UBC Theses and Dissertations

UBC Theses Logo

UBC Theses and Dissertations

Compositions Laing, Peter James 2002

Your browser doesn't seem to have a PDF viewer, please download the PDF to view this item.

Item Metadata

Download

Media
831-ubc_2002-0141.pdf [ 7.1MB ]
Metadata
JSON: 831-1.0099648.json
JSON-LD: 831-1.0099648-ld.json
RDF/XML (Pretty): 831-1.0099648-rdf.xml
RDF/JSON: 831-1.0099648-rdf.json
Turtle: 831-1.0099648-turtle.txt
N-Triples: 831-1.0099648-rdf-ntriples.txt
Original Record: 831-1.0099648-source.json
Full Text
831-1.0099648-fulltext.txt
Citation
831-1.0099648.ris

Full Text

COMPOSITIONS by PETER JAMES L A I N G B.Mus., Memorial University of Newfoundland, 1999 A THESIS SUBMITTED IN PARTIAL F U L F I L L M E N T OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE F A C U L T Y OF G R A D U A T E STUDIES (School of Music) We accept this thesis as conforming |):g/ the required sljlindard THE UNIVERSITY OF BRITISH C O L U M B I A April 2002 © Peter James Laing 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my writ ten permission. School .A Department of M C S I C The University of British Columbia Vancouver, Canada Date 15 Ayr,\ OZ DE-6 (2/88) Pg. ii ABSTRACT This thesis is a collection of six musical works written between the years of 1999 and 2002. Each composition, with the exception of the two marches, is minimal and includes works for concert band, SATB choir and organ, symphony orchestra, and trombone quintet. Continuum is a fanfare for band, which is orchestrated much like a jigsaw puzzle. The fast repeated melodic lines (mainly in the high winds) are sliced into fragments. These fragments are then given to a particular instrumental group and when played in sequence, form a complete musical statement. The notion of looping became my central idea for this piece, where individual lines seem to go on for infinity, thus spawning the title of the piece. The text for the Missa Brevis, or Short Mass, was both an inspiration and elation for me; so much so I felt compelled to set it to paper. The Latin text is quite idiomatic for the voice and the length of each stanza renders itself well for the repetitive nature of minimal music. The text is a modified one, in order to allow for much repetition while at the same time maintaining shorter movements. However, due to this modification the Mass is unfortunately unsuitable for a holy service. The title Bravo Zulu is quite fitting for a military march since the term is both militaresque in nature and meant to instil motivation in the troops. Military signals are sent as letters and/or numbers, which have meanings by themselves or in certain combinations. Therefore, the letters BZ, or Bravo Zulu in the phonetic alphabet, means 'well done'. The style of the march in this piece emulates that of the early 20 t h century British marches with its minor mode and heroic nature. From Sea to Sea a quick march for military band was inspired by my Canadian heritage. The title originates from the motto inscribed on the Canadian Coat of Arms, " A Mari usque ad Mare." The motto itself is based on Psalm 72:8, "He shall have dominion from sea to sea and from the river unto the ends of the earth." Unlike my previous march, Bravo Zulu, I wanted a more light-hearted feel, which is evident in the first strain with its piccolo solo