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Compositions Roark, Timothy Benton 2007

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Compositions by  Timothy Benton Roark B.Mus., Obeiiin Conservatory o f Music, 2005  A T H E S I S S U B M I T T E D IN P A R T I A L F U L F I L L M E N T O F T H E R E Q U I R E M E N T S FOR T H E D E G R E E O F M A S T E R OF M U S I C  in  T H E F A C U L T Y OF G R A D U A T E S T U D I E S  (Composition)  T H E U N I V E R S I T Y OF B R I T I S H C O L U M B I A June 2007  © Timothy Benton Roark, 2007  ABSTRACT  The thesis for the Master of Music degree in Composition consists of live performances of original works composed during graduate study. The student is expected to have written and have performed approximately an hour of music for various media. My compositions were performed on:  A Set of Various Future Times ("'... but not all'") as Foretold by Tsui Pen's Garden ofForking th Paths, performed by the Bozzini String Quartet on April 28 , 2007 for the Composer's Kitchen Workshop (9.29) The Arcturus Agora, read by the Vancouver Symphony Orchestra on April 19 , 2007 (6.32) th  Orfeo Beyond Thunderdomel, performed by the Ad Mare Quintet for the Music in the Schools Outreach Program in a series of concerts in April, 2007 (2.50) 'Crazy Jane and the Bishop', performed on April 3 , 2007 by Margo Levae, Mike Broder, Mark McGregor, Nicholas Jacques, Joy Yeh, and Grace Harvey and directed by Francine Dulong in the U B C Recital Hall, Vancouver, B C (9.20) rd  The Arcturus Agora, read by the Victoria Symphony Orchestra on February 2 , 2007 (6.04) nd  Le Portail d'Asni, performed on January 26 , 2007 by the U B C Contemporary Players in the U B C Recital Hall (8.10) th  On Nights Like Tonight..., performed September 10 , 2006 by the Aventa Ensemble in the Philip T. Young Recital Hall, Victoria, B C (5.32) th  E Pleut, II Pleut Bergere: Variations on a Folk Melody, performed on April 8 , 2006 by Mark McGregor, Jessica Raposo, Jennifer Butler, and Sara Kalke in the U B C Recital Hall, Vancouver, B C (7.44) th  Sketches for Three Pianos After Paintings by G. Richter, performed on March 20 , 2006 by Jesse Popov, Aleks Szram, and Brad Stark in the U B C Recital Hall, Vancouver, B C (9.09) th  TABLE O F CONTENTS  Abstract  ..  •  Table of Contents  -ii iii  Works // Pleut, II Pleut Bergere: Variations on a Folk Melody for Women's Choir... .....  .1  77 Pleut Bergere: Variations on a Folk Melody for Four Flutes  .13  Sketches for Three Pianos After Paintings by Gerhard Richter for three pianos:  25  On Nights Like Tonight.... fox flute, clarinet, horn, piano, 2 percussionists, violin, viola, cello, and double-bass 29 Orfeo Beyond Thunderdome for woodwind quintet The Arcturus Agora for orchestra  ......37 ,  45  Le Portail d'Asni for flute, clarinet, horn, piano, 2 percussionists, violin, viola, cello, and double-bass Crazy Jane and the Bishop for mezzo, baritone, flute(s), percussion, harp, and cello....  ...65 84"  A Set of Various Future Times ("'... but not all'"), Foretold by Ts 'ui Pen's "Garden of Forking Paths " for string quartet  ..9&  Endnotes.....  