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Music compositions of Denise Stephania Weleschuk Weleschuk, Denise Stephania 1990

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M U S I C C O M P O S I T I O N S O F D E N I S E S T E P H A N I A W E L E S C H U K B.Mus., The University of Alberta, 1988 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF : '> MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF MUSIC We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA Apri l 1990 © Denise Stephania Weleschuk, 1990 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of MUSIC  The University of British Columbia Vancouver, Canada Date APRIL 1. 1990  DE-6 (2/88) TABLE OF CONTENTS TABLE OF CONTENTS (ii) A B S T R A C T i i i RECITAL P R O G R A M 1 VMLHRYEH L E E T A H 3 ABLE WAS I ERE I WAS ABLE? 14 TWO RECORDER PIECES 19 I. A Passing Destiny 20 II. Topsy Turvy 25 THREE SONGS 29 I. Ee Nehboh Nev Mihtih Ee Zahspahnee Khvihlee 31 II. Ohnee Horiat, Moozihkah Hrayeh 56 UJ. Mihnoolih Leetah Molodeeyee 86 C R A C K E D CRYSTALS 106 F A L L OF THE R H Y M E 115 I. London Bridge 118 JT. Humpty Dumpty 120 m. Rock-a-bye Baby 123 i i i A B S T R A C T Presented in this thesis are the notated scores composed by Denise S. Weleschuk and performed in recital on Sunday, March 4, 1990, at the University of British Columbia Recital Hall. These scores are accompanied by one cassette tape of the recital. "THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC R e c i t a l H a l l Sunday, March 4, 1990 8:00 p.m. GRADUATE RECITAL * DENISE S. WELESCHUK, composer Vmihryeh L e e t a h J e n n i f e r S c o t t , mezzo soprano Sarah P f i s t e r , p i a n o A b l e Was I E r e I Was A b l e ? U n i v e r s i t y Chamber S i n g e r s Leanne Patenaude, soprano Marsha J o h n s t o n , soprano L e s l e y S u t h e r l a n d , soprano Amy Stephen, a l t o Joy A l l i s o n , a l t o Lynne McMurtry, a l t o C o l i n d e B o u r c i e r , t e n o r B r i a n Day, t e n o r J o h n a t h a n Q u i c k , t e n o r Andy H i l l h o u s e , b a s s D a v i d F a n k h a u s e r , bass D e r r i c k C h r i s t i a n , b a s s C o r t l a n d H u l t b e r g , d i r e c t o r A P a s s i n g D e s t i n y Topsy Turvy Kees van den D o e l , soprano r e c o r d e r I P a t r i c i a B i n d e r - C a n t s , soprano r e c o r d e r I I Dean N i c h o l s o n , a l t o r e c o r d e r Three Songs Ee Nehboh Nev M i h t i h ee zahspahnee K h v i h l e e O h n e e _ H o r i a t , Moozihkah H r a y e h . . . M i h n o o l i h Leetah Molodeeyee... J e n n i f e r S c o t t , mezzo soprano Lynne L a C r o i x , f l u t e Carmen Handley, oboe Stephen Robb, c l a r i n e t J i m Sanyshyn, bassoon John K o r s r u d , trumpet Cindy M a r t y n , trombone B i l l S m i t h e r i n g a l e , p e r c u s s i o n L i n d a George, p e r c u s s i o n A n g e l i q u e Toews, v