{"@context":{"@language":"en","AggregatedSourceRepository":"http:\/\/www.europeana.eu\/schemas\/edm\/dataProvider","AlternateTitle":"http:\/\/purl.org\/dc\/terms\/alternative","Collection":"http:\/\/purl.org\/dc\/terms\/isPartOf","DateAvailable":"http:\/\/purl.org\/dc\/terms\/issued","DateIssued":"http:\/\/purl.org\/dc\/terms\/issued","DigitalResourceOriginalRecord":"http:\/\/www.europeana.eu\/schemas\/edm\/aggregatedCHO","FileFormat":"http:\/\/purl.org\/dc\/elements\/1.1\/format","FullText":"http:\/\/www.w3.org\/2009\/08\/skos-reference\/skos.html#note","Genre":"http:\/\/www.europeana.eu\/schemas\/edm\/hasType","GeographicLocation":"http:\/\/purl.org\/dc\/terms\/spatial","Identifier":"http:\/\/purl.org\/dc\/terms\/identifier","IsShownAt":"http:\/\/www.europeana.eu\/schemas\/edm\/isShownAt","Language":"http:\/\/purl.org\/dc\/terms\/language","Notes":"http:\/\/www.w3.org\/2009\/08\/skos-reference\/skos.html#note","Provider":"http:\/\/www.europeana.eu\/schemas\/edm\/provider","Publisher":"http:\/\/purl.org\/dc\/terms\/publisher","Rights":"http:\/\/purl.org\/dc\/terms\/rights","SortDate":"http:\/\/purl.org\/dc\/terms\/date","Source":"http:\/\/purl.org\/dc\/terms\/source","Subject":"http:\/\/purl.org\/dc\/terms\/subject","Title":"http:\/\/purl.org\/dc\/terms\/title","Type":"http:\/\/purl.org\/dc\/terms\/type","Translation":"http:\/\/purl.org\/dc\/terms\/description"},"AggregatedSourceRepository":[{"@value":"CONTENTdm","@language":"en"}],"AlternateTitle":[{"@value":"[UBC Theatre Programmes]","@language":"en"}],"Collection":[{"@value":"University Publications","@language":"en"}],"DateAvailable":[{"@value":"2015-07-17","@language":"en"}],"DateIssued":[{"@value":"[1973-03-02]","@language":"en"}],"DigitalResourceOriginalRecord":[{"@value":"https:\/\/open.library.ubc.ca\/collections\/ubctp\/items\/1.0118969\/source.json","@language":"en"}],"FileFormat":[{"@value":"application\/pdf","@language":"en"}],"FullText":[{"@value":" XL\n\u2022i^ii MACBETH\nby William Shakespeare\nAdapted and Directed By\nDONALD SOULE\nSetting & Lighting By\nRICHARD KENT WILCOX\nCostumes By\nDAVID L. LOVETT\nCAST\nMacbeth RAYMOND CLARKE\nLady Macbeth         JANET WRIGHT*\nDuncan MICHAEL GREEN\nMalcolm LORNE KENNEDY\nMacduff MATTHEW WALKER\nBanquo  KENNETH RYAN\nWitches VICKI BUCKWOLD, DONNA CHRISTIE, PAT DOLLARD,\nWENDY FALCONER, MICHELLE FISK, SUSAN JONES,\nANGELA KAIJA, JENNIFER MARDOCK, ANN MCQUEEN\nRoss NICHOLAS RICE\nLennox RODGER BARTON\nLady Macduff SUSAN JONES\nHer Son      ALISTAIR MARTIN-SMITH\nFirst Lord PHILIP CHEVELDAYOFF\nSecond Lord WARREN LARSON\nSeyton COLIN THOMAS\nFirst Murderer DON GRIFFITHS\nSecond Murderer HUGH MCLEAN\nFleance JON LOPTSON\nOther Murderers FRED GALLOWAY, BOB CAREY, DAVE VALDES\nGEORGE GRANT, TERAN SYNGE, ALISTAIR MARTIN-SMITH\n'Appearing by permission of Actors' Equity Association\nPRODUCTION STAFF\nTechnical Director and Production Stage Manager MATT YOUNG\nAssociate Technical Director IAN PRATT\nCostume Execution GERALDINE RICHARDSON\nLILIANE JOHNSON\nLighting Execution RICHARD FAHLMAN\nStage Carpenters  RICHARD SPENCER\nWAYNE FIPKE\nMIKE MCQUEEN\nJAN POLLAK\nProperties SHERRY DARCUS\nNANCY O'CONNOR\nStage Manager      GORDON A. LONG\nDesign Assistant STEPHEN GEAGHAN\nAssistant Directors GAIL WYNSTON, NEILL DIXON, GORDON PECK\nCARMELA SABATINO, FRED GALLOWAY, KENNETH RYAN\nMATTHEW WALKER\nFilm By BILL ROXBOROUGH\nCamera CHRIS GALLAGHER\nStage Crew          STUDENTS OF THEATRE 350\nPublicity Assistant         DAVID GAUTHIER\nHouse Manager         RICHARD JAMES\nBox Office VICKI BRUNO\nJUDY DALLAS\nMAUREEN SHEERIN\nBusiness Manager      MARJORIE FORDHAM\nProduction       JOHN BROCKINGTON\nABOUT THIS PRODUCTION OF MACBETH\nThis production is both a response to the play and an exploration of the theatre.