11  Bibliography  11  II Pleut, II Pleut, Bergere Variations on a Folk Melody for Women's Choir pat  Benton Roark  f  Adagietto  p. Fir*  l#* Soprano 1  3  II Soprano 2  pleut il pleut ber - ge - re,  l_j  Pres - se tes blancs mou - tons,.  j  f  fir  p"  Al - Ions sous ma chaum - mie - re,  IP  MS  Alto 1 Al-lons sous ma chaum - mie - re,* m  a:  Alto 2  ©2005, Benton Roark Was  ber-ge-re vite  al-  II Pleut, II Pleut Bergere  SI  wp  S2 En-  Al  pini Ions!  J'en-tends sous le  feuil - la - ge  L'eau qui tombe a grands bruit;  wvp  A2  r  i'  if  L'eau qui tombe a grands bruit.  J  pir Voi - ci,  voi-ci  l'o - ra - ge  Voi - la 1'6-clair qui  luit.  I?  SI  S2  P  pr  tends tu le  Al  4 ~  4fe=—,  •  •  -  P ton - ner - re 1—  '  —1 •  * - = —  - —  i  1  II roule en ap - pro - chant.  J  r pi  Prends un ab-ri  1  *  h J  i .yi  Prends un ab-ri  A2  ber - ge - re  ber - ge - re  A  ^  ^ F  ma droite en  1  1^.  mar - chant,  _h | -*-4— Je vois no-tre  ca  3  II Pleut, II Pleut Bergere  26  mf  S1  P  p i' P -  1  1  Bon - soir bornsoir ma  i  J  me  -  re  tnp S2 Et  ti-ens voi - ci .  Al  ve - nir Ma  mere  et ma soeur  An - ne  qui vont 1'6-tab-l'ouv - rir.  V- l,J. f  ba— ne  Et  ti-ens voi - ci  ve - nir  mf  r " P r °p r p 1  A2 Soir,  soir bon - soir  bon-soir ma  35  r-ptr  S1 Ma  soeur An-ne bon - soir!  f  J'a-me-ne ma ber - ge  Pres de vous pour  f  soir.  „  m  S2  ce  Pres de vous pour  Pi ce  soir.  Va te sg-cher ma  m,  r PIT'  Al  'i  J'a - me-ne ma ber  Pres de vous pour  r pi r  A2  b  me  Ma  soeur An-ne bon - soir  J'a - me-ne ma ber -  d  ce  soir  II Pleut, II Pleut Bergere  i 4 2  S  1  poco rit. ™f  A  •  'Uir  .  •  c r e s c  r '•J'l r ;  Au -,, pres de ? nos ;  Y  S2  .  I bp.» Au  f  L  M  - pres de  ti  -  /  y  "r  |ju. nos  -  sons  p i f "pr, p Soeur  1  r  *  u-  " " f  -  r  r  En - trez pet - its  fais - lui com - pag - ni  = | ti  , ^ > /  ~  *  |F P R  mou - tons  f'  -  En - trez pet-its  sons  "P 1  a tempo R  II pleut  i  mou - tons  cresc...  Al  J : .'• I J.  P 1 ' ' • •• f Va  te s6-cher  ma  Au  mi  -  ttlf  ti  Au  -  -  UJ. ti  pres de  -  J il  II  J.  En  sons  cresc,  LJ~TI..-J  A2  S  pres de  J,, _ |  J  Jui  sons  en - trez  r  J  trez  J * >  mou - tons  / t  en-trez  i r  r  '  en - trez  „j. mou  i„j , » -  tons  1  S2  Al Pleut  il  pleut  il  pleut  il  pleut  ber  pleut  ber -  ge  - re  il  pleut  il  pleut  il  pleut  ber - ge  A2 Pleut  il  it  pleut  ber - ge  il  II Pleut, II Pleut Bergere  1-J/ >  li - ti  6  n Pleut, II Pleut Bergere  C'est fait  al-lons  pres d'el  -  le  mon Dieu  r qu'el' est  be! - le  7  Ma  te  voi - la  Dieu qlrel - le  An  me - re  yez  .-  An  la!  J> qu'el'  Ah mon  Eh bi  Sou  I  est  bel - le  bel - le!  qu'el' est  bel - le!  bel - le!  qu'el'  est  bel - le!  vo - yez  la!  