i o l i n I S a r a Lee, v i o l i n I I Rebecca F r a s e r , v i o l a Leah Wyber, c e l l o M i k e K a z e p i d e s , d o u b l e bass Denise Weleschuk, c o n d u c t o r - INTERMISSION -E l e c t r o f u s i o n E l e c t r o n i c Tape C r a c k e d C r y s t a l s K l a u s L i e b e t a n z , f l u t e L a u r a M c P h e e t e r s , c e l l o F a l l o f t h e Rhyme London B r i d g e Humpty Dumpty Rock-a-Bye Baby J e n n i f e r S c o t t , s o prano Andy Hi 11 house, t e n o r * I n p a r t i a l f u l f i l l m e n t o f the r e q u i r e m e n t s f o r t h e M a s t e r o f Music degree w i t h a major i n C o m p o s i t i o n . There w i l l be a r e c e p t i o n i n the f a c u l t y l o u n g e f o l l o w i n g t he c o n c e r t . A l l a r e welcome t o a t t e n d . Thank you t o C o r t l a n d H u l t b e r g , Bob P r i t c h a r d , R o b e r t a Fedoruk, Ray L u c y s h y n , Doug S m i t h , S h e l l e y L a l a c h , Steve and A l i c e Weleschuk, F r . J o s a p h a t T y r k a l o O.S.B.M., John E s t a c i o , Mary Wozney, A r i Wise, M a r t h a Huzyk and W i l l i a m S m i g e l . s. PERFORMANCE NOTES r = An indication to the singer that a l l "r's" are to be rolled. r -= Indicates that the singer should sing on the rolled " r " for an extended length of time. ch = This indicates that this particular " *h" sounds as the Mch" i n the German word nacjjt. a = This particular vowel sounds as the "a" in the English word cat. Accidentals apply only to those notes which they preceed. 7. to -If %*-daw mo-ria .te-choot reech-3 : I Ktlh-choot ^ ee liu-dlh bf z - saw-fawn-nee ee - doot baa nah - mir-ifluv. / -_ i IX. in a. low sfK&i voice f'hisptzr' i aw— zheh. 3~ i ± Sveet eihm—nee—yeh, vmih-rye-eh lee-tah FOR D O U B L E CHOIR S A T B I S A T B I I ? )8. T W O R E C O R D E R P I E C E S FOR SOPRANO RECORDER I SOPRANO RECORDER II ALTO RECORDER 20. A PAS Sim D^SJXiY}} 11. 52 Soprano Recorder I loprano Recorder J l Alto Recorder f I -I, i c c X 775 3 s.i I S.I 1=y=t=±£=i 3 fezn 777/ ? 3 5.1 &2T 1 3= Hots* fnf 1 I *3. r O Co <L • J> o c o =fcz= 5.1 5.2 Iff •3-3 S i a £ & e £ ft r a n 4c i i f S . I 4 4 1 Jnf^—* 2z: I S.3T 5 2 V — f t i s Temp* % s i g m m s i 3 TuU 1 0 P 83 Y T u R Y O r ^ I h ® s t i r ( T R A N S P O S E D S C O R E ) T E X T S B Y T A R A S S H E V C H E N K O 1 8 1 4 - 1 8 6 1 3o. ORCHESTRATION M E Z Z O S O P R A N O F L U T E O B O E C L A R I N E T IN Bfe B A S S O O N T R U M P E T IN B b BASS T R O M B O N E P E R C U S S I O N (2 PLAYERS) 2 TIMPANI 1 V I B R A P H O N E 1 G L O C K E N S P I E L 1 SUSPENDED CYMBAL B ELL TREE WIND CHIMES GONG TRIANGLE V I O L I N I V I O L I N II V I O L A V I O L I N C E L L O D O U B L E BASS 31. I E E N E H B O H N E V M I H T I H E E Z A H S P A H N E E K H V I H L E E (I H e 6 o H e B M H T e i 3 a c n a H i X B H J I D 33. 