RECITAL AND SCORES By L. MARK ARMANINI B.Mus., The University of British Columbia, 1981 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES (Composition Programme, Department of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1984 (g) L. Mark Armanini, 1984 I n p r e s e n t i n g t h i s t h e s i s i n p a r t i a l f u l f i l m e n t o f t h e r e q u i r e m e n t s f o r a n a d v a n c e d d e g r e e a t t h e U n i v e r s i t y o f B r i t i s h C o l u m b i a , I a g r e e t h a t t h e L i b r a r y s h a l l make i t f r e e l y a v a i l a b l e f o r r e f e r e n c e a n d s t u d y . I f u r t h e r a g r e e t h a t p e r m i s s i o n f o r e x t e n s i v e c o p y i n g o f t h i s t h e s i s f o r s c h o l a r l y p u r p o s e s may b e g r a n t e d b y t h e h e a d o f my d e p a r t m e n t o r b y h i s o r h e r r e p r e s e n t a t i v e s . I t i s u n d e r s t o o d t h a t c o p y i n g o r p u b l i c a t i o n o f t h i s t h e s i s f o r f i n a n c i a l g a i n s h a l l n o t b e a l l o w e d w i t h o u t my w r i t t e n p e r m i s s i o n . D e p a r t m e n t o f T h e U n i v e r s i t y o f B r i t i s h C o l u m b i a 1956 Main M a l l V a n c o u v e r , C a n a d a V6T 1Y3 D E - 6 (3/81) THE UNIVERSITY OF BRITISH COLUMBIA DEPARTMENT OF MUSIC Recital Hall Tuesday, April 10, 1984 8:00 p.m. •GRADUATION RECITAL Mark Armanini, composer On Time (Milton) UBC Chamber Singers Cortland Hultberg, conductor Piano Sonata Allegro Energico Largoi oantabile Allegro Molto Julie Lowe, piano Sonata for Violin and Piano Allegro molto Victor Costanzi, violin Catherine Costello, piano - SHORT INTERMISSION -Seven Songs of Innocence (Blake) Introduction The Ecohoing Green The Lamb The Blossom Spring Infant Joy On Another's Sorrow Donald Jones, baritone Janet Ogryzlo-Brown, flute • ^ l S i l S 2%B., clarinet Bill Q^^^y^ Bill Rasmussen, horn Randy Balzer, violin Lesley Robertson, viola Finn Manniche, cello Elliot Weisgarber, conductor *In partial fulfillment of the requirements for the Master of Music Degree with a Major in Composition, JOHN MILTON {1608-1614) O N T I M E Fly envious Time, till thou run out thy race, Call on the lazy leaden-stepping hours, Whose speed is but the heavy plummet's pace; And glut thy self with what thy womb devours, Which is no more than what is false and vain. And merely mortal dross; So little is our loss, So little is thy gain. For when as each thing bad thou hast entombed, And last of all, thy greedy self consumed, Then long eternity shall greet our bliss With an individual kiss; And joy shall overtake us as a flood. When every thing that is sincerely good And perfectly divine, With truth, and peace, and love shall ever shine About the supreme throne Of him, to whose happy-making sight alone. When once our heavenly-guided soul shall climb. Then all this earthy grosshess quit, Attired with stars, we shall forever sit. Triumphing over death, and chance, and thee O Time. text: ON TIME e 3. Milton (/6Q3-/674) M.ARMAN/N/ F l j F l ^ F l y at 3: * en—vt-oos T\—rc\e.^ £ t i l l 3 * t i l l i « l l 4 t w -en-vi-ov/s 1 T « m e £ t l -Hioo ,60 / ±.i\ .11-.. 4f«x> r u n O U T 4Jy race. 4Kv race. tKou -5-4 +Kou r o n out+Wj race. 1 £ till 4<^ QJ am otfr -r-hu race bi 4K>u r u n out -rrui 1 L '3 •fchoo r u n o o t - r f u j racfi. , ^ |g I 1 ( 4 to » > — J race, _,' t? . : 1 1 1 = 4 \? - =4 ^ r ° - ? £ ' nace.—> J J' d = J J . r J i 4 : ? n n : 4. 4 # race — P ~ n : - = Call on 4he la^&y p' r 7 ^ X ^ ; • — r — leaden stcppine " TT—W—W f* • 4 4= J = p. i 1 P Call on +K< % LT L — r =* 2. ' lea die r\ stepping i l e a d e r s t e p p i n g h o u r s # o n the leader stepping hours h o o r S 4 r « m h o o r s l e a d e n s t e p p i n g h o O f ^ ^ _ _ J ^ W V \ W h o s e s p e e d i s U/r 4fe. reovj p l u r Y r n e t s pace. — t-yga-y/y p l u m m e + s • a mmm. a.