Sou - pons  prends cet  -r3r-  Sou  -  te  II Pleut, II Pleut Bergere  7  Bru  -  le-ra  de - vant  II Pleut, II Pleut Bergere  8  molto ritardando  rallentando  J _ J) a tempo (quasi tempo primo)  >  s  1  r  PT  pi Mais  tii  J  pr p  T  man - ges  ne  Tu  pas  ~~  -3-  S2  ir  te sens de  r P 1^ P I ; P  l'o - ra -  ge  II  a l a i s \ s6  tes  pas II pleut  II  a lais - s€  tes pas  II  a lais - s6  tes pas  il  jr i II II r i'r  Mais  tu ne  man - ges  pas  Mais  tu ne  m a n ' - ges  pas  Tu  te sens de  l'o - ra  Al  A2  diminuendo  S 1 pleut  il  II  pleut  il  II  pleut  diminuendo  S2 pleut  II  i l pleut i l  pleut  il  pleut  il  II  pleut  il  pleut  il  diminuendo  Al  P r pi r p  p r  II  II  pleut  il  pleut  il  pleut  p r pr  ipr p i l pleut  il  II  pleut  i l pleut  ip il  diminuendo  A2  pi r pr pi r= p II  pleut  i l pleut  il  pleut  il  II  pleut  il  pleut  ber - ge  -  re  i l pleut  ber - ge - re  pleut i l  9  II Pleut, II Pleut Bergere  rallentando  93  Slower  SI pleut  il  II pleut  il  pleut  ber- ge  r •• r '  S2  II pleut  il  pleut  ber - ge  re  il  pleut  re  II  pleut II  =  Al  p r  p r  I p  II pleut  il pleut  1  ber-ge  -  re  i-  pleut il pleut  ber - ge  -  r==£  re  pres-se tes blancs mou-  Prxs  pleut  m  i>i  1  il  pleut  H  pleut  il  pleut  ber-  mp  A2  =55 II pleut  1 0 1  il  , .pleut  —  il  ber-ge  - re  il  •  0  !  pleut  • \>* II pleut  ^  J  J J." 11  il . pleut ber - ge  ^  A  S1 pleut  il  pleut  ber  re  pre - se  tes blancs mou - tons,  Al - Ions sous ma  chau - mie  cresc...  S2 tons  Al - Ions sous ma  chau - mie  Ber - ge - re vite  al - Ions!  J'en-tends sous le  feuil-  cresc...  Al  r p'r  p EE  J  -I' i J Ber - ge - re vite • al  A2 pres - se tes blans mou - tons  Al - Ions sous  ma  chau - mie  ber - ge - re  vite  al - Ions  II Pleut, II Pleut Bergere  10  107  mp  f  mf  mm* diminuendo  pip Ber - ge - re  4  J'en - tends sous  vite al - Ions  ge  L'eau qui tombe  a grands  J'en - tends sous  la  113  mp  p  r p  voi - ci  Cl  l'o  -  Voi  -  ci  voi - ci  ' feuil  • L'eau qui tombe  a grands  l'o  -  ra  -  bruit.  ge  Voi-  Voi-la l'e'-clair qui  la  J  I  1  L'eau qui tombe a grands  ge  I*  bruits.  Voi  mf  ge  -  ci  voi - ci  l'o -  diminuendo 1  J . J*  J  L'eau qui tombe a grands  jjj  1  Voi  bruits—  T, -  ci  J7> voi - ci  l'o  -  ra  ge  ted,  IT ra  ge  diminuendo  ~*  la feuil > la  la  mf  mp  J'en-tends sous  -  diminuendo  bruits.  1 Ions!  feuil  mf  mp  la  la  Voi - la 1'6-clair  ge  qui  luit.  Voi - la V6 - clair  qui  mp  lip Sp clair"  luit.  qui  Voi - la 1'6 - clair  qui  luit  mp  4  3=e Voi - la l'e - clair  ra  L  |  I  J  J-  Voi - la ¥6 - clair  nA' J qui luit.  qui  luit.  Voi - la l'e' - clair  qui  luit.  EEEfi clair  qui  II Pleut, II Pleut Bergere  11  119 fading away  from backstage  <p  S 1  _|  J Voi - la 1'6-clair  luit.  rT\  n IJ H i qui  luit.  fading away j — — 0  S2 clair  qui  Voi - la 1'6-clair  qui  Voi - la \'6 - clair  luit.  fading away  Al clair  Voi - la 1'^-clair  qui  luit.  fading away  A2 Voi - la Y6 - clair  qui  //luit.  poco rit.  "6  S 1  3E£  3=£ Voi - la l'i-clair  qui  luit. PPP r7\ from backstage  /7\  S2 Voi - la  luit.  