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Musical compositions McKenzie, Robert George 1989

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M one t-^cfliL MUSICAL COMPOSITIONS by ROBERT GEORGE MCKENZIE B. Mus. , The U n i v e r s i t y o f B r i t i s h Columbia, 1977 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER.OF MUSIC i n THE FACULTY OF GRADUATE STUDIES (School of Mus ic) We accept t h i s t h e s i s as conforming to the requ i red s tandard THE UNIVERSITY OF BRITISH COLUMBIA March 1989 © R o b e r t George McKenzie, 1989 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, 1 agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. (Signature) Robert G. McKenzie Department of Music  The University of British Columbia Vancouver, Canada Date March 30,1989 DE-6 (2/88) TABLE OF CONTENTS Table of Contents ( i i ) Programs 1 Af f in i ty for Brass Quintet 5 Three Reflections for Piano solo 18 Larne Lament 19 Rain Forest '23 Happily Everafter 27 Inside Out for soprano saxophone and percussion 31 Three Songs for soprano solo and chamber orchestra 49 Song 51 The Dream 62 The Blossom 70 Indigo for trombone solo 83 Heads or Toes for Jazz Ensemble 88 Four Songs for SATB acapella choir 151 Midnight 152 The Dog 156 Fal 1 ing Asleep 168 The Railway Stat ion. . 176 Biographical Information... , 185 ( i i ) THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF"MUSIC Recital Hall Sunday, January 2 9 , 1989 8:00 p.m. GRADUATE RECITAL* Robert McKenzie, composer A f f in i ty Henry Christ ian, trumpet Jim L i t t l e ford , trumpet Holly L i t t l e f o r d , horn Rob McKenzie, trombone Neil Nicholson, bass trombone Three Reflections for Piano Lame Lament Rain Forest Happily Everafter Patr ic ia Plumley, piano Inside Out Ju l ia Nolan, soprano saxophone Marc Crompton, percussion - INTERMISSION -Three Songs (Text - John Donne) Jennifer Scott, soprano Cameron Hood, f lute Marguerite Toews, oboe Susan Elwood, clar inet Isaac B u l l , bassoon Ken MacDonald, horn John Korsrud, Aaron Doyle, trumpets Andrew Clark, trombone B i l l Smitheringale, Marc Crompton, percussion David Vandereyk, piano Nicholas Lozovsky, Mary Wang, v io l in Kelly Maclean, v io la Lee-Ann Pinder, ce l lo Rob Haynes, bass Indigo Rob McKenzie, trombone Heads or Toes UBC Stage Band Fred S t r i d e , d i r e c t o r Saxophones Trumpets Paul Stoneman, a l t o N e l l Wyles Roy S t y f f e , a l t o Kaamran Hafeez Mike Braverman, tenor John Korsrud Brent Ross, tenor B i l l Warner J i l l Sparrow, baritone John Todd Trombones Wayne N i c k o l i Mark Tynan I r f a a n Hafeez Cam Dunlop Piano Kim Darwin Bass Rob Haynes Gu i t a r Greg Buium Drums Lauri L y s t e r Percussion Marc Crompton *In p a r t i a l f u l f i l l m e n t of the requirments f o r the Master of Music degree with a major in composition. THE UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Recital Hall Monday, March 13, 1989 . 12:30 p.m. STUDENT COMPOSERS RECITAL Remembrance: Sonace III Wolfgang Ehebald Martin Berinbaum, trumpet Three Songs Text: Midnight Fal l ing Asleep Railway Station Sopranos: Altos: University Chamber Singers Leanne Patenaude Tenors: Cari Copeman Jennifer Scott Amy Stephen El ise Stasiuk Lynn McMurtry Basses: Robert MacKenzie* Archibald Lampman Coline deBourcier Graeme Wearmouth Andy Hi 11 house Rob Haynes Scott Cutler Ken Morrison Cortland Hultberg, director Hosu Howard Bashaw The Mountain The Lake The Waterfall Chris Foley, piano over. Into the