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Compositions 2002-2004 Donkin, Christine Janet 2004

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COMPOSITIONS 2002-2004 by CHRISTINE JANET DONKIN B.Mus., The University of Alberta, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE D E G R E E OF MASTER OF MUSIC in THE FACULTY OF GRADUATE STUDIES (School of Music; Composition) We accept this thesis as conforming to thle/eq,uired standard THE UNIVERSITY OF BRITISH COLUMBIA April 2004 © Christine Janet Donkin, 2004 Library Authorization In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Christine Donkin 20/04/2004 Name of Author (please print) Date (dd/mm/yyyy) Title of Thesis: Compositions 2002-2004 Degree: Master of Music (Composition) Year: 2004 Department of Music The University of British Columbia Vancouver, BC Canada Songs for the Seasons for S A T B chorus l Lightly(M.M. J = 100) *JLP Songs for the seasons 1. Leaves Soprano Alto P 7 P P P 7 P P I P P P P P P P P Cin Cin - de - rel Cin - de - rel - la dressed in dressed in dressed in P P P y P M P \ P P P P P P P p Cin - de Cin - de - rel - la dressed in dressed in dressed in dressed in y synchronized at the start, but gradually more unsynchronized throughout 5 seconds Y m 1 o - - range ^ synchronized at the start, but gradually more unsynchronized throughout iJ H P brown, brown 2 3 4 start at approx. J1 beats apart red, red 5 pp (J=100) ah. pp ~ T T " ah_ ~ T f -oh 3 T T Went down Went down - stairs be P y P P eh Went went down - stairs went down -like a sigh 1 »> h h h h =E fspoken cause be - cause be - cause she was *n P P P P P g P dead! fspoken stairs be - cause be - cause she was dead! 6 10 • fi f Sl. S2. Al. A2. T. B. poco rit. i a la t>j j B,J. i- p iifif pf - 'f I' mm ^oco r/Y. 1 1 1 1 X 1 mm J=60 Sl. S2. Al. A2. 1 m m m Ah_ The moon's dis - po - si - tion is caught in the freeze. The moon's dis - po - si - tion P • is caught in the freeze. _ [• lay 21 mm mm. B. I mm mm. 8 19 poco rit. SI. J=54 S2. A l . A2. mP Oo_ The moon's ? i8 J nJ J^ it J * - is H ? J a Oo_ , mp The moon's AIL the_ earth 131 as B. lS>-A l l . the_ earth as 24 to SI. S2. A l . A2. Ah. mp Ah. A h . f 3 A h . 1^  J |g J J ^ ' ^ dis - po-si-tion is caught in the freeze. 