and quirky bass line. Blanco Nero for symphony orchestra is essentially an orchestrated melody with the exception of the introduction. The introduction is a color transformation from dark to light using only the notes that appear in the melody. The melody employs the minimalist technique known as an additive procedure, whereby a melodic fragment is repeated and every so often a new note is added. The piano is the driving force behind the piece while the rest of the orchestra plays only the notes that are directly inline with the melody in varying ranges and durations. What makes this compositional technique interesting is that other melodies are produced in other instruments. Trancesendence for trombone quintet is no spelling mistake; its root actually comes from a genre of techno music known as Trance. By definition when listened to for extended periods of time, Trance depletes one's consciousness of reality and lures one into a relentless metaphysical stupor, much like minimalism. The form of the piece is through-composed. I chose this particular form to emulate a Disc Jockey technique known as beat-matching, whereby one song flows fluently into the next without interruption. Pg. iii TABLE OF CONTENTS Abstract ii Table of Contents iii Continuum for Symphonic Wind Ensemble (2000) 1 Missa Brevis for SATB Choir and Organ (1999) 33 I. Kyrie 35 II. Gloria 44 III. Sanctus 50 IV. Agnus Dei 58 Bravo Zulu Quick March for Military Band (2000) 67 From Sea to Sea Quick March for Military Band (2001) 87 Blanco Nero for Symphony Orchestra (2002) 108 Trancesendence for Trombone Quintet (2001) 127 Pg. 1 CONTINUUM F O R S Y M P H O N I C W I N D E N S E M B L E PETER JAMES L A I N G ©Copyright 2000 Printed in Canada All Rights Reserved Pg.2 Performance Time 4'52 130 Energetic with Drive Continuum for Symphonic Wind Ensemble Peter James Laing P g 4 mf L.V. • n f r f f Pg. 5 P r p r £ f f f i ^ i i r j . L J Pg.6 P g 7 rTf , frrff , fr r P r P f : r f r fe^'LJ r fe fe Pg .8 Pg. 11 Pg. 12 Pg. 13 Pg. 14 Pg. 15 Pg. 16 Pg. 17 Pg. 18 Pg. 19 if ^ 4 r I r J r p p p p = p = p = ; ; ; P P J== f f C P f fe= C C C C p = f c = f f g p 71> " r r r r r mf r r r r r r — r r r r r r r r r r i i 1 1 ' 1 1 1 Pg. 20 is T *i f f f f | = i = i f f r r P = ^ P P P P f ^ £ = s F P F F f = ^ F F F_J F ^ E = 1 1 r r r i== r r [ r c r = [ r [ r [ \ Pg.21 ih = p p—p—t -e- 1 " p p p p—-p •-p-- -P—p—p—p—\—%— f f f f f 4= f f f p F E= ~ v c r r r r r = c r c r c r r r r " r r r r r r r r== r r r r r = t = Pg. 22 >j=, P p p F p p p P P f f=p= p p p p p=g= p p p p p=p= F P ; i =^g= ^ f r r r r = f = r r r r r r = r r r r r r — r r r r r $ = R R LJ t r Pg. 23 *>:, e c c e c g g r g e g r = e p t i t t j g S S g g g p p p g p s ^ L i L J L J LJ c_r L_r c r c r c r c r c r [ r [ r C r . Pg. 24 | E | Tranquil 1= ih r » L J LJ I L ^ LJ L J LJ 1 LJ L J L J l U L J LJl Pg. 25 m l #—t- l £• §85= Pg. 26 Pg. 27 Pg. 28 Pg. 29 Pg.30 Pg. 32 Pg. 33 for &WEib Choir an6 ©rgan 1 1 , ©loria III Sanctus "peter Jfamee tCaing ©Copyright 1999 Printed in Canada All Rights Reserved Pg. 34 Kyrie eleison. Christe eleison. Kyrie eleison. Gloria Gloria in excelsis Deo, Et in terra pax hominibus bonae voluntatis. Laudamus te, benedicimus te, Adoramus te, glorificamus te. Gloria in excelsis Deo. Sanctue Sanctus Dominus Deus Sabaoth. Pleni sunt coeli et