rose-garden Lesl ie Sutherland Michelle Cheramy, f lute Carmen Hand ley, oboe Susan Elwood, clarinet Christy Palmer, horn Isaac Bu l l , bassoon Invent ion for Woodwinds Kenneth C. Gehrs Marguerite Toews, oboe Anne-Katherine Coope, clarinet Peter Wenzek, bass clarinet Untitled Paul Stoneman Paul Stoneman, soprano saxophone Mike Braverman, alto saxophone Bonnie-Jean Tsuj i , alto saxophone Ian Crutchley, tenor saxophone Alan Schianni, baritone saxophone Eugene Wilson, conductor *In partial fulf i l lment of the requirments for the Master of Music degree with a major in composition. 5 AFFINITY f o r BRASS QUINTET 2 Trumpets in Bb French Horn in F Trombone Bass trombone or Tuba r¥Fii\)rn4 7 9 10 IZ iPri <MAO CMSC _ _ _ _ flfl 1VW TPTl iPrjL UVl lTVl ]Tfff*TT Hi irrn'YrTf lb 1PT.1 m 4E f t. 1Pfi 18. Ho TB. 1PT.1 RII. ±1 if TTTrr T f T~T f T"TT n r n t n THREE REFLECTIONS for SOLO PIANO 19 LAfiNE LAMENT SIMM - HUMfO 1 m 4 -B-J Sim. PP i i 4=i 1 i 7.1 C-m mm f>66) It i 1 T t T 3 B T1 F - 2> REFueCTiOMS " 1£) * 3 A LITTLE ftSTEg 4— * f 1 ^—H-Alp II 23 * 6m,. i f iff T»n 0 KU-LtCIIUNi> -* feci Crescendo 3 j i 1 i i 1 i j /7> ^ Of fa r, i i7f <7+1 C> I - 3 fZ£fL£cncrt$-2k "GftiiOfcecST' I21 W W xlj iTJ r 8 LM ifJ J J 4^ IjU pi M L E T 2;/w/<3 Z1 UAPPlUd EVE&APTEfZ 28 1, ^ 9 > , N b J •7 f 1 , L J rj. K ? t i ri =*—"T t m m m m mm 4 m iu u mf Crete . _ -M i m m m r l i f i s 5f= * % CEPLECTIDAX'' Z9 3o 31 I N S I D E € I J T - F O R S O P R A N O S A X O P H O N E & P E R C U S S I O N -32 GENERAL: SAXOPHONE: a) b) c) a) II I | I I 1 I I I I I N b) + ABOVE NOTE PERCUSSION: Drums PERFORMANCE NOTES FAST AS POSSIBLE. GET PROGRESSIVELY FASTER. GET PROGRESSIVELY SLOWER. HIGHEST NOTE POSSIBLE. ALTERNATE FINGERING. a) L.H. STIR = LEFT HAND STIRS WHILE RIGHT HAND PLAYS RHYTHM INDICATED ABOVE. Cymbals a) O.B. = ON BELL OR DOME OF CYMBAL. b) E > Vibraphone a) Jpd. b) 4 c) •B = BEGIN STRIKING CYMBAL AT EDGE AND MOVE TOWARDS BELL. = PEDAL ON. = PEDAL OFF. = FLATTEN NOTE BY 1/4 TONE. This is done by placing the head of a medium hard rubber mallet on the nodal point of the bar. Str ike the bar normally with another mallet then quickly draw the hard mallet towards the outside of the bar, making sure to keep necessary pressure on the bar. d) BUNKER TRILL Preset vibraphone discs in opposite pos i t ions , i . e . Black manual closed and white manual open with the motor (of f ) at slowest se t t ing . When motor is turned on sound wi l l alternate between manuals. e) Press mallet into bar to make shortest possible sound. PERCUSSION INSTRUMENTS VIBRAPHONE FOUR CYMBALS AND TAM-TAM: MARK TREE (OR BELL TREE) ONE CROTALE P k G FOUR DRUMS! Tl SMALL MEDIUM SMALL MEDIUM LARGE(RIDE) TAM-TAM SMALL TOM-TOM SNARE — MEDIUM TOM-TOM-LARGE TOM-TOM^ FOUR TEMPLE BLOCKS' FOUR ROTO-TOMS : w 23 D E O U T - F O R SOPRANO S A X O P H O N E & PERCUSSION- J^0lerl Q. PjcJCnzUj 11 INSIDE. cXJf 3<f-D&UMS' v/uMU MMt&. ($NAZL Off) f.f.'W/fflSfl ftW-4&—§ 4-r-rr-ulfisr i~v. [I ^ — » — — i rrrrfTf^,—nT^ L^ II 1 f 9' 1 JJi f f r J "8 E IJ • w 1 § =3 >m f > rtf » &TTT » I 4 . M M ^ ? ^ V . 3% ,.3^  ,v, =6 ,-3^  if , T 2: :4 i J4- — i - U l II II m up J~J J i i II * . A . 1 > > < LfjL "» v — J — = 4 ~ g JL 3 ^ ST-P S 27 (5 10 10 kl (2) $L0ULt) CJ--46) i V 1. n 7%i "jr.' i f t i A/ IIT JL -1-^ n k- *K h +4 48 JL 5 H i i i T H R E E S O N G S FOR SOPRANO solo AN<J clfAIYlbER ORchESTRA fa (TEXT BY JOHN DONNE) © 1 9 8 6 by Robert G. 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