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UBC Theses and Dissertations
Becoming enìlikogical : the autoethnography of an early childhood educator during the COVID-19 pandemic Moore, Frances E.
Abstract
Drawing from the notion of autoethnography as pedagogy (Banks & Banks, 2000), the purpose of this thesis is to ignite a process of reflexivity through writing and re-writing the self (Gouzouasis, 2020) as I recollect and write my own lived experiences as an Early Childhood Educator (ECE) and artist teaching and creating during the initial year of the COVID-19 pandemic. By adopting autoethnographic and a/r/tographic practices, I aim to examine the concept of ‘becoming enìlikogical’, noting the distinction of enìlikogy as the study of adult-oriented learning (Gouzouasis, 2019). Thus, the act of storying my own processes of teaching and learning serves to invite a reflexive inquiry in an enìlikogical sense. I aim to not only inform transformative growth on a personal level but also to initiate dialogue around the complex experiences of Early Childhood Educators, illustrate the relationality of ECE praxis, and to promote a culture of reflexivity in the field of ECE. My intention is to redefine my practice and identity as an educator through this process, as I reflexively examine (1) how my identity and pedagogical practice have shifted in the context of a global pandemic, (2) how my practices as an artist, educator, and researcher intersect with each other, and (3) how a ‘living curriculum’ may be invited or suppressed within the milieu of a pandemic. Over the course of a year, I engaged in various creative practices to capture my own lived experiences of teaching in the age of a global pandemic. This inquiry is predominantly centred around a series of short ‘factional’ stories (Gouzouasis & Ryu, 2015) written in the genre of creative nonfiction, a feature of contemporary autoethnography. Additionally, I integrate elements of poetic inquiry, photography, and aligned textile arts to deepen my reflexive inquiry and position my work as a/r/tography. Storying my experiences, whether through creative nonfiction, poetry, or visual text, reveals an avenue for embracing my practice as a form of ‘living inquiry’ (Aoki, 2005).
Item Metadata
Title |
Becoming enìlikogical : the autoethnography of an early childhood educator during the COVID-19 pandemic
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Creator | |
Supervisor | |
Publisher |
University of British Columbia
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Date Issued |
2022
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Description |
Drawing from the notion of autoethnography as pedagogy (Banks & Banks, 2000), the purpose of this thesis is to ignite a process of reflexivity through writing and re-writing the self (Gouzouasis, 2020) as I recollect and write my own lived experiences as an Early Childhood Educator (ECE) and artist teaching and creating during the initial year of the COVID-19 pandemic. By adopting autoethnographic and a/r/tographic practices, I aim to examine the concept of ‘becoming enìlikogical’, noting the distinction of enìlikogy as the study of adult-oriented learning (Gouzouasis, 2019). Thus, the act of storying my own processes of teaching and learning serves to invite a reflexive inquiry in an enìlikogical sense. I aim to not only inform transformative growth on a personal level but also to initiate dialogue around the complex experiences of Early Childhood Educators, illustrate the relationality of ECE praxis, and to promote a culture of reflexivity in the field of ECE. My intention is to redefine my practice and identity as an educator through this process, as I reflexively examine (1) how my identity and pedagogical practice have shifted in the context of a global pandemic, (2) how my practices as an artist, educator, and researcher intersect with each other, and (3) how a ‘living curriculum’ may be invited or suppressed within the milieu of a pandemic.
Over the course of a year, I engaged in various creative practices to capture my own lived experiences of teaching in the age of a global pandemic. This inquiry is predominantly centred around a series of short ‘factional’ stories (Gouzouasis & Ryu, 2015) written in the genre of creative nonfiction, a feature of contemporary autoethnography. Additionally, I integrate elements of poetic inquiry, photography, and aligned textile arts to deepen my reflexive inquiry and position my work as a/r/tography. Storying my experiences, whether through creative nonfiction, poetry, or visual text, reveals an avenue for embracing my practice as a form of ‘living inquiry’ (Aoki, 2005).
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Genre | |
Type | |
Language |
eng
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Date Available |
2022-04-22
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Provider |
Vancouver : University of British Columbia Library
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Rights |
Attribution-NonCommercial-NoDerivatives 4.0 International
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DOI |
10.14288/1.0412978
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URI | |
Degree | |
Program | |
Affiliation | |
Degree Grantor |
University of British Columbia
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Graduation Date |
2022-05
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Campus | |
Scholarly Level |
Graduate
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Rights URI | |
Aggregated Source Repository |
DSpace
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Item Media
Item Citations and Data
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International