2 Gtod $7.96 cass; $13.72 CD\nDON'T FORGET\nTHE HOT NEW SCRATCH\nLABEL 7\" SINGLES:\nHUMP: Low Pile Capet\nKREVISS: Unvexei\nW\n31T A CAMBIE STREET\nVANCOUVER. B.C. CANADA V6B 7*W\nphone/fay: rt_cw)egT-OHg8\nPHONE\n291-0049\nVOLUNTEERS\nNEEDED\nAre you an outgoing, spontaneous\nman or woman over the age of 19\nwith a never-say-die attitude and a\ngood sense of humour?\nWe are a non-profit society that\nhelps young offenders and children\naged 8 to 12 who are at risk of getting\ninto trouble.\nIf you have about three hours per\nweek available for at least the next\nsix months we'd really like to hear\nfrom you. We believe that one-to-one\ninteraction with a well-adjusted adult\ncan improve the behaviour of a\ntroubled child.\nInterested? Please call us today. S SECRETS ENTRUSTED\nTO A FEW\nBY JUDITH BEEMAN\nGreetings, fellow readers! This\nmonth I have for your perusal two\nbeautiful books oonceming a very\nugly subject, the Holocaust\nOn her 40\u00C2\u00ABh birthday Eve gets\na tattoo. Nothing strange there, many\npeople do something kicky like this\non special occasions. Here's the\ncatch: Eve etches the number\n500123 onto her arm; the identity of\na female concentration camp victim\nduring Hitler's Germany. So begins\nthe outstanding history lesson of\nEve's Tattoo (Vintage, $12.50) by\nEmily Prager.\nWhy would Eve do such a\nthing? She writes a successful column for a men's mag not unlike\nEsquire, lives in New York with her\nfilmmakerboyfriend, Charles C&ar,\nand leads a normally frantic NY\nexi stence. As her friends can't help\nbut remark, she's not even Jewish!\nEve is fascinated by the Holocaust and has many books on the\nsubject which her lover insists she\nkeeps hidden in a comer of then-\nbedroom as if it were pom material\nwhich should be locked away. Eve\ncan't fathom how hatred could be\nnurtured as it was in Germany during Hitler's reign.\nEve has a photograph of three\nwomen taken in a death camp: two\nof the subjects turn away; the third\nglares with a mixture of hatred and\nsadness, showing her arm to the\ncamera's eye. Her ID is 500123.\nEve found this picture a few years\nback, and has no idea who this wom\nen is. She decides this women, who\nshe dubs \"Eva Klein,\" will not have\ndied in vain and that she. Eve, will\ncany on her legacy so people will\nnot forget the horrors of the war.\nSo, is Eve crazy? I don't think\nso but it is debatable. As her friends\nsee her new marking they are both\nfascinated and horrified (Charles\nleaves). The book continually finds\nEve in situations where she has to\nexplain her tattoo. Each time she\ntells a different, yet plausible, story\nabout who the original bearer of the\nnumber was. By the end of the tale\nwe find who \"Eva Klein\" really\nEve's Tattoo mixes astounding facts about the Holocaust with a\nblack humored look at love and convictions. After reading this book I\nzoomed over to the library to track\ndown Prager's other books. They\nClea and Zeus Divorce: I got\nthrough about 20 pages and had to\nstop. Completely different from\nEve's Tattoo, this is a very busy\nnovel about a married showbiz couple about to break up. I found it a\nsupreme letdown after reading her\nnew work. However, fans of quick -\npaced com edie writing might enjoy\nthis.\nA Visit From the Footbinder:\nA collection of five short stories.\nEmily had been an editor with the\nNational Lampoon and some of the\nhumor one would associate with the\nadolescent-frat boyishness of NL\ncomes across in these stories, especially \"The Lincoln-Pruitt Anti-\nRape Device.\"Nudge-Nudge Wink-\nWink tired yuks. Then Prager\nturns around and writes a tale\nof great sensitivity in the title\nstory about a young Chinese\ngirl about to have her feet\nbound. Go figure.\nArt Spiegelman's father,\nVladek, is cranky and set in\nhis ways. Heand Art can hardly help but argue when they\nget together. In many ways\nthe two share a fairly typical\nfather/son relationship. However, Vladek is a survivor of\nthe death camps in Germany\nduring the war \u00E2\u0080\u0094 the two\nhave been coming to terms\nwith this all their lives.\nMaus: A Survivor's Tale\n(Pantheon, $ 15.00) is the true\nhistory of the Spiegelman\nfamily during the war and\nbeyond. Art studied his family story\nwith his father and then retold it\nwith \"cartoon\" art. Last year Maus\nwon the Pulilizer Prize for literature. In Af_i_5, Jewish people are\nportrayed as mice and German's as\ncats, this way one reads the story as\nif it were a fairy tale between make-\nbelieve characters while still learning of the atrocities that went on\nduring WW2.\nAside from the personal history of\nthis family during the war we find\nArt trying to come to terms with his\ndad (an important part of Maus).\nMany sons and daughters of concentration camp victims grew up\ntraumatized; even Art who was born\nafter the war was over. Maus is a\nstunning book which attempts to\npick up the pieces of a family crushed\nby the war and ir\nThe Reading Railroad series at\nthe Railway Club is a smashing success. The third reading will beMarch\n15 with Al Purdy, Leslie-Hall Pin-\nder and Wyckham Porteous/Patty\nFraser; the musical guest will be\nHarold Nix. So far, the highlight\nfor me was seeing Art Bergmann\nsolo with an acoustic guitar during\nthe first performance. This mix of\nmusic and words is great and the\nRailway is a perfect setting. During the National Book Festival this\nSpring the Reading Railroad will\nhosl additional readings April 24,\n25 and 26.\nComix-A-Go-Go took place on\nJanuary 23rd at the Smash Gallery.\nThis benefit raised 585 dollars for\nthe Milt Gross fund which helps\ncartoonists \"in need.\" This is the\ncharitable arm of the National Cartoonists Society in the States. Thanks\nagain to cub and Potato Head for\nplaying, 12 Midnite for the space,\nand all you wonderful cartoonists\nwho showed your art. Kinda puts a\ntear in my eye. Yer beautiful! Next\nyear Wl, I promise.\nKeep an eye out for POP I, the soon-\nto-be-open shop at 154 W. Hast-\nings. Opening day: March 16. Aside\nfrom comics, books and mags there\nwill be a coffee/juice bar and video\nrentals! Run in part by Scooter (the\nguy with the purple hair from the\nComicshop), this shop is going to be\na very happening place. Good luck,\nguys. AND, ahem, subtext is\npleased to announce that Chester\nBrown will be discussing his great\ncomic. Yummy Fur at POP! sometime mid April (most likely Sunday\nthel8__.Jookforit).\nChester Brown is indeed coming\nto the westcoast! He will be signing\nat the Comicshop (2089 W. 4th) on\nApril 10, in Seattle at Fallout on\nApril 17, and in Victoria at the new\ncomix shop Legends (date tba). He\nwill also be heading down to San\nFrancisco and LA. Chester's Yummy Fur is a mix of autobiographical\nremembrances of his teen years and\ntruly bizarre sci-fi stuff (ie. The Ed\nThe Happy Clown saga has to be\nseen to be believed). If a subtext\nrave isn't enough to get you interested let me try this...Ed The Happy\nClown is going to be made into a\nmovie by Bruce MacDonald (Rood-\nkill, Hwy 61).\nLOCAL 'ZINE NEWS\nHave you found Gee-Zuz. It's a\nnew, local, music magazine that\nyou actually have\nto...sputter...gasp., buy. And considering it's only about a buck\n(depending where you buy it) it's\nnot a bad deal. Fairly well done\nwith loads of concert reviews,\nopinionated ideas and a minimum\nof obnoxiousness (like a Discorder writer should talk).... Also selling for a buck or so is BUNYON #2\nwhich is out now. It's produced by\nRob Dayton who is very pleasant\nand I plan to support him by buying his stuff although it's still pretty rough around the edges for fussy\nold me. Nicely packaged in a poly-\nbag...naughty sticker,\ntoo.. .su b text was bribed last month\nby Shane who left his tiny 'zine\nalong with the 7-inch single of\n\"Na na Hey Hey Kiss Him Goodbye,\" a musical salute to an ex-\nhotshot goalie the Canucks once\nhad (trust me I didn't already have\nit). Well, I believe the palm-sized\n'zine is called Sponge... to be honest it was so small I've misplaced\nit around my pad. I remember it\nwas filled with incomprehensible poetry and had obviously\nbeen lovingly made.... Artemisia is a combo art gallery/bookstore which stocks an amazing\ncollection of obscure 'zines.\nWhere else in town can one get\nTeenage Gang Debsl They are\nlocated @ 156 East 7th (by Main)\nphone'em at 873-5440.\nAAAU*\nWHAT ] BEAD TI IS MONTH by Balph Alfonso\nRALPH\nlOv*\nEver wonder what People Are\nReading? I do. Ralph Alfonso,\nway kool author of the wondrous freebie poetry explosion\ncalled Ralph, took the time to\nwrite and tell subtext.\nLike everybody else I find that\nthe older I get the less time I\nseem to have to put aside for\nserious reading, so these days\nI like to go through several\nsources at once; kind of like\nchannel-hopping through paper.\nDuring the last two\nmonths, I've enjoyed Kicks!, a\ngreat 5O's/60's trash rock fan\nzine edited by the ulti mate rock\ncouple: Billy Miller & Miriam\nLinna (They're in a band together. They edit a fanzine together. They run a label together.). They once stayed at\nmy place when I lived in Toronto and, oddly enough, I've never heard from them since. I got\nit at Track Records (who also\ncarry Cryptic Tymes, a kind of\nlocal equivalent).\nThe subject of comic\nbooks can get me going for\nhours, but I'll be positive and\nsay I like Eightball, Magnus,\nGrendel, Mr. Monster, Madman, E.C. Reprints, and Spawn\n(well, we're not all perfect).\nBook-wise, I just got Mostly Harmless by Douglas Adams, Heart of the Woridby Nik\nCohn (his Ball the Wall compilation proves why he was the\nultimate 60's Mod-rock journalist), Beyond Co-Dependency by Melody Beatty (you'll be\nsurprised), plus TheArtofBlue\nNote and California Cool (two\namazing books with page after\npage of 50's jazz LP covers).\nA cool newspaper to get\nis the weekly European, a kind\nof Euro USA Today that covers what's happening over\nthere with more meat than you\nfind in the local papers (no\ncomment). You have to keep a\nworld perspective on things\nwhich, if you can read French,\nI would recommend picking up\nthe Thursday edition of Liberation down at Manhattan Books\n(you can find it on the French\nnewspaper rack on the 2nd\nfloor). It's their weekly Arts\nround-up & a pretty cool poser\nitem to casually have lying\naround.\nRalph is available by subscription @12 issues for 12 First\nClass stamps or monetary\nequivalent: $5.16. IE PIT PUB \u00E2\u0080\u00A2 IN THE BASEMENTOF THE STUDENTUNION BUILDING, 6138 SUB BLVD. \u00E2\u0080\u00A2 604-822-6511 hat is an \"excess\" of free speech? On the surface It\nwould seem to be a contradiction in terms. Afler all,\nthe First Amendment to the Constitution of the\nUnited States guarantees freedom of speech and\nexpression and, as such, it would seem to be the salient\nfeature of a democratic society. However, in the late 20th\ncentury this idea is being challenged and new lines are being\ndrawn.\nU.S. President George Bush decried the civil disobedience of the AIDS activist group ACT UP when, in 1990, they\nentered St. Patrick's Cathedral in New York City and disrupted the service of Cardinal John J. O'Connor, whose\nmuch publicized virulent stance against the gay lifestyle and\npro-choice advocates of the Women's Movement is believed\nby the members of the ACT UP to endanger the lives of\nmillions of people. Bush described the action as an excessive\nuse of free speech, igniting a storm of media and public\nreaction to the tactics of ACT UP. The result was intended\nto divert the public's attention away from the group's objectives to the \"disrespect\" all God-fearing church-going Americans are supposed to believe has taken place.\nIn this example we can see the extent to which the\nReagan-Bush administration will go to selectively dictate\nthe \"proper\" use of the First Amendment and to subvert the\noutcome to suit their end. We have yet to hear Bush, his wife,\nor any person connected to the government apply the concept of \"excess\" of free speech to any of a myriad of organizations or individuals who are daily perpetrating physical,\npsychological and social harm on people with AIDS or in\nhigh-risk groups. These are the people who are in the greatest need of support and protection. Every day they lose jobs,\nhealth insurance, homes, families and futures to a disease\nthat cannot yet be cured and whose questionable origin\nought to be the number one concern of all conscious Americans, but somehow is not.\nThe objective of this work is to attempt to deal with the\npresentation of information and the manipulation of news to\nensure a predetermined outcome. Considering the special\ninterest of organized intelligence, organized religion, organized science/medicine, organized crime/entertainment and\nthe media as a conduit forthe propaganda machinery of all\nthese groups, the average person has virtually no chance of\ndetermining the truth about anything. We are thoroughly\nnarcotized by the constant flow of \"infotainment\" and are\nrendered incapable of developing progressive attitudes or\ntaking meaningful action. Lies of omission, misinformation,\ndisinformation and the maintenance of \"plausible deniability\"\nare the uses to which our freedom of speech are being\nemployed, and very much in excess.\nYa know, even Mega-goof Mustaine or weekend Maoists\nConsolidated, self-appointed voices of self-appointed, part-\ntime, disgruntled American youth could take some lessons in\neloquence from this Tischler guy. \"A series of audio collages\nwhich can be thought of audiographs capturing the subtle\ninterplay of media and madness in the United States at a\nparticular point in time\" is how New York's Tischler describes his debut Extreme/Cargo release, Excess of Free\nSpeech. Tischler recently responded to some questions for\nDiscorder.\nDiscorder: After reading your\nliner notes I would like to ask\nyou what you make of the \"Cop\nKiller\" controversy? Or xenophobic skinhead bands like\nMOD, Skrewdrlver or Jack\nTragic? How aboutthe Madonna\nor GNR circus? Would you say\nin the case ofthe corporate acts\n(ICE-T, M, CNR) that they've\ngauged society's in/tolerance of\ntheir well-thought-out \"freedom\nof speech excesses,\" trading it\nfor cold hard cash?