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Music compositions Kirschner, Harry 1979

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MUSIC COMPOSITIONS of Harry K l r s c h n e r B. Mus., U.B.C., 1976 4 A t h e s i s submitted i n p a r t i a l f u l f i l l m e n t the requirements f o r the degree of Master of Music i n Theory and Composition i n the F a c u l t y o f Graduate S t u d i e s Department of Music We accept t h i s t h e s i s as . ponforming t o the r e q u i r e d s t andard. The U n i v e r s i t y o f B r i t i s h Columbia February, 1979. (g) Harry K i r s c h n e r , 1979. In p r e s e n t i n g t h i s t h e s i s i n p a r t i a l f u l f i l m e n t o f the r e q u i r e m e n t s f o r an advanced degree a t the U n i v e r s i t y o f B r i t i s h C o l u m b i a , I a g r e e t h a t the L i b r a r y s h a l l make i t f r e e l y a v a i l a b l e f o r r e f e r e n c e and s t u d y . I f u r t h e r a g r e e t h a t p e r m i s s i o n f o r e x t e n s i v e c o p y i n g o f t h i s t h e s i s f o r s c h o l a r l y purposes may be g r a n t e d by the Head o f my Department o r by h i s r e p r e s e n t a t i v e s . I t i s u n d e r s t o o d t h a t c o p y i n g o r p u b l i c a t i o n o f t h i s t h e s i s f o r f i n a n c i a l g a i n s h a l l not be a l l o w e d w i t h o u t my w r i t t e n p e r m i s s i o n . Department o f The U n i v e r s i t y o f B r i t i s h Columbia 2075 Wesbrook P l a c e V a n c o u v e r , Canada V6T 1W5 Date 0 DE-6 B P 75-51 1 E ) TABLE of CONTENTS P a r t One PERCUSSION MUSIC f o r FIVE PLAYERS P a r t Two................UNITIES, f o r WIND QUINTET P a r t Three YAROSLAVNA'S LAMENT, f o r CONTRALTO and PIANO P a r t Pour SONGS of MOURNING P a r t One PERCUSSION MUSIC f o r FIVE -PLAYERS ( with conductor) • ' 1976 . In t h r e e movements: 1) Movement 1 2) A x i s 3) Rondo © Harry K l r s c h n e r , 1976 PERCUSS»o<\| iTOus.t •-f<><~ 5 P L A Y E R S X + » " W t j U Sm. Cimiy. • 33= E t_ 5. _ 4 J J J J 5 $ ( ( - u » R o ) ) *4 4 -_• 5. 6 — ^ - i 1 HI ( rudy lo KIT ) i o — V J 2. — 1 T ~ t J, H p •4 4 - t Conservatory B r a n d - 2 -B ,t>tt{« &r.)  3 ~ ~ t — i — J — r ~ i — ran V <i ^  • - / — = i f f f i ^ > = -H f f f M (»»*«/. tyj>) c« Tl> — V f - f — —v—n—v—M~ I < U T —= s—4i f Y JI f r At t —-\— (fl.rO ^ El r%\ ' . 1 . ^ 5 ~ : _ : : — \ ^ L _ . 5 1 1 1 f * j == i it f J t t J J j W-\ P r f tllll 1 B O } — = — r 5 t~~ nf (crow*) i 1 JI) i - 1 - \ m 0 H - 3 -03 (b. j r . ) U N 4 7 U - \ H f [-' V V I S 3 I 1 * 14tf TO1 nm t -en * — T * p— f7 * cltcrtit-t 9' r \ v F rr f - > „ n j THE FREDERICK HARRIS MUSIC CO. UMITEH. Conservatory Brand u n . m i . i.M»« 5 -4-(im. c a B I b . ) S~ l.rf. —• ^ on<j 3 _ I 1 — J r . 