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UBC Theses and Dissertations
The aesthetics of distance and Jun’ichiro Tanizaki Kanayama, Yasuko
Abstract
The aim of this thesis is to examine the transformation and development of Jun'ichiro Tanizaki's "Aesthetics of distance" in male-female relationship as well as in the main characters' perception of reality, through his three major works: Chijin no ai (Naomi), Shunkinsho (The Story of Shunkin), and Fulen rojin nikki (A Diary of a Mad Old Man). For Tanizaki, distance, whether in a spiritual, spatial, or social dimension, functions as a mechanism through which characters and readers perceive as well as measure reality. Furthermore, for him, beauty is measured by remoteness (distance) from man's existence. The alien, the unattainable, the elusive, all of which characterize his female characters, are also manifestations of or embodiments of distance. To attain, to possess the highly desired beauty (found in women), not only detracts but actually destroys the pleasure in distance. Chijin no ai shows how male-protagonist Joji destroys the pleasure of distance. Tanizaki develops his aesthetics of distance in a more sophisticated manner in Shunkinsho. In this work, he links his concept of distance to the aesthetics of shadow. By employing a historical setting, particular narrative strategies ( ambiguous description and multiple narrators), and by utilizing a blind heroine, he successfully creates a distant world in faint outline, as he calls it, "the world of shadows" which evokes reader's imagination. Imagination forms a vital link to the elaboration of the aesthetics of distance in Futen rojin nikki. Utsugi, an ailing old man, experiences pleasure in both limitation and prohibition. In living his life as "theater" (between the real and the unreal), he is able to discover an even higher form of pleasure: the pleasure of imagination. The ultimate achievement in this work is that he is able to depict "death" as something between the real and the unreal, the attainable and the unattainable, resulting, once again, in a sublime imaginative experience. In the literary portrayal of "death", Tanizaki finally and completely fulfills his aesthetics of distance.
Item Metadata
Title |
The aesthetics of distance and Jun’ichiro Tanizaki
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
1997
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Description |
The aim of this thesis is to examine the transformation and development of
Jun'ichiro Tanizaki's "Aesthetics of distance" in male-female relationship as well as in the
main characters' perception of reality, through his three major works: Chijin no ai
(Naomi), Shunkinsho (The Story of Shunkin), and Fulen rojin nikki (A Diary of a Mad
Old Man).
For Tanizaki, distance, whether in a spiritual, spatial, or social dimension,
functions as a mechanism through which characters and readers perceive as well as
measure reality. Furthermore, for him, beauty is measured by remoteness (distance) from
man's existence. The alien, the unattainable, the elusive, all of which characterize his
female characters, are also manifestations of or embodiments of distance. To attain, to
possess the highly desired beauty (found in women), not only detracts but actually
destroys the pleasure in distance. Chijin no ai shows how male-protagonist Joji destroys
the pleasure of distance.
Tanizaki develops his aesthetics of distance in a more sophisticated manner in
Shunkinsho. In this work, he links his concept of distance to the aesthetics of shadow. By
employing a historical setting, particular narrative strategies ( ambiguous description and
multiple narrators), and by utilizing a blind heroine, he successfully creates a distant
world in faint outline, as he calls it, "the world of shadows" which evokes reader's
imagination.
Imagination forms a vital link to the elaboration of the aesthetics of distance in
Futen rojin nikki. Utsugi, an ailing old man, experiences pleasure in both limitation and
prohibition. In living his life as "theater" (between the real and the unreal), he is able to
discover an even higher form of pleasure: the pleasure of imagination. The ultimate
achievement in this work is that he is able to depict "death" as something between the
real and the unreal, the attainable and the unattainable, resulting, once again, in a sublime
imaginative experience. In the literary portrayal of "death", Tanizaki finally and
completely fulfills his aesthetics of distance.
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Extent |
3774757 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-03-12
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0087660
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1997-05
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.