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The marriage of Figaro : role of Cherubino Olinyk, Karen Marie 1989

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THE MARRIAGE OF FIGARO: ROLE OF CHERUBINO By KAREN MARIE OLINYK ,Mus., The University o£ B r i t i s h Columbia, 1988 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES (School o£ Music) We accept th i s thesis as conforming to the required standard THE UNIVERSITY OF BRITISH A p r i l 1989 © Karen Marie Olinyk, COLUMBIA 1989 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Sr.hnnl o f M n s i r . The University of British Columbia Vancouver, Canada Date April 7th, 1989 DE-6 (2/88) MARCH 17*18*20*21 U.B.C. Old Auditorium 8 p.m. Curtain / The Univers i ty of Br i t i sh Columbia Opera Theatre in i t ' s 25th Anniversary Production Proudly Presents THE MARRIAGE OF FIGARO by Wolfgang Amadeus Mozart CAST COUNT ALMAVIVA Mark Booden COUNTESS ALMAVIVA Maggie Brockington Adele Clark* SUSANNA, her chambermaid Kandie Kearley. affianced to FIGARO, valet to the Count James Schiebler CHERUBINO, the Count's page ..Karen Olinyk MARCELLINA, the cast le housekeeper Gail Mandryk DR. BARTOLO, a physician from Sev i l le " Christopher Johnson BASILIO, the music maker Jay Hebert ANTONIO, the Count's gardener Christopher Johnson DON CURZIO, a judge Jay Hebert BARBARINA, Antonio's daughter Brenda Bakos Al ine Kutan* Understudy to Susanna Jacqueline Holstein The scene is the Castle Aguas-Frescas, three leagues from S e v i l l e ; in the Eighteenth Century. * indicates performances on March 18, and 21, 1989 Act I: The box room between the bedchambers of the Count and the Countess. Act II: The bed chamber of the Countess. Act III: The audience chamber of the Castle Aguas-Frescas. Act IV: A small room and later the Castle gardens. 10 minute intermissions wi l l occur after Acts I and II only . Z PRODUCTION STAFF Director French Tickner .-Associate Music Director and Head Coach Richard Epp Repetiteur Nicholas Maloff Chorus Master James Schell Stage Design Cricket Price Costume Design J i l l Buckham Lighting Design Kandie Kearley Karen 01inyk Technical Director James Schiebler Stage Manager Etoin Schrdlu Properties Adele Clark Scenic A r t i s t s Cricket Price Choreography Sheri lene Neyedli Wigs Terry Kuzyk Hair Styles Elke Engl icht Make-up Cynthia Johnstone UBC OPERA CHORUS Soprano Alto Tenor Pamela Ascroft L isa Farynowski Col in de Bourcier Brenda Bakos • Irene Lau Kevin O 'Nei l l Sarika Bose Lynne McMurtry Anne Edwards Roberta Norman Bass Francesca Fung Elizabeth Parker Jacqueline Holstein Alexandrea Trimble Deiter P i l t z Bonnie Kawchuk David Stratkauskas Sheri1ene Neyedli Acknowledgements: The Frederick Wood Theatre 


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