Al from backstage  r7\  A2  5 Voi - la f ^ r clair  qui  luit.  3E£  clair  qui  luit.  qui  II Pleut. II Pleut Bergere  1  1.11 pleut, il pleut, bergere, Presse tes blancs moutons, Allons sous ma chaumiere, Bergere, 'vite, allons! J'entends sous le feuillage L'eau qui tombe a grands bruit. Voici, voici l'orage, Voila 1'eclair qui luit. 2. Entends-tu le tonnere? II roule en approchant. Prends un abri, bergere! A ma droite, en marchant, Je vois notre cabane Et, tiens, voici vermM a mere et ma soeur Anne Qui vont l'etable ouvrir 3. Bonsoir, bonsoir, ma mere, M a soeur Anne, bonsoir! J'amene ma bergere Pres de vous, pour ce soir.. V a te secher, ma mie, Aupres de nos tisons! Soeur, fais-lui compagnie! Entrez, petits moutons! 4.Soignons bien, 6 ma mere, Son tant joli troupeau; Donnez plus de litiere A son petit agneau! C'est fait. Allons pres d'elle. Eh bien! Done, te voila? Ah! Mon Dieu., qu'elle est belle! M a mere, voyez-la! 5.Soupons; prends cette chaise, Tu seras pres de moi; Ce flambeau de meleze Brulera devant toi; Goute de ce laitage. Mais tu ne manges pas? Tu te sens de Forage, II a lasse tes pas.  il pleut, il pleut bergere: variations on a folk melody benton roark  Adagietto Flute 1  U[\  - 1  - _ , — , — - —!  —  tr-  ]  _  —  .  —  —  "  m  — —  m  — _ _  —•  —  „  :  m  .  i •n  m  Flute 2 #  =  ^  —r-— —Mi 1  =  from backstage Flute 3  £7p r n  j f L . f l ' *"  -——1—Vmp  legato  rj7 ffff ^ JA 1  1  1  f  ft  ./rom backsta Flute 4 —  [r  rfrJ-L-Jf 1—  M.  " '  m. mf  :-0  ft  £  •3.  UJ  1  M  mp  ©2006, Benton Roark  m  >  U=  0'  _  •  0 0-  tz  . -00'T0  w  Fl. 1  0  Fl. 2  mf  Fl. 3  mf onstage  F1.4  poco rit. 4 4  |  ^  a tempo  fading away  l i i i  Fl. 1  fading away  0 ©  F1.2^  m fading away  F1.3  r  rP  f fading awa >  F1.4  /  E  E  E  E  E  E  . .. E'  E  i  E  c<  E  —i  m  E  E  E  c-l  E  .  m  E  E  11 130.  Adagio  dolce  Fl. 1 sempre  p  H. 2 dolae  Fl. 3  i  dolce  1  F1.4  J\  dolce  /no/to espressivo iJ8  Fl. 1  R2  mofto espressivo  p:  Fl. 3  rao/to espressivo  F1.4  if~j»  O n Nights Like Tonight— Score in C  Largo Flute(s) Alto, Piccolo  Clarinet in BH  Horn in F Tamtam r7\ l.v.  Timpani  smooth glissando between notes (approximate pitches)  Tamtam  Percussion 1 Timpani, Tamtam L g . Sus. C y m b a l , Marimba  Percussion 2 Bass  Drum,  Crotales, Vibraphone  Piano  Violin  Viola  Cello  Double Bass  ©2006, benton roark  Timpani  benton roark  25  senza sord.  orVFeo B E Y O N D T H U N D e R j ) O M t \ FOf% W O O D W I N D  C Score  QUINTET  T. Benton Roark © 2006 Moderate assai  . (J = 108)  Flutes C, piccolo  nf  He m  Oboe English horn  Clarinet in Bt Bass Clarinet  Bassoon mp  Horn in F ,  v  mp  >  >  Arcturus A g o r a for orchestra  by T. benton RoarL  ©2007, T. 5enton RoarL  Percussion notes: Players share the tamtam and bass drum. Gongs can be of approximate pitch, but should aim for D flat, E, G, and B flat in the fourth octave (i.e. Dflat4, E4, etc., but other octaves are acceptable):  Timpani should be tuned to:  A tie from a note to a rest indicates to let the note ring.  