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Graduation recital Trew, Michael Russell 1980

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GRADUATION RECITAL  by  MICHAEL RUSSELL TREW Mus., The University of B r i t i s h Columbia, 19  A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC  in THE FACULTY OF GRADUATE STUDIES Department of Music  We accept this thesis as conforming to the required standard  THE UNIVERSITY OF BRITISH COLUMBIA October 1980  (c)  Michael Russell Trew, 1980  In p r e s e n t i n g t h i s  thesis  an advanced degree at the L i b r a r y s h a l l I  f u r t h e r agree  in p a r t i a l  fulfilment of  the requirements f o r  the U n i v e r s i t y of B r i t i s h Columbia,  make i t  freely available  that permission  for  I agree  that  r e f e r e n c e and study.  f o r e x t e n s i v e copying o f  this  thesis  f o r s c h o l a r l y purposes may be granted by the Head of my Department or by h i s of  this  representatives. thesis  It  is understood that copying or p u b l i c a t i o n  f o r f i n a n c i a l gain shall  written permission.  \  Department of  HiH I M  The U n i v e r s i t y o f B r i t i s h  2075 Wesbrook Place Vancouver, Canada V6T 1W5  Date  Columbia  not be allowed without my  THE UNIVERSITY OF BRITISH COLUMBIA  j t ^ P ^  DEPARTMENT OF MUSIC  /TLv»-£,  Recital Hall F r i d a y , October 24, 1980  AJfo.K^v*'  v*^ ^  ****  GRADUATION RECITAL* Michael R. Trew, Composition Toward and Back  1978  N i c h o l l e C a r r i e r e , Flute J u l i a Nolan, Baritone Saxophone Duncan Shaw, French Horn Thomas Schoen, Violin Paul N i c h o l l s , Cello Larry Olson, Malcolm Gould, Paul Mizgala, Percussion Glenn Buhr, Conductor Solitude  1978 Tony Randall, Flute  • p' p E  x  t' S*  3  Japanese Plums The New and the Old (Text: S h i k i ) Who Owns the Moon? (Text: Issa) Prayer to Buddha (Text: Issa) The Prayer (Text: S h i k i ) Heat (Text: S h i k i )  1980  Carol Westdal, Soprano Tony Randall, Flute, Alto Flute L e s l i e McAuley, Violin A Foggy Day  1980 Karen Stephens, Piano  Magic Animals (Text: Gwendolyn MacEwen) Green with Sleep The Children are Laughing Silence is a Place U n i v e r s i t y Chamber Singers Cortland Hultberg, Director j  1979  INTERMISSION Four Songs f o r Harp and Voice  1980  Haze (Text: Huson) Parting (Text: Huson) Summer Night (Text: S h i k i ) The Moor (Text: S h i k i ) Carol Westdal, Soprano A l i s o n Hunter, Harp The Persistence o f Memory  1980  Larry Kennis, L e s l i e McAuley, Rachel King, N o r r i s Berg, V i c t o r Wong, Stuart Rogers, Violins Katherine Headrick> Andrew R i d d l e , Violas Ted Parson, Sue D a l l y n , Cellos Michael Kemaghan, Double Bass Robert Mari, Conductor Answers t o a Question  1979  L e s l i e McAuley, Laurie Townsend, Thomas Schoen, V i c t o r Wong, C r i s Sion, E l a i n e Dewar, Violins Andrew R i d d l e , Barbara Briden, Deidre Rogers, Violas Lome Unger, Kerry Regier, Cellos Howard Jung, Michael Kernaghan, Double Bass Cathy Riddle, Flute Tony Randall, Flute, Alto Flute Rick Smith, Clarinet Paul Woods, Bassoon Duncan Shaw, French Horn David C h r i s t , Trumpet Nancy Bateman, Trombone Karen Stephens, Piano A l i s o n Hunter, Harp Larry Olson, Bruce Wrigley, Malcolm Gould, Paul Mizgala, Percussion Robert M a r i , Conductor  * In p a r t i a l f u l f i l l m e n t o f the requirements f o r the Master o f Music degree with a major i n Composition.  Wis  TOWARD AND BACK In A  Flit Horn in. ^ Cello 5 Tcrc-usiifin  I  CWs  XyloplioTie  J- CL  \  si•iss  2 cuTinris^ick sricL corctiTitre. cZisi  nL  elicit.  ty\<L  encl io-os} ^e. qe.n<^  so^t: -TniTZel  y  ///  'highest ... Um  r-eipcai ^ Wic[ Same  ^S7)3xr\c^  Ticfe.  nJk 2.s rz-pfcZ^, z$ -possible  "{kc. fiJfe ZJ itovjc  A -lone  V  ;  TL -faster-  cm ly  Ml l , r  5  MI ^—/—A  m P  Veh  * W  A  OVi\t  =7  7  /  /  /  /  7  /  /—^  Imprest* (j»loo)  ftp  ffr  itri>irovi»e O'io«>  /  /  <  7*~7  /  =7~?  /—A /—A  Br Tin  GW f  /  /  • /  /  /  /  /  /  =7  7  ^  —7=  7—/—>^  /  TIT  J ^ 3  improvise  -7  /  /  /  /  **1w£?m>J  as os-mbta , Iticn "Vary  /  /  /  EL •mt  /  /  7  S  /  8  9  10  11  SOLITUDE  By Michael Trew  2.  JAPANESE  PLUMS  Performance Notes (1)  The performers read from the score  (2)  The phonetic symbols used in this work are those of the International Phonetic System. The pronunciation i s (approx.) as follows; Ki sha Mi  -  key, shaw, me  (Consonants should be pronounced very percussively) (3)  The soprano part must play several percussion instruments: the gong, a tom-tom, two high pitched bells, (there need be no rule here as to what type), wind-chimes, and a suspended cymbal. A triangle may be substituted for a bell or the wind chimes. The. player will require one or two soft timpani mallets.  (4)  The texts are as followst  (5)  1.  Ki-sha-mi-chi ni hikuku kari tobu tsuki-yo kana Railroad tracks; a flight of wild geese close above them in the moonlit night.  2.  Akai tsuki kore wa tagano ja kodomotachi What a red moon! And whose i s i t , children?  3.  Tsuyu horori horori to hatano nembutsu kana "Narau Amida Butsu" kana Dew lies in teardrops, and tenderly doves pray to Buddha the Savior.  4.  Ama-goi ya ten ni hibike to utsu taiko A prayer for rainj "To heaven be i t echoed!" - thus go the beating drums.  5.  Natsu-kawa ya hashi are-do urna mizu wo yuku The summer river: although there i s a bridge, my horse goes through the water.  The players should set up this way, with a small table for the percussion instruments*  Ft.1t  VJi  Soprano  2  belli ,Wih4 £.1tiv»,$ t  y,%t  Ho.  +v 014  S i -mi  C^ii  trt__  YVt  OOY1 •  Ollt  00  AH©  -  00 -  go  n„v  jr|  t  S E E  i s * p  <l=f  *—1» re  wa •6—  ^-<f"  31  2±  1 a'  wvi  A.  3. fray*** £  I  4, • f  3vof^Ka I  (6*11 *i)  a > — *  •  7  »vL. ^  . I  „  /  k_  ^  J.  1  L  J  Wt) X4  u-i  32;  ....  A VII  ,  .......  _  "  —  m  .,, ,  7  —J Vli  •—• > • m\  ,  " "•  ....... • - 1+ -.- • •• .  ivK)  ;/  _ -4  2  &  Heal  ~  13^  ~  1  =  10.  A FOGGY DAY  By  Michael Trew  ft"  Si •1-t  -.1'  .vs.. :i'  ..-••ii •41  A F o g g y Day  3.  -  3  !  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They ttl-itvit  and. n„-tv &7?T, Wi U  2 \a«—  1  TKey 3W-oU-  TU... » J i ^ 41«, T 9  -O-  TVy  7  dim- -  art oU*yft^n-I am  _a  aw.  y-  to  o a n d flielr * -'A.; jftlfl, - - w  'J.t*r\.  ^e*l  -  anil ttuir J«l  aft,  — - — l .t  sliocW »—  f  a*«-  1  ft.—  anil  flic  AiLU-orv  a*-c 1a.vttw.T^  TUtv  WUtwe.  21^ I  ^Wt dniltUtn. aire. W « ( k t T K ! i . ! 7  .  I  7  L  IV,  3 8  ^  i  1  I  j  ,  ^  S  *  TW  V>e_ -  / -[5W ****  art p ^ " ^  Tk«-y l Key  bri t« V  j = = P ft Thtv  '  ikcy  art.  wear* no  m  shoes  11  ME  jprinexS  id S: It  a  Ti  •8 a-r*A. their- ?xl?ky Vin^cLom  l  4\i ovsavvd  m  pjf? C'|S'Spats'iVfc")  1?  i r-.r  ^kzyrj:  nr  I.  Tliey art, o'Ut*- 4hzn J -fliey art"  oleic*- -fli an  EL.  Silence is a Place  ^exl: Gwendolyn ^WEwerL  60  •blB.ce  in -  usle  jrf  •where  & e lion't eye.  :  J"0  1^1  •where  J  ^  j>Iace  :$ a.  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J*L _-  I  1 folate,  N*ortcfc  Ynajiy worldV I'*-" "^*e  TTV.4  —<  TTBTiy-  2_  Ij-ie. liPTx'S eye  •£ „  I  L* .  .  #  .  /r»  |  1PE|  A  nalicns  iW  cUsiiny  ilutir  cLe^my  „  Lure,  i n - Sui* the  II lion.**  7 majujW- na.ii.oixS "meet  6 AnxL  vrumglexi Tiaiions  trJ  r^X  flneir  <le${t-n.y- ^  I  live  i n - 5 lie- "Hue. ZiorC$  In. - ^icle  <r-  fey  1=1=1  llie. lion.*  FOUR SONGS FOR H A R P AND VOICE  By  Michael Trew  1.  THE PERSISTENCE OF MEMORY  By  \  Michael Trew  j  By® P.  I PI  Ji  iVrco  Z2  221  Z2Z  22J  ©  drco  5t  V'A toft/. -fS-  > Mi rirjr [|rr ^Sj3  ft  r  r  — M —  > 1  ppHlt.  3P  $2  IN  (13  Z2 •!  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