\nStefan Tischler:'. would tend to\nclassify all these questions as part\nof a whole. In my view, there has\nbeen a long-range conditioning of\nAmerican society to initially focus on examples of aggressive stupidity, such as the racist skinheads\nor Andrew Dice Clay for example,\nand then to moralize them, while\nat the same time titillate the public, with \"acceptable\" examples\nof the same thing redecorated as\nSchwarzenegger or Stallone, as\nheroic brutes in other words. The\nmarketing of heavy rap or xenophobic skinhead bands come at us\nand we are preconditioned to ac-\n12 E_\u00C2\u00A3^3i\u00C2\u00A3r0S^\ncept them as \"dangerous\" so that\nthe animalistic or machine-man\nexploits of the above film giants\ncan be profitably marketed. In other\nwords, we are culturally programmed to be attracted and repelled by the same qualities with\ncosmetic cues to elicit our love or\nFurthermore, a grey area has\nbeen created in which to explore\nthe purpose of allowing some steam\nto be let out of the American pressure cooker and keep the people\ndiverted. Has Madonna gone too\nfar? Is Ice-T inciting teens to kill\ncops? Of course the corporate\nmasterminds have gauged the impact of these events in advance\nand have calculated the height,\nwidth and depth of the public's\nreaction to the media's run and\nthe payoff in cash. I believe lhat\nthe \"Cop Killer\" circus became\npretty transparent early on; the\nrecord company was sending out\npromos in little body bags. When\nsome police benevolent groups\nbegan to threaten boycotting the\ncompany, they yanked the record\nHP I mmi\nand promptly put Ice-Ton the <\nof Rolling Stone in a cop uniform,\nlo continue the \"contro-\nI see Madonna and\nthe whole M phenomenon\nas a product of organized\ncrime, pure and simple.\nThe entire American entertainment business is\ncompletely controlled and\noperated by it. They created an industry around\nthe Marilyn image (carefully tended and kept alive\nfor just such a purpose\nfor decades), applied the\nmoral and titillating\naxiom, and served up a\nshell which just barely\nsings, dances and performs, supposedly making all her own decisions\nwith incredible business\nacumen. Bullshit. The\nproof that she is a completely fabricated entity\nis that she projects not an\niota of desire. She and\nMichael Jackson, \"managed\" by the same company, are completely il-\nThey use the news media\nto track their supposed\noutrageousness rather\nthan the entertainment\nmedia, bringing them together in the grey area of\ninfotainment. There is an\noffice which disseminates\nthe latest about them daily\nand each new outrage is\nplotted out many months\nin advance. The wide\nreach of the organized\ndustry has preconditioned\nthe world, to the very last\ninhabited outpost, to crave\nmore of this absolute sham, and to\nShouId extremist, right-wing, blatantly pro-violent music play a\nrolc/cxist in democratic society?\nMy immediate reaction would be:\nugly music, ugly message, get rid\nof them. But what \"democratic\"\nsociety could you be referring\nto? If it were possible to list all\nthe extremist, right-wing bands\nworldwide next lo blatantly pro-\nviolent racist/sexist acts committed daily, in the US alone, it could\nput the thing in perspective. At\nthis point in the evolution/de-evolution of civilization the tug-of-\nwar between competition and cooperation passes for democracy.\nThe bigger, louder, uglier noise\nand weapons win. It is very easy to\nconclude that man's \"basic instincts\" are the law of the jungle.\nJust observe and listen. In a democracy, supposedly, all points of\nview which are focused on the\ngreater good of all are heard and\nconsidered. Is there anyplace on\nearth that is, in actuality, functioning this way?\nhyUnyd Uliana\nthe interests of the community\nrather than the individual?\nI believe the artist should\nfeel responsible for the\nwork being done; that it\nshould be conceived and\nexecuted with a total\ntency. Clarity of vision\nand genuineness of purpose will determine its\nsuccess. This sometimes,\npossibly often, involves\nconsiderations of the\ncommunity, but not al-\nAt what point can censorship exist and play\na healthy role in a pure\ndemocracy?\nIn a pure democracy censorship would be irrelevant, but this is all theoretical. In our police-obsessed, utterly\ncompromised...the industry of dissemination\nand presentation of information is now perceived to be the means\nof social control. And to\na large degree I think it\nis. The great triangle of\nshow business, politics,\nand crime all connect to\ndefine a field of battle:\nwhoever can put over the\nmost effective campaign\nreaps the reward of\nand their voting potential, buying potential,\nwhatever.\nThe is\neofce\nRealistically, the only responsi- In theory, the only responsibili-\nbilities the music cartel have are ties artists have are to theni-\nto their stockholders. What re- selves and to those who invested\nsponsibilities do record compa- in them. What social responsi-\nnieshavetothepub- bilities would\nlie?\nyou\n\"I \u00C2\u00BBe Maiossa t\n'whole M pkmmmm u z product of q;\npm* sad staple. The cadte Americas \u00C2\u00AB\ncompanies have the responsibility of making memorable recorded works available at affordable prices. Sounds good, huh? It\nwould appear that they generally\nfail at this. Instead they present us\nwith enough shit to make future\nlandfill for thousands of years to\ncome, and continuously and enthusiastically dupe the public into\nbelieving that they are responding to the public demand. It is not\nthe public but the market researchers and image makers who are\ndeciding what we will be listen-\nists have to the public?\nArtists are traditionally an irresponsible lot. If they were to become responsible to the public\nthey are no longer artists but social workers. The artist, the poet,\nand the madman were described\nby Shakespeare to have a common mania which was attributed\nto being overly influenced by the\nmoon. I think the lover was also in\nthere.\nDo you think that the notion of\nresponsibilities are foul as they\ncarry some level of restraint in\nsorship itself, at times,\nbecomes a bogus one.\nThe idea of somehow reshaping reality by subtle\nfiction and the use of\nfiction within daily reality blurs\nthe lines to the degree that it is\nonly the very acutely observant\nperson who can clarify. It isn't\njust what is left out that constitutes the manipulation\u00E2\u0080\u0094at times\nwe are given as much as 98% of\nthe facts\u00E2\u0080\u0094the 2% eliminated, how-\n:ver, would change the whole perception ofthe facts, if included.\nA couple of years ago one of\nthe infotainment shows treated\nis to a quarter-of-an-hour, or so,\nof a provocative look inside of a\n\"special medical facility,\" connected to the military, where killer\nviruses are \"studied,\" supposedly\nto better serve humanity by the\nbig guns of science in their relentless pursuit of \"uncovering nature's\nsecrets for the health benefits to\nmankind.\" We were shown everything from clean rooms to safety\nsuits on security tracks. We were\ntold about the various organisms,\nviruses, and such which are \"many\ntimes more dangerous than the\nAIDS virus.\" The thing we aren't\nbeing told is that these viruses are\nbeing genetically engineered in\norder to allow for species jumping to that genua affecting certain animal group* w_l be able to affect\nprevious immune group*, including\nhumans.\nAnother example can be found\nin the idea of sham confrontation.\nWhen Bush was nominated for the\nRepublican candidacy in late 1987\nthere was an unprecedented satellite\ninterview with Dan Rather, Managing Editor of CBS News, in which\nRather attacked Bush for his connections to the Iran/Contra scandal\nThis, nearly a year before the elections, was a carefully staged event\nwhose purpose was to create sympathy for Bush, and to dramatically\nmove the unobservant public into\nbelieving that poor George was being put through the madness of the\nmedia. The following day there was\nmuch talk about this \"attack\" on\nBush. We were effectively diverted\nfrom the real issue, and that was that\nBush was a more likely candidate\nfor impeachment than President\nDo you feel that your daim of\nexcessive censorship allows for\nmore anti-establishment artists to\nexist, or does it pave the way for\nmore mediocre, status-quo bands\nwho say naughty words and play\nthe \"parental guidance sticker\"\nAgain, as in the area of news, the\nissue of censorship in music or entertainment in general can be one\nfraught with strategy: the mountain-\nmovers of the music business are\nable to create news out of their products and get zillions worth of free\nadvertising. The general public becomes confused about \"acceptable\nlimits\" and easily falls prey to the\nploys of advertising departments.\nSo what can we expect with the\nClinton Administration? If I'm\nnot mistaken, the American artistic community is welcoming the\nnew administration. It seems\nstrange, however, as Mrs. Al Gore\nspearheaded her own witch-hunt\na few years back. What's up?\nThe face of things will be different,\nbut that's it I don't hear anyone\nsuggesting that the National Security State should be dismantled or\nthat even one of Reagan or Bush's\nmany power grabbing policies will\nbe overturned. No. Everything's in\nplace for a continuation of all of the\nabove, and much more; the Democratic Party got in by making itself\ninto a more palatable Republican\nPatty. Clinton, in fact, was linked\nwith Bush in a Geraldo Rivera story,\nthat was nicely ignored, as having\ncooperated with a CIA drug running\noperation which made use of a certain Arkansas air base during the\nContra operation. I like to think that\nthe people of the US will force its\npaid employees in the government\nto address its real needs, but when\nthey are so effectively manipulated\nhow can they focus on The Big\nPicture?\nNow that the Gulf War is on\nagain it ought to be clear to the\nAmerican public that the shift in\npurpose for the military and the defense industry from the Communist\nthreat to the third world is in place.\nRather than outrage at the obvious\naggression of \"the world's only remaining superpower\" against a country whose military power is practically wiped out, the American pub-\nc again, by\na media barrage against the \"inexplicable defiance\" of Saddam Hussein and the glamour of a new administration and its promise to revitalize a failed economy. No one is\nseeing the connection: the only way\nto revitalize the US economy is by\nincreased needs of the defense industry. Clinton is right behind the\nBush policy, but the public is being\ndiverted by the public relations' attempt to signal a return to the sixties\nand the Kennedy myth. They've even\ngot Bob Dylan out there. Hey,\nBob...whatever happened to \"Masters of War\"?\nIs the answer still\nblowing in\nthe wind?\n\"In all my works I strive\nto combine tke cerebral witk tke\naesthetic, themusu-aimth the non-\nmusical, the surreal witk tke organic. I employ my imagination\nsic aad in and of themselves.\nRegardless, do you think samples\nI never thought of samples as sub-\nversion. I believe in the use of any\nsound source which can serve the\nconception of the whole work. It is\nirritating to me to constantly have to\ndeal with the trend-oriented aspect\nof composing. Early on it was the\ntrend to be \"technological,\" then\n\"electronic,\" as opposed to \"acoustic,*' then \"industrial\" as opposed to\nr. They then proceeded\nto market the category as a purely\ngeneric one, inviting many unemployed session musicians to become\ncomposers. I didn't find that they\nwere looking to expand audio horizons as promised. Now I don't care\nabout any of these considerations.\nI'm producing work to satisfy myself and with little or no thought of\nachieving status in the official music business. My current CD is an\nattempt to discover relationships between media and music and the use\nof special effects and how they may\naffect the biological, psychological, and political sensibili-\npositional techniques in tke nope\nof revealing fresk sonic terrain.\"\nTheoretically, Sting, Paul\nSimon, David Byrne, and others,\ninventors/discoverers of Third\nWorld musics could incl ude a similar quote on their record inserts.\nWhy do you believe this applies\nmore to your own objectives and\nphilosophies than it does theirs?\nThe only thing Sting, Paul Simon\nand David Byrne are doing, besides\ntreating us to megadoses of their\nunbelievably limited voices, is to\ndress up their sound with pseudo-\nWorld Music. When I speak of \"fresh\nsonic terrain\" I am not thinking of\nthe practice of plundering the Third\nWorld, but the sonic territory that\nour imaginations can explore out of\nthis world. What I meant here was\nthat instead of the dictatorship of\nformal musical composition I try to\nexplore a new compositional approach with each work in the hope\nthat each work will sound substantially different. If I can come up with\na previously unexplored (by me)\nmode of operation, I can leam a new\ncompositional approach.\nNow that Paul Simon and David\nByrne have discovered the\nThird World do you believe\nthat \"fresh sonic terrains can\"\nstill \"exist\"?\nAre they only f *p f\J\ngenerated?\nfor critics by and large. As I said, I\nlike to mix up all the sources to\nhopefully produce a work of singu-\nWhat is your connection with\nelectro-composer Blair Petrie? Did\nyou not collaborate on some\nprojects? Could you please give\nus a bit of your recording history,\nnot only with Blair but as a solo\ncomposer, with Port Said, etc.?\nWhat is the Cinematics Series?\nBlair Petrie is a good friend with\nwhom I collaborated in 1986 to produce a cassette called Gorgons and\nGargoyles. I started producing and\nperforming music with Port Said.\nThere was a single, \"Indian Ocean,\nVoyage 2,\" and four album length\ncassettes, as well as a couple videos\nand compilations. The Cinematics\nSeries were five potential soundtracks for films. The idea was to use\nfilm as a reference point to create\ncredible mental movies.\nWould you or would you not say\nyour objectives in creating musical expression have changed over\ntime? How so?\nIn the years with Port Said we were\nworking toward getting a record label and being acknowledged by our\npeers as well as the music buying\npublic. Our Wend was evocative of\nthe European experimental albums\nof the mid-seventies and it prefigured the avalanche ofthe \"new age\"\nas yet (in 1981) unknown in the US.\nWho do you\nadmire from\nCanada? From Vancouver?\nHaving a pretty wide variety of musical tastes, I admire a great many\nmusical talents from Canada, from\nJohn Oswald to Joni Mitchell. From\nVancouver, besides Blair, I haven't\nreally met very many composers or\nmusicians. The people whom I know\nare from every possible walk of life\nand they have either not made their\ntalents public yet, or I don't wish to\nfeed their egos by mentioning them.\nWhat function do artists like\nMerzbow, Zeni Geva, The Haters\n& death metal bands serve?\nI don't listen to death metal or to too\nmany noise artists. I think it is really\ndifficult to make work of lhat nature\nworth the pain of listening. I suppose the function that they serve is\nto fill out the spectrums of possibilities of sound experiences for those\nwho are into audio S & M.