* 'jmt g speadl b but H>e h e a v y piam h j i J J J frets pace, r - e a - V j j j 1 i l g 1 ' 1 p a c e h e a — p / u r n - m e % pace- hea v j plyrnrr>4s ILL Te>nmp,o Pnmo C z s ) ' 4 J J 't. r. i, [. P 2 4 A n d glut 44^self £ s e l f . /W^lut-rhj seJ-f i with wVftt+Rj E p a c e 3 A n d gM" -fhvj <e\f womb devours ^Which tin is no more. Trap what is -Pal-Se I.V 02 C 1 vnomb ck->*xX5 p W h i c h ^ is ro more -HYIA w h a t i s " ^ 3 wort) cAc-voarSp Wh.ch *is nornore. Than what is -faI a c h v a v •fal^—S& -false QrJ v/airs 4 ^ se -false «f>d 2 vain i m e r — l j mor-+c\| .se. -false, and va\n. ix m e r — ' h j m o r - 4 a I • — se?. -false ar\rj r Kr\di m e r j — _ l y _ j r r o r - 4 o l 4 1" S . E -false a n d va»r\ 5 A^d m e r » _ l j r V N o r - - f a | V (A tor 1 i 3 bad 4 v > ; t a f e n Vrvbsd ? and E i t for when as each -Hrvrv] tod -Hroo h a s t e n t inl i -Tombed c*r3 - ' 1 wUsn ai exJr\ bad i W h ^ " er> IL f b r (9 la&t Of Qll long e--fer^"nT 1 ' 1 J — -ter-n\-tj -7" N J' i J frp « --J- f— 7 V T \ g ) j j j J bliss WihS ar\ TT Vrvdi-vid - o -o l — ^ 1 — t\) / # — * — J — * ^ Simalt gres."t cor -d-> *— bWss ^ Q* s—_ »rvdi»v»d- o-al _ 2 J £ n> ° \ -t) y - - i i n And Shall o-\ier -faVe. u& as a. flood # - # — * Ar<ijoj J O V j sUall ower tate cc> a flood 60 J 4 P-L. J3 J. J H e ^ . r j +Kir\<j That i s sin J J J, } h U5 as CL a w ^J«xi / Wren a * a u s a s a . e^erj +hinj -Wrvat & Sin m e*t<^ tUro 4K>+ 6 &>f^ Sin -awe-l^ ogo{ and psr-fe t^-lvj dv - v i n e "s^WiHrtrvilhondfaioe.a'v: i> [ p r P P P g £ -<xre-lj good cmd per^ jeC-Mj dv- jruJKqnrjpgqcc and peace Qrd -ccrt-lj o^od and Der-fect-Kj d « - _^wit^ -rnih a n d p e a c £ -whH •froth and peace. With peace , a n d ICVAS © ' h i m s e C K i m _ . 4t> vtaee. Kap-PV happsi rnaKirvisvqkt 4 h py j r n a X i ^ v ^ 2 h i m ^ o f Kim. 1 h a p - p j h a p p y . m a - K a n g S i ^ t Q ® / once, our hea-ven-lj guided fessji S o u l shall c l i m b 2 our hscHjen-l^ g u i d e d m once, our ^ J J S o u l ^ a l l c l i m b oor hea-^ervrj OjUi-cied ® Soul Shall C l i m b 5 Then gross ns&s 4h.s g r o s s Aes5 t|Oit ^ T h e n a l l Shall fcr-s^ Sit - T r i - u m - c h i r x ? o - v e r d e q t h , > a n d 1 3 Shall -Poc-e - v e r ~D Sit — , 1 > J J J T r i -urA - p h i r g Q-\>fer P S P 1= s»t 5 W Q I \ ior - c - v fe r s i t - , 4 Tri-uVrvphirvjVver ^ iSS^Snd U H I i d e a t h ^ q n d ® 4-hee 0 T.'me, 0 Time 0 Time I f C h a n c e 7 Q n J Time 0 Time O Time ?4 X T £=1 2; c h a n c e ^ T i m e 0 Time § 4 3 2 : ! ^ " i m e 0 chance. ^ a n d -Vhee 0 time. O Time M.ARMA / v / i A/i C C T * we: ® M.ARMAK/tA/l OCT'. J<?83
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Recital and scores Armanini, Mark 1984
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Title | Recital and scores |
Creator |
Armanini, Mark |
Publisher | University of British Columbia |
Date Issued | 1984 |
Description | No Abstract |
Genre |
Thesis/Dissertation |
Type |
Text |
Language | eng |
Date Available | 2010-05-08 |
Provider | Vancouver : University of British Columbia Library |
Rights | For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
DOI | 10.14288/1.0095980 |
URI | http://hdl.handle.net/2429/24525 |
Degree |
Master of Music - MMus |
Program |
Music - Composition |
Affiliation |
Arts, Faculty of Music, School of |
Degree Grantor | University of British Columbia |
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UBCV |
Scholarly Level | Graduate |
AggregatedSourceRepository | DSpace |
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