3 f f f f rnp f f p J . 3 ^ J-J—J d \ M ... 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K (4) mm •T^J .1 J J J J J J i LT LT •" LT LT LT LTD" •mnr r_rr_rr_rrj 1 j j j j htf' T i i t i l l n r 1 2 J i 60 : i r , -•  J J J J j j j j 1 rj r_r r_r rj m •hji. v4 1 m i.L. 4 5 « W )  Conservatory B r a n d THf FREDERICK HARRIS MUSIC CO. LIMITED, o a u i n , i i v u i IS (5) ft ft fi >' r - # -E2 5iw- <uj.J»-, 3-(P4 j ) sfr/1 mtif* F » f i 3 • ft> B£ fey IS (5) H3 4 [ - \ 1 ~ . 9 _/ h i T 1 J rJ r — 5 — v * — — ri ri A rl ,1 J j , j . i , j ^ f 3 J — \ t.fc. — r 1 * ,?t t. : < r ' ^ , i i • » or a f J — t — \ -T r ' '1 Tf ri - Jl n r 3 . — . _ _ p ^ ^ r II - » — ^ CLCC 7 2 3 « , °* a*"***1 ^ ' i W * JulJfc V £ H U r t £ ' * ' , 3 ' » « . « » « . » « « c , l „ 1 Conservatory B r a n d 7 J o.n u 1 1 1 . i . w .« ( 1 4^ c j "fwp. 1 [ILT HJJ LEU HLT J>f» cresc-CUT mr LIT P P IF t I f ' l I (7) F»qrft> t _ f ft I pf» cresc. Smu-fc L-Cresc. 1 I r i I iUk. p ;1 (1) fe4 i v 3 = en (3 1 2o P a r t Two UNITIES,for WIND QUINTET 197? 'Un f i v e movements: 1) I s o l a t i o n 2) L i o n ' s Gate 3) O s t i n a t o k) P a t u l l o 5) U n i t y © Harry K l r s c h n e r , 1977 UNIT IES f , . Q u ^ t -J . S t n S t •>( line 1 f U J»orn u I I. SIM I jUg || 4  A ^3 •*r<: *p i i i » • » § § §; IL ; § v An J»A-4* ScortA at toncfc^t klfel, • stopped (+K^.,T„«^1 *>-.j) ( l i n e s ) / • i \ (1) y fr n. II-f Jt~ ei. — = = J-f s f f f t P f U f U l f C r - t s c _ IS IS lb >UC. O nor****.! -2 -n. f 1 1 S 4 i r T - f f» p'»ccglp C H I C II l b J J j_J _ — J — J — t\ — t 11 CBL) £ 4 17 f f f • ^ safest^ 21 3t 3s I I P 34 SS r i r * T 1 P * f r J J i ( m ) Cf-fcSt "- . . . - ^ _ - - - _ - - j t^ WM-»-• I ton* * p-Jst still 4 - be J S U ' ^ f + » J w^It. Septuple* Avtl M t f U f t 3° - l o -cm) \ - 1 2 -( 777 ) IS =f f if i ? f m iljir f ' f ' f i l l Jfj>B»t1L*_ C r « f < YY Mm rt 85 8fc 6 i 8 6 •1 l i 3i~ - 1 2 -( 777 ) 11 ftZ t S rt «, i N V f f f ;frff « ns 1¥ 4 - * ! . a. _ P i . M S I ti 1* AIM- + »»»«rii»*» J I M , . + Lr»»i • " j ' j ''S*"** **** i f f r H f f qp>:: l e x lo5 J. J. J drfcic. to i - 1 4 -T7 PATWULO j i t O 2*4 el. IS I il) - i j i . . a l -T k c * * * • * spafs b k t H | L * t «.U/-«Vi*f, Ivr* a * J Lt-stm*^ Art *. «.*m'«t»n» J r»^ , t * c L »-t*»**-. A+ •§*«*»« p«u«ri ( f k r r * u «. - f t M d O t t ^ fm- +*»* l o i W r w i i J»*«'|r * t *U+ iuc - («•»•», t r u ^ l t " L i t ) -14-T V P A T U U L O bO -:--rq I f 14 1- J - J £5r ' P P I » U > — . g ^ I TKtft *M »**~J *(>«t» bdM jL*l eU#-<Vi*f , k>r.» a«J i*5< 35 - i t - • "y UMISOW J . 