5 dis - po-si-tion is caught in. m sumes. the coun te B. sumes. the coun te 9 28 SI. S2. A l . A2. poco rit. J=48 m poco rit. Ah. P B1: poco rit. P Ah. 1 Oo_ poco rit. The moon. P Oo. The moon. Z2 -nance S of , poco rit. fine bone nn P B . I K of 2 2 V ft -nance fine bone~ nn 34 s i . S2. A l . A2. T. B . Ah. a n : Ah. 1 * bJ tqJ IS is caught. Ah_ is caught. Ah. 32: I 1 I 10 3. In winter J=76 Soprano Alto Tenor Bass I p Stagger-breathe throughout o The - o - o • blue sky_ P Stagger-breathe throughout "TX~ Dec The_ on them The shin mg_ X 4 o — O S> + 1 - " • y i U fi ^ ^ ft) 4 = iLd. - ^ A ^ y zx h 1 1 s i Stagger-breathe throughout The_ mf zzz: The make an gel pri (the beginning of the word "prints") chil dren make_ their. pn.... (the beginning of the word "prints") mf - o -in make an - V gel chil - dren their_ prints. 11 12 to nothing from the sky. 13 4. The Showman Soprano J.=100 Alto Tenor '"ifwhisper % p 7 p p 7 p 1 p 7 p p 7 p I p 7 p p 7 p ta - ka - ta - ka - ta - ka - ta - ka - ta - ka - ta - ka -K K Bass Hump - ty Dump - ty ^ whisper 7—r< ^ —7—* X-who stood in sus - pense_ ta - ka - ta - ka - ta whisper mf - X T< H X ^ X X -who stood in sus - pense_ ta - ka - ta - ka - ta T. 7 7 7 7 N -ta who stood on his broth - er whisper mp \r nJ J J p ^ U p p 7 p 1 ^ B. 7 7 7 =7=ft stood on his broth - er ka - ta - ka - ta as 14 r i 1 = r— J ©-= ©-= i 1 — 1 with coal - black eyes.. A —i-. -1 ™ • ^ with coal - black eyes.. mf T. B . - X T< X X ^ X -ta - ka-ta - ka-\^—m—m—m still as a ghost 12 mf \- \ P V t J'I,J> and wo - men mf ah_ Could - n't pre-A. T. 5 and wo - men aft Could - n't pre -x 9 X X ^ X X ^ V= -ta - k a - t a - ka mX-- ta and men ah_ Could - n't pre-I p n y WMJI^  7 7 B . AU the king's hor - ses and men ah. Could - n't pre-15 15 k «^— — r - — r — k — 9 7 £ —I4>J : ^ ^ -vent their li - quid de - mise? Ha! 7 7 \ f vent their li - quid de - mise. T. hi 7 7 j' vent their li - quid de - mise. Ha! B. N 7 7 vent their li - quid de - mise. Ha! 16 1 =40 Soprano m 5 . See the seedling's eye mp: - p Alto Tenor See the seed-ling's eye See the seed - ling's eye. trace the streak of wa - ter co lour_ trace the streak of wa - ter-co lour_ m Bass 6 i , , 1 mp 4f $4 ? 1 1 J «P \\J J _ J — m * ^ ~ 8 ? J -8 J J J J— 4 mp rJ- J Ah green-mud-blue pools l>l t Jill J J a a - cross the grey-ing A. That col-lects in green-mud-blue pools mp a - cross thegrey-ing ii I M\\ J J ' J p T. " r p 1 y r That col-lects in green-mud-blue pools a - cross the grey - ing B. Ah green-mud-blue pools a - cross the grey - ing 17 12 S. i i j lii - 1^ can - vas. See the seed - ling's eye P i . ™P A. can - vas. -P See the seed - ling's eye_ m p r _ mp fr f lii ft f" Hi can- vas._ See the seed - ling's eye P —===== N F r p liir in B. can - vas. See the seed - ling's eye_ 17 p mp r • p trace the streak of wa - ter - co- lour_ A. 1 1 « > . 