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UBC Theses and Dissertations
Fluid subjectivity : bodies, machines and science fictions in cyberculture Fleury, Angela Richelle
Abstract
The crisis of the universal subject has been examined by many postmodern theoretical discourses, but this crisis also manifests in popular culture. In particular, science fiction offers us an insight into shifting modes of subjectivity that collide in the boundary between the human and the machine. William Gibson's Neuromancer is an example of a social text which offers us insight into a particular historical juncture which collapses modern and postmodern, identity and difference, mind and body. These boundary transgressions surface in Gibson's text, predominantly though the construction of characters' bodies. The body has historically been a pivotal site for the organization of difference in science, social science and culture, although it has rarely been acknowledged as an explicit subject of these discourses. The dissolution of the strict separation constructed between science and fiction has remarkable implications for subjectivity and identity. Science fiction itself emerges from this boundary, weaving science fact, social reality and imaginary worlds. How science fiction explores technoculture collides with postmodern debates about subject construction. If we come to understand that the body has historically been a tool categorized for the establishment of sameness and difference, the body in science fiction is a productive area of inquiry in relation to techno-subjectivity. Cyberspace and cyberculture do not always problematize traditional Cartesian dualisms relating to mind and body, but these spaces can offer hope about the re-organization of bodies and minds in terms of fluidity and multiplicity. The emergence of new forms of technology like cyberspace and virtual reality in Neuromancer, as well as in social reality, have deep rooted implications for the status of the body but also provide renewed potential for understanding subject construction.
Item Metadata
Title |
Fluid subjectivity : bodies, machines and science fictions in cyberculture
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Creator | |
Publisher |
University of British Columbia
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Date Issued |
1997
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Description |
The crisis of the universal subject has been examined by many postmodern theoretical
discourses, but this crisis also manifests in popular culture. In particular, science fiction offers us
an insight into shifting modes of subjectivity that collide in the boundary between the human and
the machine. William Gibson's Neuromancer is an example of a social text which offers us insight
into a particular historical juncture which collapses modern and postmodern, identity and
difference, mind and body. These boundary transgressions surface in Gibson's text, predominantly
though the construction of characters' bodies. The body has historically been a pivotal site for the
organization of difference in science, social science and culture, although it has rarely been
acknowledged as an explicit subject of these discourses. The dissolution of the strict separation
constructed between science and fiction has remarkable implications for subjectivity and identity.
Science fiction itself emerges from this boundary, weaving science fact, social reality and
imaginary worlds. How science fiction explores technoculture collides with postmodern debates
about subject construction. If we come to understand that the body has historically been a tool
categorized for the establishment of sameness and difference, the body in science fiction is a
productive area of inquiry in relation to techno-subjectivity. Cyberspace and cyberculture do not
always problematize traditional Cartesian dualisms relating to mind and body, but these spaces
can offer hope about the re-organization of bodies and minds in terms of fluidity and multiplicity.
The emergence of new forms of technology like cyberspace and virtual reality in Neuromancer,
as well as in social reality, have deep rooted implications for the status of the body but also
provide renewed potential for understanding subject construction.
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Extent |
6065957 bytes
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Genre | |
Type | |
File Format |
application/pdf
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Language |
eng
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Date Available |
2009-03-25
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Provider |
Vancouver : University of British Columbia Library
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Rights |
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.
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DOI |
10.14288/1.0087783
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
1997-11
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Campus | |
Scholarly Level |
Graduate
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Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use.