The non-pitched percussion are notated as follows:  3E=  Mallets for the vibraphone should be medium - hard. The vibraphone motor should be set to high speed.  > f  Score i n C  Trie Arcturus Agora  Moderato assai  C l a r i n e t i n Bk 2  Trumpets in C  Bass Trombone  Timpani  Percussion I luipL-ntitd Cyi  ~\  Percussion 2 Bass Drum. Tiimliim, Vibraphone  Harp  •\  Solo Violin. 2  © 2 0 0 6 , T. B e n t o n R o a r k  T. Benton Roark  stringendo  B l . C l . 2  Bsns.  (1)  Hns.  3,4  B . T b n  Perc.  V l n . II  1  div.  ritenuto subito  Trmpts.  ^1  Tbns.  Timp.  /  > —  Hp.  s  stringendo  Trmpts.  Timp.  ritenuto subito  Allegro  Bsns.  (1)  Trmpcs.  X  Tuba  'I  s  "A  Timp.  Pno. "~  Q  Hp.  -A.  >1  •i'  white and black key cluster  —  1  1  ff  „,  ^  4  v. y  _  i  v  r  j  1  r  B s n s . (1)  Trmpts.  Andante Bi C I . 1  PP  Fl.  1  Fl.  2  O b .  1  O b .  2  Bb CI. 1  BkC1.2  B s n s .  (1)  Hns.  1,2  Hns.  3,4  T r m p t s  .Tbns.  B . T b n  T u b a  T i m p .  Perc.  1  Perc.  2  V l n .  I  V l n .  11  V i a .  D . B  Fl.  1  Fl.  2  Ob.  1  Ob.  2  BkCl. 1  B k C 1 . 2  Bsns. ( 1 )  Bsn.  Hns.  2  1 , 2  Hns. 3, 4  Tbns.  B. Tbn.  Timp.  Perc. 1  Perc. 2  Hp.  /  r  /  '  Vln. I  Vln. II  Vc.  D.B.  CT->  kl  1  poco accelerando  FI. 1  2  FI.  Ob. 1  Ob.  2  BlCl. 1  Bt Cl.  2  Bsns. (1)  Hns.  1,2  Hns. 3,4  Trmpts.  Tbns.  B.Tbn.  "A  Timp.  Perc. 1  Perc. 2  Pno.  ..  Vln. I  Vln. II  Via.  /  f  Hp.  L-L  !  _A  !  1  poco accelerando  F1.2  O b .  1  O b .  2  Bsns.  (1)  Hns.  1,2  Trmpts  Tbns.  B . T b n .  T i m p .  Vln.  II  Largamente  molto rallentando  Fl. 1  Ob. 2  BkCl. 1  Bsns. (1)  Bsn. 2  Hns.  1,2  Trmpts.  Tbns  Timp.  Vln. II  FI.  1  FI.  2  O b .  1  O b .  2  Bb Cl.  1  Bk Cl.  2  Bsns.  (1)  B s n .  H n s .  2  1 , 2  H n s . 3,  4  Trmpts.  B . T b n .  T i m p .  Perc.  V l n .  V l n .  2  I  II  D . B .  tempo rubato  Fl.  1  Fl.  2  O b .  1  O b .  2  Bl. C I .  1  B k C l . 2  B s n s .  (1)  2  B s n .  H n s .  1,2  H n s .  3 , 4  T i m p .  Perc.  1  Perc.  2  P n o  V l n .  V l n .  I  II  V i a .  V i a .  div.  D . B  piu  mosso  molto rit.  'Fl.  H  a tempo  1  FI. 2  Ob. 1  Ob. 2 mp  —=  ^Bl. Cl. 1  Bb Cl. 2  >ns. (1) mf  Y A  :\  • Vln. I  i  ' Vln. II  Y  >  •'  ^  Via.  Vc.  D.B.  PP  TT  P  molto rit.  a tempo  rit. solo  FI.  1  BbCl. 1  Bl> Cl. 2  Bsns. (1)  Hns. 1,2  Hns. 3 , 4  B.Tbn.  Tirhp.  Perc. 1  Perc. 2  Pno.  Hp.  Vln. I  Vln. II  Via. Vnvp  Vc.  <C\  <?\  D.B.  P  PP  . l s £ portail d'flsni for flute(s), clarinet, horn, two percussionists, piano, violin, viola, cello, and double-bass by T. Benton Roark  copyright 2006, T. Benton Roark  £2 Tortaif cf"Asni  Score in C  Largo  benton roark  ( J » 4 5 )  Flute(s) Alto, C  Clarinet in Bt  Horn in F  pp Tamtam  /T\ I.  Timpani  smooth gtissando between notes  (approximate pitches)  Timpani  sim.  Percussion 1 Timpani (25"-30"), Tamtam L g . Sus. C y m b a l , Marimba  Percussion 2 Bass D r u m , Crolales. Vibraphone  Piano  Largo ( J = 4 2 )  sul ponticello  Violin  Viola  Cello  Double Bass smooth glissando between notes  ©2006, benton roark  V  sul pout.  in  C  (  c  r  r  r  r  r  r  .4,  T  -  r  ^ , „ „ ^  u  , . .  