1 = ^ s 1 — * « # 1 — a h—^  trace the streak of wa - ter - co - lour P mp te te trace the streak of wa P z ter - co- lour mp B. trace the streak of wa - ter - co - lour 18 20 S. Slower P , PP poco rit. }j J J1 J1 J wa - ter - co - lour, wa - ter - co - lour P ' PP r\ P ^ 5 wa - ter - co - lour, wa - ter - co P ' PP « r p p r | b r p L J - T lour T. wa - ter - co - lour, wa P ' ffP ter - co lour ii r P P B. wa - ter - co - lour, wa - ter - co lour 19 6. Prairie air Soprano Alto Tenor Bass t i breathy (stagger-breathe) pp ' hoo pp No Not breeze j like sighing • A P s. ===_—pp ah ah A. B. 20 poco accel. PP J>=126 mp . . 1 . poco acce/. ah owe alto whistles, the rest sing hoo breathy (stagger-breathe) T . B. <3 hoo poco acce/. * p M'1 v P ^ CJ F F F F' ~ ^ ' F ^ No - t a lone - ly whist - ling wind 21 15 accel. jFstagger-breathe J>=136 accel. 1 r~£ fHf l 8fiiff - ' t f ^ 1 r | | | J J C J ^ ah acce/. owe a/to whistles, the rest sing a\\ sjng accel. hoo ...gradually turn "hoo" to "ah"... accel. accel. m .gradually turn "hoo" to "ah"... accel. accel. B. dance J>=144 20 ~yr—si—^—w—ii ^ — w — 0 ~ \{\ ^ . 1 rr~ 1 4 — <§> 4 J tfJ bJ . ^ = X 3 m » — ah _ < s u „ -—— ^ H H i \ — ah ff -frr* r r 1 "1 (•» r*~ / 4 ? f •> »tf [ 1 D 7 D — 1 Bu - t a how - ling and un - for - gi - ving 22 like a scream s. accel. to end like a scream — <w» 3 = 7 W fty p j i |j{ r ' ' f Y l P 1^1 A. gale ah fr£e a scream accel. to end - 3 ^ n i 3 m T. gale ah accel. to end w ist r girt T Y V t i H y r l*P > I  B. £ 3 gale late for a ve - ry im - por - tant date on the At - lan - tic coast! 23 W r a g g l e T a g g l e for symphony orchestra (2222,2200,1 perc,timp,str) 24 Transposed score Introduction J=106 Wraggle Taggle 2 Flutes 2 Oboes 2 Clarinets 2 Bassoons 2 Horns 2 Trumpets Glockenspiel | Violin I M • j T ^ T * U * Violin II Viola Violoncello Contrabass #8 'WW w, J=106 unison A ff unison ff m SI unison n pizz. divisi ^ 7 3 j -> * r H 25 Bsn. Hn. Tpt. Timp. * r — j — s « , J 1 i •? « S •/ / 1 M • ^ — $ • * i1 7 M " L ' M J •» F •> r-r^ Glock. { r l> 0 r-r-f V l n l V l n l l Via Vc. Cb. 26 Fl. Ob. Clar. Bsn K r 1 »J J J J m |» | |» • f » 0 3== *» _ K 7 Glock. V l n l l Via Vc. 3=E 0 0 0 n spiccato • •-0-pizz. narco spiccato mf _/ 7 \ * 7 0 7 0 0 71 ' • ' 0 ~ m " it 7 It pizz. Cb. * —r mf •0-21 ^1 1 Fl. Ob. Clar. Bsn. i p r r r i J. JO* 0 * Hn. Timp. -*r 3 = F til I J~] • ^ : ar cresc. A pizz. V l n l V l n l l Via Vc. Cb. * P 7 P 7 jgEJJ pizz. 7 P B 7 P 7 = § toe K | t J l 7 J^7 7 Jf J J"J * J s cresc. 