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Graduate composition recital Ehebald, Wolfgang Joseph 1990

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GRADUATE COMPOSITION RECITAL By . WOLFGANG JOSEPH EHEBALD B.Mus., The U.B.C. SCHOOL OF MUSIC, 1988  THESIS SUBMITTED.IN PARTIAL FULFILLMENT OF . THE'REQUIREMENTS  FOR THE DEGREE OF  MASTER OF MUSIC r  in  THE FACULTY OF GRADUATE STUDIES • ("SCHOOL OF MUSIC)  We. a c c e p t t h i s t h e s i s as c o n f o r m i n g to the r e q u i r e d  standard  THE UNIVERSITY OF B R I T I S H April  COLUMBIA  1990  W o l f gang ' Joseph'• E h e b a l d ; 1990  In  presenting this  degree at the  thesis  in  University of  partial  fulfilment  of  of  department  this thesis for or  by  his  or  requirements  British Columbia, I agree that the  freely available for reference and study. I further copying  the  representatives.  an advanced  Library shall make it  agree that permission for extensive  scholarly purposes may be her  for  It  is  granted  by the  understood  that  head of copying  my or  publication of this thesis for financial gain shall not be allowed without my written permission.  Department  of  The University of British Columbia Vancouver, Canada  Date  DE-6 (2/88)  THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Sunday, A p r i l 8, 1990 8:00 p.m.  GRADUATE RECITAL* WOLFGANG EHEBALO, COMPOSITION Rememberance - Sonance I I I J e n n i f e r Sokowin, solo Astral  trumpet  Contour C h r i s Sandvoss, v i o l a Ron S a t , p i a n o  Woodwind Q u a r t e t N o . l Andante Scherzo Largo Rondo Klaus L i e b e t a n z , f l u t e G l e e D e v e r e a u x , oboe S t e p h e n Robb, c l a r i n e t Isaac B u l l , bassoon - INTERMISSION To Those 1n Love - 5 E r o t i c  L o v e Songs  Wild Nights The E n j o y m e n t Quietly To H i s M i s t r e s s e s Good God, What A N i g h t T h a t Was Andrew Hi 11 h o u s e , t e n o r Grace Q u a g l i o , piano Volition  - Sonance IV Klaus Liebetanz, a m p l i f i e d  flute  I c h Leben Me1n Leben t e x t by R i l k e U.B.C. C h o r a l U n i o n Steven Morgan, d i r e c t o r Graeme F u l l e r t o n , piano Ken M o r r i s o n , p e r c u s s i o n * In p a r t i a l f u l f i l l m e n t o f the requirements Degree w i t h a m a j o r i n c o m p o s i t i o n . Reception t o follow i n faculty  lounge.  f o r the Masters  o f Music  Dtih'**^  WILD MIGHTS "text  Wild Nights! Wild Nights -Were I wi t h t h e e W i l d N i g h t s , S h o u l d be o u r L u x u r y . F u t i l e t h e Winds t o a h e a r t 1n p o r t Done w i t h a compass, Done w i t h a c h a r t Rowing i n Eden Ah! t h e s e a M i g h t I b u t Moor Tonight i n thee.  THE ENJOYMENT T e x t Anon  Ye Gods! Ye Gods! the raptures o f t h a t n i g h t Ye Gods, Ye Gods . '• , How i n each o t h e r s Arms i n v o l v e d Bodies m i n g l i n g , sexes b l e n d i n g T o s t by a Tempest o f D e s i r e Flaming k i s s e s , Boundless b l i s s e s We l a y c o n f o u n d e d and d i s s o l v e d Down a t o n c e , Down i n t o h e a v e n .  QUIETLY T e x t by K e n n e t h  Rexroth  Lying here q u i e t l y beside you. My cheek q u i e t l y a g a i n s t y o u r firm quiet thighs Washing o v e r u s , t h e c a l m music o f B o c c h e r i n i i n t h e q u i e t times and the penances o f Love, Brains curled i n t h e i r s h e l l s Dormant o u r h e a r t s s l o w , r e l i a b l e , t h e p u l s e i n t h e i r i n t e r l o c k e d rhythms, i n your thigh c a r r e s s i n g My cheek q u i e t l y , L y i n g Here.  