terra Gloria tua. Hosanna in excelsis. Agnus Dei, qui tollis peccata mundi, . miserere nobis. Agnus Dei, qui tollis peccata mundi, dona nobis pacem. Amen. Lord, have mercy upon us. Christ, have mercy upon us Lord, have mercy upon us. Glory to God in the highest, And on earth peace to all those of good will. We praise Thee. We bless Thee. We worship Thee. We glorify Thee. Glory to God in the highest. Holy, Holy, Holy, Lord God of Hosts. Heaven and earth are full of thy glory. Hosanna in the highest. Lamb of God, who takest away the sins of the world, have mercy upon us. Lamb of God, who takest away the sins of the world, grant us thy peace. Amen. Pg. 35 Total Performance Time 13'40 Performance Time 3'20 Missa Brevis for SATB Choir and Organ P g 3 6 Pg.37 Pg38 poco cresc f Ky - - - ri poco cresc Ky e Ky -poco cresc Ky e Ky -poco cresc Ky e Ky n - e Ky n - e Org. poco cresc © J ? M - 1 $ " . = ^ -^rjyb . f o:, k L — * — ^ , I ™ li>iKjt~] J _fu. - n j j 4^ n J J Jl J J # q —H \ H J U l J = i HN— j— j j ; i~ J juJ J H — * — j . ' J J • fcw . - = j; J J J ^ Org. Pg. 39 Chris - te e - le - i - son. Chris te / Chris - te e - le - i - son. Chris - te e - le - i - son. i»—i—<> Chris - te e - le - i - son. Chris - te Chris - te e - le - i - son. Chris - te e - le - i - son. Org. iv. W D subp erase poco cr poco Ky - ri - e Chris - te subp <~3~> cresc poco a poco Ky - ri - e 1—3-1 Chris - te i'J LJ > J J Ky - ri - e Chris - te subp i-^—i c r e s c Poco a P o c o _ Ky - ri - e i—-»—i Chris - te subp Ky - ri - e Chris - te 3—i crescmco a poco _ r pr ii r r r Ky - ri - e 1-3—i Chris - te r v r ir > r r Ky - ri - e Chris - te Ky - ri - e Chris - te •* Org. subp cresc poco a poco Pg. 40 Pg. 41 fe EM-EM*= E ^ r r c r r K LIT r r p E ^ Ky - ri Ky Ky div. K y K y J u j . Ky ----- J- i <i Ky Ky e Ky EM-5 5T1 7 mm •IF r m m 3 Pg. 42 fe Ky Ky ]\ |J J Ky Ky^  K y j W j -Ky ' 3 W J ^ K y > e Ky e Ky aft Lrir^ r Pg. 43 Ky Ky e o Ky ri Ky - ri - e Ky ri Ky - ri - e Ky Ky m K y K y J . Ky 1 1 - C Ky, Ky^J.-K y r P r Ky Ky 4 ^ B j ] y i 3 f f l f — * ~ T f ~ P I p le - i le son. le - i son. e e • * • • Pg. 44 Performance Time 3'05 J. II. Gloria i . - 7 2 ™P Stagger Breathe ff m^Ln^L^m Soprano Alto Glo n - - a Glo n - - a TTVp rgr- *r— Glo - ri - a Glo - ri - a Glo - ri - a HPIP Glo - - ri Glo - - ri Glo ri - a Glo - ri - a Glo - ri - a Glo - ri - a Glo - ri - a Glo - ri - a ttyp Glo ri - a Glo - ri - a © Glo - ri in ex-eel Glo - ri - a •m' Glo - ri - a Glo - ri - a Glo - ri - a Glo-ri-a Glo - ri - a Glo-ri-a Glo ri - a Glo - ri - a De - o, tnp Glo-ri-a © m in ex-cel Glo - ri - a Glo-ri-a Glo - ri - a sis De {EES Glo - ri - a Glo-ri-a Glo - ri -0 ffffF sis De - o, sis De - o, Glo - ri - a in ex-cel Glo - ri - a in ex-cel Glo - ri Pg. 45 © o, Glo ri - a et mf ter - ra pax ho - min nn¥ jjJIr n ^ i J jv 7 si^IY 1 j P i i et in stagger breathe ter - ra pax ho - min m et in ter - ra pax ho - min p - , p^  et in ter - ra pax ho - min © bus bo - nae vol - un ta - - - tis Glo - ri - a in 4 7 -JJJJl7 j i j J 7 rjJj] 7 rjJi i l 7 r i JJ l 7 i j j J 7 r jJjj 7 n J j -bus bo - nae vol - un - ta - - - tis Glo - ri - a in 1LT LIT [LT 1 LLrCTJ* [ l iCET [EfLLT CU 'LLTClP bus bo - nae - vol - un - ta - - - tis Glo - ri - a in 11'* r r r r bus bo - nae vol - un - - ta - - - tis Glo - ri - a in wm eel - sis De - o, Lau - da - mus