7 ^ J17 r 7 7 Jlid cresc. f)7 7 h cresc. cresc. 3 = ± cresc. 28 Fl. Ob. Clar. Hn. Tpt. Glock. Vln I Vlnl l Via Vc. M -* r r g nty , o <g 1 1 lJ LU / -=^> i» r r> r B E ^ ^ S rW r r * / 1 - ° ISM LJ—k—1 L _ i F—1 r-*l / —* Fl—K J 1 - =\ * J ' J i'lt^= —*—ttJ J J' XI 7 r— f > -. ^ " f l~i j- = IS ' p •-trf- 1 i J~J J- ^ J _ « m— • 1 i v—T~ 1 cj r- 1 ^ arco , N y. i. % d = # = *> J 1—t— m >—*—v—-— k - — 2 — • ? 2 — 3 / arco n — ^  +-^ ' f ' ===P= arco — — s h -7 7 ? — ^ ^ - i -/ — ^  —V 45-4 jJ J 7 / * ' » 29 16 Hn. V l n l V l n l l Via Vc. W •v I 5 i r ^ : —» arco n v=- f pizz. divisi • mm #4 19 -m^ m « « « ^ Ob. Clar. Hn. p r r r 1* :*r— •F- -m- -m^ T p t . Glock. { j .fr r r n r r J F — l p——I V l n l V l n l l Via Vc. A - 1 arco. n divisi > # P P 30 24 J=48 2 Bassoons Mar. < Violin II Viola Violoncello Contrabass P J=48 m B Variation 1: Aria Delicato m 1 ^ I pp B pizz. pizz. fe i t * mf pizz. ? v 7 > P^ 7 r 7 =^= PP il ^ 7 7 •W>-y mp mf wm 32 28 Ob. espressivo 1. mp mf 1 7 Mar. 7 7 pizz. V l n l V l n l l P 7 P 7 P mp Via P mp Vc. t I P Cb. 1$ -.V ^ mp 33 32 Ob. Clar. espressivo m mp mp 7 Mar. P PP m Ll 3— mp ^ 7 ^ 7 j> 7 ^ ft V W V . » • / Vlnl Vln II mp Via mf Vc. * = r = I Cb. 34 36 2.espressivo Fl. Clar. P 2.espressivo mp Pdzat ? 7 7 # ' ^ 1 Mar. < mp pp I I — 3 — i mp mp V l n l V l n l l ftp ^ P 7 ? 7 g mf\_ p7 mp mp PP 5 * 3 7 l l Via I P j ) 7 7 Vc. l l Cb. 35 40 spressm Fl. Ob. Clar. 2esprvssivo •f- f * tt> ff TT 7 -espressivo f r fr MS Bsn. ? 7 7 t f ' ^ §11 pp Mar. mp Vlnl Vlnl l mf 3 mf Via V 7 P 7 7 -Vc. Cb. m\»m £ 0 pp 36 44 Fl. Ob. s i mp espressivc\ 1. Bsn. a p r ''[j mp -st-st-Mar. #3 £P 7 7 k 7 £ 7 J i F mp mf mp mf 4 ft y « y L , y > V l n l Vlnll Via 7 7 P 7 bft 7 = £ = I f f }{ V ' 7 7 J>i7 4* » 7 P cr mp mp mp _ i i ±e=t Vc. Cb. •):jffyf /p , mf 37 48 Fl. Ob. Bsn. i i i p i . s i i . ' 7 7 _ £ 7 R = 7 Mar. < fiPP J i t £ ^ I mf mp "f J> 7 J^7 J>7 Vln l Vlnl l Via Vc. 7 7 P 7 si f 77 7 p 7 ^ s m -*—*-t * — i J > mp J [? 7 I mp 1 * = ! mul Cb. mf P 38 52 D J.=72 Energico I Fl. -PP\ Ob. ~PP Bsn. S. D . -PP 4 Mar. D J.