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The Ubyssey Jan 25, 1985

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Vol   LXVM   ?-.!■-  32
Vancouver, B.C. Friday. January 25. 198E
222 23C:
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Expo
Vancouver will host a world's fair
in the summer of '86. Beyond that
the picture is cloudy.
Expo boss Jim Pattison puts it
this way: "This thing is like show
business. You put up all your
money, you build it, you set your
pricing and then you pray. You
pray the public comes, you pray the
public likes it and you pray it
catches the public fancy for repeat
visits."
Just what is the public's fancy?
The Expo development proceeds
daily. Rising out of the False Creek
foreshore the modules, bubbles,
and domes of Expo are taking
shape.
Little is known about the Expo
fair beyond the labor strife and the
dim picture provided by short pronouncements from the Expo brass.
The Centre for Investigative Journalism organized a day long
seminar on Expo at Robson Square
Jan. 19. Titled "the Expo gamble,"
the seminar drew speakers on many
aspects of the Expo development.
To its supporters Expo will be a
boost to the sagging B.C. economy.
It will create employment, attract
business, and even turn a profit.
Expo communications director
George Madden rattles off the
numbers: 20,000 direct jobs
created, government tax revenues
of $170 million and additional
economic output of $2.8 billion.
"Expo is no gamble, it's a sure
thing," says Madden.
But Bob Allen is one of a number
of UBC economists who dispute the
validity of Madden's figures. Allen
refers to a study conducted by the
B.C. Economic Policy Institute
which projected a $500 million net
loss to B.C. on account of Expo.
Allen says he comes from a family of fair lovers — so his criticism is
particularly telling. He questions
the ability of Expo to attract
business to B.C. Says Allen,
"Business decisions depend upon
analysis of resources, capital, and
labor, not advertising like Expo.
Major investment decisions are only
made after careful calculations of
costs and benefits."
Allen says Expo's effect on B.C.
tourism has been exaggerated."
One million additional visitors in
1986 is not that large an increase
when six million people come to
B.C. annually."
Allen says Expo only makes
economic sense as a job creation
project. "This government argues
that the only way to relieve the
recession is to cut government
spending, yet they are taking the
opposite tack," he adds. But he
says the $806 million earmarked for
Expo could have been better spent,
citing funding shortfalls in
reforestation and education.
"It is the people in the Interior
who are getting hit," Allen says.
"The benefits of jobs and tourist
dollars will be concentrated here in
Vancouver. And tax dollars that
otherwise might be spent in other
B.C. communities are not going to
be available."
But Expo is going ahead anyway
Allen says, "so we might as well let
everyone enjoy the party." He proposes a scheme to provide free
tickets to B.C. residents on welfare
and    unemployment    insurance.
New Orleans city planner Ralph
Thayer details the behind the scenes
events that led to the New Orleans
world fair's disaster. Thayer, the
keynote speaker, calls the B.C. fair
well organized. He says, "people
assume we must have been a bunch
of dummies down there. This is not
true, we were just too optimistic."
Thayer says the press must fulfill
the role of a public ombudsperson.
"With a project this size the public
has every right to ask hard questions, to ask how much the bill is
going to cost. If the fair goes belly-
up your taxes are sure to follow."
The press must walk the fine line
between boosterism and good
reporting, says Thayer. The New
Orleans fair showed how media
coverage could hurt attendance.
Thayer warns there is little
chance of Expo realizing its revenue
projections of one billion dollars
during the fair's course. "There is
no way other than vacuuming the
By RICK KLEIN
wallets of all the tourists who come
here," he adds.
Thayer says people need to look
at more than break-even accounting. "You need to define the long-
term residual benefits of Expo to
the community." These, he says,
can take the form of transportation
improvements, waterfront
redevelopment, and civic pride.
Seattle Times reporter Stan Paddy covered Seattle's 1962 world
fair. The Seattle Expo was the only
one in history to break even. But
Paddy insists the Seattle fair was
more than economics. "The exposi
tion of 1962 was the turning point
in Seattle's development. The fair
changed our way of looking at our
c.ty, Seattle changed from a sleepy
town into a dynamic city," says
Paddy.
Jim Green of the Downtown
Eastside Residents Association
represents those who will be most
directly affected by Expo development. Green says the housing problems of the Downtown Eastside
area will be aggravated by Expo.
Seventy-five per cent of the people
in the area rent space in hotels and
rooming houses. Most of these people rely on income assistance of
some kind and cannot afford high
rents. Green says these long-time
residents will be squeezed when
commercial landlords raise rents
and shift accommodation to
capitalize on the influx of Expo
visitors.
Green criticizes Expo as part of
an overall government strategy
directed against working people in
B.C. He says: "Welfare rates are
frozen, hospital staffs and education budgets have been cut. Yet we
spend $17 million to pay for a ball
that glitters on False Creek."
The decision to abolish the North
Gate entrance from Expo into
Chinatown was politically
motivated, Green adds. "They (the
Expo brass) feared people would go
to Chinatown and Gastown to eat
and shop. To make Expo pay off
they need to keep people spending
on site," he says.
Ralph Thayer says his experience
in New Orleans shows that above all
it is necessary to have a good time.
"A world's fair should be a Community celebration," he adds. Vancouver must hope the community
celebration of Expo '86 does not
become the collective hangover of
1987.
A glass of wine and cheese is all
that the artistic community is going
to get out of Expo, according to
Province art critic Max Wyman.
"Expo is a big machine rolling
over the locals" says Wyman,
speaking in the cultural panel of last
Saturday's seminar on the impact
of Vancouver's 1986 world's fair.
Wyman tells the audience of 900
Expo doesn't think about its art
community — the Playhouse
Theatre, The Firehall Theatre, the
Vancouver East Cultural Centre,
and the dance community. "Two
films are being made for B.C.
Pavilion — in the United States" he
says.
Wyman says ignoring the local
scene means a lot of lost dollars for
locals in the short run. And in the
long run people will develop a taste
for the expensive glitter. "People
will say, without Expo approval the
show isn't good enough. People are
being trained to admire the imported and the glitzy" he charges.
What is missing is a committment
to develop indigenous artists, says
Wyman. "Opening ceremonies the
first night is an all Canada shut
out."
Architect Ian Davidson echoes
Wyman's dissatisfaction with Expo's direction. He says Expo's
theme should be excellence but in
stead False Creek is turning into the
Nile.
Davidson is referring to the Expo acquisition of the Ramses II exposition which has left Cairo only
once previously. The Ramses II
costs Expo five million dollars.
"Native art is as important as the
Egyptian Pyramids in European
eyes but not in Canadian's" says
Davidson. Expo has commissioned
a large canoe from the genius of
native carver Bill Reid. "Now if
that isn't banal I don't know what
is" says Davidson. Bill Reid should
be in charge of a pavilion and the
Ramses II should be placed in the
Vancouver Art Gallery and shown
at no extra cost to Expo goers, he
suggests.
Davidson speaks with the passion
of someone dedicated to excellence.
"It should be titled Mediocrity '86
and not Exposition '86" he says
without hint of sarcasm. Wondering at the dissolution of the Chinese
gate which would have led into Expo from Chinatown he asks: "Five
million for Ramses II and not a
penny for the Gate? Going past
Chinatown and Japantown would
really give people an idea about our
diverse culture rather than taking
them past cement things."
According to writer Clive Barnes,
says Davidson, Canadians suffer
from an inferiority simplex. David
son calls attention to the fake
geodesic dome, a new round
building with flashing lights, as the
Canadian Expo theme building
partly being built by
Chechoslovakians.
"The geodesic dome is like every
cither geodesic dome and it can be
found all over, we should have a
symbol of our own. The people in
charge don't want to utilize the
creative energy that is the best of
Canadian talent.
"The brilliant industrial
designer, Francois Delleret from
Montreal, cannot get his foot in the
door. Neither can Jean Andre,
another well known designer." says
Davidson. Both are Canadian. An
exception is Expo's artist-in-
resident, Evelyn Roth, who is simply amazing, Davidson adds.
Christopher Wootten, Expo programming director, agrees with
Davidson's quest for excellence in
Eixpo. "But I'm irked about Bill
Reid's canoe being called banal.
Why don't you ask Bill Reid?" hs
says.
"I have," replied Davidson.
And Wooten says the Northwest
Indian exhibit planned for the Vancouver Art Gallery was cancelled.
But, there is a committment to the
community, Wooten claimed. He
quickly rattled off the forthcoming
attractions: The Ramses II, Bill
Reid's canoe, World Festival by
Anne Darling, commissioned works
by 12 B.C. artists, avant garde artist
Michael Snow, Evelyn Roth, and
more. "At least one third of the Expo fine arts program will come from
Canadian works," Wootten promises.
There are also special events including national events, tall ships, a
DC-3 plane that will take 15
minutes to pass by, and more, says
Wootten.
In the open question period
following the panel, Wootten was
asked why only $35,000 is
available to commission dance
works from the entire Canadian
dance community.
Wootten did not reply to the
man, who claimed the dance commissions are only a tokenism, but
he did say Ramses II falls into a
special category "which doesn't
mean we're taking the theme less
seriously," when someone asked
what Ramses and Expo's transportation theme had in common other
than slaves dragging stones.
Another unsatisfied customer
asked, "Is it true we have to satisfy
the locals but what we want is
something we can advertise in
California?" to which Wootten
replied Expo is a world event. Page 2
THE    UBYSSEY
Friday, January 25, 1985
Project continues
Project Wolf will be changing its
strategy this year to take a low key
approach in its struggle against the
provincial government wolf kill, a
Project Wolf spokesperson told 40
people in Buchanan A 100 Thursday.
Project Wolf coordinator David
Garrick said this year there will be
no media and no southern
celebrities such as Paul Watson going into northern B.C. Project Wolf
will send a crew to show northern
people the project is not against
hunting or trapping, said Garrick.
He said the project is only against
the elimination of wolves for the
benefit of foreign hunters who care
little about B.C.'s wildlife or
economy.