Lau - da - mus te, Lau - da - mus >• r J J J- J- u^i J M 1 J J j ' sis De - o, Lau - da - mus Lau - da - mus eel - sis De - o, te, Lau - da - mus Lau - da - mus Lau - da - mus S 0 p* 0 0 0-cel - sis De - o, Lau - da - mus Lau - da - mus Pg. 46 Pg. 47 © Broad te, Glo - ri - fi ca - mus te, Glo ri - fi - ca mus mf te, Glo - re - fi ca - mus te, Glo ri - fi - ca CJ U J 1 t J J J ' 1 CJ LTJ J F P' T CJ ULTT CP mf do mus te, a - do do mus te, a - do 1 m Org. mf te, Glo - ri - fi ca - mus te, Glo ri - fi - ca te, Glo - ri - fi ca - mus te, Glo c J L f j r r r P'1 CJ U J 7CJ J J ' ^ t J J J V p ^ p ri - fi - ca te, a - do - ra- te, a - do - ra-te, a - do - ra te, a - do - ra m m Org. Pg. 48 © JJ] J- A] te, Glo - ri - fi ca - mus te, Glori-a Glori-a Glori-a Bring out te, Glo - ri - fi - - - ca - mus te, sisDeo, sisDeo, ' J j ' r j r j L I J P £ / L I T r f P mus te, do - ra - mus inex-cel ©' ,mus te, a - - - do - ra - mus inex-cel Glori-a a m m m. g p p ©^  D Glo Glo ri - a Glo - ri Glo ri - a Glo Glo-ri - a Glo-ri - a Glo-ri - a Glo-ri - a Glo-ri - a Glo-ri - a in ex-cel - sis De-o, Glo-ri - a in ex-cel - - - sis De-o, Glo-ri - a m Pg. 49 poco rit. mf USUI Glo = mf Glo a-Glo mf Glo a Glo - ri rr\ j . J-J Glo-ri - a Glo-ri - a Glo-ri-a Glo-ri-a Glo-ri-a Glo-ri-a •• mf 0 0 t \in ex-cel - sis De-o, m Glo-ri-a in ex-cel - - sis De-o, Glo-ri-a Org. mf Glo Glo - ri - a Glo-ri - a f7\ Glo - a Glo - ri - a Glo-ri-a Glo-ri-a Glo-ri-a Glo-ri-a Glo-ri - a • 1 in ex-cel - sis De-o, Glo-ri-a in ex-cel - - - sis De-o, Glo-r i -a Org. Performance Time 3'25 J , 54 Yearning III. Sanctus Pg. 50 Organ 1 mf o © , Sane Sane 3 tus Sane - tus Do - mi - nus tus Sane Sane tus Sane tus Do - mi - nus Sane Org. i ^ 9 O Pg.51 Pg. 54 37 B mp , 3-tit 1 Sane tus Sane mp it 1 i k _ ® J -J ± ± r r r r r F r r r r r T ffiE Org. mp .9. ML ML ML _9 » » Mh_ 9 ML ML ML . t»» ft ' ft ft V-9 -9 9 V-0 0 ® cresc 3fc tus Sane tus cresc • J -Sanc - tus -A—*-Sane Sane -/ Pg. 55 Ple ni sunt / el Pie -* y 1 st X only BothX ni sunt • F • tus Pie ni sunt =ah=d= J J [_f_J! L_fJr / 3 Org. .8. p. p. p. ^ 5 — £ - '- ff —» » et ter glo n - a *—^ el - i ter glo et ter -Mysterious 5 Org. Pie sunt el - i et ter .r ff ff ff » -» » • ,t ff ff ff ~3 « Pg. 56 ® f f =_, 3 , ri-fi—a. Ho na in ff ex - eel i 3 glo Ho 3= Ho ff glo a tu Ho r -r r T r ^ r r r r.r ^ r r r r r ^  rrrrrrrr Org. .W. ML ML ML 9- ML- -ML ML t. ML ML ML '•— ff ff ex - eel - sis. Ho Ho san - na Pg. 57 © [I T I ± Org. 'F F F f r r r r f f r r r r r r r r r = F (S IS F F F F 5T r r r_r_j; t>:f p f f 1—i J—1 r r r r r r • 3 • ' 3 ' P f -P f = T I d P P P P nJ , J =t=i 'r r r r £=M f f p -JA 1 1 1 :— r — — -1 1 1 1 — i — i — i — i — © Performance Time 3'50 IV. Agnus Dei Pg. 58 Pg. 59 Pg. 60 Pg.61 fe no - bis. mis - er - - - er Ag - nus De l, qui tol e no bis. mis - er - er mis - er - er > . j 2 r r mis - er er - e no bis no - bis 3 3 kM>= bis. mis - er I P lis pec ca - ta mis - er - er mis - er - er _»_ mis - er - - - er - e no - bis no - bis mis Pg. 62 Pg. 63 Pg. 64 r r pa do na no bis > > J J J > > > > > > > > do - na - no - bis pa - cem. A - men. EM>= do - na no - bis pa - cem. A - men. > > > > > > > > > p i r r P A - - - - - men. - men. do - na no - bis pa - cem. A - men. > > > > > > > > > > > > > > > > do - na no - bis pa - cem. A - men. do - na no - bis pa - cem. A - men. Org. m