\nIs there such a thing as an inaudible or subconscious sound?\nI do think that there are inaudible\nand/or subconscious sounds. Even\nin my own works I sometimes am\namazed to find that sounds I can\nrecall are not really there but only\nimplied. If you are referring to sounds\npicked up by tape decks left in open\nfields which pick up voices and\nglossolalia unheard by the human\near, I do believe that it is possible,\nalthough I haven't heard any of it\nName some of your contempo-\nr i e\nSORED VERSION\nPARENTAL\nwhor\nthat\nvided you be-\nways of get-\nMost people\nwho \"study\"\nmusic formally are either subtly or\novertly taught\nbeen done.\"\nYour use of samples on Excess\nof Free Speech is extensive, particularly voice samples. Samples\nof their own, play a large role in\nthe production of popular mu-\nADVISORY\nEXPLICT LYRICS\nadmire?\nI like a great\nmany works\nby a variety\nof people.\nMost of the\nlonger mak\ning m\nWith the Cinematics Series I hoped\nto define an area of my own. I foolishly took the music industry seriously in its stated promise that the\nnew category of instrumental music\nwould be a constantly changing and\nevolving category for the adventur-\nhave moved\nindirections\nthatdisinler-\nestmcAfew\nhave become\ntoo successful for their own good. In\nthe area of sound sculpture I sometime like The HaflerTrio, although\nthey seem to be going for shock\neffect now. Also about one in every\nten of AsmusTietchens' albums does\nsomelhing for me.\nThe last CDs I got were by some of\nmy label-mates like Paul Schutze\nand Mo Boma. The last LP was by\nMango Santamaria.\nYour label-mate Bryn Jones\n(Muslimgauze) dedicates hb 1990\nrelease INTIFAXA in thb man-\nner: \"Total commitments the Palestinian cause, direct action of all\nformsjustifiedrnow you react\nto such a slogan? Shock value?\nGimmick? Both? Do you feel\nmusicians should be dabbling in\nareas wbcremaybe they Aonktat\n(I.e. political sloganeering)? How\ndo you see Stefan Tischler fitting\nIn/not fitting in as a political com-\nMARCH\nHike Muslimgauze. The slogans are\npackaging but I have no doubt that\nhe is sincere about it Although the\nmusical experience doesn't require\nthe listener to accept his commitment, I guess he wants us to know\nthat the political aspect is important\nfor him. I'm sure we share certain\nviews about imperialism but I don't\nsympathize with religious f an atici sm\nof any sort. Also, the tendency to\ncall-lo-arms for a cause is a very\ntricky thing. If one can justify it for\none's own cause it is also automatically justified for one's opposition.\nI don't see myself as a political\ncommentator. I have a definite viewpoint, but I design my works around\nthe total sound experience, addressing the concrete as well as the abstract. If my current works were just\nto get my politics across I would put\nout a pamphlet. I do think it's valid\nto express viewpoints. Listeners\nare not required to agree but perhaps to be stimulated to thinking.\nIn any case, there is a long and\nhealthy tradition of music/sound\nworks with social or political over-\nDid you have a religious upbring-\nI had a moderate amount of exposure to religion. My grandparents\nwere all Russian Jews and basically\nsecular. I was able to see quite early\nthat adherence to religious doctrine\nwas antithetical to living life with\nimagination and tolerance of others.\nJudaism, Christianity, and Islam have\nput a brace on our brains. I believe\nthat religious tribalism is a divisive\nforce and that most of ihe problems\nof the worid can trace their sources\nto the slavery propagated by monotheistic religions. And the business\naspect of organized religions make\na mockery of all the moral preaching. Mostly, religions deal in power\nplay and scapegoating.\nThat said, I can only add that\nall the suffering that religion has\nwrought has resulted in some amazing art, music, and literature. I would\nlike to think that someday we will be\nable to transcend the need for religious doctrine and live in harmony\nwith an instinctive respect for the\nvalue of life without the chains, but\nbusiness has a way of perpetuating\nitself.\nContact:\nExtreme Records\nCargo Distribution\nPOBox 147\nPreston 3072\nVictoria, Australia\nREUBEN\nKINCADE\nPLEASURE\nELITE\nEDDAPALOOZA!\nCLAY PEOPLE\nJUMBALASSY\nBENEFIT FOR\nDEATH\nRENEGADE\nSAINTS\nFRIDAY MARCH 12\nMOLASSES\n& HUNGRY\nYOUNG POETS\nSATURDAY MARCH 1*\nLOAF & GUEST\nOPEN AT 6PM\nSEVEN DAYS A\nWEEK\t Just what is Negativland and why have you heard that name so frequently without hearing music just before, just after, or during that mention? Well, lemme\ndraw you a picture.\nSay, for instance, you are Negativland\u00E2\u0080\u0094Mark Hosier, David Wills and Richard Lyons\u00E2\u0080\u0094living in the Bay area around San francisco. You like to fiddle\nabout with neat sounds. A few independently released LPs ensue, all works of an incredible, almost obsessively meticulous, organization of sounds. Chris\nGrigg and Don Joyce join Negativland's current line-up via the \"Over ihe Edge\" drop-in live radio show on KPI-A, Berkeley. Albums like 1987's Escape\nFrom Noise and 1989's Helter zStupid get wider availabi lity through SST Records. Both albuna make \"The Best ofYear\"lku by critics across North America\nonably popular as proponents of what can only be described as a new form of music. Their deft use of sound and humour separates\nrisons lo the often humourless industrial genre, and dieir media manipulation experiments have said a lot about today's culture.\ncourt case. Casey Kasem plays a large part in\nand Negativland bee\nSo, in 1991, Negativland releases a single\nlhat \"covers\" a U2 song in a way thai only they\ncan do. However, the massive powers that be in\nthe music industry decide this relatively small\nunderground group musl be dealt wilh and proceed to launch lawsuits against Negativland and\nSST, basically for having the gall to put out the\nsingle. This results in a mammoth can of worms\nbeing opened up, showing the seediness of the\nmusic business, at Negativland's expense\nNegativland also find themselves victims of outmoded copyright laws that do not take into account the new technologies.\nSo now, 1993 finds Negativland broke, but\nunbowed, on the heels of a new LP, Free, due out\nil and followed by a tour (something they\nirt dates. But I'll let\nMark Hosier: It's funny lhat these days we never\nend up sitting around talking about things, like\nhow fun different weird noises are and stuff that's\na good deal of what we actually like to do, 'cause\nwe're always talking about lawsuits, copyrights...\nDiscorder. Yeah, it seems you've been kind of\nbusy the last couple of years with that?\nMark Hosier: Well, yeah, il's getting to be a year\nand a half now, and I can easily say it's going to\ndrag on at least another year, and I wouldn't be\nsurprised if it crops up again. I wouldn't be\nsurprised if someone else decides to go after us for\nsome other record we do in the fi\nLet's start with that. You put out a release in\nAugust of '91, the U2 two-song single; it's quite\nthe package. Okay, this is the thing that opened\na big can of worms here.\nOh, opened them right away! Generally, whal\neveryone knows aboul the U2 thing turns o\nwrong. It's like the game of telephone, where the\nstory's been repeated so many ti\nhad it quite right to begin with I\ndistorted that...and that's actually why we did the\nmagazine, The Letter U and the Numeral Two,\nbecause we realize it is a story worth telling;\na tale worthy of being told. As well as\nthere was no way we could rely on the\nmedia to convey what had really happened because it was far loo complicated, and the media is not very good at,\nor interested in, conveying comple:\nSome could argue that it\nconveying the truth.\nWelL.yeah.\nEssentially, The Letter U and the Numeral 2 is\na 96 page booklet and about a 25 minute\ncompact disc documenting the case and communications arising out of the case that Island\nand Warner-Chappcll launched, not necessarily U2 the band themselves.\nNo, not U2 the band at all, though they certainly\ncame to be involved whether they wanted to or\nnot. It's presented in chronological order and it is\nour attempt at an objective presentation. I don't\nbelieve there is, in fact,\nany such thing as ob-\nhappened: no commentary\ninteresting, what's important, what the issues are,\nwho the villains are, if any, et cetera, et cetera.\nAnd that seemed to fit with our whole, you\nknow... No one in Negativland is very comfort-\n\"Wcl!, we're making this Faustian bargain with\nthe devil, but we do it because we're promoting a\nlarger idea lhat's somehow subversive to who\nwe're working for?\" Or is U2's management, in\nfact, insulating them from reality so they don't\nable with telling people how to think. Certainly even know it? And if you read the\nthere's a lot of social-political stuff in our work, the Edge, that is one argument that could be made.\nas well as a lot of silly stuff in our work, but we do They really don't realize 90% of what's going on\nlhal serious stuff [so that it] comes across in a way around them, who's working on their behalf, and\nthat isn't like we're trying to shove our point of who's going out and suing people for them in for Casey Kasem. As fa\nview down your throat. order to protect their interest.\nHe inspired the entire project.\nHow did you obtain the tape?\nA couple of different sources. There's two sets of\ntape on there, even though they're mixed together\nto sound like one tape. The dedication to the dead\ndog Snuggles was given to us by a fan al a show\nwe did in Portland. Subsequently, a friend of\nmine, a musician named Steve Fisk, gave ti\nbetter copy of it which is what we ultimately use\nAnd then ihe part where he's actually I\nabout U2, you know, \"These guys are fi\nland and who gives a shit,\" that's\nfriend of ours in LA who i:\nLet's see, the principals involved in this are What was the timespan between the actual\nyou, David Wills, Chris Grigg, Richard Lyons, lawsuit that was launched against Negativl\nDon Joyce, SST Records-. to when the band U2 actually found o\nWhich U solely owned by Greg Ginn. Some the release? Was theretjm\npeople don't necessarily realize that there's no Idon'treall_~\ncommittee making decisions there oi\n-.and Warner-Chappcll, which is the publishing arm of Time-Warner. So, essentially, what\nit is with relevance to U2 is that Warner-\nChappell publishes l'2's songs.\nYes. As well as being the publishing arm of the largest media\nn the planet, that sort of\nworks into it as well.\n...and Island Records, which\nheaded by Chris Blackwdl.\nWell, sort of, he's the president and il\nwas begun by him. He sold the company u\nPolygram a few years back and that's one\nthe many interesting footnotes to this whole\ntale; Amnesty International and Greenpeace,\nwhose promoters are U2, are now working to\nmake a profit for a company that is owned,\nultimately, by a defence contractor. Philips owns\nPolygram, Polygram bought Island, and if you\n\u00E2\u0096\u00A0 the only band that's currently\nmaking a lot of money, I believe, is the group U2.\nIn fact, that whole Zoo TV lour, as\nit they knew about it as\nr three months later. If you read the\nmagazine, Chris Blackwell is saying that U2 was\npressuring him to drop the lawsuit, and he's\nsaying he won't At the same lime lhat's happening we're Ulking lo writers who say that U2\ndoesn't even know about it, leading us to believe\nthat Island Records has realised that they've\nscrewed up, publicity-wise, and that they want to\nmake sure all the blame falls on Island Records\nand not the band So they're lying and playing\nl of good cop/bad cop routine with U2\nas ihe good cop and Chris Blackwell, or\nIsland Records, as the bad cop. So, I\now. The first time\n'e really became clear that they\nknew anything alall was quile\nfew months later in\nspring of '92.\n\u00E2\u0096\u00A0, the Snuggles\nof people\nbe the only\njotten a hold of the U2 stuff. The\nf, Howard Stem actually broadcast\nall of the obscenity edited oul. But the fact\nthat Casey was talking about U2, as you correctly\ndeduced, was what gave us the idea to do the\nwhole project\nI imagine that if he'd mentioned anybody instead of V2~\nVan Halen! ZZ Top!\n-.you still would have been sued, if it was a\nlarge, corporate band?\nWho knows.\nWho knows! The work would have taken an\nentirely different form. And the concept grew\nmore out of the Casey Kasem thing than any-\nls that right?\nYeah, that was the seed of the idea and then il\nsprouted until we started thinking about it\n, and adding\nc buying consumers, don't look further perceive it as U2 suing us even though it\nthan the album cover where U2 put their little true but, in fact, if you read the language of the\nspeil to support Amnesty International. lawsuit, which is printed in our magazine, it's\nI'm not against lhal or anything but it's ironic, clear that they arc suing us on their behalf. They\nperhaps a lot worse than that, hypocritical. Ilasks talk about the damage we're going lo do to U2's\none of those interesting questions, does the group image.\nU2 actually realise lhat, or just not care? Do they\nrealise it and say, That's the impression I got reading over the\nI heard the gems of what resulted i\nU2 concept, in 1989, when you were ir\nMontreaLB-knd of mine taped it off Radio\nMcGill. Mnded quite different\nYeah, wc^g t exactly uke what we do live and\n1 like that on the records, and we\nI like our records live. Most of\ne approach each little area we're work-\nI unique medium, if you want to call it\nriive shows are very structured. I mean\nlot of improvisation within the struc-\nz know exactly which sections are which,\nI the radio shows are extremely different It's\nopposite in that we know the materia! we\nive, we have a theme, but as far as how it all\n>mes together that's toully unknown. Of course,\non the radio show we also have the input of the\nLet's go back to the U2 thing. So, you put out\nthis book, a documentation ofthe case, which\nresulted in $90,000 in court costs.\nIfyou look at the book the actual costs in damages\nto Island Records was approximately $45,000.\nThe rest is an amount lhat SST is claiming they\nspent on manufacturing the release, advertising,\nand their employee's time. He [Greg Ginn] claims\nit is $90,000, we figure it's close to about $63,000.