14 to. Pi. Ob. a Bso. -fit T hneht s i a Boh zheh Boh . _zheh s l h ~ l a y 775 d. c c r c ^ - J ' J \ T M F 777 T7 <y e. <- «- «• ^ J . 1 ' f J rr m 777^7 d c /- d 5 £- <!_ A . 777^7 ^ f q f 1 f* 41 hm • 777^7 J &• c r £ bp-Y-* s c e. A. J o rr ». ' 1  2 ft*. a Ok ci. 8*: frb-J . 58 w 1 ' »J Chih dov hoh too-deh shcheh meh-nee' vot-see neh zahn-7« rerc-Vl„. 1 Via. D.B. 14 14 ,9® fl. Ok Cl. -jr— f 7n • I ' 7 > 1' 777- 7 w^ 1 It 1 VI*. Via. 14 so. Ok-a. Bsn. -Tri. 1 1 Vlns. X Via. Vc Tempt T vstee-poo poh—zhahv-klah-yah t rah vah . neh khoh—cheh 11, T AM i i i - y * f - = — -p © *—* f+ I* f S3 •, frill, •lit- , J m Jvu. Pl-ot-G. fen 1 r e / t ah beel -sheh -vnee-koh--ho s p l h - - taht . = f = Tn-p TV X Vtii. Via-D.6. T7 CO/lS'r-^. it* i * t * t*' i * -t-+— 7r>f ^=-rf> htji. rr — st. II OHNEE HORIAT, MOOZIHKAH HRAYEH ... ( O r H i r o p H T b , M y 3 H K a r p a e ...) Sff. J;CO Sop. Fl. Ok 0. 09V noo-zih-kah hra-yeh, noo-sih-kah plah—cheh, zsh - v i h - vah - yeh. U. ft*. 1 i f Lf Lf 14 14 67. So, FL Ok. a 6sa cee-yah voh - -chahkh veh--seh - - l i i h — 1 '<1 4 i - r * A , : —-7_ r l ^ hp- : lull © tU. fen-t VI*. Via. D.B. U<o ^ j •;, , m - 1,1 iTTTl ^ — — L M tlLtl J / (9 —s 1 1 1 ^ i,—4 , ® 1 1 F = -J ll £ = J (5D ?'« I—-j l _ 1 f • 7n. IS. Sop. Ob. 1 Perc-1C ? 5 vsee tahn- -tsiu—y56t H 77! 77 m i TTJi Iff tff 77773 » ? 1 <9 7r j 'Off W 1 Vlns. it Via 1 "D.6 777/5 777 777 777 mm 777 7 F». 01. Bin -frpt. Vlns Via. D.6. IF (9 ;'3, t'f'f >r f r m ft'* r r f f mr T r r r r r y f L f T T m -771 f ( 9 ' O n W T 777 •fr 'r >j h> 777. r T f rr ffr fr 77. i }£f£ *£f£j£- V^f^/x *A^, J L t^t^t mm Fl. OL CI Lit fff Tff frf if Iff tf .. -f - i fr a c cc/. \ f 1 •yn VI, ns. 1C .Via i tcteJ-i m i 0 ff • z —. a. cc el-accc/-1 o,cceJ. u M I H N O O L I H L E E T A H M O L O D E E Y E E . . . ( M H H y J I H J i i T a M O J i o j i i i . . . ) $7 s,f. Fl. Ok CI-in i> 7»p — ^/ ! i h - - noo - - - - l i h isn V Sots 1 ?= Cen J o r d . "trerno/o > I vi i t Vc D.8. PP COn S o n ! . 4 Sord. con iorj. SorJ PP Sop F|. m m Moh - - - roh -zoha oh-che5 oh-= = . / a [ run 4pt Vi'bp. Ylns. Vl6. Vc. D.6. 77> ff L r - ' - i I— * 1 ' I J S7\ r—3 —\r-\ f mm T=f=r - 3 — i i r — J pi it f p i l l r T — — f f = — m f = — r JO/. Fl. Ob. Cl. Bsn. 1 Porv i p u p p.ih svia-toh-ye"5 doh- - - lee! Voh- - - nah neh zee- -deh =5? i VlnV i Via. Vc. D.B. /oy. ee doo-sioo vol-noo-oo nah T O I - Ksh ?ray—ceh Fl-Ob. CI. Trb. 7T7 — •- 7"^ = 7? IT? 7? •17? T? Via. 7 ? - A ? 77? f •TP mf -ppr D.6. he 7 7 3 / 777 •TP 77) 7 7 7 / = — f l ? 'TP PpT /OS. 14 /OB. c R A C E D C R Y S T A L S f o r FLUTE A nD CELLO 10.8. /01 jut./ 7^ n frtin ' M I W - ^ I I — , _ / ' ' t — / U ' i T u " ^ Try: ,,. .—r ^ y \ n-n n 1 S ^ — ™ / - J j c — i _ J — 1 1 / : ft 7 f . ^> IS 1 77,/ ^ — • r j txr *=j=4 7? m 1. 