\nMacbeth is a very great and dangerous play: great enough to survive any production\nand dangerous enough to threaten any of us who dares to enter it.\nBut a play \u2014 even a masterpiece \u2014 is not a sacred cow. Macbeth was written to\ncreate a living experience in a particular set of theatrical conditions. Any production\nof it will therefore be a complex interaction of the play, the theatre, the performers\nand the audience. Not one of these elements will emerge from this interaction unchanged or unscathed.\nThe play and the stage have been adapted to each other. In the play, \"offstage\" events have been brought to physical life; some scenes have been telescoped and\nshifted; certain aspects of the man-woman relationship and the whole interaction of\nviolence, responsibility and identity in the original text have been explored and\ndeveloped further. The stage has been reconstructed to allow the audience to enter\nthe play not only imaginatively but physically and spatially. Primarily, then, this production is an exploration of Macbeth as both a dramatic and a theatrical action: an\naction of living persons \u2014 both real and imaginary but always physical \u2014 moving and\ninteracting in a dynamic space.\nSome may object to the seeming emphasis on violence in the production.\nMacbeth, however, is about violence and its effects on those who use it \u2014 directly or\nindirectly. Ultimately, this violence implicates us all. If we are shocked by it today,\nperhaps it is because we have become anaesthetized: by the narcotic habit of regarding Shakespearean plays as comfortable classics and by the hypnosis of today's electronic and filmic fantasies of abstracted violence. But Macbeth, like life, is neither\ncomfortable nor abstract. To confront the reality of either is dangerous.\nCOMING EVENTS\nMarch 7-10\nALICE IN WONDERLAND\nCreated by The Manhattan Project\nan M.A. Thesis Production\nDirected By Allan Gray\n Somerset Studio \u2014\nFrederic Wood Theatre\nMACBETH\nThe University of British Columbia\nMarch 2 - 17, 1973","@language":"en"}],"Genre":[{"@value":"Periodicals","@language":"en"}],"GeographicLocation":[{"@value":"Vancouver (B.C.)","@language":"en"}],"Identifier":[{"@value":"UBCTheatrePrograms_1973-03-02","@language":"en"}],"IsShownAt":[{"@value":"10.14288\/1.0118969","@language":"en"}],"Language":[{"@value":"English","@language":"en"}],"Notes":[{"@value":"The Frederic Wood Theatre production of \"\"Macbeth.\"\"","@language":"en"}],"Provider":[{"@value":"Vancouver : University of British Columbia Library","@language":"en"}],"Publisher":[{"@value":"[Vancouver : Frederic Wood Theatre, University of British Columbia]","@language":"en"}],"Rights":[{"@value":"Images provided for research and reference use only. Permission to publish, copy, or otherwise use these images must be obtained from the University of British Columbia Department of Theatre.","@language":"en"}],"SortDate":[{"@value":"1973-03-02 AD","@language":"en"},{"@value":"1973-03-02 AD","@language":"en"}],"Source":[{"@value":"Original Format: University of British Columbia. Archives","@language":"en"}],"Subject":[{"@value":"University of British Columbia","@language":"en"}],"Title":[{"@value":"Macbeth","@language":"en"}],"Type":[{"@value":"Text","@language":"en"}],"Translation":[{"@value":"","@language":"en"}],"@id":"doi:10.14288\/1.0118969"}