m m ® do na no bis EM*1 > > > > > > > pa - - cem. — > — — A - men. > > > do - na no - bis pa - cem. A - men. > > > > > > > > do - na no - bis pa - cem. A - men. p ip r P do - na no - bis pa - cem. A - men. > > > > > > > > > > > > > > > > do - na no - bis pa - cem. A - men. do - na no - bis pa - cem. A - men. Org. 3 3 3 3 3 3 3 Pg. 65 Pg. 66 Pg. 67 B r a v o Z u l u Q u i c k M a r c h f o r M i l i t a r y B a n d S O Peter James Laing ©Copyright 2000 Printed in Canada All Rights Reserved Pg. 68 Performance Time 3'02 1 120 Bravo Zulu Quick March for Military Band Peter James Laing Flute Oboe Clarinet in Bb 1 Clarinet in Bb 2-3 Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1 Trumpet in Bb 2-3 Trombone 1-2 Percussion Cymbals Pg. 69 Pg. 70 Pg.71 Pg. 72 Ob. Bb Cl. 1 Bb Cl. 2-3 B. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 1 -3 Hn. 2-4 Tbn. 1-2 Tbn. 3 Brtn. Tba. Mai. J I Cym. Pg. 73 Bb Cl. 1 Bb Cl. 2-3 A. Sx. 1-2 B. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 1-3 Hn. 2-4 Tbn. 1-2 Tbn.3 Pg. 74 Bb Cl. 2-3 A. Sx. 1-2 Bb TpL 1 Bb Tpt 2-3 Hn. 1-3 Tbn. 1-2 Tba 3 cresc poco a poco Pg. 75 Ob. Bb Cl. 1 Bb Cl. 2-3 A. Sx. 1-2 T. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 2-4 Tbn. 1-2 Tbn. 3 Brta. Tba. Mai. Perc. Cym. '1$ P— r r" n #r r r r = JP^  , — — r r r" 8r #f 1 T r = -^ -rJT Z Z C Z' C— f : 3 jp^ ii fc—r r r r • r— p 1 1 y r 3 £ f r f t f ^ f * . £gff J5 3 1 j r 1 3 =1^— 1 5= * «• 3 3 ^ -- 1 & 'r = 7 ^ j . - •• u r f n r i r r r r r r Pg. 76 Bb Cl. 1 Bb Cl. 2-3 A. Sx. 1-2 B. Sx Bb Tpt 1 Bb Tpt 2-3 Hn. 1-3 Tbn 3 Brtn. Mai. Cym. Pg. 77 Pic. Ob. Bb Cl. 1 A. Sx. 1-2 U Us B. Sx. Bb TpL 1 Bb Tpt 2-3 1 r L - j -o2 3 Tba 1-2 Tba 3 Tba. r L J r — r — r—r~ Perc. Cym. r—r—-T—r— r r Pg. 78 Pg. 79 , 56 , Pic. te Trio rk"k ~ te te Bb Cl. 2-3 A. Sx. 1-2 B. Sx. Bb Tpt 1 Bb Tpt 2-3 ^ 3 te 4 t Hn. 2-4 Tbn 1-2 Tbn 3 tttt * Brtn. Tba. Mai. Cym. Pg. 80 Pic. Ob. Bb Cl. 1 Bb Cl. 2-3 A. Sx. 1-2 T. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 1-3 Hn. 2-4 Tbn. 3 Mai. Perc. Cym. t?\ - = $ " = ll^ » r , r » r » g = » r » g = T " 7 p N ' P 7 P ' P P » J .. ^ ' P 7 P 0 : . U . 11 . ft = - 1 — , ^ = i > gj» f - < — ] — • — 3 — , ft , , H! , ft —3—<—J— , ft , ft * I* l Is k mf _Z bd—L I T I T m * m j J | = J ff * f • J J =1 m m m p 7 ^ 7 fr= 7 7 J. 7 ^ 7 ^ 7 J. 7 J. u r r mf n i i •< w r f r r fc W * r r * «/ Sf u r r V *f V u 7 p 7 p mf 7 P 7 P 7 p 7 p 7 p ' p 7 p 7 p Pg. 81 Pic. Ob. Bb Cl. 1 Bb Cl. 2-3 T. Sx. Bb Tpt 1 Bb Tpt 2-3 [66) m. •r i • * Ai\\f'—f f f * J ft. x — > • m ^ • • »• ] J? ^ r — f • p P «. J 1 ML • * > . — m %t m ~w > $ " P 7 r = "Ttir^ n—<s S S S—s— r 7 -» f 6 1 p 7 r d =1= • 4 = P PH w ' y a2 *• > — • • • a2 " r . . . . — i ? 1 1 Ah P » ~P i  f • f > r T " 7 = j ' i i 1 r i ^ i - = ^ J J =i J J ^ w > i j ^ - = L . r * r - p = » r > r = > mf & [r 7 L ' P 7 P ' P 7 P T" 7 3 t l . , L — - p - r— f i— — 3 — 5 — 3 — . II - ft _5—3 5—3 . ft . ft - J — 7 ^ r = ; *): L 4 p w -7 > ^  = U):,H J = J r J M --J J • J-• 7 j> 7 mf 7 ^ 7 ^ V 1— < _ j — b 7 -u r f -0 ^ - n — i . » r r - * — « — ' — n — r r . tt ? * r r r r L.V. "f Tba 1-2 Tba 3 Tba. Mai. Perc. Cym. Pg. 82 Pic. Bb Cl. 2-3 A. Sx.1-2 B. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 1-3 Hn. 2-4 Tbn. 1-2 Tbn 3 Brtn. Tba. Mai. Perc. Cym. ® ff- f M ft .ft •ft 4 ^ — Z 1 ^ 1 m ft >> . .ft 4 ft •ft*"" "I* 1 f ^ • ^ - • — > -#rW—s—.