8 4 t » * * fc 1 f 4 to « it ~y VH\U>r4 J. 8 4 1 J I 1 1 . 1 I I > * in t©-H» €+i*i*yAil* TV>'~,fc>f/J eka^jt, i*»rH. n hy 3<? -11-(Y) * 8 4c II cl >.W.U 4 * 4 - ~ J * r o  4 » • 3 £ 4 5 4 5 4 * 4 7 ftf ( H c U + > ) % ***** /A J . W Part Three YAROSLAVNA'S LAMENT, f o r cont r a l t o and piano 1978 © Harry Kirschner, 1978 THE TEXT From "Medieval Russia's Epic, Chronicles, and Tales", by Serge A. Zenkovsky, translated by Serge A. Zehkovsky. Copyright, ( c ) , 1963 by Serge A. Zenkovsky, By permission of the publisher, E.P. Dutton. SPECIAL PERFORMANCE REQUIREMENT FOR SOLOIST ' The s o l o i s t i s to a l t e r her tone q u a l i t y between pure (•), and breathy ( O ) , as indicated above her s t a f f . ( See f i r s t entrance for an example.) OShould communicate as dreamy, weak, withdrawn. •Should communicate as a strong emotional presence. These e f f e c t s are, of course, tempered by the dynamic marking at any given time. H.K. Conservatory B r a n d THI FREIHRU h HARRIS MUMC (.(). LIMIII I). O a s i ' t i L i . (KIN U -7 - 2 --4-(be* in K *aJhf slr»n»44> J j : •iir*f.f. f I ' | / ^ - r - — ^ -V 0 . « - - r o w * a. - naiwW t<» war. >-i - ort , »ft t>e - /> ^^E!^ ^™* —00—' p 4^-^- " *' t*iy? i OV - Co P ( f » / f « i ' v . ) =•— y> *-<= = 1. 4o E M P R O M A N U 5 C R I P T N O . 12 E M P I R E M U S I C P U B L I S H E R S L I M I T E D , N E W W E S T M I N S T E R B . C . -5-^ 5 v m u cf ir t iJi-do jou. sca+ - ^ j ° 3 i S c a t i + f c - W.j J 0 ^ i t 2 = f c £ 1 2 = ^PLT" T > >> J' I j . sj ov - fcK +Ufe -ftafK- tt- 4.... H * j» >~a. i v- -9£ 5 o / o ( w i f t ) hulxJ-o ) Una. eorda. = 6 S - ^ — * r*<* K lift una, eerje. hecta-l ) i 1 f>tt\ -1 Jf>td Conservatory B r a n d _ J — THf FNf (IFttfl K HARRIS MIJMC CO. LIMIT!!). i 11 *J N T - - _ J f «d - Z. _ J >-d i _ [ J-fcd ' '_ _ ^ i> \i 5 trC^t i i _=_ P __: _s_: •JM 't-J l|J [, e r t s t _ _ _ ~ - -Suit & t ft _ _ — — — - If 3 - 3 f m '5u4+d.iw% _ _ _ _ _ i _ _ ce 4 -I W i l l t l t t n S f e ^"U»- W o u n d * W i f k i _ _ _ _ _ _ _ _ _._j.+_ii_, % Solpi»+ _a«t <tlt» V<_<-j _-r__.+ K - •ToAft rvtikt-f. 'freely -lo-It 1 JJ»JJn 1+ I* Yd*--0 -U. i'Ji1 slov - r»<t tr>d+ y<>± ^A. • X W i 11 m • d m m \ |ij 4 - long Ufc 1 ^ ' ' 1 "f! P: , ^  - 4 — 1 ? 5ustd.i»-» - — S I h s 5=5 SE 1 W i l l c l f e t n S t JJOU»- W o u n d s Wlf*1 i S o l o i s t t0.n y/CLr-j L ^ e a + k - "T«.^e *VM*itt'tirc. ^ r t e ( y *1 -1 -c oo W a - + *5 3 S u s t a i n ^ „ 5: trtst. — — - — - - ' 3 = o - vt»- -Hit Ifca+h-fc*' qt-a 1 is - * 3 V f t . 