"Their objective is to maximize
personal profit, not employ Canadians," he said. Foreigners are attempting to set up safari areas said
Garrick,  where semi-domesticated
prey wait for people to hunt them.
Garrick said Project Wolf's protests last year were an emergency
response to a new situation. Protesters last winter went to the Fort
Nelson area attempting to disrupt a
government plan to kill hundreds of
wolves to increase populations of
moose, elk, mountain sheep and
caribou. This winter government
staff have killed 90 wolves in the
Muskwa and Kechika regions.
Garrick said despite problems
with last year's protest and current
"mud-slinging" the project has
stimulated interest. "People didn't
know of 100 per cent wolf extermination," he said.
Garrick said protesters decided
direct action was the only approach
to the kill.
The lecture was sponsored by the
UBC Anarchist Club, the Socialists
Education Society and the Latin
America Support Committee.
My favorite prof is mad© bv I.B.M. He is a good prof but he keeps insisting that Michaefangelo's "David" should be smashed into rubble along with that other
"smut". I have tried to get that sort of intolerant attitude out of his programming. However, he gets revenge by printing obscene suggestions in capital letters
throughout the products of my word-processing. Last time, I got an"?" from the University of Canada markers, as well as a reprimand from the Dean, because
he wrote words equivalent to defecation every ten sentences ali through my essay on alternate fuels. Goodby from Tuktoyuktuk.
HELP YOURSELF
Free Workshops
to Enhance Your Skills
STUDY SKILLS WORKSHOP
A program to assist students in developing more effective study methods.
HOW TO TAKE LECTURE NOTES
A workshop to help you take better lecure notes.
HOW TO READ A TEXTBOOK
A workshop to help you gain more from your textbook reading.
TIME MANAGEMENT WORKSHOP
An introduction to methods of improving your use of
time.
CAREER EXPLORATIONS
Designed to aid you in career exploration and planning.
All programs are free. Interested student should sign up
now at:
STUDENT COUNSELLING AND
RESOURCES CENTRE
Room 200, Brock Hall
Notice of A.M.S. Executive Election
Evening Polls: Wed., Jan. 30—4-7 p.m.
Totem Park — Common Block
Place Vanier — Common Block
Walter H. Gage — Common Block
Sedgewick Library
Day Polls: Wed., Jan. 30th to Fri., Feb. 1st-10 a.m.-4:00 p.m.
S.U.B. Hebb Theatre
Law Computer Science
C.E.M.E. Sdgewick Library
Scarfe Woodward Library
Angus War Memorial Gym
Buchanan MacMillan
Poll locations and times are subject to the availability of poll clerks
BALLOT:
A.M.S. PRESIDENT
BULMAN, David
CHESTNUTT, Glenna
REDER, Mark
WARKENTIN, Doug
A.M.S. DIRECTOR OF
ADMINISTRATION
SESHADRI, Simon    □ Yes
□  No
M.S. VICE-PRESIDENT
DOSDALL, Doug
LOW, Doug
MERCER, Jonathan
A.M.S. COORDINATOR OF
EXTERNAL AFFAIRS
DOYLE, Patrick
MARTIN, Kathy
MYRONUK, Lonn
STEWART, Duncan
WALDERN, Barbara
A.M.S. DIRECTOR OF FINANCE
COLLINS, Jamie GAJDICS, Sylvia MAH, Barry
STUDENTS REQUIRE THEIR A.M.S. CARDS TO VOTE
NOTICE OF REFERENDUM
"I support the proposal to establish an annual Alma Mater Society (A.M.S.) fee
of 50 cents per student to allow two refugee students to attend U.B.C. for a
period of one year."
□ Yes
□ No
(Referendum poll locations and times same as A.M.S. Executive
Election.) Friday, January 25, 1985
THE    UBYSSEY
Page 3
Great Trek moves one step closer
By ROBERT BEYNON
UBC's fusty, acquiescent faculty
voted Thursday to organize a Great
Trek from UBC to the government
buildings downtown.
Political science professor Phil
Resnick, who initiated the idea, said
Thursday he was happy with the
vote but unless students support the
idea it won't get off the ground.
Resnick said an ad hoc faculty com
mittee will soon approach student
groups, campus unions and other
campus faculties.
If the march does go ahead in
early February, Resnick said it
should be an interesting event where
people are free to express
themselves. "Some people might
want to walk in their lab coats, or
their academic gowns," said
Resnick. "Some people may want
to treat it as a carnival," he said.
"It doesn't have to be sober," he
added.
The decisions on when to hold
the event, how to stage the march
and the rally and who to invite will
be determined by a committee
formed of all those interested in the
march, Resnick said.
UBC has a history of marching to
draw attention to its funding.  In
1922 students staged the first march
from the old campus near Vancouver General Hospital to Point
Grey to protest the provincial
government's failure to build
B.C.'s promised university.
Resnick said the number of faculty that attended the special afternoon meeting, 225 or 10 per cent,
was not as much as he had hoped
for. But he said it was still the
largest faculty meeting this
academic year.
;92 of the present faculty voted
for the motion and only 12 voted
against it, Resnick said. The motion
originally required that 300 faculty
vole to make it binding on the
faculty  executive  but  the  motion
was amended so that if 60 per cent
of 300 faculty voted yes the decision
would be binding.
Resnick said he hopes the committee formed to organize the event
chooses a weekday to stage it on so
people will notice it more.
Faculty association president
Elmer Ogryzlo said he personally
supports the idea and will attempt
to organize a planning committee
immediately. But he said if student
response is weak faculty may not go
ahead with the plan.
He said the march should be staged before the provincial government brings down its budget in mid-
February. Then it might affect
university funding, Ogryzlo said.
UBC buying out
faculty, staff
— rory a. photo
WHEN YOU'RE FEELINGup (feeling up) and your friends' all here (friends all here) get some Labatt's Blue (yeah-
ah, blue!) all you want in a beer (all you want in a beer) Now ain't that nice! (So nice!) Labatt's Blue on ice (yeah
Blue on ice!) Tastes light'n'smooth (sooo smooth!) and goes down so nice (hey, it goes down so nice)! Get a
Labatt's Blue, (yeah)
By STUART COLCLEUGH
UBC has bought out the contracts of more than 50 faculty and
senior staff members over the last
two years, according to UBC's vice
president finance.
And now the administration is
hoping the provincial government
will foot the $4.6 million bill, but
has no indication it will.
"We're very hopeful," said
Bruce Gellatly Thursday of UBC's
request for $2.6 million for the
1984-85 fiscal year and $4.6 million
over the next three years. The
money is needed, Gellatly said, to
Council suspends major concerts
By PATTI FLATHER
Student council voted Wednesday night to suspend only major
concerts for the rest of the term,
defeating a motion to suspend all
Alma Mater Society Programs activities this fiscal year due to a large
Programs deficit.
Programs organizes speeches and
concerts on campus.
And council passed the rec-
comendations of the ad hoc committee  reviewing  programs  which
suggested:
• no concerts are to be held outside of SUB unless they are co-
sponsored with UBC groups or are
rental deals with off-campus
groups.
• there should be a review of Programs coordinators Bruce Paisley's
performance and a new job description written up by a student council
committee.
AMS    finance   director    James
Hollis, whose motion to end all pro-
More students vote
Students can ease back from the
edge of their seats and stop wondering now that the results are in on
who will be the new student board
of governors and senate members.
Almost 1,000 more students
voted this year, 2,961 in total or
more than 10 per cent of UBC's
population, compared to last year.
And most students this year voted
for both board and senate candidates, while last year several hundred less cast senate ballots.
Don Holubitsky and Nancy
Bradshaw are the new board
members. Incumbent Holubitsky
topped all polls with 1,392 votes.
Bradshaw managed 1,195 votes.
Alan Pinkney came third with 1,101
votes, Phil Bennett fourth with 732
and Steven Harris fifth with 699
votes.
The five winning senator-at-large
candidates are incumbent Donna
Chow (1,196), Jane Ingman-Baker
(1,159), Steven Hill (1,157), Justin
Williamson (1,007) and Dierdre
Moore (911).
Other new senators are Jim
Hamilton from applied science,
Terry Orr from arts, Rene Thomsen
from forestry, Paddi Arthur from
law, Adrian Kimberly from commerce, incumbent Ron Yaworsky
from graduate studies, and Kirk
Hancock from science.
But a new sea of strange faces are
coming in the shape of the Alma
Mater Society executive elections
next Wednesday, Thursday, and
Fridav.
grams for this year was defeated,
said Programs has overun its
$29,000 budget by several thousand
dollars. He said the five per cent
AMS contingency fund is already
used up so more money for Programs must be taken from other
areas.
Council voted unanimously to
guarantee funding of up to
$100,000 for CITR to the Canadian
Radio-Television Telecommunications Commissions for equipment
cost of high powered broadcasting.
*      *      *
Council passed a motion put
forth by Dave Frank, former board
of governors member, thanking
senate convocation member Grant
Burnyeat for his recent attempt to
have senate guarantee students
enrolled in programs can finish
them. The motion by Burnyeat, a
former AMS president, was soundly defeated as powerful deans spoke
against it and only five of 17
student senators supported it.
"I just can't believe the garbage
going on in senale," said Frank.
(Faculty are) so worried about their
asses they're throwing ideals out the
window."
* * *
Council gave Dunhill Personnel
the green light to launch the search
phase of finding a new AMS
general manager to oversee the $3.5
million   business   of   the   student
society.
"We're going into the market
looking at about the $50,000 a year
level," said Dunhill spokesperson
Alan Wallace, adding Dunhill will
not rule out a starting salary of
$60,000.
Current general manager Charles
Redden receives more than $70,000
per year.
Dave Frank said Dunhill will
receive 20 per cent of the new
manager's starting salary in payment.
* * «
Council endoresed a lecture taking place Jan. 31 with Isabella
Leit tier, a survivor of the Auschwitz
concentration camp.
finance the administration's Voluntary Early Termination of Employment program.
The program advertised recently
in the administration's publication,
UBC Reports, offers a maximum of
24 months salary to faculty, senior
librarians, and program directors
who volunteer to quit before their
retirement dates.