=72 4 J Via Vc. Cb. 5& arco n ^ = r = £ I 7 T P 7 T 3E2 39 60 Fl. Ob. Clar. M i J?4 p =1 s i up 3 ^ 7 7 7 7 7 7 H I Bsn. Hn. Tpt. 7 7 7 7 S. D. c-Vlnl Vlnl l Via Vc. 41 Variation 2: Fanfare J=106 Maestoso 63 i i i i"2 bii i IMQ 2 5 3 i 2 Flutes 2 Oboes 2 Clarinets 2 Bassoons 2 Horns 2 Trumpets -V r> V CJ 7 P C J - ? tirJ >-i * r - * tr* P 1 CJ : Lf ' P - J 3 — ^ =—3 1 ? T T >-i 'LI C J * ' P ~Ltd*—y ^ US— * i * — >-Timp. Snare drum Violin I Violin II Viola i f 7 J T J I y % n- " i — i i 000% y i 7 r r r g 7 h ST J=106 , n spiccato sui pont. n spiccato sut po it. J . F* 1 I? , - < L 0 0 efe^ i + n - + V + + 42 ^ 12 17 Timp. V l n l l 70 — legato espressivo Fl. Ob. iegato espressivty J 7 i legato espressivo • J Clar. ±3 r r / 7 i> 7 J Bsn. Hn. Tpt. Timp. f= f k 1 legato, espressivo ~w j ^ r na-i l S. D. I F • = + n + + \>-0- -rn- -0- -0-V l n l 3E£ C: n + + fr n * 0—0-V l n l l Via Vc. 1 3 legato espressivo 171 i " Q , n legato legato espressivo^ ^zz. Cb. 7 ff# 7 7 jfJ 7 ^ 7 ft 7 ft—7—ft-44 46 47 Timp. S. D. 0 ^-1 1—3-h -r — 3 ' — 1 Vlnl ft ft r-3 r—3 y Vlnl l Via Vc. / W Z Z . arco n Cb. i f pizz. a 7 J 7 J^g / W Z Z . . 87 Fl. / a2 legato espressivo r.'r u Ob. / l i f t a2 3 = ^ Clar. a2 legato espressivo Bsn. Hn. V l n l Vlnll Via F r = ^ -1— - U * « 1 pizz. f pizz. arco, legato espressivo Vc. mf kri 7 h? h / Cb. 7 0 7 7 0 7 mf f 49 92 Fl. Ob. r V f t [r 'r *f 7 i>r» i , r it t>r hr ¥ '—~3—~^ Clar. # 1 — r 3 = ^ Bsn. Hn. Tpt. 7 V : ? 7 p 7 p l f t 7 p 7 =p 7 p 7 i f r - 3 i - 3 r -3 r - 3 - i - 3 -- 3 ->-3-r -3 - >-3 r-3 L - 3 -Timp. 3 K i=3= I H — CD |—3— l |—3— i ftftftft [3-7-S. D. arco 9-0-0-0-0 V0000 -0-rT 3 ^ v— V l n l V l n l l Via Vc. Cb. k ^ 3 r -3-i f 1—3-ff i f n 1 7 J'7 J>7 =g 50 H i J=92 Fl. Ob. A I 3 -3 Clar. (-3: Bsn. Hn. Tpt. Timp. H £ J=92 V l n l V l n l l Via Vc. Cb. p Jr'r* r-3 100 Ob. V l n l V l n l l J J J> . ^ g . i J J i | r J f p r r * ' " r p r r * } CJ *• d d p 4 = c J o JP m m ~"r* * K T * = < Via Fl. Ob. Bsn. Timp. Via -» P Cb. 52 53 106 2 Oboes 2 Clarinets Variation 3: Fugue 'J=92 Allegro moderato Timp. Violin I Violin II Viola Contrabass inf | ^ 9~^~ ~ - a - - - a - j — 7= ' T t pizz. 54 55 56 Fl. Ob. Clar. Bsn. Hn. Tpt. Timp. V l n l V l n l l 3E 3 £ 57 Clar. V l n l Vlnl l 58 116 Ob. Clar. Bsn. CPE • f - J 7 » -V l n l l Via I S ^ 5 V fe Vc. Cb. 7 7 ^ 5 - V — f e fc=fe 7 7 59 Bsn Timp. V l n l V l n l l 60 125 Fl. Ob. Clar. Bsn. i 1 J P Vlnl Vlnll Via Vc. Cb. ~ptZZ7 726 ^ ^ ^ ^ ^ ^ pizz. Vlnl Vlnll PP pizz. PP m pp 63 128 M Variation 4: Ostinato J=52 2 Flutes 2 Oboes 2 Clarinets Crotales Glockenspiel | Violin I Violin I Violin II Violin II Viola Viola Tranquillo P P W'l 1 J M J=52 jn arcofc V -*2-n arcdR-' arcoTL-^  arco pp arco V -(2--4 3= fe V 64 67 69 