t  u  ,„„,„»„,  ;  ^  h  Bring me to that blasted oak That I; midnight upon thestroke, (AH find safety in the tomb.) May call down curses on his head ; Because of my dear Jack that's dead 'Cockscomb' was the least he said: The solid man and the cockscomb. :  Nor was he bishop when his ban Banished Jack the Journeyman, v (All find safety in. the tomb.) Nor so much as parish priest, Yet he, an old book in his fist, Cried that we lived like beast and beast: The solid man and the cockscomb.  7  JW'UIDI..,.,,..!,..,,^,  ,._„,...,,..  The bishop has a skin, God knows, Wrinkled like the foot of a goose, (Allfindsafety in the tomb.) Nor can he hide i n holy black The heron's hunch upon his back, But a birch-tree stood my Jack: The solid man and the cockscomb Jack had my virginity, And bids me to the oak, for he (All find safety in the tomb.) Wanders out into the night And there is shelter under it, Butshould that other come;-I spits.j The solid man and the cockscomb.;  Mr r  i,  "CraokMaiyandthe bishop Find safetyin the grave Yesterdaylt cams • To call a ourse out of the sky Thatmbsn midnight's on the stroke ""^ Lead metothe. blasted oak To send aourse before I die And All are equal ^ : T h a t I  0 8 1 1  u  p  o  n  For he Is old and so ami Equalfor  testis s|>irr«-H/ctt||^ J»hve*Vk»f seUiWvly  And equal There lie bishop Emg and the knave Notimetoloose so hurry me At midnight to the blasted tree  0 the safety of the grave  (Recited, «?$.v»reilyi  w.'^h r e f l e c t "  Nor was he bishop when' .3 ban Banished Jack the Journeyman AH thatfindsafety in the grave Nor so muah as parish priest  Th ™,«,.,i Tosre the learned man and the knave  Saidwe lived like beastandbeast  B  When he cried out book in flst Thatwe lived like beastandbeast For there Be bishop, learned man. King, and the knave Yet he the missal in his flst  7 e  °  0 ] i Bo  k  to his flst  r7\ Beast and beast.... lV  Said that me lived Hke beast andbeast  t OssY  IN t.  4 Said that we lived like beast andbeast Saidthatwe lived like beast and beast wh i"s ke.r*.o\i  Saidthatwe  Cell"  livBdlike  beast andbeast  Said that we lived like beast and beast I  whisj>e>e' <'  —  ff  —  -said that we lived like beast  Said that ne lived like beast andbeast  re-rcM^^t O'h  —  ~  I"  • Triatold toad stool ina wood  is "ill" Slaokof Jay ajiddreepy eyed  Allfindsafetyla the grave  j  (ix)  OK)  7  i>>J  beastl a*  if  /Mock''*  77 c  A..  CimeyeTconj f-»i<d.7v)«i/t  ^0  ) U U U O O U U U U U U U U (J U U (J U U U U U U U  {  J U  U  U U U U U i  7  Qoie\er ilill.. Allfindsafety in the t o m b TheKiIid  man  and the coxcomb  far iljwl) r  it,'))  •  aner - H o w -ft-*-  '  y  )  '  /n>» c»Mo-  cDaoer  5^i"l|  -a  11  ii'«|e  O fir  Tfe 5.1  c  A Set of Various Future Times ( ...tut not all  ),  Foretold ou Ts ui Pen s Garden of Forking PalLs Benton Roark  i. In a guessing game to wkick the answer is ckess, wkick word is tke only one prohibited?  Andante (-h = 92) Violin 1  Violin 2  Viola  Cello  P  5 A  sen.ua.sord.  rT\  Vln. 1  Vln. 2  m  mp senza sord.  