UBC's operating grant was cut
five per cent last year by the province and UBC president George
Pedersen has said all indications are
for a similar cut again, meaning
programs must be cut and faculty
eliminated.
"It would be rather purile to say
we're hoping the government comes
through with the money for the program," said Robert Smith, UBC
vice president academic, adding
"the government is aware of this
contingent liability."
Smith said the buy out program is
analogous to buying a car on credit
without knowing whether the
money can be found to pay for it.
He could not rule out the possibility
of "involuntary" retirements next
year if insufficient numbers of
volunteers come forward.
Faculty association president
Elmer Ogryzlo said he is not aware
of any senior faculty or staff
members being pressured to apply
for the program.
Universities ministry spokesperson Jane Burnes said she did not
know about UBC's buy out program and whether the government
will give extra funds for it.
AMS election candidates
speak on student issues
Group drops cyanide scheme
A petition for a referendum on
stockpiling cyanide pills for a possible nuclear attack was dropped
because it had served its purpose
and received sensationalist publicity, said a Students for Peace and
Mutual Disarmament spokesperson
Thursday.
"The point was a little gimmick
for publicity. We wanted to say that
the whole arms race was sick and
that this was symbolic," Gary Mar-
chant said.
Marchant    said    there    were
students who disagreed with the
petition, but added quite a few
students told SPMD the petition
had brought home the issue of the
arms race for them. SPMD organized a petition drive in November
asking the Alma Mater Society to
ask student health to stockpile
cyanide pills to allow a quick death
during nuclear war.
Marchant said even if the petition
gathered the necessary 500
signatures required to hold an AMS
referendum, SPMD would still not
have gone ahead with it "if it would
have cost the AMS any money."
The purpose behind the planned
referendum was to get people thinking about the nuclear issue enough
to do something about it. "I think
anything that raises the issue is
good," he said.
Marchant said he does not think
the controversy hurt the club's image. But he added it was beginning
to divert too much attention from
other more important activities
sponsored by the peace organization.
By VICTOR WONG
Tuition increases, lack of
funding and most of all qualifications were the most prevalent topics
preached during an all-candidates
meeting Thursday in SUB plaza for
the Alma Mater Society executive
positions students vote for next
Wednesday, Thursday and Friday.
Glenna Chestnutt, current AMS
director of administration and a
presidential candidate, said the job
of president is to deal with students
and'listen to them — not only when
in her office, but around campus.
Chestnutt said there are areas
where AMS involvement should be
maintained or increased: promoting
a positive image of UBC to the
community and day-to-day help.
Presidential candidate Mark
Reder said he thinks the AMS is not
a strong enough voice dealing with
the public and the government.
"I'm not a communist, I'm not a
radical or anything like that. I'm a
concerned student, and I wanna
speak about these issues."
Presidential   candidate   Doug
Warkentin said the term "president" sounds really good and
"gives you the kind of a chance to
get the attention of people like
politics and that." Warkentin said
he thought he could get from politicians and government leaders the
best deal for students.
Doug Low, incumbent vice-
presidential candidate, said
students should be concerned with
trust. Addressing the issue of
guaranteeing students they can
finish their programs, Low said
students should ask their candidates
where they stand.
Vice-presidential candidate
Jonathan Mercer said students need
a strong vice-president to stand by
the president's side "and be able to
take on anything the president
might not be able to do."
Finance director candidate Jamie
Collins said he is the most familiar
with the position because he was
assistant finance director last year.
See page 4: CANDIDATES Page 4
THE    UBYSSEY
Friday, January 25, 1985
Alberta TAs ill-used and abused
EDMONTON (CUP) — University of Alberta teaching assistants
are poorly paid, ill-treated and used
in place of higher paid sessional lecturers, said members of the univer-.
sity's graduate student council.
Garth Clarke, graduate student
council vice-president of services,
said some department administrators use TAs to teach
classes instead of spending extra
money to hire sessional lecturers.
Clarke said TAs should not teach
courses without a professor's help,
but many are forced to do so
because departments are financially
strapped or tenured professors
refuse to teach large undergraduate
classes.
"Teaching assistantships were instituted to help graduate students
financially and to give them some
teaching experience, not to save
departments money," he said.
TAs should be paid the same
amount as sessional lecturers if they
Candidates speak
From page 3
Collins said his combination of
academic and business experience
would be used to help students by
"ensuring that our student societies
are run effectively to the benefit of
all UBC students."
Finance candidate Sylvia Gajdics
said the AMS needs fresh blood,
and she said if elected she will listen
to the needs of all students. "Your
concerns are my concerns.
Together, we can make your dollar
work for you."
Simon Seshadri, the lone candidate for director of administration, said he felt confident running
for the position because he was student administrative commission
secretary this year, and occassional-
ly filled in for the current director.
Patrick Doyle, candidate for external affairs coordinator, said the
issue of funding had been flogged
to death by the other candidates.
"We know we're in an economic
plight right now, and there's really
nothing we can do about it but get
off our duff and try to do
something about the situation."
*" External affairs candidate Kathy
Martin said she is running for externals because she believes in -and
cares about the university.
Lonn Myronuk, the third candidate for the position, said if
students really cared about the
AMS, they should talk to all candidates and ask them questions.
Duncan Stewart, the fourth candidate, said he fought for students
while he was on student council.
Stewart added UBC should look to
the private sector rather than the
provincial government for funding.
Barbara Waldern, the final external affairs candidate, said the position is of an activist nature.
Waldern said she would like to
change the orientation of the AMS
from its current business leanings.
"Food, Service & Prices are all excellent"
—The Budget Gourmet
W» StrMtte anfc *f*S& V*m«, C«*i«
Try it out!
2A3\ vJcst fc«>o^w<U}       m-^fc
Applications for a Position on the
AMS SUB
SECURITY TEAM
Are Now Being Accepted
The Security Team works both Friday and Saturday nights in the Student Union Building. Briefly,
the Team is responsible for assisting the Proctor in
protecting SUB from vandalism, aiding security
teams hired for any function in SUB, and implementing SAC policy in the Games Room.
Application forms are now available in the AMS
Executive Secretary's office, SUB Room 238.
This position is open to both males and females.
APPLICATIONS MUST BE RETURNED BY
7 p.m., Friday, February 1, 1985
are forced to teach unassisted, he
added.
While the university has given
teaching assistants more duties with
no increase in pay, it has also cut
back on the number of graduate
students hired and lowered their
real wages, said graduate student
council president Gary Genosko.
Genosko said the univeristy has
cut back the number of hours from
the highest paid positions from 12
to five or six a week and failed to increase TAs' salaries to keep up with
cost-of-living increases in the past
two years.
Clarke added some graduate
students must perform secretarial
tasks and refuse to speak up for
fear of losing their jobs. "One chair
even has grad students doing typing
for him," Clarke said, "that's illegal."
The university's graduate studies
department says it cannot respond
to TA's concerns because the offending departments are under the
authority of their own faculties.
Administrators and department
heads, however, widely accept that
the problems stem from underfun-
ding and the university's attempts
to cut corners.
Peter Meekinson, administration
vice-president academic, said the
graduate studies budget should be
restored to its former level of three
per cent of the university's
operating budget. It now only
makes up aobut 1.8 per cent.
Meanwhile, at the University of
Toronto, TAs are expected to gear
up for a strike vote in early
February. They have been without a
contract since September.
The administration has offered a
six per cent increase wage increase
in the first year of a two-year contracted five per cent in the second.
It also wants changes in hiring
criteria and grievances procedures
in the union's collective agreement.
The TA local, member of the
Canadian Union of Educational
Workers, is expected to reject the
offer.
DOUG &
THE SLUGS
SUB BALLROOM
February 1
Tickets: AMS Box Office
NO MINORS PLEASE
THE TAMING
OF THE SHREW
By William Shakespeare
Directed by Beth French
JANUARY 29-
FEBRUARY 2
8:00 p.m.
Student Tickets: $4
(Box Office-Room 207,
Frederic Wood Theatre)
DOROTHY
SOMERSET
STUDIO
University of British Columbia
Res. 228-2678
,<>%S£
f }iiAZJurjr :r
SHOW ROOM
INTERNATIONAL
PLAZA HOTEL
Corner Marine Drive
and Capilano, N. Vane.
JANUARY 21-FEBRUARY 2
§.i»iii
TICKETS AVAIL. AT V.T.C/CBO
Dinner/Show Packages Avail.
By Calling
984-0611
CREATION
or EVOLUTION
Monday, January 28
7 p.m. Woodward 2 — Dr. Thaxton speaks on the
topic, "ANALYSIS OF THE CREATION-
EVOLUTION CONTROVERSY"
Tuesday, January 29
7:00 p.m. Woodward 2 — Dr. Thaxton speaks on
the topic "MYSTERY OF LIFE'S ORIGINS"
REASONS
TO BELIEVE
January 28-31
Monday, 12:30 p.m. Angus 110 — Michael Horner
speaks on the topic, "IS LIFE ABSURD WITHOUT
GOD?"
Tuesday, 12:30 p.m. Angus 110 — Michael Horner
speaks   on   the  topic,   "IS   THERE   SCIENTIFIC
EVIDENCE FOR GOD?"
Wednesday, 12:30 p.m. — Michael Horner speaks
on the topic, "DID JESUS REALLY RISE FROM
THE DEAD?"
7:00 p.m. Woodward 2 - "WHICH IS THE TRUE
WAY?"   A  symposium   of world   religions  with
speakers representing Islam, Buddhist, Sikh and
Christian faiths. Question and answer period.
Thursday,   7:00   p.m.   Woodward   2    —    Film:
"JESUS". $1.50 at the door.
Dr. Thaxton:
Dr. Charles Thaxton received
his Ph.D. in chemistry at Iowa
State University. He spent two
years in post-doctoral studies
in the history and philosophy
of science at Harvard University, and three years in postdoctoral work at Brandeis
University in molecular
biology. He is a member of the
American Association of the
Advancement of Science, a
Fellow of the American Scientific Affiliation, and a member
of the American Chemical
Society. He is the author of
The Mystery of Life's Origin
and a frequent guest lecturer.