1. fr i n * TT f. -J> j n u 7 « ^ — 771 777 L , 1 1 L 1 M ^ ' L A - T ^ 5 8 7/ — = 7T)f n 1 1 ^/ /> J u , s j I/O. t t f f f f L 1 r ,T g r r Sut.f 1 r n J LLU'LLI LU I III. US" IFflLL 01? T H E R H Y M E 3 SONGS COR SOPRANO % TENOR NOTATION VOCAL CREEK - a c o n t r o l l e d but continuous g l o t t a l stop. GLISSANDO - between exact p i t c h e s . Sing the highest p o s s i b l e p i t c h e s so as to a t t a i n a "squeaky" sound. GLISSANDO '- between approximate p i t c h e s . Sing approximate p i t c h e s while w h i s t l i n g . The w h i s t l e should sound higher than the a c t u a l p i t c h being sung. Whistle approximate p i t c h e s and combine t h i s with a-, forward "s" sound. Hiss on "s" consonant. Sing on a r o l l e d " r " consonant. Scream. Move from exact p i t c h to a high scream. G l i s s the scream r a p i d l y downward to the lowest p o s s i b l e p i t c h m your voice range. p o s s i m e Whisper approximate p i t c h e s . ba b y Gasp. on the 7TIJD ~ .* cr»-dle and i l l . Sing p i t c h e s s l i g h t l y out of tune. IIS. LONDON B R I D G E SoPffoto © 1 - H I don bridge i s f a l ins f a l - - - ing ha ha ha ha ha ha f a l - l i n g - down — 1  f a l ing h i ha ha ha ha J I down down f a l l i n g down-ba ha ha ha ha ha ha h a - - - - h a h a h a ha ha ha ha ha oh • l a - dy la-dv v ' ' t ay f a i r l a dy the br idge the oh- -bridge i s = p = H ha ha ha ha fce he ha h a h a h a fr> ny dy 4 L / /»> lea - d ' n - d " a . /So. H U M P l Y D { J M P T Y HUAPTy LUfiPry SoPRAtio / HUB 4 i - - L Hum Hum Hum Hum I L Hum-pi-ty Dum-p i - rfy LED ^—" i l Dum— — Hum wa IX ha'd a great Fi i i fr> —= / J deicr-e.s,ice. «. </ Dum — H U B 1 4 1 Dua . d e. c r e f t i k t r r r v. .3 . ... J L 1 i 1 f a l l -V & ' 1 = 1 • 1 1> i T T , 1 , a l l the king's nor scs and l i T l . r f i 1 a l l the king's 1 m m 1 sen ' rflTl 1 could n't put i 3 , Sizj-pi-^ Dua-pi-ty Ku=>-?i-ty Ducpi-ty Hu=- -pi-ty Dum - pi-ty Hu=-pi-ty pi-ty pi-ty pi- ty J L — r — i — j r Jfuzsa - - ty to • X — i 1 r-ge- - - - - ther a -rh nh g a m Dum— D U D Dun i i p i - ty. V ^ i a . . J 1 pi - ty pi-ty p i - ty pi-ty p i - ty Dum D U D Dum— p i - ty. 0[K - fl - B Y E B A B Y ROCK - A-By E BABJ J . fa Ro ck Ro P i r-n ! ' . J = 1 •' 1 | 1 ^ v' • Rock-a-bye Rock—a—bye Rock-a Rock—a bye ftock-a bye ® Rock a — bye Rock a —bye Rock | •' a 1 w . a bye by ba •jnj> on the tree-top 3 c C e J e r on the tree-top a n J e on the t r e e - t o p by "7 3 -on the t r e e - t o p on the t r e e - t o p 5 3 on the t r e e - t o p kakakakakakakaka kaka ka ka kakakaka I2X ka ka ka ka kakakaka ka ka ka kaka ka ka ka T ks the fQ> > f . ? when the bouch brea ks the c r a - d l e w i l l f a l l Jff I niU becomes mm •rCSC^nd o and c r a - d l e w i l l f a l l 5i) r — s ,— . de. cr e sec ndo* . , 5 - - J . —1— down w i l l cone down w i l l cone £ 3 r-i—> down w i l l come c r a - d l e and a l l . ba by T oa by ynf ba by J c r a - d l e and a l l . 

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