\nSST has never accounted lo us properiy on how\nthey came up with that figure, bul then again\nthey've never properly accounted to us for any-\nWe were very strongly led to believe that\nSST would split the losses in some way that was\nfair. A number of things were said verbally, also,\nthe lawyer who handled the case, a fellow named\nMichael Blaha, actually told me on the phone,\n\"Don't worry, SST will settle this fairly wilh\nyou,\" and instructed us to sign the out-of-court\nsettlement papers before we were to go out and\nwork out the settlement It turns out that\nanytime a lawyer's representing two different groups of people who are both\nbeing sued you always have a potential\nconflict of interest\u00E2\u0080\u0094Blaha was representing\nboth of us in the suit against Island Records and\nWarner-Chappell Publishing. He's supposed to\ndraw up an agreement lhat would preclude either\nparty from turning around and suing each other.\nHe, as far as we can tell, either out of stupidity or\nout of conspiring with Greg Ginn, and it's hard to\nknow which, didn't do that or let us know that was\nsomething important\nSo we signed this agreement that left us\nwide open. The settlement should have protected\neveryone but we were toully naive; we did everything we could to be cooperative including\ngiving them a brand new record when they\nasked to replace the U2 record [the Guns EP].\nWhat Greg Ginn says in public is lhat we lied and\nwe're fucking them over, victimizing them and\njust ripping them off, and that we agreed we\nwould pay them for any losses that arose out of\nSST getting sued for anything we did We did in\nthe past, but this situation made it different; oneof\nwhich Greg Ginn insisted we put our publishing\nthe record instead of U2's, which is\nwrong because it is a cover version. He decided\nnol to apply for a proper licensing form for when\nl of a song, and that's part\nof what we got sued over. He told us he'd been\nwarned by a lawyer not to put the record out but\nhe didn't tell us until after we were sued. On\ntop of that their lawyer told us that SST\nwould split it fairly with us.\nWith other records we might\nhave toully agreed that we were\niult With this particular\n_E>>*- yVio-aF-e record we felt that the decisions SST made, and\nhow Ihey handled the release of the record, that\nthey had some responsibility. We were proposing\na fifty-fifty split and, for some strange reason\nwhich we will never understand, you'd have to\ntalk to Greg's psychiatrist, he refused to talk\nto us or negotiate anything! He just gave us\nultimatums: \"you pay all of it and that's it;\"\n\"fuck you;\" \"talk to my secretary;\" and \"I've\ngot a business to run here, I'm not interested\nin talking about this.\" The very reason we\nsigned to SST was because it was a company\nlhat would never do anything like that and\nyou could talk to them. Greg really should\nhave talked to us, we could have been willing\nto take a different split if he'd negotiated.\nSo, instead of negotiating with Negativland,\nand trying to come up with some agreement, he just put up a legal wall.\nWell, no, he became kind of a busy corporate\nguy: \"I can't deal with it, just sign the fucking\nindemnification agreement, give me all your\nmoney from all your releases you've ever\ndone and, by the way, where's yournexl two\nrecords?\" We'd been talking about doing a\nnew release forSST and here they are expecting us to give them our next release and sign\naway all of our earnings, forever. The agreement they gave us lo sign is worded in such\na way thai it would allow them to take as\nmuch money as they wanl from us for as long\nas they wanl. Il was a very poorly written\nagreement.\nSubsequently, we've found oul from\nquile a few lawyers who've looked at the\ncase and said \"You should have foughl the\ncase, you would have won,\" that a number of\nlaw firms we have spoken to would have\nbeen happy to take the case for free, or a\nreduced rate, because it was such a great case\nand it could have established new law. Basically, ihe way lhat we went along with SST's\nhandling of the suit we missed a chance to\nestablish legal precedent, and that's, in the\nbigger pictu re, the worst tragedy of the whole\nIt is a big tragedy but, from the perspec-\ntiveofbeinga band, that's not what you set\nout to do with the release in the first place.\nSo how could you have predicted that it\nwould turn into such a monster?\nWell, we couldn't have, of course not. But on\nthe other hand, we try to do smart things.\nPeople seem to have an idea lhat perhaps\nwe' ve done what we do for publicity reasons;\nI don't know why making an ethical and\nmoral decision to leave your label and handle\nthis in this way is a publicity move. I think\nwe've been good at taking situations that\nhave arisen, and adjusting to 'em, and doing\nsomelhing that is interesting, creative or fun.\nWe never expected the next release would be\na book about us being sued, bul once the story\ndeveloped beyond a certain point it became\nobvious that was the next idea. It was like,\n\"Let's make a book! I've always wanted to\nmake a book!\nSo, essentially, here you are with this release and I notice that Casey Kasem is\npublicly saying he's got no problem with\nNegativland's use of his tape.\nWell, he said he was embarrassed by it but\nthat he understood this was an issue of free\nrecord we felt that the decisions SST made, and\nhow Ihey handled the release of the record, lhat\nthey had some responsibility. We were proposing\na fifty-fifty split and, for some strange reason\nwhich we will never understand, you'd have to\ntalk to Greg's psychiatrist, he refused to talk\nto us or negotiate anything! He just gave us\nultimatums: \"you pay all of it and that's it;\"\n\"fuck you;\" \"talk to my secretary;\" and \"I've\ngot a business to ran here, I'm not interested\nin talking about ihis.\" The very reason we\nsigned to SST was because it was a company\nlhal would never do anything like that and\nyou could talk to them. Greg really should\nhave talked to us, we could have been willing\nto take a different split if he'd negotiated.\nSo, instead of negotiating with Negativland,\nand trying to come up with some agreement, he just put up a legal wall.\nWell, no, he became kind of abusy corporate\nguy: \"I can't deal with il, just sign the fuck ing\nindemnification agreement, give me all your\nmoney from all your releases you've ever\ndone and, by the way, where'syournext two\nrecords?\" We'd been talking about doing a\nnew release for SST and here they areexpect-\ning us lo give them our next release and sign\naway all of our earnings, forever. The agreement they gave us to sign is worded in such\na way that il would allow them to take as\nmuch money as they wanl from us foras long\nas they want It was a very poorly written\nagreement.\nSubsequently, we've found out from\nquite a few lawyers who've looked at the\ncase and said \"You should have fought the\ncase, you would have won,\" that a number of\nlaw firms we have spoken to would have\nbeen happy to take the case for free, or a\nreduced rate, because it was such a great case\nand it could have established new law. Basically, the way that we went along with SST's\nhandling of the suit we missed a chance to\nestablish legal precedent, and that's, in the\nbigger picture, the worst tragedy ofthe whole\nIt is a big tragedy but, from the perspec-\ntiveof being a band, that 'snot what you set\nout to do with the release in the first place.\nSo how could you have predicted that it\nwould turn into such a monster?\nWell,wecouldn'thave,ofcoursenoLButon\nthe other hand, we try to do smart things.\nPeople seem to have an idea that perhaps\nwe've done what we do forpublicity reasons;\nI don't know why making an ethical and\nmoral decision to leave your label and handle\nthis in this way is a publicity move. I think\nwe've been good at taking situations that\nhave arisen, and adjusting to 'em, and doing\nsomething that is interesting, creative or fun.\nWe never expected the next release would be\na book about us being sued, but once the story\ndeveloped beyond a certain point it became\nobvious that was the next idea. It was like,\n\"Let's make a book! I've always wanted to\nmake a book!\nSo, essentially, here you are with this release and I notice that Casey Kasem is\npublicly saying he's got no problem with\nNegativland's use of his tape.\nWell, he said he was embarrassed by it but\nlhat he understood this was an issue of free\nspeech. You know, free speech doesn't mean\nyou have to like what the other person is\nsaying. Of course, privately, his lawyer said\nthat they would sue us and Island Records if\nthey ever gave the copyright to us, or if we\never released it We went on a tour last fall\nand everywhere we went we gave out Casey\nKasem's address and fax number\u00E2\u0080\u0094by the\nway he's changed the fax number since we\nput out the magazine [see the box]\u00E2\u0080\u0094so, now,\nCasey Kasem has actually gotten enough\nletters from people that he's sending out a\nform letter in response to people. So irate\nNegativland fans are getting a form letter\nfrom Casey Kasem which implies he never\neven said what he is actually quoted as saying\nin the magazine. He is now saying that it is\nnot about censorship, it's aboul piracy, and\nthai Negativland stole this music and these\ntapes and using them illegally! It's ihc most\ndisingenuous thing I've ever seen!\nJesus! So basically Greg Ginn, Casey\nKasem, and the lawyers are saying one\nthing and doing another...\nAnd you have a grooplike U2 who, at least in\nprinciple, say one thing and do another as\nwell. It's part of what makes the whole story\nso entertaining.\nIt's kind of ironic, too, that their Zoo TV\ntour is doing exactly the same thing you\nWell, how about lhat! That's right, they're\nZoo TV tour is infringing on copyright in a\nmassive way every single night! They've\nbeen touring now for about a year, using live\nvideo feed s taken off a satellite and mixing in\ntheir own pre-recorded video and stuff, but\nthey're also feeding in live images from the\nnetworks, putting it in a new context and\nbroadcasting it out to thousand and thousands and thousands and thousands of U2\nfans, who pay $35 each night to see ihem.\nThey're certainly not asking permission for\nlhat. It's fine that they're doing that, I find it\nvery interesting.\nSo what's happened since then? I guess\nthe Edge didn't give you the money you\nasked for to start the label or else you\nwouldn't be as broke as you are.\nIn fact, he never responded to us ever again\nafter that [Mondo 2000] interview. We sent\nhim a whole package with a proposal and a\nbudget and said, \"Look, if you're not interested, fine, you're not duty-bound to help us,\nbut we think it would be a really great idea. It\nwould be hilarious and great publicity but if\nyou don't want to help us just let us know so\nwe're not left hanging. Because we're in an\nincredibly desperate situation.\" Of course,\nhe did just that, leave us hanging.\nYou haven't heard anything from the U2\ncamp since the magazine came out?\nWe have, kind of indirectly. Someone we\nknow, who is a manager, has written in a\nletter and gotten some answers, sort of. It\nseems lhat they're still concerned with the\npublic perceiving them as being bad guys in\nthe situation. And that if wc have any creative\nideas of how they could help, that doesn't\ninvolve them lending us money, then they\nmight be interested. I don't understand that.\nI believe I read they grossed $96,000,000, or\nsuit, that we should be intimately involved.\nWe should have followed our instincts at the\ntime to pursue other avenues to deal with\nIsland, but we were convinced by SST that\nthere was no other alternatives. And since\nSST had themost up-front liabilities it seemed\nfair enough to let them handle it\nAnyway, once you're sued by somebody you can't just ignore it. A lot of people\nhave said, \"Well, Mark, why don't you just\nforget about it or throw it in the trash, it's just\na piece of paper?\" That was my feeling too,\nbut I found out that when you're sued you're\nsucked into thi s system; the legal vacuum has\nsucked you in there with the dirt and the lint\nand you can't get out. You have to respond to\nthe rules of thesysletn.If you don't, the other\nside wins and gel what is called a \"default\njudgement.\"Then ihey would get everything\nthey're demanding, and SST is demanding\n$90,000 from us and our next two records.\nPresently, SST is not paying us any of\nthe royalties from any of our records, they're\nwithholding all of that, and they have also\nsucceeded in stopping us from selling our\nmagazine. The magazine was doing quite\nwell: we were on our way to gaining the\nposition of being able to run our own label\nagain and putting out our next album. Luckily, we were able to sell out the first pressing\nand pay off the people who we borrowed\nmoney from, with ten percent interest.\nWhat's happening now is that we've\nactually found free legal help. It's not completely free but in the legal world it's pretty\nclose. We pay phone bills, faxes, postage and\nXeroxing costs\u00E2\u0080\u0094the lawyer's time is free.\nWe actually have the assistance cf a pretty large\nlaw firm, $400 an hour lawyers free, and, as\nlawyers go, they seem very helpful in getting\ntogether odrcaseon how to respond toSST. But\nthe idea that we've been drawn intothis.baving\nhappened-)\n.The copyright\ns and the stuff [in th Aase] are basically, as\nGregGinnwouldsay.a\" iokescreen.\"Really,\nW\u00C2\u00AB\n> publicise some of the rty, icky side of this\nlovely business called maec, and I think that wi\njust have this fascinatic\nthat aren't supposed i\nalways fun. But\nfor exposing things\nLposed..and that's\nalso trying to argue\nehigh-faluting ideas ke the copyright law:\nwhat's wrong with il aad what's wrong with\ncorporations controlling our culture and telling\npeople who are creative what they can or can 'l\ndo. Though we were under attack for one\nrecord, essentially w||were under attack\nfor our entire way of working. We've been\naking records using bits and pieces of\nfor\nof a form of self-< fence\nargue this positi<\nstandpoint, instea<\nrial or corporate s\n| NEGATIVLAND DISCOGRAPHY\nOkay, these releases are put out by Negativland, solely. If you f chase these titles\nNegativland gets all of the money.\nI ALBUMS:\nNegativland (See\and00l)CD, 1980\nPoints (Seeland 002) CD, 1981\nA Big 10-8 Place (Seeland 003) CD, 1983\nVIDEO:\nNo Olher Possibility (Seeland 005) 60 minutes, VHS, 1989\nMISC.:\n\"Christianity Is Stupid\" T-shirt (Seeland T01) L, XL\n\"Negativland Is Stupid\" button (Seeland B02)\nAll available from:\nNegativmailorderland\n109 Minna #391\nSan Francisco, CA 94105.