153 £ open string V l n l Vlnl Vlnl l Vlnl l 0 open string — & fc 4 XT" Via Via open string 70 157 O J=126 Poco piu agitato Tutti izz. divisi 3 E E | E 7 v X T c r p/zz. T T 7 senza sord. divisi 3 3 1 arco - • I : # -71 Variation 5: Scherzo 166 J=126 ^ (\ Giocoso 2 Flutes 2 Clarinets 2 Bassoons Timp. Violin I Violin II Viola Violoncello Contrabass f f P J=126 Mfgliss.) divide if necessary arco non-arp. pizz. n 73 171 ft a2 I 6-Fl. Ob. Clar. V l n l a2 / V l n l l 74 FL Ob. Clar. ff = = — mf\ ffzz^=^ Tpt. Mar. {l ff / J Z Z Z . V l n l V l n l l Via arco pizz. ff arco J |» t>ft 5* ff 3 j»ZZ. Vc. Cb. ff ff pizz. ff ff ff 75 179 Fl. Ob. Clar. Bsn. Hn. Tpt. Mar. V l n l i i i i I § Q 7 = T J ? 5 "1 0 ^ * "? 0 -0 * -2 -4 J 4 . . mf div. urns. m/ / V l n l l Via 7=r arco pizz. pizz. f arco Vc. Cb. arco mf arco h i I TO/* 76 = r = J = 77 78 Fl. Ob. Clar. Bsn. Hn. Tpt. Mar. V l n l V l n l l Via Vc. Cb. mf mf f3¥ ¥ * J in P 79 194 Fl. Ob. Clar. Bsn. / I P 1=1 JEI ff f-D C cat / -_ i i E i _ per Of f 7 1=^ 7 7 -Hn. * J ] | J i f P p K Timp. V l n l l Outside-Inside for solo piano 81 1. Staccato-sustain J=126 I f 1 r 1 f1% I ¥ h* 6V 1 1 ft " 7 5 5 - 1 Depress silently. Hold sostenuto throughout. fsost. *^P.J£p£p#p£p£p ¥P h»-£P / sost. fsost. sost. —F———-SOS?. 77 i * ~— m — 0 , • L r-*"i • sost. fsost. sost. -p sost. 82 14 & k. fL 7 . > i i—L-L 1 — 4 5 J " " HR J-k ' * M T 9 — 9 — ^ — ^ 4 19 fe i s fczt S 3 27 t i l l . , i 5= ^ 5 83 6 times 3 times pp u.c. gradually depress damper 5 secondsJ= ioo 18 times 14 times If leave damper ffP down ... , lift damper lift u.c. f poco rit. 85 8 times gradually depress damper 86 3 . Foreground-background J=48 ft 3 i F ' l i f f B J r J j ^ f 1 ubj LIJJ 1 [——1 f T t f 1 4 * sempre pp 75r4 9 fcp * f f -1 V! 1 Ir 7 sempre pp 3 1 1 f> M r-M • ^ — ^ f R » » — i CfL_| » I . . - i i i pi £ p ^ Ir p IT 4 t * ] aO \ fab; 1 = 1 1 | f Iti t ^ c p t— # H I-i it 1 \ r j _ 87 1—nhh l u f J uB< i—1 = f F = 9 t ! tffi 1 ifg < • ) — T ' f 1 p / 7 p=ff * — i f * ) 7 1 1 "1 r-— i y — * 3 £ = 3 b 1 = ^ • = 1 7 *=» i S m E rfeh S 4 4 • #=< ? |iL_l • » t|I 1 it 1 i!r E J 4 1 \ I J - — P 1 * 1 • P 1— • fc^ 1 = ^ 88 8 f hi i ! i — f — * 1 —'•—w— i l * J T '•H-* =#= mw r — i h 1 9 : I i—^ i j> J I f : 7 7 ttf »r-10 0 i / f f i mm f 89 1 tih S lA 1=^  \—-5 l i r l \ • ; / T+F^J 1 I afii 6 — f ^ f 1—j^l ! 12 ft =Jh= tl 1 si i i i I—^  F = •= =•=•=1 morendo P C 15 I—55—f—»?—1—i H.