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Graduate recital Edge, Kathleen May 1986

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GRADUATE RECITAL By fhc t ^ < - ^ ^ . i ^  K a t h l e e n May Edge ~2 C O & t ^ ^ B.A.-, B.Ed., B.Mus., U n i v e r s i t y o f V i c t o r i a Y 1 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC 1 IN THE FACULTY OF GRADUATE STUDIES (Department o f Music) We a c c e p t t h i s t h e s i s as c o n f o r m i n g t o the r e q u i r e d s t a n d a r d THE UNIVERSITY OF BRITISH COLUMBIA A p r i l 1986 © K a t h l e e n May Edge, 1986 In p r e s e n t i n g t h i s t h e s i s i n p a r t i a l f u l f i l m e n t o f the requirements f o r an advanced degree a t the U n i v e r s i t y o f B r i t i s h Columbia, I agree t h a t the L i b r a r y s h a l l make i t f r e e l y a v a i l a b l e f o r r e f e r e n c e and study. I f u r t h e r agree t h a t p e r m i s s i o n f o r e x t e n s i v e copying o f t h i s t h e s i s f o r s c h o l a r l y purposes may be granted by the head of my department or by h i s or her r e p r e s e n t a t i v e s . I t i s understood t h a t c o p y i n g or p u b l i c a t i o n o f t h i s t h e s i s f o r f i n a n c i a l g a i n s h a l l not be allowed without my w r i t t e n p e r m i s s i o n . Department of |Y\c) ^ \ C ,  The U n i v e r s i t y of B r i t i s h Columbia 2075,Wesbrook P l a c e Vancouver, Canada V6T 1W5 THE UNIVERSITY OF BRITISH COLUMBIA DEPARTMENT OF MUSIC Christ Church Cathedral Wednesday, A p r i l 23, 1986 1:00 p.m. P l e i n jeu Recit de Cornet Tierce en T a i l l e O f f e r t o i r e sur les grands jeux 'GRADUATE RECITAL Kathy Edge, organ Mass for the Convent F. Couperin (1668-1733) Sonata No. 2 P. Hindemith (1895-1963) Passacaglia & Fugue i n C minor, BWV 582 J.S. Bach (1685-1750) - IOTERMISSION -Chorale i n A minor C. Franck (1822-1890) Lit a n i e s J . A l a i n (1911-1940) *In p a r t i a l f u l f i l l m e n t of the requirements for the Master of Music Degree v/ith a major i n organ performance. THE- UNIVERSITY OF B R I T I S H COLUMBIA DEPARTMENT OF MUSIC R e c i t a l H a l l S a t u r d a y , A p r i l 2 6 , 1986 4 : 0 0 p . m . E N G L I S H ORGANS *LECTURE K a t h y AND THEIR MUSIC R E C I T A L Edge F a n c y V o l u n t a r y o n t h e O l d 1 0 0 t h * * G a v o t t e * * F l u t e P i e c e * * S i c i l i a n o * * F l u t e S o l o a n d G i g u e * * V o l u n t a r y i n D M a j o r * * V o l u n t a r y i n E M i n o r * * S i c i l i a n o * * V o l u n t a r y i n A M i n o r * * V o l u n t a r y i n A M i n o r * * V o l u n t a r y i n D M i n o r * * V o l u n t a r y i n A M i n o r * * A i r a n d G a v o t t e S o n a t a N o . 3 Thomas T o m p k i n s (1572-1656) H e n r y P u r c e l l (1659-1695) M a t t h e w C a m i d g e (1764-1844) Thomas T h o r l e y (18thC) J o h n A l c o c k (1715-1806) G e o r g e F . H a n d e l (1685-1759) J o h n S t a n l e y (1713-1786) W i l l i a m W a l o n d (1725-1770) W i l l i a m B o y c e (1710-1779) J o h n James ( - 1745) S a m u e l W e s l e y (1766-1837) F e l i x M e n d e l s s o h n (1809-1847) * I n p a r t i a l f u l f i l l m e n t o f t h e r e q u i r e m e n t s f o r t h e M a s t e r o f M u s i c D e g r e e w i t h a m a j o r i n o r g a n p e r f o r m a n c e . * * R e c o r d e d o n a t h r e e - m a n u a l t r a c k e r o r g a n b u i l t b y P e t e r C o n a c h e r a n d Company i n 1 8 9 1 . L o c a t e d a t S t . P a u l ' s N a v a l a n d G a r r i s o n C h u r c h , V i c t o r i a , B . C . 'i E N G L I S H ORGANS AND T H E I R M U S I C ( 1 7 t h t o 1 9 t h C e n t u r y ) i O u t l i n e E a r l y E n g l i s h O r g a n s E a r l y E n g l i s h O r g a n M u s i c E n g l i s h O r g a n s A f t e r t h e R e s t o r a t i o n a n d t h e i r b u i l d e r s i S t o p s The I n t r o d u c t i o n o f P e d a l s R e g i s t r a t i o n T h e l 8 t h C e n t u r y E n g l i s h V o l u n t a r y a n d i t s C o m p o s e r s The l 8 t h C e n t u r y E n g l i s h O r g a n T h e 1 9 t h C e n t u r y E n g l i s h O r g a n Early English Organ Specifications The earliest English organ specifications which have come to us are for the organ built by Thomas Dallam in 1613 for the Cathedral Church of Worcester, which contained the following stops: 6 1 G r e a t O r g a n T w o D i a p a s o n s 8' R e c o r d e r (metal Gedeclct) 8'? T w o P r i n c i p a l s 4' T w e l f t h 2 2 / 3 ' T w o F i f t e e n t h s 2' C h a i r e O r g a n 6 2 Wood D i a p a s o n 8' Wood F l u t e 8'? P r i n c i p a l 4' F i f teenth 2' T w e n t y - s e c o n d 1' T w o D i a p a s o n s 8* T w o P r i n c i p a l s 4' T w e l f t h 2 2 / 3 ' F i f t e e n t h 2' T w e n t y - s e c o n d 1' Wood D i a p a s o n 8' P r i n c i p a l 4' F i f t e e n t h 2' G r e a t O r g a n Wood D i a p a s o n 8' Recorder 2' C h a i r e O r g a n Wood F l u t e 8'? R e c o r d e r 8' 4\ S t . P a u l ' s N a v a l G a r r i s o n Church, E s q u i m a l t , B.C. P. Conacher and Company, H u d d e r s f i e l d , England three-manual t r a c k e r organ - b u i l t i n 1 8 9 1 S w e l l v Hohl F l u t e Vox A n g e l i c a V o i x C e l e s t e Cornopean Oboe Octave Harmonic P i c c o l o S ' 8 ' 8 1 8» 4 ' 2« Great Double Open Diapason l 6 ' Large Open Diapason 8 ' S m a l l Open Diapason 8 1 Stopped Diapason 8 1 Octave 4 ' Harmonic F l u t e 4 ' Trumpet 8 ' Octave Q u i n t e t t e 1 - 1 / 3 ' Super Octave 2 ' C h o i r C l a r i o n e t 4 1 Nasat 2 2/3 L i e b l i c h Gedackt 8' F l u t e 4 ' F l a g e o l t e 2 ' P e d a l Open Diapason l 6 ' Bourdon l 6 ' C o u p l e r s S w e l l t o Great S w e l l t o P e d a l S w e l l t o C h o i r C h o i r t o P e d a l Great t o P e d a l 6 p r e s e t f o o t l e v e r s - not w o r k i n g Manual - 56 n o t e s P e d a l - 30 n o t e s 

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