—-—w— r -* g g ; P T 1 — E f F— = ^ T" P ^ p 1 =1 7 LJ ft h^^  - > r -\ i 7 1 i '-Jhy^— 1 J 1 J > 3 » I I I ft ' J J J •f 1* 1* 1* Is* r* -7 m d d , ..... m. 7 LLTE £H 3 ft " — -a > 3 ' = 1 3 » r V" ' P ' 1 -jr- T - f h ; M ? P ^ ^ ~ ft " 7 3 7 T , : , U . fi . 1 ft —i=5L , LP! — i | > f ^ 7 - ^ 3 — 1 > ^ M _3 bd—I 1 <— ^— 1 1 L ft 1 > I>VL . 1 Pg. 83 76 te / 3 3 m Ob. Bb Cl. 1 Bb Cl. 2-3 A. Sx. 1-2 f-ff3 f-ff B. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 1-3 Hn. 2-4 Tbn 3 Brtn. Tba. Mai. Perc. Cym. f-ff f-ff r r choke — \ -f-ff H » — f-ff r r P 7 P p 7 p r r Pg. 84 • p i > 0 0 1* t M M 3 ft ft r r r r P ^ * # ¥^ f — i — • H -f—m 3 3 j 3 >- f • m f - = — f M N ft c r f f 1 4 ^ - j M — 3 3 3 3 ' •> — I I ' ' I " ' J -Jht— d - J> j - ^ = T ' 9 * = -Jhft—p : ' P ' P 1 ' r ^ M' a J ' l 1 1 i = 5 l P 7 * 1 p—0 r p r^-frV— J J =1 U L U 1 3 ••j —^w r~ J J j & ^ • -C • r 3 7 J C. / Af-ff s i ft * 7 -J P M * r 1 » r ' J P - i —1 — 3 > C - r ft v 7 P Ll^ > . 1 T Jl < J I J3 3 P ' f j . J f p ' p ft " 7 ' 7 j j : 0 -3— 5 % > 0-i - ' » ^ i r—p—^ 2. ^ = d » i i LLr 3 n 7 > ^ d 0-J 3 f » d U U s 1 3 m 3 - - - - ^ 3 f-ffL J. 7 j . - — • 3 3 u f f •fl *—«—^— f i— r r — t t — * — t t — r r — f i — * — t t — r J r r r 7 tt 7 tt Ob. Bb Cl. 1 BbCl. 2-3 A. Sx. 1-2 B. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 1-3 Hn. 2-4 Tbn. 1-2 Tbn 3 Brtn. Tba. Mai. Perc. Cym. Pg. 85 Pg. 86 te ff te r r f Ob. , p. Bb Cl. 2-3 A. Sx. 1-2 i T E T. Sx. Bb Tpt 1 Bb Tpt 2-3 Hn. 1-3 Hn. 2-4 Tbn. 1-2 Tbn. 3 Mai. Cym. choke — I T from Sea to Sea Quick march for military Band <t>» Peter James Laing ©Copyright 2001 Printed in Canada All Rights Reserved Pg. 88 Performance Time 3'42 From Sea to Sea Quick March for Military Band Peter James Laing Clarinet in Bb 1 Clarinet in Bb 2-3 Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1 Trumpet in Bb 2-3 Cymbals Pg. 89 2nd X Only % Play on DS Solo t-B.Cl. BbTpt. 1 BbTpt. 2-3 Mai. Cym. Pg. 90 B.C1. BbTpt. 1 Bb Tpt. 2-3 Tbn. 3 Tba. Mai. Cym. tes= 9 k IT L C J T — r r T Pg.91 feE^ te fe te te BbTpt. 1 Bb Tpt. 2-3 Ha 1-3 te fe te Tbn. 3 m m Mai. Cym. Pg. 92 Bb Cl. 2-3 BbTpt. 1 BbTpt. 2-3 Tbn. 1-2 Tbn. 3 Cym. Pg. 93 Bb Cl. 2-3 Bb Tpt. 1 Bb Tpt. 2-3 Tbn. 1-2 Tbn. 3 Cym. Pg. 94 Bb Cl. 2-3 BbTpt. 1 Bb Tpt. 2-3 Cym. Pg. 95 Bb Cl. 2-3 BbTpt. 1 Bb Tpt. 2-3 Tbn. 3 Cym. Pg. 96 BbTpt. 1 Bb Tpt. 2-3 H a 2-4 Pg. 97 Bb Tpt. 1 BbTpt. 2-3 S.Dr. Cym. B. Dr. h - , M I | ^ 1 r p r j l | 4 J = \ I - - L C J - | -L ft ir =*= WIT j M h > e > c —* M M i— —> Ffff f— 4 = ^ 4 J . ft ' y 4 = 77J7 1 . f t J J * "P ' r J r j . j . w) ^ l> * J—* .— * 3 33 3 3 J 3 7 . — i 1 mf r -4 mf [1 b ^ j 7 j 7 _ f ' J ^ i , r j " ] J # - j 4 J # • 1 a r r r r r r n > _ i r r r r 7 i > > r r r r r r r 7 £ L L J r • r D * p * p 1 P * P 1 P 1 P 1 p * p r 1° r r r r r r r r r r Pg. 98 Bb Cl. 2-3 BbTpt. 1 BbTpt. 2-3 Cym. Pg. 99 Ob. BbTpt. 1 BbTpt. 2-3 m n _ _ — A — — — / i *r ^ & Mm M»~ 7T2 o r r r r r r r ' ? r r r r ' f / L V _ — — 1 r r r r w r 7 r r I..V. * — * — — n > p ' p = r — * • — r y r r r r if 1 r r r r Mai. Cym. Pg. 100 Pg. 101 66 BbTpt. 