Special  thanks t o :  P a u l S t e e n h u i s e n , Doug S m i t h , J o s e B u o n a c o r s o C o r t l a n d H u l t b e r g , a n d my g r e a t p h o t o c o p y i s t , Tony.  : *  •':[,TO HIS MISTRESSES i T e x t by R o b e r t H e r r i c k  K •  H e l p me! H e l p me! Now I c a l l To my p r e t t y w i t c h c r a f t s a l l . O l d I am and c a n n o t do t h e t h i n g s I was a c c u s t o m e d t o . B r i n g y o u r m a g i c s s p e l l s a n d charms t o e n f l e s h my t h i g h s and arms. Find that medicine i f you can f o r y o u r d r y d e c r e p i t man who w o u l d f a i n h i s s t r e n g t h renew, none i t but t o pleasure you.  GOOD GOD, WHAT A NIGHT THAT WAS T e x t by P e t r o n i u s A r b i t e r T r a n s l a t e d f r o m t h e Greek by K e n n e t h  Rexroth  Good God, What a N i g h t t h a t was Good God, What a N i g h t t h a t was and how we c l u n g , t h e bed was so s o f t , b u r n i n g t o g e t h e r t h i s way and t h a t ! Our u n c o n t r o l l e d p a s s i o n s f l o w i n g t h r o u g h o u r m o u t h s , i f . o n l y I c o u l d d i e t h i s way, I'd s a y good-bye t o t h e b u s i n e s s o f l i v i n g .  ICH LEBE MEIN LEBEN IN HACHSENDEN RINGEN (I LIVE MY LIFE) T e x t by R a i n e r M a r i e R i l k e T r a n s l a t e d by R o b e r t B l y  I l i v e my l i f e i n g r o w i n g o r b i t s Which move o u t o v e r t h e t h i n g s o f t h e w o r l d Perhaps I c a n never achieve t h e l a s t b u t t h a t w i l l be my a t t e m p t . I am c i r c l i n g a r o u n d God, a r o u n d t h e a n c i e n t t o w e r , and I have been c i r c l i n g f o r a t h o u s a n d y e a r s , and I s t i l l d o n ' t know i f I am a f a l c o n , o r a s t o r m , o r a g r e a t song.  . . .  TO HIS MISTRESSES T e x t by R o b e r t H e r r i c k  I |.  5  H e l p me! H e l p me! Now I c a l l To my p r e t t y w i t c h c r a f t s a l l . O l d I am and c a n n o t do t h e t h i n g s I was a c c u s t o m e d t o . B r i n g y o u r m a g i c s s p e l l s a n d charms t o e n f l e s h my t h i g h s and arms. Find t h a t medicine i f you can f o r y o u r d r y d e c r e p i t man who w o u l d f a i n h i s s t r e n g t h renew, none i t but t o pleasure you.  GOOD GOD, WHAT A WIGHT THAT WAS T e x t by P e t r o n i u s A r b i t e r T r a n s l a t e d f r o m t h e Greek by K e n n e t h R e x r o t h  Good God, What a N i g h t t h a t was Good God, What a N i g h t t h a t was and how we c l u n g , t h e bed was so s o f t , b u r n i n g t o g e t h e r t h i s way and t h a t ! Our u n c o n t r o l l e d p a s s i o n s f l o w i n g t h r o u g h o u r m o u t h s , i f .only I c o u l d d i e t h i s way, I'd s a y good-bye t o t h e b u s i n e s s o f l i v i n g .  ICH LEBE MEIN LEBEN IN WACHSENDEN RINGEN (I LIVE MY LIFE) T e x t by R a i n e r M a r i e R i l k e T r a n s l a t e d by R o b e r t B l y  I l i v e my l i f e i n g r o w i n g o r b i t s Which move o u t o v e r t h e t h i n g s o f t h e w o r l d Perhaps I c a n never achieve t h e l a s t b u t t h a t w i l l be my a t t e m p t . I am c i r c l i n g a r o u n d God, a r o u n d t h e a n c i e n t t o w e r , and I have been c i r c l i n g f o r a t h o u s a n d y e a r s , and I s t i l l d o n ' t know i f I am a f a l c o n , o r a s t o r m , o r a g r e a t song.  .  r.*:m<'  

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