\nWrite to them for more information. ^^\nThese releases, although great, al press time arc on SST Records. Sothepurchasin\nany of these items will, in turn, give money to Greg Ginn, not Negativland. Negaiivl\nis NOT involved with, nor instigated, nor support^H \" t-shiri\nEscape From Noise (SST 133, RecRec 17) LP, CassS\nHelter Stupid (SST 252, RecRec 29) LP, Cassette, CD^\nGuns EP (SST 291) 12\", Cassette, CD, 1992\n\"Vol.1: JamCon '84\" (SSTC 223) Cassette only, 1985\n\"Vol.2:Pastor Dick\" (SSTC 901) Cassette only, 1990\n\"Vol.3 :The Weatherman\" (SSTC 902) Cassette only, 1990\n\" Vol.4:Dick Vaughn/Moribund Music of the 70's\" (SSTC 904) Cassette only, 1990\nNot available:\nU2 single (SST 272) 12\", Cassette, CD, 1991\ni book was kind\na legal, manage- WITH SPECIAL GUESTS\nLOVE BATTERY\nAND\n7 YEAR BITCH\nSUNDAY\nAPRIL 4\nii SI. MUSIC HILL\nTickets available at all TICKETMASTER Outlets,\nTrack Records, or Charge By Phone 280-4444.\nNO LIQUOR LICENSE IN EFFECT AT 86 ST. MUSIC HALL Uy mingled in your back alleys for longer than you\n\Kxild like to believe They're latestdfenng, Word\nFlc_lS\u00C2\u00ABtt_,\u00C2\u00AB a firestorm of strategcau\nand is thehandiwokcf Rhys Rilber, Jchn McRae,\nand dins Petenon. They have put together a\ntourtd lhat \u00E2\u0096\u00A0 unprecedented: angelic in grace,\npowerfully destructive, and tbtotute.\nDi*\u00C2\u00BBd_-:E_f__n the name Will and what doe.\nit al mean?\nJchmWewere looking foraname for quitea while,\nit 0x4 i_ a while Kt come up with a tide for the\nwhole project. We came ix> with Will because it\nhas many meanings whkh are pretty accurate\nmainly stemming from inner strength, but ever\nthen it's literal like ike dupasal of one's possession!\nafter death. We feel that me Will project is almni\nsomelhing cfpermanence, like an epitaph, it wil\nprobably exist long after we finish doing it. I think\nthat is the main reason weallcame to ihe agreement\nof lhat name, it j__seen_d to fit the sound.\nChris: From the Crowleyian definition to ihe\ndefinition in the dictionary it implies a deliberate\nAbout a year before Pearl of Great Price was\nreleased there were > few boodcj? of your early\nworks around town. How long have you been\nworking on this project?\nChris: Since 1987 .Weputtogetheraclemo around\n1988 vriien we stated writing songs. That's what\nwe call the dark yeats. We didn't eat and we had\nabout two pieces af gear. So the first album is just\na collection of the dark years material.\nJchruFortunately.at the time, all three of us lived\ntogethersoeven thou^i we wmked quite indepen-\ndendy, rather lhan a traditional group practicing,\nwe were constantly around each odier to kind of\nrub offon each other. We were on similar parallels\nso we had a dance to work it over for a few years\nand lake from the collection of songs we were\ndoing. So when Pearl came out it was quite dated\nfor us. It was maybe two or three of our naive years\nbut we still thou^it it was necessary to put it out,\nkind of as a starting block.\n't really seem like Will has a distinct\n'. 3tl987.lt seems like it has\none of diose timeless sounds, especially with the\nuse of Gregorian chat _s.\nChris: It's classical instrumentation. It's something that's been around for a long ame, and our\nchoice of using that type of sound is deliberate; it's\nesthetkah/ pleasing and it _ timeless. We don't\nreally want to fall into any sort of trend, we just\nwant to create something that will last.\nHowdoyoufedacout the whole tccknoupheaval\nand how electronic music has become accepted\nby the masses.'\nChris: Sometimes 1 find myself wondering if it's\neven music at this point. It's become something\nthat's more of\" a manufacturing and marketing\nprocess than an actual nusical work\nDo you consider yourselves apart ofthe dectratv\nk scene or doyou remove yourselves from that,'\nGitis: We're a part of it in that we're usingall the\ncutting edge technology. We're using the best\ntools available, that's where the similarity ends, f\nthink that instead of creating something that\nsoun<_ like an electronic album we're trying to\nmake it sound as seamless and natural as possible.\nWe wane the machinery itself to be invisibk-to\njt-temi up with the image and feeling.\nI asked two separate DJs at CiTR what they\nthought of your album, one said that your album\nsounded too electronic and the other said that he\nwas amazed diat you did it all via technology.\nQui_ He was probably the smarter of the two\nPau^hs] because 1 don't think of electronics when\nJohn: It's self referential to almost the point of\nhypnotic 1 feel each song daws an attention and\nevokes an emotion, it's not something lhat relies\non getting people moving or dancing. The only\ntime 1 heard someone tell me they heard it in a\ncldb, it confused everyone and made them go for a\nChris: And then there were some people\ndancing like you don't see people dance.\nA few people were just shaking hard to it.\nor negative There's no middle ground with the Will\nsound, it desk with absolutes. I preferi\njust because they fee! they have\nie telling me they like it I don'tsit there and ny and hitkey and make itperfect.\n1 think ifs perfect in in imperfection, you know?\nThafs the w_y we work; every step of die way.\n. separate publication* you have been cc\nJohn: In ihe beginning I w\ndoing this and I just atsumed the role along with the\ngraphic- It wat important for me, and for all of us, to\nhave a balance on the first-bum because we didn't\nYwnt someone getting tired of listening to the loud\nguy.so we wan ted itto ha veabrealcaba la nee between\ndarkness, and lijjit, and voice, and instrumentation. I\ndiink ifs the winding down instrun_n_- after the\nMoon lhat put the previous nng into perspective. It\nalmost makes more sense to\nhave the equal balance. I agree\nwilh you, I think \"Souk ofthe\nValianf isanotherbridgesong\nW___ going into the next album,\nand I feel thafs representative\ncf the type of sound to expect\nftom Will in the future.\nI*, _JL___/ JL__\u00C2\u00AB/ So, do ycu feel there is\npower in written word?\nJohn: WiU is far beyond written or spoken word; ifs above\nand beyond any sort of earthly\n:ntional way of -linking. For us ifs a spiritual\ntelease.an exorcism ofcreative des auction and beauty\nall rolled intoone. We all have the same vision of that\nsd in the km and moral value* cf\nresponsible for all of the nusical composition, engi- p_xd to Dead Can Dance and Laibach, or a hydrid\nneenng and arranging. 1 alio do the art direction and of the two. What do you think of this compariaon?\ngive the overall graphic look\nto the band's visual identity.\nSo you design your own\nJohn: Yeah, I work with John\nDennison who is an eccentric collector friend cf mine.\nHe's a fascinating guy. He\nreminds me cf mysetf-Oyears\nlater. We have such similar\nparallels, we node really well\ntogether. He _ a brilliant\nphotographer and between\nthe woof us we have a really good lwdring relation- Chris: Comparisons are fine, they're used all the often\nship. He's the type ofpeison well be using to the very when people are at a lack of words to describe it\nend. themselves, but being compared to both cf those\nbands is a compliment\nThe new album sort of reads Idee the Book of John: Yeah, I would take thatas a compliment 1 have\nRevelations. Do you find a lot of inspiration from a lot of reject for Dead Can Dance and Laibach. I\nthe Bible? have most of iheir releases and enjoy everything\nJohn: I don't think inspira-\nChris-. Fascination.\nJohn: I think ifs the perversion and darkness cf some of\nthe religious scripture that is\nfacinating but 1 think that\nwould be more relevant to\nPeari^Grau Price. With this\nEP we hada few more outside\ninfluences: I started reading\nabout fetishes, astrology and\nscience, and magic Word\nFlesh Stone has mote of a con-\nfidentsound to it, I think ifs\na bridge to our next project\nwhich will he even stronger.\nIfs obvious that there is\nmore of an emphasis put an\nvocals this timearound, even\nwith the inclusion of the\nlyrics in thisalbum, 1 understand that it was an accident\nthat the lyrics didn't get\nprinted with Pearl.\nJohn: Ifs a shame that they\ndidn't get printed the first\nthing 1 feltwould be good for\nthe people who can't perfiapt\ndecipher some of the ranting\nandraving; it may have justified some ofita little bit more\nSo you have a litde more\nconfidence in what you're\nJohn: I think.*). When we\ndid nVn'Tstalburnthere were\nno practices, Fd never been\nin a band before, I juststepped\nin and out and there would\nbe a song on tape. We did\nlhat song for song. Sometimes Hike the randomness\nand looseness. That was a refreshing feeling to j_it to\ndevastating end.\nrm going to read this quote for you guys: \"TJu_u<\nare to understand that the end andgood angels dwell\nnear one another, and yet\nthere is the greatest immense\ndistance between them. Far\nthe heaven is in hdl and the\nhtU is in heaven, and yet the\n,,, one is not manifest to the\nI j other; and although the eP\u00C2\u00AB>*|flor\nM determination.\nR. Dennison*!\n_ Wil a shake of a fist to the\na__ghty_a _\u00C2\u00BBJ_ng back of the dammed souls!\nJchn: One problem that has arisen with response to the\nWill project is thar people are not listening rigjit wo it\nand thinking about it and, perhaps, construe somediing\nsuch as aailege. Or that Tm this voice cf descent in\ncontempt and mockery, and sarcasm. I really thrive on\ncynicism snd I think there's really nothing wrong wah\na_c ing questions. Ifspeaple who assume what they are\nbeing told and what they are reading as truth.\nThey're content with being passive ^ectators or\nsheep waiting to be kad where they end tp, or where\ntheir soul's destination lays. For all they know it\ncould all be a lie.\nIfibro to ignore the refipot- overtones of your album...\nsociety ib not just ex\nsome th ing -latpetmeates the very fabric of society\nto what people think is n^it, and wrong.\nJchn: Ikindcf derive,and extract,and _kecertain\nliberies with the lyrical content of WilL I'm \u00C2\u00AB\nglorified plagiarist, I'm die fast one to admit it, but\nPm the first to point out that irist necessity with\nthe stuff Tm deriving from like literature or pamphlets. I do it in a fragmented way, much like\ncollage in a visual sense. I rake litde scraps cf paper,\ncc ideas, or phrase*, or things like power wottk, and\nwrite them on bigger pieces of paper and sort them\nout All ofasudden diey become books and books\nbecome volumes. If s just a proem of extracting;\nperhaps taking out of context some ofthe terms\nand phrases di reedy from the auipcure-\nIn a way do you fed society has become numb\ntourism,or \" \"\nwords, because of the at\npting technology.\nJohn: There's a big difference between us and\nthe majority of borrowing going on in popular\nelect)\nc We're\niking it\nand doing it because of the lack of creativity.\nWesample stuff from classical musicians because\nwe don't have the means neceaary to have\nfifteen or twenty classical musicians doing all\nthose parts for us.\nChris: We're reinterpreting everything we take\nin. Ifs not like we're taking in a whole bar of\nsomething, adding a disco beat and la la la we\nhave a new piece.\nDoes it bother you that your album has\nreceived such critical acclaim in the States\nand Europe and yet you almost seem to be\ninvisible in your home country, even city.\nChris: The Canadian music scene is like a\nperson who is hard of hearing, you have to make\na lot of noise to get dieir attention.\n- Johmltwasalogicalstepfbrustogetadealin\nEurope rather than here. In Europe they have a\ncertain open mindedness and appreciation for\nthe arts and theatre and, pethaps, they hear it\nChris: People here aren't used to powerful imagery, especially in musfc. They want to be\nappeased more than anything.\nJohn: I think a lot of people in Vancouver don't\nwant to be challenged, they don't want to\nperceive things in a different light They're\ncomfortable with what's going on now and not\nreally in teres ted. So, we're just going todo what\nwe do and perhaps over time people in Vancouver will recognize it. But, then again, out\nhometown is just one town and if just one\nperson likes it, and it's the right peison, it's\nbetter than a whole town of wrong people\nliking it.\nChris: 1 enjoy the pnvacy as well. I just like\nblending into the woodwork here and quietly\ngoing on with my business.\nDo you see yourselves doing live performances\nor are you strictly sticking to stwSo?\njoy playing live a lot! I wanttoplaylive\nnd in fact, probably won't pby again\nuntil the timeoornes when we can do a Will show\nor a scaled down tour. We have a lot of planning\ntodoand thatt_\u00C2\u00ABS3 lot d time, thafssomething\nJcriru'To crea te dat epti spec lacle, to be what we\nlogical Move for us would be to start by shooting 16\nmm film to givepeopiean inside look atus first, and\nperhaps do another full length CD^ We know\nthere's a need to do a tour, 1 don't just want togo\naround tootin'our horn ro getfree boose, riders and\npocket change. I don't particularly like the kka of\npimping my ass like a rock and roll band. Fd like to\ndo shows with live classical musician acconpani-\nment 1 think there's a lot cf thinff we'd like to do\nbut ri^it now we have to take thirty step by step,\njust kind of build on what we're doing now. I think\nthat a time will come when ihis whole project will\nprove triumphant\n\"Foll'nch-mfc to beweake is miserable doing or\nsuffering: but cf this be sure, to do ought good\nnever be our task, but ever to do ill ow soul\ndelight, as being the contrary to his will whom u*\nrejist,\"\u00E2\u0080\u0094 Milton\nJANUARY ,\u00C2\u00A3:; VANCOUVER\nSPECIAL\nTi(tixiii^_i^]:*\u00E2\u0080\u00A2**\u00E2\u0080\u00A2*\n-.\u00E2\u0080\u00A2v.*****..*.**.*.*\nMOFO'S PSYCHOSONIC PIX O' THE MONTH\nOne of the best things about having this silly\nlittle column is the total freedom to go way\noff the subject and encourage totally stupid\nacts. Consider this: awhile ago, Iput out this\ngoofy little sampler on a whim. Well, I got a\npile of responses, which is more than terrific.\nThe source of my beef came when I went to\nmail out said tapes. The package was a hair\nthicker than the 2 an thickness limit, said\none of the Posties, and, therefore I had to pay\nparcel postage. \"Fine and dandy,\" I say,\n\"what's the toll?\"\n\"$180 phis tax,\" said be.\n$3.01! lust to send a little cassette to New\nWest? 1 have personally sent tapes, in the\npast, across the country for a mere eighty-\nfour cents! They had no problem getting\nwhere they were supposed to go. Go figure.\nSo I said hide that and dropped them\noff myself. But there were tapes that needed\nto be sent out of town, so I sent them. Here's\nthe Iricker: there were two tapes that had to\ngo to (be States, and anticipating astronomical postage rates, I was forced to deal with\nhumans again. Imagine my surprise to find\nout it cost me $134 to send said tape to New\nYork City!!!! \"What gives?\" I said, wondering why it cost less to send to the Big Apple\nthan twenty blocks away.\n\"It just is,\" said she.\nI then called the post office to find out\nwhat the deal was. I found that the reason for\nthe difference was that Canada Post, a monopoly, was not enlightened enough to have\na \"small packet\" class for mail; a look at the\npackage requirements reveals a large grey\narea precisely where a simple cassette in a\nsimple mailer fits.