Currently he is the director of
Curriculum Research at the
Foundation for Thought and
Ethics in Dallas, TX.
Michael
Horner:
Upon receiving a B.S.E. in
mathematics and psychology
at the University of Calgary in
1974, Michael Horner joined
the staff of Campus Crusade
for Christ. He worked at the
University of Saskatchewan,
the University of Calgary and
then moved to the University
of Toronto where he directed
the Campus Crusade for Christ
movement for four years. Currently he is working towards a
master's degree in philosophy
at the University of Toronto.
Michael Horner has spoken to
university students in Montreal, Toronto, Hamilton, Edmonton, Calgary and Vancouver.
SPONSORED BY CAMPUS CRUSADE FOR CHRIST Friday, January 25, 1985
THE    UBYSSEY
Page 5
There are still people in
Vancouver who do not
know who Evelyn Roth is.
It is almost impossible to
miss someone as prolific as
Roth and it will become
even harder by spring of
1986. Evelyn Roth is the official artist-in-residence for
Expo 86.
By CHARLIE FIDELMAN
One of her specialties is turning
herself into a living piece of
sculpture in giant costumes of
recycled video tapes or
'wearable edibles.'
Evelyn Roth is dancer, artist,
designer in fibre fabricss and other
less likely material such as video
tapes and vegetables. She
specializes in the unconventional.
One of her specialties is turning
herself into a living piece of
sculpture in giant costumes of
recycled video tapes or 'wearable
edibles,' all done with great humor.
She has knitted a Family Sweater
She came to the door wearing a
black and red leopard skin body
suit, and she sported a most
unusual coiffure. Her hair, covered
in a mud pack, extended straight up
from her head into a three pronged
spike. When the CBC arrived shortly she jokingly told them, "it's a
henna treatment to tighten up the
brain."
Her easy manner set the tone for
prove in their natural sense of beauty, grace and movement to the point
where it becomes trance-movement-
dance."
For Roth, the ultimate in dance
form is the Monkey-Chant in Bali.
The Bali Monkey-Chant is a
drama of costume, song, storytelling, and dance which incorporates
news items and village lore into its
drama. "It's a battle, it's physical,
Expo getting down to Earth
Artist Evelyn Roth to do it
for more than four Occupants, a
giant tea cosy for a car, and an 800
square foot awning for the Vancouver Art Gallery. Roth has
established 'wearables' as a
legitimate art form as early as 1970.
She has moved on to painting
buckskin shirts and vests, each skin
claiming its own personality. This
48-year-old self-taught artist does
not place art on a pedestal.
She has exhibited all over the
world and is considered to be an artist of international status. A Roth
sculpture which has been almost
everywhere is the 45 foot inflatable
salmon first seen at the Edinburgh
festival, one -of the largest in
Europe.
the afternoon, the sort of afternoon
two old friends might spend
together. Evelyn Roth spoke about
her work and of some of the ideas
which run currently through her
work. Ritual is one such important
feature.
"Ritual is a connection of the inner self which allows one to transcend to a higher level of trance,"
said Roth. It seems like most old
cultures have states of enlightenment and "that interests me a lot."
She said, everyday somewhere in
Bali a celebration occurs.
"Everyone always told me you
must go to Bali. It is an island of
people who are totally involved
with ritual. It is absolutely incredible." She explained, for the people
of Bali, life and art are completely
interrelated. "The whole population would strive to train, to im-
it's a dance, and it's choral, and the
whole group of participants, usually men, achieve trance through this
dance-drama," said Roth. She added, they think television is a bore
because their own life is too exciting.
Meeting Place is Roth's new
transcultural performance work in
progress. It involves many professional dancers from different
cultures as well as a dozen non-
dancers.
Meeting Place is trance-drama,
and it will have beauty, movement,
wonderful music, and magic. She
said, people will be moved when
they enter the structure itself
because of the Kaleidoscopic effects
of the scales. "People will be
transformed by the sense of vertigo
which isn't the same as trance or
enlightenment, but they will be
transformed."
To come close to what the
Monkey Chant does in Bali is one
of my ultimate goals, she said.
Another group of people who have
Roth's esteem are the Aboriginals
in Australia. They too achieve
trance and have many sacred
dances. "Many people whom we
call primitive are the ones who are
most connected to the earth directly
through their bodies, how they
move with the animals and the
rain," she said.
As for the rest of civilization, according to Roth our society lives a
compartmentalized type of life far
removed from nature. "People
don't know if they are hungry or
what they are hungry for," she
.said. Instead of discovering within
one's inner self the needs of the
body and the spirit, many seek
psychiatrists and counsellors.
"Somebody to tell you what to do
Her hair, covered in a mud pack,
extended straight up from her
head into a three pronged spike.
.. ."It's a henna treatment to
tighten up the brain."
with your life," she said.
For Roth, music is a great connector of musicians and people
from around the world. The music
which ties into Meeting Place goes
through a long journey during its
hour-and-a-half performance.
"From Africa, mother-earth, carnival, reggae, step-inside-find-a-
reason — and it does get people into
that mood," she said in one breath.
The solution is a connection that
will eventually unite people, she added.
Meeting Place starts with the
Canadian Indian which to Roth
means a mixture of Westcoast
Haida and Plains Indian. She attended the Indian Artist Symposium in Hazelton last year where
she heard Native artists from one
Canadian coast to the. other talk
about the problems of being an artist. "They said their art is not
recognized, there is no category
within Canada Council for Indian
or Native art. Their art falls mostly
into the context of museums." And
yet, she added, this art is very
creative and contemporary, "aside
from having wonderful rituals and
ceremonies."
Evelyn Roth has been involved in
Westcoast celebrations for many
years. Joe David, a Nootka from
Vancouver Island, gave Roth the
Indian name of Gla-heeth-nook
meaning rainbow or connecting
link. "To me the name is a pat on
the back, it is an honor, and it is
recognition. This is worth more
than anything," she said.
Given the title of Artist-in-
Residence for the Canada pavilion
at Expo means recognition as an artist in one's own city, said Roth.
"This is the second pat on the back
but to me this is as important as the
name Gla-heeth-nook. It is nice to
be recognized every once in a while,
it says that you're on the right track
all along."
The track of Evelyn Roth maintains that Canada is lacking a feeling of Canada the land, Canada the
people. She said this is not so in
Australia and New Zealand because
there the performing arts use a
touch of the Maori or the flavor of
the Aboriginals. "And so they
know the secrets and the rituals of
the native people and the essence of
the land."
From her experience with the
Natives and the symposium Roth
has the essence of what the Indian
sound and music is going to in this
country. "In Meeting Place, I'm
striving to bring the people
together." Page 6
THE    UBYSSEY
Friday, January 25, 1985
Friday, January 25, 1985
THE     UBYSSEY
Paae 7
1V1V'SM.™^f.
■- *■:? •i3sy«'»i«»M,!,,f
I PURITANI. . .well costumed on stage and off
Fields reveals massacre
Choral best conclusively near end
By SARAH MILLIN
The best part of a night at the
opera is what you do after it's over.
Especially the Queen Elizabeth
theatre's version of Bellini's I
Puritani.
The opera is set in a puritan fortress during the English civil war.
The plot involves the love of a
young puritan woman for a
cavalier. Although they have per
mission to get married it takes three
months of wailing, madness, and
the resolution of the war for the
nuptials to be celebrated.
I Puritani
by Vincenzo Bellini
at Queen Elizabeth Theatre
until Jan. 26, 1985
The opening scene of the opera
occurs at dawn with the unsuccessful puritan rival bewailing the
fact he can not marry his beloved
Elvira. Baritone Cornells Opthof
plays the rival Riccardo and he does
it very badly. In the important
opening aria his voice is quite weak
and sets a slack pace for the rest of
the opera.
Soon Elvira,  (soprano Suzanne
Murphy)   appears   and   the   pace
quickens due to her wonderful singing. Elvira is told by her uncle
Giorgio, (James Patterson), that
she is allowed to marry the cavalier
Arturo.
Arturo, (Dennis O'Neill), arrives
wearing a breastplate that must
have required at least one bottle of
silvo to shine it just so. O'Neill
handles what is considered one of
the most difficult arias in opera A
Shakespeare's comedy captivating
'Vff.
! ,!SV
J-jS
i-
aa
By EMILIE DOUGLAS
Zero hour is approaching in The
Killing Fields, a forceful drama that
deals with friendship and survival
while revealing a bizarre and incredible massacre.
It's 1975, the Khmer Rouge, an
army of murderous maniacs ravage
Cambodia, denuding its populace
of seven million to an estimated
four million.
The Killing Fields
directed by Roland Joffe
at The Park
New York Times correspondent
Sydney Schanberg is in Phnom
Penh when the Lon Nol government is toppled with his interpreter
and loyal friend Dith Pran. These
two men and others soon discover
the Khmer Rouge are ruthless in
their relentless reign of terror.
Pran saves Schranberg's life and
the lives of other colleagues in an
intense detente with Khmer Rouge
rebels. The reporters now realize
they have no choice but to leave or
die. Pran is later taken from the
neutral grounds of the French embassy and exiled to the "killing
fields" where a holocaust is about
to occur.
Producer David Puttnam
(Chariots of Fire and Lonely
Hearts) and first time director
Roland Joffe combine their talents
to create this alarming and poignant
motion picture.
As it is non-fiction Puttnam and
Joffe use actors who will not be immediately associated with other
films.
Sam Waterston plays a tough impetuous Sydney Schanberg, a man
dedicated wholly to his career. Dr.
Haing Ngor plays a compelling and
convincing Dith Pran. Ngor relies
on his own harrowing experiences
as an ex-prisoner of the Khmer
Rouge. His acting is bare and unsophisticated and therefore candidly realistic.
Puttnam chooses friendship and
suryival as themes for this deeply
personal story. The survival theme
pervades the film, culminating in
Pran's long struggle as he is subjected to the horrors of the Khmer
Rouge.
