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UBC Theses and Dissertations
Ribbons of visible air Lee, Brent
Abstract
Ribbons of Visible Air is a work of about twenty minutes duration for soprano saxophone, violin, cello, piano, one percussion, and live digital sound processing. Though the work unfolds as one continuous movement, it is conceived as being in several sections, each lasting from approximately one to four minutes. The primary ideas behind the form of Ribbons of Visible Air originate in the concerto principle (with the saxophone in the role of soloist) and variation technique; these ideas influence not only the large-scale form, but also the organization of material in respect to the different instruments and the relationship of the ensemble as a whole to the electronic processing. This composition explores a number of harmonic techniques related to the harmonic series, as well as the rhythmic possibilities inherent in multiple levels of pulsation. Of particular relevance to this work is the incorporation of extended techniques of the soprano saxophone, especially the alteration of pitch and timbre through unorthodox fingering patterns.
Item Metadata
Title |
Ribbons of visible air
|
Creator | |
Publisher |
University of British Columbia
|
Date Issued |
1999
|
Description |
Ribbons of Visible Air is a work of about twenty minutes duration for
soprano saxophone, violin, cello, piano, one percussion, and live digital sound
processing. Though the work unfolds as one continuous movement, it is
conceived as being in several sections, each lasting from approximately one to
four minutes. The primary ideas behind the form of Ribbons of Visible Air
originate in the concerto principle (with the saxophone in the role of soloist) and
variation technique; these ideas influence not only the large-scale form, but also
the organization of material in respect to the different instruments and the
relationship of the ensemble as a whole to the electronic processing. This
composition explores a number of harmonic techniques related to the harmonic
series, as well as the rhythmic possibilities inherent in multiple levels of
pulsation. Of particular relevance to this work is the incorporation of extended
techniques of the soprano saxophone, especially the alteration of pitch and
timbre through unorthodox fingering patterns.
|
Extent |
3324973 bytes
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Genre | |
Type | |
File Format |
application/pdf
|
Language |
eng
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Date Available |
2009-07-03
|
Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
|
DOI |
10.14288/1.0089344
|
URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
|
Graduation Date |
1999-05
|
Campus | |
Scholarly Level |
Graduate
|
Aggregated Source Repository |
DSpace
|
Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.