\nNeedless to say, I'm pissed. Not only\nwith the above foofaah,but with subsequent\ncalls to postal stations and outlets which\ngave me figures ranging from $120 to $5.50\nfor the New York packet I also found out\nthat sending the tape to New Westminster\nwould take seven days!!!\nSo, in a totally irresponsible act of\nv_dictiveness, I encourage you to take an\nenvelope, a stamp, and a piece of meat (I\nsuggest one of the cuts butchers lovingly\nrefer to as \"variety meats.\" You know, kidneys, liver, etc.). Slice said meat min (so that\nthe entire package is below that ever precious 2 cm thickness) and send it to an\naddress you know doesn't exist, or, better\nyet, the minister in charge of Canada Post.\nThat way you don't even have to use a stamp.\n22\nBy the time the letter circulates through the\nsystem it should have a great stink going on.\nNo, wait a minute, don't. That would seem\nchildish and petty and I'm above fomenting\nsystemic sabotage, aren't I? Right\nBut anyway...\nThe letters keep pouring in! Greetings to Peter Hopper in Straight-Pollutin'\nVictoria! Also got an interesting scribblin'\nfrom Ethan Minovitz in Van. Ethan write-\nDear Mofo (thafs how I know you):\nAs a CiTR veteran (news department, 1980-\n85), Tve been meaning to get in touch with\nthe station for along time, and your columns\nof January and February finally persuaded\nme to write! Enclosed is $5 so that I can get\nyour Psychosonic Psampler (yes, we news\njunkies like music, too).\nSo which show (if any) do you play\nyour \"psychosonic pix\" on? Td sure like to\nhear them if I have the chance.\nA few words about the cheeze 1 collect Yes, I have the Odd Couple record,\ntoo\u00E2\u0080\u0094always did like \"When Banana Skins\nAre Falling.\" But you might be interested in\nsome others. Is it okay to send tapes of the\nvinyl with a photocopy of the label? I'd like\nto keep the originals.\nOne of my faves is Tmln Love with\nJohn Travolta\" by Sandy, a Dutch group that\ntried to imitate Abba. It came out on 45 with\nthe lyrics \"In all my dreams he calls me baby/\nHe calls me honey and a daisy.\" Another is,\nhke your Capitol Programming Aids, a DI\ndisc\u00E2\u0080\u0094only released by the VS. Air Force.\nOne side's lame pop (Robert Goulet Bob\nNewbarf), while the other is what passed for\nmod with the Air Force (Oliver, The Association). You hear a snippet from the beginning and another from the end, with artiste\nsupplying the filling: an appeal to get up in\nthe air (no mention of killing or being killed\nin Vietnam).\nAlso of greal importance and value\u00E2\u0080\u0094\nwhat's more, it's CanCon\u00E2\u0080\u0094 is a 7\" 33 of\nWayne, of Shustcr, doing snappy i\nforGulfservicestation:\nThis one dates from 1969, with a bonus\nFULL-LENGTH version ofthe \"Gulf is Happening\" radio-TV jingle. Something along\nthis line is a 45 by Mitchell Ayres and his\nOrchestra for Number 7 cigarettes, with both\nsides offering the (pre-Surgeon-General)\nNumber 7 theme, \"Who Cares.\"\nSpeaking of themes, Dr. Ballard put\nout a 45 some yean ago, with the Herman\nApple Quintet providing \"Variations on the\nBallard Beat\" (actually, \"Where, Oh Where\nHas My Little Dog Gone.\"). Among the\nversions are cha-cha, fox trot and (oh, boy)\nrock and roll! And Gord Badanic (later withe Debutantes, Go 4 Three) once played my\n45 of Trail, B.C.\" on air. Unfortunately,\nevery 30 seconds, the song plugged \"Radio\nStation CJAT.\" Guess who issued it?\nLast but least, there's the 1965 RCA\nVictor LP \"Molly Camp Sings?\" Apparently, Camp hailed from Montreal and decided to ape Allan Sherman by giving pop\nstandards a Jewish flavor. Instead, she kept\nthe words and stuck a fake Yiddish accent on\n\"Yesterday,\" \"How Dots That Grab You,\nDarling?\" and \"Get Me to the Church on\nTime\"\u00E2\u0080\u0094an oxymoronic tune.\nAnyhow, hope your tape is still available, and please let me know if you do on-air\npsychosonics. I'd be glad to spread my cheeze\naround!\nSincerely,\nEthan Minovitz\nVancouver, B.C\nP.S. I co-host a show on CFRO-FM, \"Anthology of Jewish Music,\" where from 9 to\n10 a.m. Sundays, you can hear the occasional slice of kosher cheeze (such as \"Nose\nJob,\" by the Dehvoods, or \"Matzoh Man,\" by\nthe Yiddish People!).\nWell, Ethan, thanx for putting in\nthe effort (and the fiver, I forsee a tape\nin you near future)! I currently do not\nhave a show BUT am seriously considering it due to the response. The\nmasses wil! be informed when the\npowers that be have spoken. Sending\nme a tape of yer stuff will work fine\nand if you can send graphics all the\nbetter! That goes for anybody out\nthere, too! It is very tough to part with\nsomething truly odd, I know! But to\nsave you some of the aforementioned\nridiculous postage fees, send the tape\nwithout a case (it'll be thinner), OR\ndrop it off in my name at CiTR. Be sun-\nto include an address if you want me to\nreturn the favor. You've got a great\nselection, Ethan! I'm drooling already!\nAll of you other sick Uttle monkeys can write me, and/or send tapes/\nmoolah to:\nHey, Mofo\nCIO Discorder\n#233-6138 Sub Blvd.\nVancouver, B.C\nV6T2A5\nGot a whole pile of great stuff this\nmonth, most of which I got at diis ridiculously cool shop on Kingsway: Collectors\nBoob and Records (648 Kingsway) has\nroughly 15,000 records, easily. Naturally,\nthey have 15copies oiRumoursby Fleetwood\nMac, 'n' shit, but they also have tons, and I\nmean TONS, of weird records!!!! They also\nhave 45's, old magazines, comix, and other\nodd stuff including six boxes of marching\nband LPs! The prices vary but there are lots\nof deals to be found. The last four records of\nthe \"Psixpak\" I was lucky enough to get\nthere. Without further ado..\nDracula Disco \u00E2\u0080\u0094 Gerry Bribosa (Pblydor)\nAnother one of those incredibly original idea\nlike Teenage Frankenstein, Scan-o's, and,\nwell. Haunted Garage. This is string disco at\nits worst What music of the night these\nchildren make, folks! I fully blame our fto-\nduction Manager, Deborah Bolingbroke-\nPrice, for donating this one. Thanx!\nCheezability rating: 88\nThe Real Comedy Of... \u00E2\u0080\u0094 Skip\nSlephenson(Laff)\nSome of you older folks might remember\nSkip from Real People, the mother of all\naverage-folk -doing-weird-th in gs-or-with-\nweird-defotmities type shows. Rumour has\nit he': a comedian, so, of course, he capitalizes on the show by putting out this (much\nlike Iran Tarkenton did with his novel. Murder AtThe SuperboM. Yes, 1 own a copy).\nThis is very safe, mom V pop, chetzball\ncomedy where sex is described as \"doing it,\"\nso you know you've got a grade A piece o'\ncrap here. This is only for the hardcore\naficionados of Skip and the Real People\nCheezability rating: 45 (fetish Hem)\nHear How To Plan Tke Perfect Dinner\nParty \u00E2\u0080\u0094 Gaynor and Dorothy Maddoi\n(Carlton)\nThis is the third \"Hear How\" LPI own, put\nout by Carlton in the late '50s. Gaynor, a\nhereditary gourmet and contributor to\nReader's Digcst(\), and his wife, Dorothy,\n\"The Perpetual Hostess\" (who perpetually\nmentions her femininity throughout the\nLP), trade quips and retorts as they tell you\nhow to throw a soiree, complete with recipes. Gaynor, author of The Safe and Sure\nWay lo Reduce, details recipes that would\nmake yer average calorie counter plotz: no\nless than a pound and a half of butter is\nused in five recipes!! Animal rights people\nwill thrill to the veal dishes and potato\nballs (those poor potatoes!). Contrary to\npopular rumour, Carlton is NOT reviving\nthe series so forget about seeing Hear\nHow To Start Yow Local Chapter of the\nCrips or Hear How to\nDo An AssistedSuicide\n(with Jack Kevorkian)\non the shelves.\nCheezability rating:\n100 (I will pay CASH\nfor other titles in the\nseries, folks!)\nGreat Adventures \u00E2\u0080\u0094\nBaretta (Wonderland)\nYou can almost smell\nthe excitement as the\nhijinx of Detective\nBaretta are told with\nzeal. Apparently,\nthough, they could\nonly afford one voice\nso he struggles to portray the narrator, the\ncriminals, and not to\nmention the task of tackling both dimensions of Baretta! And even though\nRobert Blake's puss is all over ihe cover\nhe is not on the LP! I guess the label\nthought his ugly mug alone would sell\nthis turkey. Cool ad inside for iron-on\ntransfers of Bionic Woman and Donny\nand Marie.\nCheezabl-ty rating: 75\nDonay Most (United Artist)\nIt's the Most, to say the least!! Ralph\nfrom Happy Days (as the sticker on the\nsleeve proudly extols) literally plows\nthrough ten ditties written, (mercifully)\nnot by him, although Barry Manilow\nand Alan O'Day (\"Undercover Angel\")\nwrote a couple. Unlike other celebrity\nLP's his vocals aren't covered by piles\nof backups; for most songs. Most stands\nalone. \"Rock Is Dead\" will probably be\non the next Psampler. This would've\nmade \"The Pick...\" if it wasn't for...\nCheezability rating: 95\nHi Guys \u00E2\u0080\u0094 Ted Knight (Quality)\nYouch!! I Flipped when I saw this one!!\nTed, in total Ted Baxter (Mary Tyler\nMoore Show) mode, supported by\nbackup vocals stylings of The Poops,\npulls off the best celebrity album I've\nheard since Tht Odd Couple Sings! He\nknows he can't sing to save his life so he\nhams up each and every tune, including\n\"I'm In Love With Barbara Walters,\"\n\"Male Chauvinist Pig,\" \"Hi Guys,\" and\nten other songs! You can tell he had a\nball doing this one. The only shitty\nthing about this is he doesn't get to sing\nall of \"Cover Of The Rolling Stone,\" all\nhe gets to do is the chorus and some\nyapping. An added bonus: none other\nthan David Foster appears on keyboards\n(must have been lean times for Dave). A\n\"Psychosonic\" classic!\nCheezability rating: Off The Scale!\nAnd that wraps up another month o'\ngoodies. Keep those letters coming, and\nlook out for Psychosonic Psampler Volume Two, out next month!!! Don't forget to send me your tapes!\nNext Month: TELLY!!!!!!!! lyrically and musically. Witness\nAnnie Anxiety's \"Bathed Wire\nHalo\" cut-up Burroughsesque\nsampling; very Nurse With Wound-\nish, reaUy. This compilation is full\nof gems typical of the times. There is\nthe classic Conflict by Conflict.\n\"This side, that side. That side, this\nside. What side? any side...\", and\nplenty more from the likes of Honey\nBane, Zounds, Poison Girls, Dirt\nand numerous other un-commercial\nartists who probably wouldn't have\nhad the chance to record if it wasn't\nfor the open -mindedness of labels\nlike CRASS.\nThe music en A Sides may be ten\nor more years old, the concept of a\n\"best of\" collection may be\nquestionable coming from a label\nlike CRASS, but as long as we hear\nis governed by corporations like\nSony, and as long as what we feel the\nneed to wear gros sly over-sized (very\nwasteful lads) clothes just to feel\nsecure among our peers, then the\nmessage here is totally relevant and\nnecessary. \"There is no authority\nbut yourself.\"\nNorm van Rassel\nTHERAPY?\nNurse\n(A&M)\nFrom Dublin comes Therapy?, a\nband whose sound more resembles\nAmerican heavy noise, guiurs V\nsample bands, and UK bands like\nFatima Mansions, than most of the\ncrappy acts coining out of Ireland\nlately. The music hits you like a\nthick, raw, slab of beef: wet and\nmeaty throughout the ten songs. The\ntitles are a good indication of what's\nin store: \"Teethgrinder,\"\n\"Accelerator,\"\"Petversonality,\"and\n\"Hypermania,\" to name a few.\nActually, any band searching for a\ngood name could use any of the song\ntitles on Nurse.\nThe music stands up to multiple\nlistenings well. I must have heard it\neight or nine times now and it still\nsounds new. The high energy level\nof this disc leaves you hunting for\nyer Ritalin every time. Production is\ntopnotch, and they manage to avoid\nthe Ministty-type distorto-vocals\nlhat are way too cliche these days.\nMofo\nGAS HUFFER\nintegrity, Technology, and\nService\n(eMpTy)\nWith the follow-up LP to Gas\nHuffer's debut eMpTy hit. Janitors\nof Tomorrow, these thirteen\nrunaway-train garage-rockers stomp\nin that crazed jungle rhythm Gas\nHuffer has made a trademark. If ya\nbuy the vinyl ya geta hilarious comic\nbook complete with pro art from all\nfour members of the 'Huff, and the\nfine cover concept is equally\nimpressive. Hits: \"Do The Brutus\"\nand \"Sand Fleas\" (even if the latter\ndoes sound a Utile like Girl Trouble\ndoing \"Viva Las Vegas\"). Uncle!\nGrant Lawrence\nVERVE\nThe Verve E.P.\n(Vernon Yard Recordings)\nWith a name like Verve (sounds like\nCurve), these four individuals from\nEngland could only have emerged\nin 1992. The overall sound of this\nEP\u00E2\u0080\u0094which is exclusively released\nfor North American consumption\u00E2\u0080\u0094\nis a bit like an extremely toned-\ndown, slower, mellow version of\nMy Bloody Valentine. The EP,\nhowever, has a promising start with\n\"Gravity Grave.\" The vocals are\nnicely woven into the guitar licks,\ncreating a surreal-like effect and a\ndamn catchy chorus only strengthens\nthe overall impact on the listener.\nUnfortunately, the remaining four\ntracks fail miserably in trying to\nachieve thesame sort of effect. \"She's\nA Superstar\" sounds straight out of\na playlist from one of those \"up to\ndate\" fossil-rock radio stations,\nwhilst \"Endless Life\" does nothing\nat all.\nI suppose the ten minute \"Feel\"\nbest summarises most of the EP: a\nset of mellow, if not completely\nboring, guitar riffs and vocals going\nnowhere. At the end of this ten minute\nsong I was thanking my lucky stars\nthat this was just an EP and not a full\nlength album!\nThe Groove Kisser\nVARIOUS ARTISTS\nHodge Podge Barrage\n(1+2 Records)\nSo I'm stuck in a pagoda with Tricia\nToyota listening to this crazy\ncompilation of some of the finest\nJapanese garage combos to invade\nour shores since Gamora. But not to\nbe outdone are the cream ofthe crop\nof stateside talent also. Going\nthrough the American contingent\nfirst, some of the bands appearing\nhave stuff that you can find elsewhere\n(eg. Stumpy Joe, Girl Trouble,\nFastbacks, Devil Dogs and Young\nFresh Fellows) but there are\nexceptions, good and bad. The band\nDog, from Chicago, open up with a\nblistering guitar attack called\n\"American Dream,\" the Mono Men\noffer a forgettable version of the\n13th Floor Elevators' \"You're\nGonna Miss Me,\" Jeff Dahl gives us\nthe classic Dead Boys' beat of \"Third\nGeneration Nation,\" and Marble\nOrchard an d the Chesterfield Kings\njust plain suck, but luckily the\nRaunch Hands do \"Mess Around\"\nand everybody's happy again.\nNow for our Eastern\ncounterparts, we begin wilh the\nBeyonds who give punk and\npsychadelia a good kick in the nuts\nand come up with \"Bobbish Man\"\nuntil Mutant Monster Beach Party\nhold Bo Diddley hostage, forcing\nlum to \"I>>The Qam\" until he pukes.