The impression of friendship is
not as pervasive. Although Pran
clearly loves Sydney as a brother
Schranberg fails to express such
sensitivity. Waterston conveys only
self-indulgence. He seems unable
to depict a non-fictional character
with faithful realism.
The supporting cast is impressive
with most of the credit due to John
Malkovich who plays Al Rockoff
the freelance photographer. His
cynical attitude and explosive anger
are riveting in the sequence where a
desperate attempt is made to rescue
Pran. In The Killing Fields, his film
debut, Malkovich proves himself an
actor with powerful potential.
Cinematographer Chris Menges
skillfully captures the graceful
mystery that is Thailand where this
story is filmed. To blend well Joffe
has chosen the electronic music of
Mike Oldfield for an eerie and often
disturbing effect.
The film is long, 141 minutes.
But it is difficult to tear your eyes
from the screen as this alarmingly
realistic and often gruesome story
unfolds. It's a film that will pull at
your conscience and leave vivid images in your mind.
By FRANK POLILLO
Shakespeare's Twelfth Night is a
comedy set in the mythical world of
Illyria. Illyria is a fantasy world,
and, of course, the play has a
magical quality abut it from the
beginning.
Its title is a play on the twelfth
day after Christmas, Jan. 6, which
is the day of the traditional Feast of
the Epiphany; the celebration of the
coming of the Magi to Bethlehem.
Shakespeare's
Twelfth Night or What You Will
Arts Club Granville Island
Viola, (Camille Mitchell) who
was travelling with her brother
Sebastian (David Marr), finds
herself shipwrecked on Illyria. Fearing her brother's death, she takes
his name and posing as a eunuch
she. joins the service of Orsino
(John Moffat), Duke of Illyria.
The Duke is desperately in love
with the fair Olivia (Suzanne
Ristic). She, unfortunately, has suffered the loss of her beloved
brother, and in her misery has
refused to see or entertain any
suiters. The Duke is very much
disturbed by Olivia's lack of interest.
He decides to win her affections,
but he cannot do it himself. Finally
he decides to send his most loyal
and clever eunuch to do his bidding
for him.
But Viola has herself fallen in
love with her master. She, however,
cannot reveal herself, and is forced
by her loyalty for her master to seek
out Olivia and win her love for the
Duke.
At first, the reclusive Olivia is unwilling to see the Duke's eunuch,
but Viola's persistance impresses
her enough to allow the meeting.
The Countess Olivia is hard on the
disguised Viola.
She teases and persecutes her,
but Viola has done her job well. In
fact, the countess is so impressed
with the young eunuch she decides
to make him her husband.
Meanwhile, the ever gentle sea of
Illyria has washed up another
stranger: Sebastian, the twin
brother of Viola. He bears great
resemblance to his sister and is even
dressed as she is, because Viola even
copied his manner of dress. Sebas-
tion finds, oddly enough, people
seem to know him.
He is shocked to discover there
are men who want to hurt him, and
at the same time, there is a beautiful
damsel who wishes to marry him.
The magic of Illyria seems to favour
him, because Olivia thinking Sebastian is the witty eunuch of the Duke
who has taken her heart insists they
marry, and they do.
The play climaxes with a final
scene where all the characters are
gathered. They discover that there
are two Sebastions not one. The
real Sebastion is married to Olivia,
and the Duke upon realizing that
his dear eunuch is really the lovely
and rich Viola decides to make her
his mistress.
This decision of the Duke of
course makes Viola most happy.
Even the abused Malvolio (Norman
Browning), steward to Olivia, who
was tortured by Olivia's Uncle (Jay
Brazeau) is returned to his
honorable standing.
It is difficult to add to the quality
of a Shakespearean play. The actors
do a fine job, and the play's charm
is very captivating. The costume
and set design also are good.
Perhaps the only criticism one
could have is that in their excitement the actors were sometimes
unable to get the words out clearly.
However, Shakespeare is difficult,
and the actors simply need to slow
down at the most difficult parts.
The play is worth seeing.
Farce fans applause
By GREGORY KERO
There were less than a few
moments of silence in the audience
at the Frederic Wood Theatre last
Friday night. The premiere of
Moliere's Imaginary Invalid broght
laughter and applause at every turn.
When the curtain went up, the stage
was set for an evening of humour
and pathos.
The production is played like a
typical domestic farce: the gestures
are broad and sometimes quite exaggerated and the dialogue is
delivered at a quick, almost manic
pace; but the production held
together well and qualifies as an enjoyable theatre-going experience.
At the centre of the farce is
Argan (Simon Webb), a character
who is not only a hypochondriac,
but who remains ill because of his
doctor's care, not in spite of it.
He subjects himself to constant
enemas at the hands of his phar-
The reporters now
realize they have no
choice but to leave or die
Pran is later taken
from the neutral
grounds of the. . .
macist, not realizing that the
enamas are keeping him sick, not
curing his condition.
In his neurotic pursuit of medical
care he tries to marry his daughter
to a quack medical doctor in the
hopes that he will have a doctor in
the family and won't have to pay
any medical bills.
But his daughter, Angelique
(Laura White) hopes to marry
Cleante (Bruce Dow).
Thomas Offentrot (Bruce Har-
wood), the quack, plays the con-
sumate nerd: conservative, rea-
tionary, bumbling, and ignorant of
new medical techniques.
The play is presented in three
acts, with a short intermission between each act. Of the three acts, the
second shines. The farce element
works best here and the irony of the
dialogue is truly hilarious.
The comedic climax of the second
act occurs when Angelique and
Cleante sing a duet to one another
ridiculing Argan, who is present in
the room.
The third act is disappointing
although Moliere's depiction of
pedantry and the world of academe
is brought sharply into focus and is
criticized and condemned harshly.
The quality of acting in The Imaginary Invalid is very good, but
what is most evident is Mavor
Moore's direction. When watching
the play it is obvious that it is heavily directed; the production is clearly
a director's showcase.
Great attention is paid to detail in
both dialogue and action. But
rather than conveying the sense that
the actors were responsible, we get
the distinct impression this particular interpretation of the play is
very much one person's view.
The characters are almost too
perfect in their comic disguise and it
becomes obvious as the play progresses this is the work of a person
who has an absolute singularity of
vision.
The play has been given a comic
flair very much in keeping with the
playwright's original vision, but the
delivery of the dialogue and the expressions of the actors updates the
presentation, making the work
>>eem timeless and just as relevant in
its ideas today as it was when
originally staged in 1673.
The actors universally come
across superbly, particularly Simon
Webb, Bruce Dow, Kathryn Bracht
as Toinette and, in a small part, and
Carolyn Soper as Louise. The Imaginary Invalid is excellent and well
worth a look.
i'&Wirrjr  ».' ,»     »-i.-     •«    -w.i-
te, o cara superbly. After the grand
reunion of Elvira and Arturo, a
prisoner arrives in the fortress.
The prisoner, another cavalier, is
soon to be executed for spying. In a
few private moments Arturo offers
to rescue her. The prisoner reveals
herself to be Henrietta of France,
widow of Charles the first. Arturo
insists on organizing their escape.
Henrietta, (Delia Wallis), reminds
Arturo of his young bride in an ana
which was not well sung.
Fortunately Elvira returns with
her uncle to provide some good
singing in the lovely quartet, Son
Vergin Vezzosa. Arturo presents
Elvira with a wedding veil. During
the quartet, Elvira plays with the
veil placing it on Henrietta's head,
this gives Arturo an idea on how to
spirit the queen away.
Elvira and her uncle leave again
to prepare for the wedding. Arturo
releases the queen and they also are
about to leave. Riccardo enters and
upon seeing Arturo about to depart
with Elvira, challenges him to a
duel.
The duel scene is possibly the
worst in the opera. The red brick set
looks like a school yard. Arturo and
Riccardo yelling and brandishing
ridiculously small swords at each
other appear like school boys at
recess time. The queen breaks up
the duel by revealing she is not
Elvira and Riccardo lets them go.
As soon as Elvira learns of Arturo leaving with another woman,
she goes mad. For the next three
months the fortress is surrounded
by cavaliers. Elvira gets madder and
runs after all the men. Giorgio and
Riccardo sing a duo which the conductor drowns in an attempt to
cover their poor singing, while the
chorus rushes around carrying
dummies of dead soldiers. Incident-
ly, the chorus are the most consistent performers after Elvira.
The scene now switches to outside the fortress where Arturo is
lurking in the fog that engulfs the
set during all the previous scenes,
English weather has never been so
bad. Arturo, haggard and worn
out, is surprised to hear the singing
of Elvira. She at first does not
Turn to page 9: ARTURO
Humanity triumphs
By CHARLIE FIDELMAN,
I read recently of yet another trial
of someone accused of publishing
statements known to be false.
Fragments of Isabella
By Isabella Leitner
Dell Laurel
Ernst Zundel, a West German
citizen living in Toronto claims the
holocaust was a hoax and published
those claims.
Rudolf Vrba, assistant professor
at UBC and survivor of Auschwitz,
is presently refuting Zundel's false
King's rubbers rub all
By PAUL MLODZIK
B.B. King once said, "I like to
think of myself, while on stage, as a
guy with long rubber arms — that
I'm able to embrace everybody in
the audience and move them along
with me". And that's precisely
what he did opening night in the
Plazazz show room Monday night.
From the first song, a sizzling swing version of Every Day I Have the
Blues, the King of Blues owned
every person in the packed lounge.
Having played all around the world
for more than two decades, King
has his audiences clapping and singing from the start.
B.B. King
at the Plazazz
until Feb. 2
King, who will be 60 later this
year, delivers tight non-stop
100-minute sets of blues. From the
steamy Rock Me (All Night Long)
to the spiteful Ain't No One Home,
King keeps the pace changing and
the mood light. The hilarious How
Blues Can You Get: "I gave you
seven children, woman/and now
you wanna give 'em back", is a par-
ticluar crowd favorite.
The B.B. King Orchestra consists
of six men, each sporting a 3-piece,
wine-colored suit and large
amounts  of gold  jewelry.   These
musicians — including sax,
trumpet, keyboards, guitar, bass
and drums — warm up the audience
with a couple of upbeat tunes which
provides them with an opportunity
to display their incredible competence.