1 Bb Tpt. 2-3 Tbn. 1-2 Mai. S.Dr. Cym. m * f f f r r r - = r r r r p= i i • P* « i* r* •f—r p r rt— Is' F F m j i = j \ 11 | 4 K • U l ; CU mf F~H—F—f—T— r L X J = — r—r—p— J -J,—^*—j ,iL-\ \—TJ i = H L J " J E-U=^ mf r r r==^ —p5 p—p—p—• r J - = J- J J p = J — T J 1 = ¥= ^ = mf J L 1 1 F *r 1 *r r * * j = m • m m tip r J- j J- J J P ¥= T ' ' - r 7 J =H r UJI= L j = ' 7 r 7 = 1 h > - =J r 7 r 7 = mf • > - j — i 1—i p^ r i ; • • r r = \ W= P * ' ' P ? p ? =P= r p F P ? N i = j « i = = = = j * i ===\ # ^ M ¥ = i J ' J • = m 7 1 7 r 7 J 7 ^ ¥= 4mT r—i r — h f - i — r — i r — — — •1 c—* r — ¥^ —f J—. ^ > J, * P * P P * P ¥^ •* 3 * —3-= f * 3 ? 3 Y P r P 3 * 3 ? —3-^—f— *): ,1,, L / ./ \> i/f •"r r r ft *): | k L / j , i = H v L |-J 7 J 7 ' j ' J 7 : « 7 J 7 •r 1 J ' =1 n » i »^ ' y n •* P 1 P . > > , * $ r ' r > « * » x P f \ m \ m P * f r r r r 7 r y • a — * P * P mf '•T r * p * p r r 1 P ' P r r I r r 1 P * P r r Pg. 102 © r f f r E f f f f f f r r r r_r r r_r BbTpt. 1 BbTpt. 2-3 Tbn. 1-2 Tbn. 3 Cym. T ^ — m r Pg. 103 76 ^ I L U CM r P r. r r r L U r BbTpt. 1 Bb Tpt. 2-3 Ha 1-3 Tbn. 1-2 Tbn. 3 Cym. h , 1 t U " C _ l J -T 4- T t — r r — r Pg. 104 Pg. 105 F U Bb Tpt. 1 Bb Tpt. 2-3 Tbn. 3 Brtn. Mai. Cym. r ff t t — r Pg. 106 Fl.l \t Y r P r tc—i c - T 1 P UP L 1 K 1 u- . > r \ r~T> i W J 7 J- 1 - 1 J J r i i I P ^  r 1 7 J 7 j BbTpt. 1 BbTpt. 2-3 Tbn. 3 Pg. 107 Pg. 108 5 a n c o \ i e r o N for < 5 y m p h o n y Orchestra P e t e r J ames L a i n g ©Copyright 2002 Printed in Canada All Rights Reserved Pg. 109 C Score Performance Time 5'00 Blanco Nero for Symphony Orchestra Peter James Laing i „ - — 4F • (A - B - C • D) Soft Millcti m- 80 J J1 1 * pp Pg. 110 Pg. 11 1 Pg. 112 p Pg. 114 Pg. 116 Pg. 117 Pg. 118 Pg. 119 Pg. 120 Pg. 121 Pg. 122 Pg. 124 Pg. 126 Pg. 127 9 ©Copyright 2001 Printed in Canada All Rights Reserved Pg. 128 The piece is for trombone quintet, which includes two alto trombones, two tenor trombones, and a bass trombone. The music was written with careful consideration to the placement of each performer, taking advantage of a quadraphonic surrounding where melodic fragments would seem to be coming from all directions. See below: Stage Alto 1 Alto 2 Bass Seating Seating Seating Tenor 2 Tenor 1 Recorded by the I Tromboni on the 14th of October, 2001. Pg. 129 Performance Time 7'40 Trancesendence for Trombone Quintet 120 Peter James Laing Alto Trombone 1 Alto Trombone 2 Tenor Trombone 1 Tenor Trombone 2 Bass Trombone © fp PPP -7Itp ™f ppp A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 mp mf P ff mp mf pp ppp o P ppp © m mp mf A. Tbn. 2 TO/ T. Tbn. 1 PPP - P T. Tbn. 2 B. Tbn. Pg. 130 A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. mp m TTVp p P PPP P PPP- P A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. mf mf "if PPP [PPP -PPP mf A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. m mp ff mp PPP mf -m_ mf — PPP "if i l PPP mf PPP f mp Jf mf mp p Pg. 131 A. Tbn. 1 A. Tbn. 2 X Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 X Tbn. 1 ® PPP ff mf P m i PPP TTVp wvp PP mp pp f mp PP _f_= k_ mf P mf P PPP MP CJ - a mf P PPP "f P PPP\ mp nyp pp PP mf PPP P mf TTif mp p PP \ppp nyp ® PPP E pp jp jp mf T. Tbn. 2 B. Tbn. Pg. 132 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. _ > > > > > 561 accel. f p f i i > > > > > J= 130 f P f f f > > > > > ; i ^ ^ ityp mf / ff iff ff PPP pp JP •f '\>\ * ^ 3 - i — ^ ^ f , r r , iff ppp mf ff 1 «i l l t i i i. i i «> i i f i i i * — r Pg. 133 © A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. 