\nThe Long Gone Daddy O's perform\nsome broken English rockabilly with\n\"Train Done Gone,\" the 5.6,7,8's\nchum out Ralph Nielson(sic) and\nthe Chancellors \"Scream\" and Fifi\nand the Mach HI turn \"1 Wanna Be\nSedated\" into \"I Wanna Kiss.\" Wait,\nit's not over yet The Cop-Ass-\nGrindcrz fall \"In And Out Of Grace\"\n(yes, Mudhoney!) and the American\nSoul Spiders turn outthesurpri singly\nweakest cut, their rendition of the\nBeach Boys' \"Surfer's Rule,\" but\nthe Sleez Sisters make up for it with\n\"Bubble Bomb,\" complete with '78-\nstyle guitar chops.\nHowever, the highlight of this\ncomp has to be the surf-stomping,\nMosrite-wielding trio known as\nJackie and the Cedrics who benefit\nwith two cuts here. The incredible\n\"Dick Dale Medley\" and \"Banzai\nDiamond Head\" are simply amazing!\nPhantom Surfers watch out, these\ncats are smokin'! All in all, a quality\nrelease from an up and coming\nJapanese label whose address I'd\ngive you but it's just too damn long\nto write ouL\nBryce Dunn\nYOUNG FRESH FELLOWS\nIt's Low Beat Time\n(Frontier/BMG)\nDoes anybody rememberthe Young\nFresh Fellows? Does anybody recall that they too are from Seattle?\nDoes anyone remember their past\nSEVEN albums of pure rock 'n' roll\ngenius? Yes, It's Low Beat Time is\ntheir eighth release (not counting\nseveral mini-IPs and \"hits\" compilations) and il is an extremely bi-\nzarre, rather epic-journey of arecord.\nWith 16 songs in all, it spans musical horizons from jazz, psychadelia,\npop rode, southern-style funk-spiced\nsoul and blues, right down lo straight-\nout, gutted rock and roll.\nMUSIC FANS ALERT: it's\nall here on the Low Beat. The record\nis evenly split with side one offering\nthe thought-provoking, disturbing\nand ridiculous, while side two offers\nthe care-free, feel-good,\nzippadeedooda raunch. It's Low Beat\nTime also contains what is probably\nthe greatest collaboration I have\nEVERheard put to vinyhThe Young\nFresh Fellows covering the classic\n\"Green Green\" with 75 year old\nRufus\nThomas singing! Il's incredible! My\nspine tingled\nso badly it\nhurt. Get this\nalbum for an\nimmaculate,\nabsolute,\npedigree\nrock and roll\naction. Plus,\nit's hard to\nfind so here's\nthe address:\nFrontier, P.O.\nBox 22, Sun\nValley, CA,\n91353-0022,\nUSA\nGrant Lawrence\nLS. UNDERGROUND\nThe Grape Prophet\n(Blonde Vinyl)\n\"Ellis was an orange picker in the\ngroves of Southern California. He\nwas the overseer of all the hired\nhands at Colonel Peckesen's orange\ngrove. All was well until one day a\nnote was handed to Ellis instructing\nhim that all the hired hands had left\nfor the grapevines up north to heed\nthe call of the Grape Prophet. Under\nthe Colonels orders, Ellis left the\norchard to find out more about this\nGrape Prophet and hopefully return\nhome with his fellow workers befotthe orange crop was spoiled.\"\nProbably unfamiliar to most, LS.\nUnderground is the musical voice of\nMr. Mike Knott (whom some have\ncalled a musical genius but I prefer\nto call him \"Pope\"). Grape Prophet\nis LSU's fourth release and Mr.\nKnotts ninth, if you include all his\npreviousincarnations.LSU/Knott's\ninfectious sonic discord is nowhere\nmore apparenlthan on this, arguably\ntheir best release to date. Those\nfamiliar wilh the Knottoikos may be\nable to pick up the underlining\nstoryline played throughout the\nalbum, those unfamiliar will be left\nin a dizzied display of rapturous\ndietofrenetic noise...although I'm\nsure you'll enjoy the journey.\nThe Reverend Norman\nINTERMIX\nPhaze Two\n(Third Mind/Relativity)\nTechno is the Spam of industrial\ndance music. 1 mean, they call Spam\nmeat bulpreciouslittleofil is actually\nmeat(that jelly stuff sure ain't). Rhys\nFulber and Bill Leeb (who use up a\nwhole bunch of good band names by\nputting oul tracks as Delerium, Noise\nUnit, FLA, etc.) give us their second\nUttle take on techno with Phaze Two.\nIt's alright, but you can't get into a\nfull LP of it, however by using a\nwhole lot of neat noises and more\nthan two notes it puts them miles\nahead of jokers like U96, T99, and\nQuadrophonia.\nPhaze Two is more of the same\nstuff Fulber and Leeb have done\nbefore, but even when ihey are\nslumming, Intermix is still tons better\nthan ninety percent of the techno\ncrop. Check out \"Get Religion,\"\n\"Funky Hell,\" and \"Monument,\"\nespecially.\nMofo\nDIATRIBE\nNothing\n(Re-Constriction)\nAccording to Websters, diatribe is a\ncontinuous argument. Whal has that\ngot to do with this really cool EP?\nFuck, nothing. Although two of the\nfour tracks arc produced by Lee Popa\nand Nivok Ogre, the ones not\nproduced by them are fantastic. \"The\nOther Side\" is one for the record\nwith a sound a la Revolting Cocks,\nHenry Rollins, and the Young Gods\n(even though I've used that allusion\na lot). Ihc tunes are harsh, yet have\na subversive quality to them. They\ncould be harder, however. Diatribe\nsound like they're holding back an\naggressivemalcvolcncc underneath\nthe surface. They're ready to\nIt's nice to know that San Jose\ncan pump oul a good industrial band\nand not just Califunk, chlorophyll-\nladen carbon copies of Red Hot\nUrban Dance Tendencies. Lead\nsingerMarc Jay's voice is raw, grilty\nand undistorted...I think, while the\nbass guitar lays it on pretly thick, yet\nworks well. I'd love to see Diatribe\nif they came to town, of course the\nway this town's been going, the\nvenue's probably going to bum\ndown, or somelhing Uke that, before\nthey got here. (Remember KMFDM\nand Pigface everybody?)\nTrip\nsr. Oh, the cruel\nimen and hai lets from Chicago:\nti Washington DC JAWBOX\nin AIL AGES show at THE\nGOOD BOY PRO!\nPRES\u00E2\u0082\u00ACNTS'\nthe cruel elephant\nBROTHERS AND SISTERS, THIS IS HERE TO NOTIFY TO SATAN AND THE\nCONCERT-GOING PUBLIC THAT the cruel elephant AS WE KNOW, IS\nCHANGING YET AGAIN And we are accepting this change with\nopen arms and hearts, shunning the forces of evil, as nothing of\ngod or man's creation can come In the way of the cruel\nelephant._amen. Blessed be the followers of music and partakers\nof all that Is good and right, as your patience and devotion has not\nbeen served In vain. LOCATIONS OF SHOWS WILL VARY FROM\nVENUE TO VENUBII No longer will only the aged few be allowed to\nwitness the joys of a cruel elephant event as we will again be\nprovlding ALL AGES shows as It should be.amea Also, as age and\nexperience does have Its rewards, we will be providing the public\nwith licensed venues, in order to experience the sermons with the\ngreat elixir*. But the cruel elephant's reputation of bringing the\nbest in local and International *alternafive* bands will live oa as\nthis Is not an end but a new beginning... hallelu|ahl Join hands,\nbrothers and sisters, and re|olce for this Is the Easter of our lives,\nnow it is assured the cruel elephant will live on ad infinitum. Read\noa so you will not weep_. tuesday march 9 and every tuesday\n(that's once a week, my childrenl) at THE FABULOUS COMMODORE\nwe can all pay homage to the spurn of punk rock... that's right,\nDISCO\"! with RUMPLESTEELSKIN live and two 24-foot video screens\nshowing some of the best visuals that the 70's had to offer, drink\nspecials galore, and the traditionally cheap cov\nelephant loves you so much sisters and brothers\nlujaN... Iriday march T2 touch and go recording ar-\nTAR with dischord recording artists fn\nwith Vancouver's SPARKMARKER. This\nSTATION STREET ARTS CENTRE (930 Station St., behind the old\nAmerican Hotel on Main St.) Doors at 6:30, Show at 7:30. Advance\ntix at the usual outlets. A Good Boy/Timbre Productioa.. Saturday\nmarch 13 the funk/disco takeover of the world continues with\nRUMPLESTEELSKIN and OMNIBOL. this will be a licensed show at THE\nSTATION STREET ARTS CENTRE, 930 Station St.. Doors at 9pm. show\nat 10... Wednesday march 17 from NYC, punk legends THE DEVIL\nDOGS with popllama recording artists from\nSMUGGLERS with nardwuar recording artists from west\nin a rare live appearance: THE EVAPORATORS with THEE GOBLINS\nand the legendary JEF. This show will be ALL AGES at the NAPPY\nDUGOUT (Across the street from Luvafair, alley entrance) doors at\n7pm, show at 7:30 advance tix at the usual outlets... Saturday\nmarch 20 zulu recording artists from Vancouver in a CD release\nshow for their full-length album Magnum Opiate LUNG \"pretty\namazing shit here... great In a demented way'-MRR \"Lung are a\nseething vat of guitar meltdown* - Sun w/ ZOLTY CRACKER w/\nPLANET OF SPIDERS w/ TIM RACINE and special guests at THE\nSTATION STREET ARTS CENTRE (930 Station St.. behind the old\nAmerican Hotel on Main) LICENSED, Doors at 9pm, advance tix at\nusual outlets... Saturday march 27 egg recording artists JACK FEELS\nFINE with very special guests at the STATION STREET ARTS CENTRE\n(930 Station St.) doors at 9:30. show at KLthis is the vision of the\nfuture, dry your eyes now people, as we all feel this great release.\nWhen you open your heart, you find sometimes that the flow of\nlove that comes in to fill the void that used to be your soul, well, fo\nbe so quickly brought back to life can be overwhelming. Just rest\nand relax as you are in good hands, all is well, amen. But let it also\nbe known that the good people at GOOD BOY PRODUCTIONS are\nstill the only way to get into contact with the cruel elephant: (604)\n254-3344 for a fascinating recorded message that will answer any\nquestions you may have. Blessed be sisters and brothers, for the\ncruel elephant loves you more than you could ever know, no\nmatter how stugjd you are. Love. Peace. Live Music.\ntr 4-302 West Second Avenue\nVancouver, BC V5Y1C8\nPhone 254-3344-Fax 254-7239 MARCH 93\nLONG GROOl\n/ES SO,\n1 WEEN\nPURE GUAVA\nELEKTRA\n2 SLOAN\nSMEARED\nDGC\n3 KING MISSILE\nHAPPY HOUR\nATLANTIC\n4 MUDHONEY\n4 SONG EP\nREPRISE\n5 LUNG\nMAGNUM OPIATE\nZULU\n6 POOH STICKS\nMILLION SELLER\nZOO\n7 CHIA PET\n3 SONG EP\nKOKOPOP\n8 MYSTERY MACHINE\nGLAZED\nNETTWERK\n9 RAGE AGAINST THE MACHINE\nRAGE AGAINST THE MACHINE\nEPIC\n10 THE FALLOUTS\nTHE FALLOUTS\nSUPER-ELECTRO\n11 GUMBALL\nWISCONSIN HAYRIDE\nCOLUMBIA\n12 ICECUBE\nTHE PREDATOR\nPRIORITY I\n13 LUNACHICKS\nBINGE AND PURGE\nSAFE HOUSE\n14 BELLY\nSTAR\nSIRE\n15 BONECLUB\nBEAUTIFLU\nIMAGO\n16 DOGBOWL\nFLAN\nCARGO\n17 FLIPPER\nAMERICAN GRAFISHY\nDEF AMERICAN\n18 JACOB'S MOUSE\nNO FISH SHOP PARKING\nFRONTIER\n18 RIPCORDZ\nTHERE AIN'T NO H...\nEN GUARD\n20 COME\nELEVEN: ELEVEN\nMATADOR\n21 SKATENIGS\nSTUPID PEOPLE SHOULDN'T.\nMEGAFORCE\n22 VARIOUS ARTISTS\nHUM BUZZ THING\nFIR STREET\n23 GRIMACE\nQUAGMIRE\nBONG\n24 WILL\nWORD FLESH STONE\nTHIRD MIND I\n25 VARIOUS ARTISTS\nDISCO CLASSICS 2\nEPIC\n26 GRENADINE\nGOYA\nSHIMMY-DISC\n27 INTERMIX\nPHAZE TWO\nTHIRD MIND I\n28 PRONG\nWHOSE FIST IS THIS...\nBMG I\n28 FRONT 242\nFRONT 242\nEPIC\n30 BRAND NUBIAN\nIN GOD WE TRUST\nELEKTRA\n31 SMUGGLERS\nATLANTA WHISKEY FLATS\nPOPLLAMA |\n32 BRIAN ENO\n33 FUDGE\n34 DWARVES\n38 TAD\n36 ZUZU'S PETALS\n37 PAMELA CAMPBELL\n38 HEAVENS TO MURGATROID\n39 THECLAVENS\n40 HENRY ROLLINS\n41 JAWBREAKER\n42 BETTIE SERVEERT\n43 GBH\n44 JULIAN COPE\n45 OFRAHAZA\n46 SOUL ASYLUM\n47 THE GITS\n48 STEREO MC'S\n49 BIOHAZARD\n50 HEDD\nEP\nSALEM EP\nWHEN NO ONE'S LOOKING\nA NIGHTINGALE SANG\nHEAVENS TO MURGATROID\nTHE CLAVENS\nROLLINS SPEAKS\nBIVOUAC\nPALOMINE\nCHURCH OF THE TRULY WARPED\nOPAL\nBRILLIANT\nSUB-POP\nSUB-POP\nTWINTONE\nBURNSIDE\nPROSPECT\nSHADY DEAL\nIMAGO\nTUPELO\nKIRYA\nGRAVE DANCERS UNION\nFRENCHING THE BULLY\nCONNECTED\nURBAN DISCIPLINE\nFUTURIST\nISLAND\nSHANACHIE\nCOLUMBIA\nC/Z\nGEE STREET\nROADRUNNER\nTRIPPER\nMARCH 93 SHORTIE GROOVES 35\n\u00E2\u0096\u00A0WELCOME TO MY CASTLE\" NARDWUAR\n\u00E2\u0096\u00A0DEBBIE SPEAK\" LANCE\n\u00E2\u0096\u00A0LOUIS RIEL*\n\u00E2\u0096\u00A0CRUSADER'S THEME\"\n3 SONG CINNAMON TOAST\n\"YOBLONDIE*/ \"BARBIE U.S.A.\" DIONYSUS\n\"AT GERMANY\" SCREAMING APPLE\nPEP\n1 KREVISS\nCHOPPER\nGIRL TROUBLE\ni RED AUNTS\nI FASTBACKS\nI ROCKIN' ROD\n' THE MUMMIES\nI AGENT ORANGE\nFUDGE\nI SEBADOH\nPEARL JAM\nCRAYON\nSQUIRT\nVELOCITY GIRL\nI STEEL WOOL\nI VARIOUS ARTISTS\nDQE\nMONOMEN\nPOND\nSPARKMARKER\nMULE\nERIC'S TRIP\nCODEINE\nTHE FINGERS\nCALAMITY JANE\nCHEATER SLICKS\nSQUIRT / ECCENTRIC S\n\"UNVEILED-/-YOU THINK\" SCRATCH\n\"WHITE SUMMER\" ANIMAL HOUSE\n\"WORK THAT CROWD\" eMpTy\n\"BIG CANS\"/\"THE VIBRATOR SONG1 HELL YEAH\n\u00E2\u0096\u00A0THEY DON'T CARE \"\n\u00E2\u0096\u00A0LADY JANE\"\n\u00E2\u0096\u00A0JUST A GIRL-\n\"THE ELECTRIC STORM-\nOREO DUST\nPOPLLAMA\nRRS\n\u00E2\u0096\u00A0WHO KILLED RUDOLPH'\n3 SONG\n\"EVIL KNEIVEL\"\n\"CRAWL\"\n\"BROOM SAUCE\"\nBOSTONOT\n\u00E2\u0096\u00A0MASTURBATION.\n\u00E2\u0096\u00A0OVER THE EDGE'\nTREE\n'FISTFUL OF G<\nM HELL-\nFACE THE MUSIC\nFEEL GOOD ALL OVER\nLANCE\nT/K\nFINAL NOTICE\n1/4 STICK\n\u00E2\u0096\u00A0BELONG\" NIM\n\"HARD TO FIND\" SUB-POP\n\"...ON MY NERVES\" BAG OF HAMMERS\n\u00E2\u0080\u00A2LOVE SONG\" / \"BELIEVE* TIM KERR\n\u00E2\u0096\u00A0NO CORRESPONDENCE\" ESTRUS\nSPLIT RED ROCKET\nDIALIN' FOR CELEBRITIES\nBY EXCUBUS MANSLAUGHTER\nWell, Spring has sprung but 1 have\ngrown stale, bored...alas, even\ndreary. Allhough grass is growing\nand flowers are blooming 1 have\nfallen into a puddle of sludge, which\nisn't too bad but this joke is done to\ndeath. So, kids, this will be the last\ncolumn installment of \"Dialin' For\nCelebrities.\" For all of you gasping\nout there, the dream date contest is\nstill in effect and, who knows, 1 may\nstill show up on occasion to sink my\nteeth inlo some alternative monkey's\nbutt. However, \"Dialin' For Celebrities\" is gone. Why? WeU, Ole'\nExcubus was at a small party (incognito) and a group of fresh face college kids were commenting on the\ncolumn. My ego boosted, I listened\nin, and to my dismay not only did\nthey like it but decided to do it right\nthere. YEAH.RIGHTTHERE.They\n24 E_R_J5___XtS\"rt\npicked up a phone book and made a\ncrank call. My god, have they no\nprinciples, I mean I did it in the name\nof investigative journalism but these\nkids were just one step ahead of \"Is\nyour refrigerator running?\". To those\nkids out there trying to find celebrities,bothering people overthe phone\nisn't the trick; getting printed in a\npaper, that's the trick.\nSo it's over, and none too soon.\nBut for all you kids worried about\nthose alternative tips, fear not, I'll\nstick my nose up Scooter's butt and\nget them out occasionally. Who\nknows, maybe even emerge with a\nnew joke or column. But before I go\nfor a sabbatical, here's my two bits\nIn regards to the Pixies breakup, many are now calling them the\n\"Saviours of Rock'n'Roll,\" how-\never.if this is true then Kim Deal must\nbethe\"BatteredWifeofRock'n'Roll.