Tenor sax player Eddie Senigal
and trumpeter James "Boogaloo"
Boulden deserve special mention.
They almost made their instruments
sing at various times in the evening.
During his more traditional blues
selections, King often lets his band
carry the rhythm while he offers advice to the audience on such diverse
matters as life, love, revenge and
"swappin' chops". The highly-
animated King seems so sincere and
comfortable, that he appears to be
confiding in everyone personally.
Then, as soon as his last few words
trail off, the band breaks feverishly
into another tune and changes the
pace.
B.B. King is the consumate entertainer. While eliciting the final
strains of The Thrill Is Gone from
his guitar Lucille, he had people
standing to applaud in a state of
permanent smile.
Although the Blues are not this
reviewer's main area of musical interest, I can honestly say I have
never left a concert more satisfied in
my life.
claims at the trial with lurid
testimonials which defy disbelief.
And Isabella Leitner, author and
survivor of Auschwitz, also has
testimonials. She wrote a book
which she said she wanted the whole
world to read. She must have intended her book for people like
Zundel.
Fragments of Isabella is a memoir
of Auschwitz written without the
most lurid details. Instead the
memoir traverses time in both directions touching upon delicate
fragments each of which contains
hidden stores of painfull strength,
the strength of a survivor.
The scent of spring in May is one
such fragment. The beautiful
month of May celebrates Isabella
Leitner's birthday and it also commemorates the death of Isabella's
mother. The scent in May for
Isabella is one of burning flesh, her
mother's.
And Isabella has been denied the
grace of a grave to bring flowers to.
"I am not sentimental. Yet I crave
so a small piece of earth, a
testimony that I too had a mother,
that this planet is mine too, so the
salt of my tears on that little mound
might make me a part of the whole
scheme of things," wrote Isabella
Leitner.
This passage is also intended for
the Zundels of this earth who wish
to rob people like Isabella of even
her painful memories.
Isabella survived Auschwitz probably because of the pressure of
staying alive for the rest of her
family, her three other sisters. She
stayed alive because her mother, a
frail woman of love, insisted
humanity existed despite the visible
horrors. "And when this is over
you must add to (the humanity),"
said her mother.
Isabella lived to "build a future
free of bloodshed." And this is
really the purpose of Isabella's
book. Without memories, the
blood could easily flow again.
Isabella Leitner is giving a lecture
Jan. 31, 8:00 p.m. at Woodward
IRC, UBC.
f> r
fi-
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I I.
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i"3 THE    UBYSSEY
Friday, January 25, 1985
Bin"
,  „„s TO TECHNICAL~ t>,n?£ ,
VrjiTies Tue CAm»N< Ajo«wuy
5MN M THIS sfAce Wltt^T
«€ MUSHfiP IN THIS eJ>lT!Or4
bj€ A^UOftl?€ P* THf MCON-
V£M€NC£.  T«C v*YSS€*CA«-   ,
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Y
Let's make Trek
memorable
This week high school students in Kitimat and elsewhere refused
to attend classes. They made this move in an effort to convince the
Socred government more funding for education was needed, and
needed badly. They weren't asking for increases — they merely
wanted spending levels for education kept at last year's levels.
The B.C. government has to listen to these students. Education
at the primary and secondary levels for the most part, is considered
their own responsibility. People would say it is their duty to give
B.C.'s children a basic, standard education.
However, the case is less clear for B.C.'s universities and colleges. True, these institutions are suffering from the same financial
problems as schools at the lower education levels. But unlike
school children students are not obligated by law to register at and
attend a post-secondary institution. The pursuit of higher education is a purely voluntary chase, in the Socreds' eyes, and so post-
secondary education is vulnerable in this province.
It is important for both students and faculty alike to demonstrate
the importance of higher education to this province, and the role
which the government should assume. We do not mean simply as
a source of funds, though that of course is involved, but also as a
creator of opportunities for the people of B.C. to receive a higher
level of knowledge without having to leave their province.
It is for this reason that we endorse the faculty association's
decision to hold another Great Trek. These events have been effective in demonstrating to the public the desperate straits higher
education is in at times in the past.
The New Great Trek may not get us the provincial funding this
university needs to maintain its programs. But it will show to the
rest of B.C. and indeed the rest of Canada, that we will not have
the idea of cuts in our university forced down our throats without
showing our disapproval.
Politicians, even Socreds, tend to remember great public
displays, especially around election time. That may cause them to
remember students vote too, and perhaps the Socreds may reconsider where to cut costs in their budget.
Also, by publicizing our need, it is possible that we may discover
other sources of funding. Sympathetic alumni, or private sector
companies may wish to give students opportunities for learning
which the Socreds currently deny us.
Naturally, all of this is dependent on one thing — the support of
the student. This means you, bub.
If this new Great Trek fails due to apathy, we have only ourselves
to blame. That's why the Great Trek of 1982 failed. We cannot afford to be so apathetic again — the stakes have grown much too
high this time.
Letters
Student senator tries to justify existence
I am writing in response to the
editorial column of Friday, Jan. 18,
1985 concerning the January senate
meeting (Insenaty). I was very
disappointed to read how facts
could be slanted and quotes taken
out of context in such a way so as to
present a distorted view of the situation to students.
If the purpose of your editorial
column was to raise student concern
and anger over our present budget
situation and the probability of program cutbacks then you have my
support.
However, I question your
method of attacking student
senators.
For your information the revised
Burnyeat motion guaranteeing programs for students already enrolled
in them was essentially the same
motion that the student senators
were going to give notice of under
other business.
The other side of the coin, that
this motion would tie the
university's hands with regards to
future budget options with even
worse consequences for students
was not even mentioned in your
editorial.
Student senators do not just walk
into senate meetings without doing
some basic research on the issues, as
it appears some Ubyssey reporters
do. If the editors had cared to ask
for the full details and the depth of
the decisions facing us I am sure
that student senators would have
been willing to fill them in. It was
not just a question of should we put
this motion forward, but of what
are the consequences if we do.
THE UBYSSEY
January 25, 1985
The Ubyssey is published Tuesday and Fridays throughout the
academic year by the Alma Mater Society of the University of British
Columbia. Editorial opinions are those of the staff and are not
necessarily those of the university administration or the AMS.
Member Canadian University Press. The Ubyssey's editorial office is
SUB 241k. Editorial, department, 228-2301/2305. Advertising
228-3977/3978.
Oh ye, behold! and blorg attacked blorg after Emilie Douglas Gordon Clark, Bruce Dennison, and
Jerry Gustafson offered more than you ever wanted to know about the insignificant meaning of your
life. Patti Flather, Robert Beynon, Victor Wong, and Stuart Colcleugh presented the Great Super-
Duper Love-in/Search for the Egg in scintillating reconcilliation. In your monogrammed dreams float
Charlie Fidelman, Rory Allen, Nicole Jean and Gregory Kero while Frank Pollilo, Sarah Millin, Paul
Mlodzik and Rick Klein leapfrogged around enigmatic green magic mushrooms to joyous tintinabula-
tion. from the Courier:   Todd Wong    Jim Chow
As for your quote, "The question is whether we're going to represent student interests or not", I said
that and the actual statement was:
"the question is whether we're going to represent these students' interests (referring to the SDU proposal for reinstatement of the 'N'
grade) or not".
This quote was certainly taken
out of context as it appears that I
was talking about the motion to cut
programs which, for the record, I.
voted in favour of. I still maintain
that the 'N' grade should be
abolished as:
1) it penalizes those students who
write an exam and fail because
students who would have received lower marks did not write the
final.
2) students in commerce had an
'N' on their transcript treated as
a zero in the calculation of their
averages and were thus not getting the same treatment as the
rest of the university.
3) adequate provisions already exist for students to drop a course
after the deadline without penalty for medical or compassionate
reasons.
Student caucus did support the idea
of lengthening the drop-add time
for one term courses, although
there may be practical problems in
getting this implemented.
I hope this clears up some of the
confusion your editorial may have
caused students as to what actually
took place. I urge all students who
are concerned about program cutbacks to write to universities
minister Pat McGeer and express
them.
I urge the Ubyssey to find
another scapegoat and to issue an
apology to student senators who at
least care enough to take time away
from school and social activities to
get involved!
Andrew J. Pearson
commerce student senator
Ed. note: Science senator John
Kelsall, not Pearson, made the
remark Pearson claims is misquoted.
WE'LL SLAP 'EM ON THE f&ONT
PAsei we'll tx? bxt*a eomons!
WEHLPOUBLE THE PRINT RUN/
Wanted: photogs
Why let websfinging photogs get all
the glory? The Ubyssey needs
lensmen and women* Friday, January 25,1985
THE    UBYSSEY
Page 9
Arturo falls in love
From page 7
recognize him in her madness.
Meanwhile Puritan soldiers are
looking for Arturo.
In this production much of the
suspense is lost because the staging
does not make Arturo look chased.
Elvira becomes temporarily sane
while Arturo explains why he ran
off with the queen. Elvira then goes
nuts again and calls for the soldiers.
The soldiers, joined by Giorgio
and Riccardo, promptly put Arturo
up against a wall to be shot as a
traitor. At this point Elvira regains
her sanity until the end of the opera
and sings with Arturo about how
much they love each other. This
delays the planned execution long
enough for a messenger to arrive
announcing the war is over and
general amnesty is declared.
Everyone is happy except Riccardo
who really wants to kill Arturo, his
rival. This is a change in the script
and it is a realistic choice by the
director. The opera ends with Arturo and Elvira together again.
The best part of the opera is the
singing of the soprano. Arturo is
well played but his part is limited to
two acts alone. The lighting attempts to create the look of a Rembrandt painting, but distracts the
audience by making it difficult to
see the singers. The best costumes
to be found were in the audience.
Track team flies east
Eight members of the UBC track
and field team have been selected to
participate in a Canadian In-
teruniversity Athletic Union sponsored Canada-U.S. meet, track and
field coach Lionel Pugh, said Monday.