3 £ te m mf "if mf mf r^rr.rr 0 - 0 - 0 -"» 9 9 » * * »' M * * -m ^ * f ff Pg. 134 ,76 A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. m te 5 £ I I 1 7 I I 1 7 1 J J J J J J J U J J J J J J M I I J l l U J J  1V 3 * 3 ""J • • S 5 '* 5 5 » S S S :j S S J * -* W • * S * * « Pg. 135 A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. mf IIU |Kt, M P , . f f , - ° P e " f r r ? r r * r f mf m Open / |*J* f f 7 |» f ' i ' f f f ' y f f r ^ r r f ^ r r mf / ® m / f > > > > I — 1 *! 1 I -3$ Pg. 136 106 Legato Muted A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 m te r * r f f ? r r Muted mf mf mf B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 5 J • S 9 *- * mf te te 3 ^ " 1> I? te A. Tbn. 2 te Pg. 137 121 A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. IIP ,11, - I P i M ^ ) 45 n i, r 1 / *): ,l>,L p o > p O a .ft p"^ f f 7 f f V p |* 7 1 1 - J f ' ff~p^i Luj , U > 7 p= tii .r7>r -—1 4^—* 7 1 1 1 1 — o o f — f = — o M/k = », ( f" f 7 ^ —Pzf—P f 7 T Open Open r r . r n r Pg. 138 136 A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. r f , r f 3 S rs, rs Pg. 139 151 , A. Tbn. 1 m te A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. I t f r ^ i -IS-MM. O-.LL r r ^ r r ^ r f . t f . r f if-— $ — ^ i - i t f , t f , r f ? r P . ? r f ^ r - J ^ h A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. llt?iK> "ff - r r 7 ff 1 A «• r — r — IT " v \ ' ~ ' ) l l ' j ^ l , =7 ' r — L E • / g 11 L * 1 7 v D f f 7 f ft , f f 7 f f f 7 f" ft- r A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. Pg. 140 A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. r r i r ^ 1 1 7 ^ 3 ^ A. Tbn. 1 A. Tbn. 2 i>,k r r 7 — T. Tbn. 1 T. Tbn. 2 3 5 = B. Tbn. Pg. 141 181 A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 r J . r r r r r P r r , r Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 .Tbn. Pg. 142 196 A. Tbn. 1 PP pp A. Tbn. 2 T. Tbn. 1 P 3 £ l i \pp PP PPP PPP T. Tbn. 2 =§5 r J > r J B. Tbn. 3 £ — f » p m * \ — C J 1 mf * CJ " ^ >\\ • mp / •' 9 it L r ~ ^ |> * mp * \t\ — A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 te J= 120 A. Tbn. 2 te r7\ T. Tbn. 1 JP ">f T. Tbn. 2 B. Tbn. Pg. 143 i 211 _9_ A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. A. Tbn. 1 A. Tbn. 2 T. Tbn. 1 T. Tbn. 2 B. Tbn. mf PPP P PPP PPP mf 

Cite

Citation Scheme:

        

Citations by CSL (citeproc-js)

Usage Statistics

Share

Embed

Customize your widget with the following options, then copy and paste the code below into the HTML of your page to embed this item in your website.
                        
                            <div id="ubcOpenCollectionsWidgetDisplay">
                            <script id="ubcOpenCollectionsWidget"
                            src="{[{embed.src}]}"
                            data-item="{[{embed.item}]}"
                            data-collection="{[{embed.collection}]}"
                            data-metadata="{[{embed.showMetadata}]}"
                            data-width="{[{embed.width}]}"
                            async >
                            </script>
                            </div>
                        
                    
IIIF logo Our image viewer uses the IIIF 2.0 standard. To load this item in other compatible viewers, use this url:
http://iiif.library.ubc.ca/presentation/dsp.831.1-0099648/manifest

Comment

Related Items