P  imp  m  Via.  senza sord.  mp  P senza sord.  Vic. mp  ~—~mf:  © 2007, T. Benton Roark  II. A tiny labyrinth indeed...!  Larghetto ( J - 52)  a tempo  poco rit.  Vln. 1 mp  \Jp  Vln. 2  fp  p senza sord.  Via.  P  f  P  —  fP  Vic.  Vln. 1  Vln. 2  Via.  Vic.  accel. Vln. 1  Vln. 2  Via.  Vic.  ft  Larghetto (J = 52)  poco rit.  attacca  Vln. 1  Vln. 2  Via.  Vic.  III. I recalleJ, too, tke nigkt in the middle o{ The Thousandand One Nights when Queen Scheherezade, through a magical mistake on the part of her copgist, started to tell the storij of He Thousand and One Nights... Moderate assai (J = 108)  rit.  a tempo  Vln. 1  Vln. 2 sfi sul pont.  Via.  p  >trsfz  p  Vic.  to/  7 molto rail. 5 9  -  J - 52  <(r dramatically decrease pace of trill to a standstill  Vln. 1  Vln. 2  Via.  Vic.  Vln. 1  Vln. 2  ff  P  m  Via.  &  mf  W  <Jp  legiero  Vic. niente  Iff  mf  8  »jr  Vln. 1 f  - r  - r - r - r -  -*~  ord.  6-  i  • bow sound only  sul pont. -  ord. •  . - - —  >  !  su  >  niente tow sound only  t,  pon  >  Vln. 2 f  p  Via.  Vic.  ord.  Vln. 1  ord. -  m —  sul pont.  —sul pont. —-  Vln. 2  —  bow sound only  - bow sound only  LLLUJ ^ =  =  Via.  Vic!  ff  S9  sun.  Vln. 1  Vln. 2  Via.  Vic. 5  ff  niente  -.  f  mf  P  =  P  11  12 rit.  s.p.  bow sound only (sempre s.p.)  s.p.  -C bout  decrease pace oftrem  attacca  Vln. 1 ^  ff  on C bout (left side)  Vln. 2  > f  fPP~=^ff 1 o^sound only (sempre s.p.)  \PP -C bout [decrease pace oftrel  Via. PP  -  on C bout (left side) f  fpp£Jo>- sound only (sempre s.p.)  dim. -C bout  decrease pace oftrefa  Vic. on C bout (left side) f  f P P ^ ^ .  dim.  IV. ...in the Pavillion of the Limpid Sun for thirteen years.  Ic  13  rallentando  p Adagio (J = 7 2 )  • -  z = = — PP  a tempo  10  15  molto rallentando  Vln. 1  Vln. 2  Via.  Vic.  16  V. The Chief, however, had already solved this mystery. He knew that my problem was to shout, with my {eehle voice, aho the tumult of the war, the name of the crhj called Albert...  Andante  = 92)  molto ritard.  a tempo  Vln. 1  w  Vln. 2  Via. p  m  p  P  fP  Vic. wvp  Vln. 1  w  0-  > mf  PP  Vln. 2  w  w PP  w mf  p  Via.  Vic.  Vln. 1  Vln. 2  Via.  Vic.  ///  Endnotes 1 .Traditional. "II Pleut, II Pleut, Bergere," in Vielles Chansons et Rondes Frangaises, edited by Rene Deloup, 34. Paris: Editions Max Eschig. 2.Yeats, William Butler. "Crazy Jane and the Bishop" in Words for Music Perhaps and Other Poems: Manuscript Materials, edited by David R. Clark, 329-335. Ithaca: Cornell University Press, 1999. 3.Borges, Jorge Luis. Ficciones. Trans. Anthony Kerrigan. New York: Grove Press, 1962.  Bibliography  1. Borges, Jorge Luis Ficciones, Trans. Anthony Kerrigan. New York: Grove Press, 1962. 2. "I1 Pleut, II Pleut, Bergere" in Vielles Chansons et Rondes Francaises, (Rene Deloup, ed.), Paris: Editions Max Eschig. 3. Yeats, William Butler "Crazy Jane and the Bishop" in Words for Music Perhaps and Other Poems: Manuscript Materials. (Clark, ed.), Ithaca: Cornell University Press, 1999.  

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