The meet will be held Feb. 1 and
2 in Sherbrooke, Quebec.
The athletes were chosen  from
among all Western Canadian
universities based on past performances in CIAU-sponsored events.
The Canada West team, as well
as a team from Ontario and the
Quebec-Maritimes will compete
against three men's and three
women's teams from universities in
the eastern United States, said
Pugh.
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One more lucky student wili win an '85 Bronco in
the final draw, February 20,1985
Entry forms and complete contest details are available in campus
tookstores or by sending a stamped, self-addressed envelope to
Tslecom Canada, "Make Someone Happy Contest Entries, 410 Laurier
Ave W. Room 950, Box 2410 Station D, Ottawa, Ontario KIP 6H5 Page 10
THE    UBYSSEY
Friday, January 25, 1985
*%J00ti
FRIDAY
STUDENT COUNCIL FOR EXCEPTIONAL
CHILDREN
Exceptional Persons Week, ends today, in
SUB and across campus.
THUNDERBIRD VOLLEYBALL
Canada West men's and women's tournament featuring top Canadian college
teams, women at 1:45and 6:15 p.m., men
at 4 and 8:30 p.m., War Memorial gym.
UBC STAMP CLUB
Organizational meeting, noon, International House board room.
ALMA MATER SOCIETY/ALUMNI
ASSOCIATION
Briefing for the Real World Seminars,
11:30, noon, and 1:30, SUB 211, 213, 215.
INTRAMURALS
Registration for broomball night closes, 3
p.m.. War Memorial gym 203.
LE CLUB FRANCAIS
Conversation meeting, noon, International House.
EAST INDIAN STUDENTS
ASSOCIATION
Bowling tournament, 6 p.m., SUB games
room.
INTRAMURALS
West-East Mall road race, 3 and 4.5 km,
noon, race centre in SUB concourse.
UBC STUDENTS FOR PEACE AND
MUTUAL DISARMAMENT
Film: USA/USSR - Who's Ahead?,
noon, SUB 205.
AGRICULTURE UNDERGRAD SOCIETY
The Great Race, beer and more,  noon,
sign  up  in  Aggie  lounge,  start  outside
MacMillan.
THUNDERBIRD GYMNASTICS
Men host Universities of Victoria,
Washington, and Alberta, 6 p.m.,
Osborne gymnastics gym.
BALLET UBC JAZZ
Registration, noon, SUB 216E.
BALLET UBC JAZZ
Last day for t-shirts, noon and 2:30-3:30,
SUB 216E.
THUNDERBIRD HOCKEY
Canada   West   match   vs   Calgary,   7:30
HISTORY STUDENTS ASSOCIATION
Film: "The Year of Living Dangerously"
and discussion after with Diane Mauzy,
7:30 p.m., Buch A204.
SATURDAY
AGRICULTURE UNDERGRAD SOCIETY
Farmer's Frolic, $5, 7 p.m.. Armouries.
THUNDERBIRD HOCKEY
Canada West game vs Calgary, 7:30 p.m.,
Thunderbird arena.
THUNDERBIRD VOLLEYBALL
Canada West tournament, UBC women
play at 1:45 and 6:15 p.m., men at 4 and
8:30 p.m.. War Memorial gym.
UBC DANCE CLUB
Wine and cheese party, 8 p.m., SUB
ballroom.
CHINESE STUDENTS ASSOCIATION
Tennis night, 9-11 p.m., Osborne gym A
and bubble.
SAILING CLUB
Races for fun, phone answering machine
for details, noon, Jericho Sailing centre.
GAYS AND LESBIANS OF UBC
Skating party, 7:30-9:30 p.m., party till
12:30, Kitsilano Skating rink.
SUNDAY
UBYSSEY SCHOOL OF SOCCER
Staff soccer game, be there or be hexagonal, 11 a.m., 25th and Crown.
THUNDERBIRD BASKETBALL
Men's University of Alaska, 2 p.m., War
Memorial gym.
INTRAMURALS
Drop  in  volleyball,  8-10  p.m.,  Osborne
gyms A and B.
INTRAMURALS
Drop in  badminton,  6-8 p.m.,  Osborne
gyms A and B.
MONDAY
LATIN AMERICA SUPPORT
COMMITTEE
Ex-president of Chilean University speaks
on Chile, noon in Buch D 238 and 7 p.m.
in Buch A 205.
BALLET UBC JAZZ
Registration, noon, SUB 216E.
WORLD UNIVERSITY SERVICE OF
CANADA
Film: "Sigaalow — Town of Dust", Buch
B 214.
INTRAMURALS
Inner tube water polo league begins, 8
p.m., Aquatic centre.
AN INFORMATION
SESSION ON THE
MBA at UBC
• Date: Wed., Jan. 30th
• Time: 12:30-2:30
• Place: Henry Angus 226
A BRIEF FORMAL PRESENTATION WILL BE
FOLLOWED BY A QUESTION & ANSWER SESSION
SPEAKER
•  PROFESSOR BERNHARD SCHWAB
•  DIRECTOR OF UBC'S MBA PROGRAM
p.m., Thunderbird arena.
THE CLASSIFIEDS
RATES: AMS Card Holders — 3 lines, 1 day $2.50; additional lines, .60c. Commercial — 3 lines,
1 day $4.50; additional lines, .70c. Additional days. $4.00 and .65c.
Classified ads are payable in advance. Deadline is 10:30 a.m. the day before publication.
  Publications, Room 266, SUB., UBC,  Van., B.C.  V6T 2A5
vr^A
Charge Phone Orders over $10.00. Call 228-3977
COMING EVENTS
THE VANCOUVER INSTITUTE
Free Public Lecture
PROF. RICHARD PEARSON
Anthropology, UBC
on
ASIAN ARCHAEOLOGY:
RECENT DISCOVERIES
Lecture Hall 2,
Woodward Building
Saturday, Jan. 26
at 8 :15 p.m.
Free Admission
TAKES TWO — one of Canada's most professional, selective roommate matching
agencies. Call 9 to 9 for details. 685-5681.
Small fee.
80 - TUTORING
NEED HELP in Spanish or German? Tutor
available. Phone 985-1523 and leave
message. Reas. Rates.
25 - INSTRUCTION
LSAT, GMAT, MCAT preparation. Call
National Testing 738-4618. Please leave
message on tape if manager is counselling.
85 - TYPING
Let Us Prepare You For The
March 2, 1985 LSAT
on Feb. 1, 2, 3/1985
For information call free
LSAT/GMAT
PREPARATION COURSES
112-800 387 3742
YOUR WORDS PROFESSIONALLY
TYPED - TO GO. Judith Filtness, 3206
W. 38th Ave., Van. 263-0351 (24 hrs.). Fast
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TYPING -
734-8451.
Fast accurate, reasonable rates.
11
FOR SALE - Private
35 - LOST
DOUBLE BOX SPRING and mattress,
Sealy Posturpedic Signature. New $900. 3
yrs. old, excellent cond. $200 O.B.O. Days
228-3977, Eves. 874-9581.
LARGE GREY JACKET from Pit, Sat
night, sentimental value. Reward offered,
no questions asked. Rich, 224-0352.
NAKAMICHI TRI TRACER 700 3 head,
professional cassette tape deck. Tested
20-20, khz± 2 db. Pristine condition. New
$1200. Now $500 O.B.O. 874-9581 eves.
1982 RENAULT R5, gold, 25,000 km.,
sunroof, superb condition. $4700. Elvira,
222-1785.
40 - MESSAGES
'73 VW VAN, new engine, clutch, brakes,
am/fm, good running condition, $1800
OBO. 682 7978
'69 AUSTIN AMERICA. 1300 cc, 68,000
original mi. 2-dr., 4-speed, excellent condition, $1300 OBO. 271-5602.
20 - HOUSING
GORGEOUS 2-bdrm. apt to share. Kits
Beach. Sunny, 2nd fir. Bus stop in front. I
am a female 4th yr. stud, looking for rm-
mate. Preferrable light or non-smoker. Easy
going, $250-$275/mo. negot. Avail anytime
Feb.-Mar. Please phone 731-5939 before
noon Ef around 6 p.m.
ROOMMATE WANTED! Blenheim & 5th,
$275 plus util. Need bdrm. furn. Share with
3 others. Feb. 1st. Ph. 732-5730.
ROOM & BOARD available on campus at
THE FIJI HOUSE. For info call 224-8000 or
224-9684.
ROOM IN shared house, 41st Ef Holland,
$240/month, near UBC. Very large house,
phone 266-0769.
CONGRATULATIONS to the newest actives
of KAPPA SIGMA from the chapter.
NEED SOMEONE to write two short essays.
Reasonable rate. 298-4595, ask for Tony.
WILLING TO SWIM the English Channel?
Neither are we! But we have a variety of intriguing volunteer jobs for you at Volunteer
Connection. Call us at 228-3811 or drop by
No. 200 Brock Hall.
DOTS WORD PROCESSING offers reasonable rates for students for term papers,
essays & masters. 273-6008 eves.
UNIVERSITY TYPING-Word processing.
Papers, theses, resumes, letters. P-U Er del.
9 a.m.-11 p.m. 7 days/wk. 251 2064.
WORD PROCESSING (MICOM). Student
rates $14/ hr. Equation typing avail. Fast
professional service. Jeeva, 876-5333.
PDQ WORD PROCESSING. Essays,
theses, reports, letters, resumes. Days,
evgs/wknds. Quick turnaround, student
rates. 731 1252.
WORDPOWER - Editing Ef word processing professionals. Thesis, term paper,
resume & form letter specialists. Student
rates. 3737 W. 10th (at Alma). 222 2661.
65 - SCANDALS
SKI TRIP to Silverstar, Feb. 21-24. $175
includes transp., condo with cook facil., 4
lift passes £f other extras. More info, Drew
Erdely, 734-8470, 224-9866.
WHAT ASPIRING evangelist was rexogniz-
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WORD    PROCESSING    SPECIALIST.    U
write, we type, theses, resumes, letters,
essays. Days, evgs/wkends. 736-1208.