1 ° ' p««*.wo 7 Conservatory Brand Part Four SONGS of MOURNING f o r twelve-voice c h o i r ( a capella) 1978 •1.) RINGING BELL 2) FLAMETIP m u s i c © Harry Klrschner SONGS of M O U R N I N G Harry Kirschner W RINGING B E L L Original Tt*t= 'Son 4e docne* , P fieftrjy •rranf. Ly r(. f jexrofn = +8 PP flo hjki shines (h) liohf shin here l l o lijtiT Shine ho liqhf ShmtS J ^ here fio |^nr - h i ne* to ho shines Aere n 3_3Z ho lijdf -nines ho / 'vAf Shine* here ami Urn rreej Jhi-«er +reei 5 n / - w (n) /n- . cat ts approximate l ime When each I'njer-Should c l u e f h e wo~J ' - n . - e « ' f h e r>'. A r-anafo-we*. is h e r e pr-eftrreof. -reafh of phrase enjitys but Sustain dynamic CrtanoC rhroayn Uie - r e t f r n . 2 i -> " i t J l > > | > . h ± ^ j — | ftl J J > r at 4a wirj A. \ e \ 1 — Ms «ino - inj »>i l " _ | |f—k-r ° \ 1 t K t — -— i P5 ,«* p He lijni " ~ i —1 1— H=£M?fc ; *hi -ver j £ p ^ ••Tie wioJ p«i i t a ^ L k 1 1 *ei ilea inj ho liohf ^\^"ST77 ..... fivKj"-—• • pa* - MS S t n j - IOJ Ik k ^ - L c - m l i b 1 — t * - 2:1 >»> _ X ^ g g ) Crete. S i 2 J7 accel. acc J. J j i J no one J -fao o//p-rf ft*t*P c? s / > . o e i , Ho one <> leff ho ©>nc r e - m a m * >• See f^t 3 f a r « Sjpar-kU 1 _att£.L ho one ';« J«f+ J i ' f c O r>c one rd- - f n a i a i I S l e e f n « Stan Spar-It^ no o n e See 3 ( J = c.fco) piii alltjro Spark le *fer$ (l«e ffopr Spari-llnj ft'ti ftlltjre Stars rtov* jfopt Spark - /ioy ^  fhe stars Jwve «fop+ spord- (f^t/ie jA»-i nave stopt spart-lw^  f U stars kove sfopt S/3ar/< - le nlltare r r e e s Sr>i- (v) Spark-j e SpOrt-le l r e « i itl/ - (v) t o i t Hie jtbrs (owe S<V tpn-k-lwj, tne stars note stopf Ipark-lina,anj t/je frees St.*-Spori-linj()-(ie jfars hove stopf Sport -Org , tt>e start nova stopt SporJ<-/inj tfie stars lore sfopt spark-liny j the wind posses v ^1 Shin here , ho no light 7* -Shines Aere , Um tn eresc. * to i* Sun« as if in triple meter, -aff duple accentuation Smp'oJeJ. M llmprt jo ho lij/rr Sh,. 4Jie wino! pas - tes Sing - ing CrtSC. The Wor/J P no light Shi, •he vvind p » - s e * i i n j - /ry erase. fhe wor/J E _ _ _ _ 3 _ Dere light Shin «»-e«e. the MorM * O *7» / • h i twrU IM Jfc^ fwrn-inj U tt'ff U r n - inj Me Wwrlc/ dynamic Shop* mdUth'tn A r phut* <Aqoe y primarily • The kmu twice ehoaW c/e«r/y Jominmt*.. u K f .F fxis - Jes m t r i e Wino1 p o « - t e i Sine lioM- Srknes n o S n i - v e r the v w r U / lot s f c ^ / f y m - i o j the l * r W i« 11 f f y t l « r n - |V»j C < - * i C . dynamic, thopa ntjicah'^t f*r phnaxa xAqp* y prirt*ar't\y • The tow twice »/»•/«/ clearly dom'ma^a.. 5 p>u allegro 13 F = f -fr ritfns no w piu Q.H*»ro J i J J i lur-,v» no more *tar« «fe tkn-injjrn s f a r IS shrn-irfy no sidr 1? a s h m n o star shin-p'u tt//ej ro •fums ho m m piu *il**re Hit WuJ pet- *es linj-ingjthe HE furo* no »r»ore ftrnt no 3* 55 3fc no nif j f o r i Shine 3^ "inj, no Sfor it Shiw-ino, I E " W W pat-Ms Sinj - inj, f j * mm/ p e t - f e s it'ne - /no n o s f a r wind pat-Set Sinj-inj, lite MMJ pas-tei - ->J , fn* *i»J p« * - Smi tmj , ^  PPP " • • , — J u l — he >nore shine 6 . tm m " j - r >r— //»rj»»rfo * ^ ^-el * tempo i ^ " " N . ' •' - ™ ^^~mM — ^ f i e f«cf sfeep - le. iP\—K—It—t—k H —k 1 —k 4 1 __ _ * _ = » Sf.VI standi - try — t—i A—b-Mi k K — r H 1» " " ^ -j-l-ioy-[0rs4-ftafp ct i.tmpo — i — K A ihmfk itS tU-ij j f i t /e»r ifeep k a J j — E d t - J i — t — H •le skit st*J-i*f, Me l„r tiff-It b - j >T_H T f Itmrf^nllt o- iempe fl) mf'-M-mf--m n* m ml m l-sfo.J-mjjtk* last cttep-le trill sfmW' 1 - f • • -r* 1 in*,*** *ur *teep-/e SHU tkJ-iy \p> J J L J 1 ^ _ i T r><ne« //*-jen_« | ^ • m P " / — i r — p = the last steep - >* m *w t-mh—^ • * — = -Still timrj . inj r / n j * On* top. on fop ® & r fnose wh« «•«>, prmferaUy 2- . +0 4L allirglndo * ^ * t.*\mpe rhe last Sfeep - It Still Stand - ina —a— still tUnd-lr^rinaS sfonJ-ioj^ tke Iftrf stacf-le still rf»»V i n t j f U l u » «+•»»-/« Hill s h J - M f P a- Umpo TK« lot* s t e e p - le i t . / / S U < J - Ine tin* 44 j%3g= f l r n i d - n ' j h r pints mid-night Inid-ntjht rrojf I A n,jh+ tvtU-nijhf-• I B Z B 8 sr 9 +htf arm nt* /• A« tounJiJ. ( I I ) F L A M E T I P Ordinal Te«f:*Poinf» de flamme' par Jules Supertielle r * P a 3 NrT F M ^ franf. ty fen P P ~ i 0. Lever*h# ^ l, p m i AlJ kis life llJ T l T T /one r)e hae/ U Wee' to r 1 — r r - m - b 1>—L» AjA/ of /Ac —k j ft 1^1 his Irfe P F— M l J W— lone lie heel i i L , . H loveo/ fo J J read" by #ie _eei! WL Lj> J _ J ) H /yhf of #,e EH - F IT F H All Ai$ /,re ionj he haj • • love</ ' i-eaol by fhe 2* "-p-«w— hfj dim. liohi of f»e hit a'/m. All Kis lift l»nj he had /oveo* f-eaJ o^  4he ZiyAf of /he f f ff- * • » — T'~b I r - — H r can<y - le fAe I — 1 — , { , — - j . — AjJif of «Vie i 1 4 — H r — I f — r * P Cons'- le j QnJ Me ri+. 1 _ .— V —ir j/ow of Me acce/. • fimao k—• r 1 — —1 |f liaht per -M t — I T — caoJ - /e ; fAe /ij/if «>f 0>e T J J . J Cani- Ic j QnJ Me hr*}~ij jkw of Ute lijh/ per -4 W — J — J — cand - /e ^  fhe am m \ J. hsU of iht Caoc/ - le , QnJ the t J S J>J>-tm m^m j/ow of' /he lienf per-Cqnd - /e , fAe /yhf of jke Cor»«f-Aj , erne1 f-Ae «/ovv of fAe /i^ A^  per-l™^  Ine/icaiet *//jrir elongation of unit Leaf duration- Hot an accent. i Section* are ie A* performeot ivirfi Me fy/>e o/ ruio+o aharacter'ittjc of chorda! Chopin preludes. The Indicate in* minimum and essential points of tempo fluctuation. ( I I ) F L A M E T I P Harry Klrsckn&r 1116 Original Text: 'Points de flamme par Tulej Sup&rvttllt. f ran f . £>y__£. / . e « , . + « > W1 /// nil J."