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UBC Theses and Dissertations
UBC Theses and Dissertations
Three works for bassoon (ca. 1780-1815) by the composers Brandl, Schneider and Schacht, including histories, scores and commentaries on editing Thorpe, Allan Ross
Abstract
This document presents performing editions of three lesser-known works from the classical period which feature bassoon. The works discussed are Johann Brandi’s Ouintetto Op. 14, Theodor von Schacht’s Concerto B-dur per due Fagotti and Georg Abraham Schneider’s Grand Concerto. Each of these works survive in only one source -- either a manuscript or an early edition. Prior to the discussion of the pieces, a brief discussion of editorial procedures is included. This discussion begins as a survey of common editorial procedures and leads to a presentation of the editorial procedures used in the preparation of the scores included in the document. Some brief comments regarding the computer software packages used in the production of these scores are also included. The discussion of each composition begins with historical information -- a biography of the composer, a list of his works for bassoon, and comments on the composition’s performance history. Next the source for each composition is identified, and its condition noted. This is followed by a discussion of the difficulties encountered in preparing the editions. The scores are presented are presented at the end of each of the three main chapters. A comprehensive list of editorial changes is provided for each work in an appendix.
Item Metadata
Title |
Three works for bassoon (ca. 1780-1815) by the composers Brandl, Schneider and Schacht, including histories, scores and commentaries on editing
|
Creator | |
Publisher |
University of British Columbia
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Date Issued |
1994
|
Description |
This document presents performing editions of three lesser-known works from the
classical period which feature bassoon. The works discussed are Johann Brandi’s Ouintetto
Op. 14, Theodor von Schacht’s Concerto B-dur per due Fagotti and Georg Abraham
Schneider’s Grand Concerto. Each of these works survive in only one source -- either a
manuscript or an early edition.
Prior to the discussion of the pieces, a brief discussion of editorial procedures is
included. This discussion begins as a survey of common editorial procedures and leads to a
presentation of the editorial procedures used in the preparation of the scores included in the
document. Some brief comments regarding the computer software packages used in the
production of these scores are also included.
The discussion of each composition begins with historical information -- a biography
of the composer, a list of his works for bassoon, and comments on the composition’s
performance history. Next the source for each composition is identified, and its condition
noted. This is followed by a discussion of the difficulties encountered in preparing the
editions. The scores are presented are presented at the end of each of the three main
chapters. A comprehensive list of editorial changes is provided for each work in an
appendix.
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Extent |
12845950 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-04-15
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0088042
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1994-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.