EXPERT TYPING. Essays, term papers,
factums, letters, mscpts., resumes, theses.
IBM Selec. II. Reas. rates. Rose 731 9857.
TYPING AND/OR EDITING: Reports, essays, letters, manuscripts, etc. IBM Selectric II. Phone 261-3345.
SPEAKEASY has a typist registry. Find a
typist or be a typist. SUB Concourse. Drop
by S:30 a.m.-9:30 p.m.
70 - SERVICES
SATURDAY EVENING
WORSHIP SERVICE
6 p.m. Weekly
Contemporary Communion
Guest Preachers
St. Philips Anglican Church
3741 W. 27th (off Dunbar)
Coffee and Fellowship
Following Service
ALL WELCOME
RESUMES
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to be among the best. Why spend valuable time
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WORDPOWER- 222-2661
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STARBUSTING EPICS!!!
Subfilms presents: Jan. 24-27
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SPECIAL: 2 FOR 1
JANUARY 28th Friday, January 25, 1985
THE    UBYSSEY
Page 11
Bx-Uhih
David Hall, Shani Moo too and Mark
Linklater: Three B.C. painters who share a
common interest in working with the mundane to express the non-mundane, Surrey Art
Gallery, until Feb. 3, 13750-88 Ave., Surrey.
Alan Storey: Two site specific pieces built to
extend from the existing structure of the
gallery with movement created by the action
of the viewer, until Feb. 2, Contemporary Art
Gallery, 555 Hamilton St.
No Rest For The Restless: prepared by Kent
Tate, Jan. 21-Feb. 9, Pitt International
Galleries, 36 Powell St.
Rap On The Sublime: The female artist in a
male-defined field of art production is addressed through a series of large portraits, at
the Pitt, Jan. 21-Feb. 9.
Exhibition of Photographs: Jacques Rene
Andre, Nomi Kaplan, Jean-Jacques Baillaut,
Tom Knott, Stuart Dee, James Labonte,
Doane Gregory, George Plawski, Patrick Hat-
tenberger, Ted Scott, Werner Hintermeister,
Ingrid Yuille, at Centre Culturel Colombien,
from Jan. 24-Feb. 28.
The Third Annual Eyeball: multi-media fair
of sight, light and color, with entertainment
including Fool's Theatre, Joe Mock, Snake in
the Grass Moving Theatre, Impulse Improvisation, Farley Foolhardy, and more, prizes for
best costume: Sun. Jan. 20, 1-5 p.m. Robson
Square Media Centre.
Susan Keane and John Simeon: both
North Shore artists share a show, Jan. 9-Feb.
12, North Vancouver City Hall, 141 W. 14th
Ave. 988-6844.
Through Indian Eyes: an exhibition of
photographs taken by Indians of India, Nov.
30-Jan. 20, Vancouver Art Gallery, 750 Hornby St. 682-5621.
The Longstaffe Collection 1959-1984: leading Canadian art collectors' treasures, Jan.
12-Feb. 24, Vancouver Art Gallery, 750 Hornby St. 682-5621.
Veronica Plewman: UBC grad shows pencil
drawings and oil paintings, Jan. 7-Feb. 3,
Vancouver East Cultural Centre, 1895 Ven-
ables St. 254-9578.
Kartner  Block  Series:  an examination  of
landscape and architecture by Katherine Sur-
ridge, Jan. 10-Feb. 10, Burnaby Art Gallery,
6344 Gilpin St. 291-9441.
Water Wave Map Mark: Chinese ink draw
ings by Catherine E. Wetmore, Jan. 6-Jan.
19, Carnegie Gallery, 401 Main St. 665-2220.
Pinter Places: the Canadian premier of three
one-act plays by Harold Pinter, Tues., Thurs.,
Fri., 8:30 Wed. 5:30, Sat. 2:30 and 6:30, Sun.
3:30 p.m., in Repertory with:
The Taming of the Shrew: Shakespeare
thrives at the Dorothy Somerset Studio, Jan.
29 to Feb. 2, 8 p.m. UBC.
I'm Getting My Act Together and Taking
It on the Road: comes off the road Jan. 12,
Mon. to Fri., 8:30 p.m., Sat. 6:30 and 9:30
p.m.. Arts Club, Granville Island.
Ain't Misbehavin': This popular musical revue celebrates its 300th performance on Jan.
30, held over to Feb. 16, regular showing
times and special price matinees on Wed. at
5:30 p.m. Arts Club, Granville Island.
Miss Margarida's Way: a one-woman exploration of the corruption and seduction of
power, Mon. and Wed. 8:30, Tues. and
Thurs. 5:30, Sat. 9:30, Sun. 7:30 p.m. Limited
run to Feb. 9, Arts Club Theatre, Seymour St.
Brew: an irreverent comedy that is known to
set house records soaring, opens Jan. 12, 8
p.m., The Vancouver Playhouse.
The Vancouver Show: come join the audience of the Vancouver Show . . . one of
many ways of to be aware of what's what,
CKVU 180 W. 2nd Ave., reserve seating only,
call 876-1344.
The Imaginary Invalid: by Moliere a famous
farcist, Jan. 18, 8:00 p.m. at the Frederic
Wood Theatre.
Jay O'Callahan: master storyteller for
children ot any age or stature, Jan. 18-20,
Centennial Theatre, 6897-7697.
Twelfth Night or What You Will:
Shakespeare at the Arts Club directed by
Larry Lillo, starts Jan. 18 until March 2,
687-1644.
Tsymbaly: Ted Galay's new full length
musical, tells the story of four generations of a
Ukrainian family in Canada, one week only,
Jan. 23-27 at the New Play Centre, 685-6217.
Contagious: A new musical by Morris
Panych and Ken MacDonald, directed by
Kolneder, Tamahnous askes the musical
question: "Is humanity a dead issue:" Jan.
19-Feb. 16 at the Van. East Cultural Centre,
previews for students at cheap prices: Fri.
Jan. 18.
Agriculture Undergraduate Society's
Farmer's Frolic
with
The Pierce Bros. Band
Saturday, January 26, 8 p.m.
Armouries AMS Box Office
Tickets $5.00 Aggie U.S. Office
Door
DINNER DELIVERED?
Call Candia Taverna
Traditional Greco-Roman Cuisine
4510 West 10th Avenue
Open Sunday through Thursday 5:00 p.m. to 1:00 a.m.
Friday and Saturday 5:00 p.m. to 2:00 a.m.
For reservations and delivery: 228-9512 — 228-9513
Try Candia Taverna's carefully prepared Greek dishes, from such standards
as Mousaka, Souvlakias grilled carefully to your tastes, Greek Salads
smothered with Feta Cheeses, to specially prepared Kalamaria brought to
your table piping hot and delicious. Sample the large selection of Greek and
Italian appetizers: Kotosoupa, Tzanziki, Homus, Italian Salad rich with Moz-
zarella. Candia Style sauces prepared for the Lasagna, Spaghetti and
Tortellini are great favourites, as are the wide varieties of pizzas. The chef
lovingly creates daily specials such as spinach pizza and BBQ Chicken for
your appreciation. A friendly staff member welcomes each customer at the
door and insures that a visit at Candia Taverna is a memorable one. And to
the delight of the customers, each Friday and Saturday evening dancers
perform their Dance Oriental.
THE STUDENT
BUDGET BOOSTER!
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ysttsss&r
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■    Redeemable at: MohawK CollingWOod
one coupon per
Expires
: February 8, 1985
Mohawk Oak Street
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Newsweek Page 12
THE    UBYSSEY
Friday, January 25,1985
Elderly need better care
By JERRY GUSTAFSON
By the year 2030, 21 per cent of
our population will consist of persons 65 years old and older
although today's elderly face
drastic shortcomings in geriatric
medicine, the speaker in the Tenth
Annual John F. McCreary lecture
said Thursday.
Dr. John C. Beck told a capacity
crowd in IRC 2 that "both the
U.S.A. and Canada represent
youth-oriented cultures, and the
term ageism, used in the same sense
as sexism or racism, must be applied
to many of the prevailing attitudes
which exist towards the elderly in
both countries."
In the lecture titled "The Graying
North America", Dr. Beck
presented several issues he said
cross all professional minds, including:
• difficulties defining and measuring the health of the elderly.
• difficulties   diagnosing   disease
and illness in the elderly.
"The demographic transition
which has produced this substantially increased proportion of elderly in the U.S.A. and Canada has.
ushered in an era of much greater
concern for the aged," Dr. Beck
said.
Problems with health in the elderly become more difficult to
recognize than problems with
health in younger persons, he said.
Diseases do not similarly manifest
themselves and there are co-existing
multiple conditions, he said.
And the elderly themselves are
hesitant to seek health care due to
fear of hospitals, he added. Dr.
Beck said the elderly also share
society's view that disease is a part
of ageing.
"Complex relationships exist between physical health, mental
health, and social economic
states." Dr. Beck said self-
assessment of health in the elderly
seems to be linked to economic
state.
Dr. Beck said to improve
geriatric medicine instruments better suited for judging the elderly's
health are needed, along with a new
taxonomy system describing
diseases exclusive to the elderly, and
geriatric assessment units. But these
are always overshadowed by the
spectre of government cutbacks, he
said.
The lecture was simultaneously
broadcast to St. Paul's, Vancouver
General, and Children's Hospital.
PANGO PANGO (UNS) —
Thousands of hairy faced blorgs
cheered as Daily Blah entertainer
Barley Middleperson was awarded
the coveted Centerspread Trophy,
narrowly defeating sometime
socialite playboy Gorgon Bark.
The judgs made the initial decision in favor of Bark, but changed
their minds after Middleperson
threw an impressive temper tantrum.
WARNING: Health and Welfare Canada advises that danger to health increases with amount smoked — avoid inhaling. Average per Cigarette -
Export "A" Light Regular "tar" 10.0 mg., nicotine 0.8 mg. King Size "tar" 10.0 mg., nicotine 0.8 mg.
Export "A" Extra Light Regular "tar" 8.0 mg., nicotine 0.7 mg. King Size "tar" 9.0 mg., nicotine 0.8 mg.

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