/. Ion) /wo/ loved read ay The. /<y>r of /Ae D fr IT K 4- J'_L II ois life jonq h e ( l a d / loved read L y rne / i j / i r of /ne » f>-PP A l l n i S / , fe lone ne. hoj loved f e a a 1 Dy file Al| nis Zi'fe l e n j r i t had loved i~ead iy rf> din light o f /rie v V ¥• b — V r - H . m. accti- a ' « " i p « — i \t if IM* 1 m C a n J - le ^ ike. Lht cf tne _©»• —  - ~ ;»> Cane/ - /e , tr,e 3^1 m Cand- le , and the j/ow o f ff>e acctt/- a fampo •oi o «=3 /lj/>r o f fte -09 Cone/ - le , and the j t i £ „ >-« a jltw ©/ jne °cvt«X_a_t^ a m.A oj ,hf - r <3 Cancf - /e fne //'3rrf of f/W Cano/ - le t Qnd the j/»w o f jfrie fflnvl Con*/ - It j f/>e XntJtoaia *lonyet'*oa of t/nit Leaf durahon . Hot on ffcceo/. 8 Sections ore >^*>-itr/F>co/ w/rA /Ac fy/3* °^ f~utxrl~o chor-adcrist/t chorda! Chopm pn+IuJec. The (~~) todicafc /Ae minimum anJ € 3 S c n f i a / points of tempo //ucf nation. 1 1 i s - vad - ed tUe ft \ \ r"oor*> t"/C ih 'Is moo P be.au - tv f b e f Soft 3 1 k J> »> - vad - ed the »dh lis fnaq - i - Cal beau - ij , f W - vad - ed toant with lis fnaq - I - Cal b e a u - +y j thai Soft - </ad - erf f h e i-oom vifh 'ts ruay - i - co7 beau - f y , ihat Soft Ife 1 1 18 It 1 0 7 - i * * f t i m I i 1 J — 1 fr aa - i • cat * t i beau - f y f W I—f\ R f r --v s Ir D+"+ o - ranae l K fr~ sr r ^/our f W k t S o f t o - r a n 1* m ? • — J — aj - /' - ca / } — - J P — ) > - J - • 1 «jl -mi—• beau - ty that XT'—i ' J 5 < i k I >fi o - ranae -I It 1— o/ow f oo t —1 \ joft o - ran — t k \— ?e k m i D >ag - i - C a / t « - 4 - « — - » beau - ly f oo t - J J S o f t o - l-anoe. J J J U J <jlow ihat J J r U J -Sof t 0 - Par \-frtaa - i - cat • am mm me b e a u - fy /hat 1 Soft © - rooje " i f Soft O - ran 3* \ 1 2 5.1 a c c t i ^ J L * * . . , t . (tsr, - _ * \ I i— mf and of - ien(n) Hi i i P alow 3h aim »U gL* g/pw j/ew •/*<« ^ 3 />;> ana1 of-ten UtmtU P«t L L n J thru the " T O 1 jlov <jl»w flow a\o*i olc*/ *lo* jjow o/nv •/ee-ls tm 15 1 S U IT 1TLB IM (Mule* put kis lianj 't»p Sure he was a- live P i 77 r T;-;? - */ •low a/»w jlomf t$h'*t Iw HMU p*a kt hand Thru Ihe flair 1^ J 1 J , i J - i i J ^ J eU» •!»»