\"\nIneverliked Black Francis.The Pixies,\nyes, but Black Francis, no. When the\nBreeders emerged I think most of us\nrealized that Kim Deal is beyond any\nlegendary status the Pixies will ever\nachieve. Yes, I like the Breeders more\nthan the Pixies, but 1 also like orange\nmore than purple. So Black Francis\n[Frank Black] have fun solo (yeah, it'll\nbe good, the big guy has got talent).\nJustrememberthereis atleastone self-\nrighteous, ignoramus, campus radio\npaper writer who thinks that maybe\nyou fucked up and are losing a good\nthing. So all you kids out there in bands\nleam from this: if you're going to be an\nasshole, at least get rich and famous.\n1 have also noticed lately that\nmany people are still struggling with\nthis alternative thing. Please try to\nrelax. There is plenty of time before it\ngoes out of style... or is there? And to\nthe fine Uttle lady who used foul\nlanguage in reference to myself after\nhearing me remark, \"Man, 1 hate Peart\nJam. Why aren't people sick of them\nyet?\" Look, honey.theyain'tthatgood\nand you ain't that good lookin' so\nmind your P's and Q's and stop cutting\nclass and hanging out in Metrotown, at\nleast get as far as GranviUe.\nAnd that's it, maybe....who\nknows? Just remember, when the\nphone ringsitprobablyisn'tme, you're\nalways more alternative than they are,\n\"Doomklaxun is old school,\" I am an\nasshole, and \"clean sheets mean a lot\nto a guy who sleeps on the floor.\"\nCiao, my Utde elfin loaves, and\nGoodnight Sammy D..\nP.S. For everyone who bought Marco\ndrinks, thanks.\nMUCH S3 SINGLE 1\nIII\nmm\n1 1 BLAISE PASCAL\n\u00E2\u0096\u00A0SPOTLIGHT KIDD* I\n2 STRAIN\n\u00E2\u0096\u00A0BEHIND THE WALL*\n3 ELEPHANT'S CHILD\n\u00E2\u0096\u00A0MINE*\n4 HUEVOS RANCHEROS\n\u00E2\u0096\u00A0REPTILE*\n5 MEET DAISY\n\u00E2\u0080\u00A2UTTLE ZEBRAS*\n6 STOATERS\n\u00E2\u0080\u00A2EDGE OF THE WORLD*\n7 SURFDUSTERS\n'HEADLESS BATALUON* I\n8 ONE\n\"WIDE LOAD* I\n9 ORBIT IN BLOOM\n\"PEACE IN THE AIR*\n10 GRAMES BROTHERS\n\u00E2\u0096\u00A0INDOOR TIME\" I\n11 MOVIELAND\n\"CAKE*\n12 PAISLEY SUITCASE\n\u00E2\u0080\u00A2STAND AND FIGHT' 1\n13 THE LEMONS\n\u00E2\u0080\u00A2IN MY WAY- I\n14 DRAG THE RIVER\n\u00E2\u0096\u00A0DRAG THE RIVER\" 1\n15 HOWARD VS. WILLY\n\u00E2\u0096\u00A0DEEP IN THE PARK\" 1\n16 TOUCH AND GOS\n\u00E2\u0096\u00A0NETTIE'S PARTY* 1\n17 CONTEMPT\n\u00E2\u0096\u00A0GRANDFATHER CLOCK\" 1\n18 ROCKIN' ROD\n\u00E2\u0096\u00A0GODZILLA- 1\n19 32 TO BASE\n\u00E2\u0080\u00A2SOMETIMES Y\" 1\n20 TWELVE EYES\n\u00E2\u0096\u00A0CRUMBLING STONE- 1\nI 21 THUMBSCREW\n\"TRENDY HIPPIES*\n22 AGING YOUTH GANG\n\u00E2\u0096\u00A0BABY BOOMERS\" 1\ni 23 DARKEST OF THE HILLSIDE THICKETS\n\"DIGGIN'UPTHEWORLD\"\n24 MEXICAN POWER AUTHORITY\n\"GRASS HUT\"\nI 25 SHE\n\"SHE SAID\" 1\nI 26 MOVIELAND\n\u00E2\u0080\u00A2RANT* 1\nI 27 12 MIDNITE\nHOTROD CADILLAC GIRL\" 1\nI 28 RUMPLESTEELSKIN\n\u00E2\u0096\u00A0FREE YOUR SOUL\" 1\n1 29 WINGNUTS\n\u00E2\u0096\u00A01 HATE MY JOB\"\n1 30 LUNG\n\"SUB\" 1\n31 CARPE DIEM\n\u00E2\u0080\u00A2HEAVEN'S ESTATE\" 1\n32 SCOn ROBINSON\n\u00E2\u0096\u00A0FOLLOW YOUR BUSS\" 1\n33 VINAIGRETTES\n\u00E2\u0096\u00A01 WAS SAVED\" 1\nI 34 THE HAYMAKERS\n\u00E2\u0096\u00A0CHURCH ACROSS THE ROAD* I\nI 35 LOTUS EATERS\n\u00E2\u0096\u00A0GOD\" I\nDOYOU REMEMBER ROCKrfROURADIO?\nDISCORDER CHARTS 10 YEARS AGO.\n1 SIOUXSIE AND THE BANSHEES\nA KISS IN THE DREAM HOUSE POLYGRAM\n2 DOA\nWAR ON 45\nFRINGE PRODUCT\n3 STRANGLERS\nFELINE\nEPIC\n4 DEAD KENNEDYS\nPLASTIC SURGERY DISASTERS FRINGE\nI 5 RANK & RLE\nSUNDOWN\nSLASH (US)\nI 6 IGGY POP\nZOMBIE BIRDHOUSE CAPITOL\nI 7 BAUHAUS\nTHE SKY'S GONE OUT POLYGRAM\nI 8 FAD GADGET\nUNDER THE FLAG\nMUTE\n9 WALL OF VOODOO\nCALL OF THE WEST I.R.S.(US)\n| 10 MISSION OF BURMA\nVS.\nACE OF HEARTS(US)| I\nHI\nIL lUSLI^-J _<3\n'*-^.\nON THE DIAL\nSUNDAYS\nARE YOU SERIOUS? MUSIC 8:00AM-\n12tt)PM All of time is measured by ts art\nMcet broadcasting shuns art lor incestu-\nmost recent new music from around the\nworld. Ears open. Hosted by Paul\nSteenhuisen and lan Crutchley.\nTHE BRUNCH REPORT 12:00-12:15PM\nCiTR News, Sporls and Weaiher Depart-\nTHE ROCKERS SHOW 12:15-3:00PM\nReggae innaaJ styles and lash ion.George\nBarret, Mite Cherry and Peter WiHiams\natemate as hosts.\nSOUL CHURCH 3:00-5:00 PH Alternating\nSundays with Brent Argo. Vancouver's\nonly program devoted entirely to African-\nCanarJan and African- American Gospel\nmusic Your rotating hosts are Vence Yeh\nand Dave Langille (every second week).\nBUCK MUSIC 6:00-8.-O0PM Everything\nfromthe African-American tradtion:Blues,\nGospel, Jazz, Soul, R&B, Funk, Hip Hop,\nand current Dance Trade. Mouldy vinyl to\nshiny CD's. Your host, Lachlan Murray.\nLULU'S BACK M TOWN 8:00-9:00PM Tune\nin as your hosts Vinnie Carpei and Sonny\nPrince play some of the hottest crooners\non wax. Names like Tony Bennett, Sammy\nDavis, Jr., Engefcert Humperdinck and\nmany, many more...lo_ of great cuts and\nplenty of polyester.\nGEETANJAU 9KW-10.-00PM Geetanjaliisa\none-hour radio show which features a\nwide range of music from Inda. This includes classic- music, both\nTHE AFTERNOON REPORT 1rOO-1:15*\u00C2\u00BBM\nNews, sporls and weather.\nMEKANKALOBJEKTNOBE1:15-3:00PM\nCiTRs only al industrial / technical / etec-\nevery week. With your dj pel, June Rhys\nFilter hales all of you.\nSOMC SALAD 3:00-4:00PM Hostedby Clay\nSTRAIGHT OUTTA JALLUNDHAR 4K\u00C2\u00BB-\n5:00PM Lei DJ's Jndwa and Bindwa immerse you in radioactive Bh-ngra!*Ch_*h\ndephutay\".List6ntoalourfavorile Punjabi\ntunes - remixes and originals. Brraaaah!\nTHE OTR DMNER REPORT 5:00-5:30PM\nAll the latest on campus: news, sports, an\nedtorial commentary and more. Weekdays with host lan Gunn.\nTHUNDERSTRUCK 5:3M:00PM CiTR's\nweekly wrap-up of everything anyone\nneeds to know about U.B.C. Thunderbird\nsports. Hosted by Trevor Brawdy.\nBOXER SHORT BOYZ 7*W:O0PM Justa\ncouple d guys who like lo wa* around in\ntheir boxer shorts with their big fat guts\nhanging out Jerome Broadway and Garnet\nTHE JAZZ SHOW 9:0OPU-12:00AM\nVancouver's longest running prime time jazz\nGavin\nTUESDAYS\nTHE MORNMG SHOW 7304:15AM Hosted\nby Antje Rauwerda.\nBLOODONTHESADDLE1:15*00PM Country music to scape the cowshl ofl your boots\nto With yer host-pole Jeff Gray.\nUVE FROM VENUS 3:00-:00PM Women-\nmade music and stuff, hosted by Jane Tilley.\nLOVE LOVE SURE SURE 5:30-6:00PM\nHOSTS KENCHIRO. NAOMASA, NAOKI\nAND BOB (AKIO), TAKASHOKU UNIVERSITY STUDENTS, PLAY THE GCCO MUSIC AND THE COMEDY.\nMEET IDA BEAN 6:00-7:00PM Rap, hp\nhop,and Super Dope Lyrics- so fry thai youl\ndo 3-5 just for getting caught listening to tha\nstuff. Requests are taken...) you can get\nthrough on the phonal Ida Bean's on the tipl\nTHE UNHEARD MUSIC 7:0O-9:00PU Meal\nthe unherd where the unheard and the\nhordes of hardy herd and heard courtesy of\nhost and demo director Dale Sawyer. Herd\nup!\nAVANT-PIG 9:00PM-12_OAM Alternating\nTuesdays with Wolf at the Door. Now three\nhours ol funky, ambient noise-piggery with\nPete Lutwyche and Norm.\nWOLF AT THE DOOR 9.O0PM-12:0OAM Alternating Tuesdays with Avant-Pig. The latest in dance music and interesting drama\nevery second week. With Lupus Yonderboy.\nAURAL TENTACLES MIDNITE UNTIL\nTHE MOON DROPS Fun for the whole\nfamily to enjoy! Weird chunks of news,\nodd pieces of tuneage, Pierre and the\n2AM WWOD.\nWEDNESDAYS\nTHEMORNINGSHOW 7:30-S:15AM Hosted\nby lan Gunn.\nPLANET ROCK 12:00-1:15PM Sit back, dig\nwhile we do it to you in your earhole. Stone1\nWoman gives out tha funk, tha hip hop and\ntha dub: music lor your mother.\nNORMAN'S KITCHEN 3:0O-5:00PM\nDeitotrenetic Sonic Fidelity) Watch for our\nmonthly \"Norman's Big Envelope-o-stuff\nEDSVUE, POP.6 730-9S0PII Roots of\nRock W Rdl-I you donl get into Rock Yi'\nRdl Heaven donl blame me! Hosted by\nEddeJ.\nUVE FROM THUNDERBBO RADIO HELL\n9:00-11:00PM Local muzsate from 9.\nU* banz play r>a blues Irom 10.\nMvch 4: Sister Lovers\nRADIO TRANSUBSTANTIATION YEAI\n11PM-1AM Alternating Thursdays with\nGigablast. This month tOtAI NiHLiZm,\nmad, glad and bad. baby, we're flooding\nENTERTAINMENT 9K\u00C2\u00BB-12:00PM Only the\nthird Rado Program in the history d\nHomo-sapien kind to be dedcated to solving aid Ihe world's problems. Radio that\nbelieves in confusion, noise, peace, love,\naggression and maybe even EVOLUTION. Top 701.\nOPEN COUNTRY JOY 12KXM.-00AM,THE\nFIRST WED. OF EVERY MONTH. Donl\nlet the ?#?%?@? fool you.\nb*on fathoms down, so lest thou wishes!\nand Major Major E. Whimeyer. Do not go\ngently into the good night rave, raVE,\nRAVE against the dying light!\nMEGABLASTI 1:00AM-WHENU STOP US- skis, ce\nfrom Dave Emory's Radio Frm America\nSeries.\nHOMEBASS 9S0PM-12: MAM Dope jams\nand fresh beets for a groovy evening with\nDJ Noah on the wheels d steel\nUMP SB* 1230AM Morning Th_mor_i\nLimp Sink tries comprehemUy. Hosted\nby the G4. players.\nFire Pipe - This month _ the Fire\nPipe, we wi be delving into the depths d\n' ' ^ back\nsome weapons to give out i you can spel\nthis month's mystery hoi\nmonth: Flitter and Pal e>\nIranian music. This show is dedicated to\nIranian music ranging from traditional,\nfdk, dhnic. mystic, dd and contemporary\npop. Music d various parts d Iran ie.\nAzerbaijani, Kurdish, Lori, etc. are covered. We really like to hear from all of our\nIsteners to be able to gear the show\ntowards their tastes. Hosted by\nMohammad.\nCANADIAN LUNCH 11:00-1:00PM Toques.\nplaids, back-aeon, beer, igloos, snowmobiles, beavers & Brian Mulroney. If you\nlove Canada, tune in and eat your lunch to\nCanadan music. Previously Coralation.\nPOPGUN 1:00-3:00PM \"Why donl you love\nME as much as I love YOU ?\"\nFLEX YOUR HEAD 3:00-5:OOPM\n-\u00E2\u0080\u0094HARD JINX\u00E2\u0080\u0094-\n\u00E2\u0080\u0094-ERIC CORE-\nGET IN THE RING 5:30-6:OOPM Join Mike\nand Brian every week lo hear them lag\nteam the issues with guests from all over\nthe political spectrum.\nOUT FOR KICKS 6:00-7:30PM No\nBirkenstocks.nothing politically correct.\nWe donl get paid so you're damn right we\nhave fun with it. Hosted by Chris &\nFRIDAYS\nTHEMORNINGSHOW 7_0-8:15AM Hosted\nby lan Gum.\nVENUS FLYTRAP NETWORK OFLOVE8_0-\nDoctor, Capt State and Dd) Mania gal\nnaked, smother themselves in extra virgin cartouche grape seed oi, tape their\ntunes. Whether they be aboriginal, instrumental, thrash Metallica, or blues & jazz.\nWild painfully honest hilarity 'ouch*.\nSkeene's the music, Conway, the voice.\nThe whole is edging the limits.\nLO-R 1_0-2:30PM lo-fi.\nFUNKkT RAP INNA DUB STYLEE 2:30-\n3:30PM Bootsy says Ts time to get yours!\"\ngo bobbing for Japanese oranges in battery acid and Worchestershire sauce. This\nis only tentative so donl get your dander\n14). OK I?!?.\nFeb. 5,19: The Doctor Kidare Show\nFebi 12,26: fire Pipe\nSATURDAYS\nTHE SATURDAY EDGE 8-0AM12-0PM\nNow ii Is 8th year on tw air. The Edga on\nFok features music you won! hear anywhere else: new releases in Ihe realm d\nCeltic Fok and Roots; studio guests; Brteh\nie Light!\nfirmly in cheek.\nPROJECTIONS 5-30- 6:00PM Projections:\nnews, music, and reviews of alternative,\nHollywood and locally produced films on\nhosted by two actual film students, Jason\nand Bhajans, and also Quawwalis, Fok\nSongs, etc. Hosted by J. Dhar, A. Palel\nand V. Ranjan.\nRADK5FREE AMERICA 10tt)PM-12:00AM\nJoin host Dave Emory and cdtoague Np\nTuck fa some extraordinary political re-\nsearchguatanteedtomakeyouthinktwice.\nBring your tape deck and Iwo C-90s. Originally broadcast on KF JC (Los Altos, California).\nMONDAYS\nTHE MORNING SHOW 7304:15AM Wake\nup with the DTR Moming Show. Al the\nnews, sports and weaiher you need to\nstart your day. Plus whafs happening at\nUBC each day with UBC Digest, a fealure\ninterview and more. Topped off with the\nBBC World Service News at 8O0AM,\nlive from London, England.\nBREAKFAST WITH THE BROWNS 8:15-\n11:00AM Your favourite brown-sters.\nJames and Peter, offer asavoury blend\nof the familiar and exotic in an excitingly luscious blend of aural delights!\nTune in and enjoy each weekly brown\nplate special.\nTHE STUPID RADIO SHOW 11:00 AU-1_.\nPM Music that proves yes, this is Monday.\n\u00E2\u0096\u00A0And so they asked me...* With noon feature Crucifix In Your Ear\".\nSUN MON TUE WED\nARE YOU\nSERIOUS?\nMUSIC\nBRENT\nARGO/\nSOUL\nCHURCH\nGEETANJAU\nI\u00E2\u0080\u0094\"\u00E2\u0080\u0094*-\nDON AND\nGOURD'S\nSTUPID\nRADIO SHOW\nMEKANIKAL\nOBJEKT\nNOIZE\nSONIC SALAD\nJALLUNDAR\nMADONNA\nDEATH\nWATCH\nBREAKFAST\nBLOOD ON\nTHE\nSADDLE\nBROADCASTING\nLIVE FROM\nVENUS\nDIGITAL\nALARM\nCHRONOMETER\nNORMAN'S\nKITCHEN\nIN THE GRIP\nOFINCO-\nFLAMING\nCATERPILLAR\nBOXER\nSHORT\nBOYZ\nTHE JAZZ\nSHOW\nTHE FINAL\nFRONTIER\nWOLF AT\nTHE DOOR/\nAVANT PIG\nMAPLE\nSYRUP &\nBACK BACON\nTHE REAL\nDEAL\nENTERTAINMENT\nTALES FROM\nTHE INFINITE\nLIVINGROOM\nTHU\n\u00E2\u0080\u00A2ivMiiin.iiViiaa\nCOUVDETAT\niiWMMsM \u00E2\u0096\u00A0!J.AliJ-_^W.JJffjifj.1BMTJAllM T\nOUT FOR\nKICKS\nLIVE FROM\nIHUNDERBnO\nRADIO HELL\nMEGABLAST!\nVENUS\nFLYTRAP\nINTERNTL.\nCROOKED\nNOSE\nSLIDE\nFUNK..DUB/\nNARDWUAR/\nNOIZ SHOW\nTHE\nSATURDAY\nEDGE\nCOCKTAILS\nWITH DARYL\nAND\nSUSI\n8\n9\n10\n11\nebee)12\n1\n2\n3\n4\n5\n6\n7\n8\n9\n10\n11\n12\n1\n2\n3\n4\nness thing ol sel and others, han African\nhouse party. Stories, music, dance fun. Welcome! Your hosts: Umerah and Ma*ele.\nTHE SATURDAY MAGAZNE 5-0-530PM\nUBC- weekend news. Al the -test news,\nsports, weather, a movie review, featue\nreport snd more. News wli Luc Dinsdale;\nDoug Rfchards has sporfc.\nM EFFECT 6\u00C2\u00ABHJjOO**M The Hp Hop beat\nand nuttirr buB. Wih hostPDS.\nTHE HEIMLICH MANOUVRE 8-0-10:00PM\nGROOVE JUMPING 10flH_U MAM Terry\nand John alemaCng weeks wih Tom and\nJustin\nAcute title blurb\n\u00E2\u0096\u00A0tore aid a sligft\ngels some kind of\nWHOM & HOW\nARTS SHAWN BOUCHARD\nBOARD CHAIR HARRY HERTSCHEG\nCURRENT AFFAIRS IAN GUNN\nDEMOS/CASSETTES DALE SAWYER\nENGINEER RICHARD ANDERSON\nENTERTAINMENT CHRIS CHEN\nMOBILE SOUND\nDRU PAVLOV\nMUSIC\nSVEA SJOBERG\nNEWS\nIAN GUNN\nPRESIDENT\nDRU PAVLOV\nPRODUCTION\nJUSTIN LEIGH\nPROGRAMING\nADAM SLOAN\nPROMOTIONS\nA.O. CHAPMAN\nSECRETARY\nCORAL SHORT\nSPORTS\nTREVOR BRAWDY\nSTATION MANAGER LINDA SCHOLTEN\nSTUDENTENGINEER BOOTSYSLOAN\nVICE PRESIDENT HEL\u00C2\u00A3N GOOOLPHIN\nVOLUMTEER COORDINAT-B JOWRUSMN\nBUSINESS UNE\nDJ UNE 604/B22-2487 (UBCCiTR)\nNEWS UNE 604/222-2487 (222-CiTR)\nFAX UNE 604/822-9364\nENVOY ID CtTRFM A H*wwkipafto.bytv*** *\u00E2\u0080\u00A2*_'>\u00C2\u00BB\u00C2\u00AB\u00C2\u00AB>\u00C2\u00AB\u00C2\u00AB "Periodicals"@en . "ML3533.8 D472"@en . "ML3533_8_D472_1993_03"@en . "10.14288/1.0049905"@en . "English"@en . "Vancouver : University of British Columbia Library"@en . "Vancouver : Student Radio Society of the University of British Columbia"@en . "Images provided for research and reference use only. Permission to publish, copy, or otherwise use these recordings must be obtained from CiTR-FM: http://www.citr.ca"@en . "Original Format: Student Radio Society of University of British Columbia"@en . "Rock music--Periodicals"@en . "Discorder"@en . "Text"@en . ""@en .