• jltv lire hi* Hand ny> fhru fhe -flame 4* • fbme h» l>« he a-li«« tret « -aUw jl*w ]Ui (t)li\ m o /lis hand fnr« Me f/< lame jlow gltrn «|ew (QL 12 2.1 a c c e L . J_=48 'lux" "" * i! > ~ < a it o/ow O.CC III. Ona* o f - i tn fn) (111 A) j J J J J -egg 4fl a l o w a c c k l . Smoothly) j v - H O o J of - fen nix no n J thru trte ' t a g gr: aa y«» o l o w aW o / a u ' •tie' glow s l e w ^ / w t S 1S1A * A «.T 1UB a tar A 1© pau his tionj = * — M)ru flan* Sure he was a- live •ig... , 4gf «y fl! fc2 ' T I T $ /fve h i s Viand the f l a n -rr} j l » w j l » « r a l n y ( i ) /.••£ ^ l l " I. he UMU pea hi»band ">J>> thru ^ t i e -flame. fflL_EJ f U e h> p e t a r e he * « * a - l i v i l e i>es - tf-3 law j l w j/»w (o)lh he M»JJ peu ' njn h i t h a n d * tn*-« fAe f/a m « — » o / ~ j/«w e^) Lit he fero»U J»a —Bg i hit hand -mp f h r« fhe f/qme It 33 M U 31 1 « % 1 = 8+ i^tp — a _a—, ¥ F - ^ omce the i-3 s -F T day Hk—| ^ i -1 ]f—1 Sinte the d»y of nis — r L \-P;>5.nc« the - J r -j day ^ J P T T -V-^. «— P Since the J J d&y of his J> J J ©3 * J # Jinte trie t i l i ! 4 = j M— = day .m 1 1 ~H—1 1 — i Since rhe J _ j j * M * t f = = j -day ft/ nii I N J J J *= F ^ * — — M J J — 1 M «— p fm .M: m Jinte inte 'Irie dey o/" nis 31 38 3«l f o 4, pv^—^— Jeath ?—-t 3 3 -t ? : • F Since the S— T-r-day of /»« —K ft V-f r ~ r - f ~ | deafi. he Can -fc K *— eceje. fin - u e s fo K K :— death [ 4 -f =5 m Since fhe < j jU day of r»» J J J death *e Con-J j k Crete. tin - ues fo K k U m • J 1 death O ^ r - i * * - i — « — • S i n c e fhe — r - J — z ^ -day of iii( J J J death he Cen -J j J Crese . fin - ues fo i. J J J J 3  P death 1 | m m Sloe rh. f« Mr mW day of Ki» im a l — i death he Cen -ym—•—• -ere«c. fin - uet fo 1 4 3: T 1 |«f Since flie s ->f Ail 3* I fhe :sl~: i rhe a/* his 1 t day P Since jg car ««r oav *f "is a l * pes!* IBJ* a i ^ ~ af his J l 38 3». 4o 4, i i i <•» -/ -t ~=r—#~= L •• -death 1' V - i ? " i ^ — V Si 4*- k afy o-— h — A V-r — ath he Ceo -r ft h C"ejc. tin - ues fo i 1\ i 1 — - N — - f — t — J — « Si "i — M nc* the •p^pl "«g d a y CH - \ — » «»•— r hi, 1.— t n ate 1 O f — *t> he j too-fr" J ! H Crete. tin - "es fo 1 ! — death O'. - ^ —=*—=*— s J s occ the day o i as f hi, HB — — — ^ T ^ E — ,th Ae Con-Crete . fin - ues fo _/-&JH* 1 1 _1 J S3 E! death Since fhe Jay of his «/eot/i he Con- fin - was fo 1 5 l i o h r of the CanJ - It , r/>. 1 6 is »4 I S 1S1» 2. A 3 3 hides his Sana's be- KinJ 3fc />>» Since fhe ««„ of hit deetf OreM Since the day of his deei-A, hides IT 1T1B 1 6 his h W 4 be - Kind Sine* the day 3£ I T •f Kis deer A, Since tAe day of hit deer A •lew > — 1 6 SJ 5+ iSIA 2.A J \J> w J * > hide 3* & *9 Since the dty of hit decfX ^ Since the. day of hit dt»rh, " C T L 2.T 1.T1B i 6 — LOT hides his honrfs be - hind T =T =T 3 & Since the do of rut deorli. zm. ri J9> Si net. ^oy 

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