—\—i i — \ — Hi * — % — * — % — PPP A • i _ _ 90 4. Continuous-sporadic J=106 T J 1 J J J J , r r r t * 0 * lj* r r r r * J J J M i l J J J Jm ^ 1—v * * J * " v TO < * 1 r ^ -V 0 7 " : 1 4 In ^ 7 b*'^ SH K -—J — U - J — J 1=5—* L J ft 1 / y 7 1J f$=rfr -r-rfff "V f m m i" 4 * i — — — 1 _ -S > Eft — * k=-I • m * 1' * * 7 23 • =ptt 1 $ f * 1 25 X 9 r f r m r & Sf. . m ku,r f f r T 4 - * «—ba —; — • *==^ = \>-J • m 7 7 a 1 " i 93 94 5. Pitches-clicks stop strings r r r r r r r r r r r r r r nftB\ —PP f pause for 1-2 " between beamed notes lift CH, press 73li mf press C# ^ 7 7 v : — H I T —hft w *—k X tt" * k * £ _ u -—h * — k - 5? +T Htt'p — ^ r—^  r " r—^  1 f H 95 stop strings 3 lift El mf- - P f mf m lift Ft pressE\ liftF\ \\F #r ¥ ttr IIF fr \\t ttr ^ fr df h tf5 mp rap 96 97 6. Melody-accompaniment J=72 Semplice; poco rubato m VP I iPLeft hand: pluck strings r r >1? 5 ^ rap 3 L . H . play keyboard zt 72 Atempo = = * 3 * = = — - 7 ^ I f f JPL.H. pluck strings 9 8 30 A tempo 5* =1 —3-pp i>L.H. pluck strings 9 9 36 mf L . H . play keyfjoard -3 1 1 3 1 , , 1—3—1 1—-3 1 3-39 ^ br J p poco accel. -3 11—r3-i_ f l .aT_ i 43 1—»3—2 bV hi . * I T3" / i 3—r—i i 3 1 . 3 v C_f f if V "r T 45 I 3 1 .1 3 1 m 90 IW1 rit. pp I 3-W ^ P ii'ii P w r 100 7. Cantabile-portamento J=60 Espressivo, tempo rubato str pno gliss 1 s i I? 3 2 PP press damper throughout '.mp \ PP ^ £ 8 mm 8. Fantasy-recitative J = 8 4 Ecstatic, very fast 2" mf _ Q unmeasured tremolo fasten paperclips to strings 2" bl'o«» ©fc. 3" J = 8 4 4 V mf PP black note gliss. te mf flutterpedal 102 103 104 Ten Haiku for percussionist and speaker 105 (V c rt c rt Si d) I-U 3 _Q Ol - C 4-1 o c (/> Q . O i_ T3 C r« 1_ o Q . C o •IK (LI (LI c X ! 01 o3 U O i n U O OQ Q O O 00 LU _ l 2 o c O lo . IO ft) lo Q 3 .t; V 3 TS 8 „ 8 8 IO U) T S - S C o io y> ^ to P -5 c lo I 2 10 U •s -s 5 t; £ I io - C 3 Si. <S> g •5 2-5 o 2^ S> s: <s ^ .Si IO •fe; 2 *J TS <S *> ^ -c ^ 4J 3 %i O +-> £\ * 3 * of U J < U J to 00 QQ ^ h-106 'B) to Q. O Q. E I •8 111 JC Si. = s | I 2 o c £ — <u C ^ g o s S I- Q C -5 Q . <V <U T3 c Z3 O in ai DI C DI a. E ai V z O X OL < a: oo CD 5 <S1 C •its *- * JC T3 £ C ~ 4 -,2 o c ?> ^ x £ §> ^ - S t •5 o ~ § <s £ .-fc! <S c^ * -— iy "> Si. »: ^ N § 3 S j ( J o 2 * o 2 •a E r - o S <3l o _o <v =5 o Ol to C TS C <3 O TS <o V. .o 3 s: o u CO > 107 C T3 o to to C rd <+-in o u 01 > 4-> c is Q . !k u T3 0> - C + J T3 C rd c Ol cd T3 _o in to cd o> t/i <3 2 O f L U < L U Q. 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Q to to < 03 to 113 01 mmm T3 a c • mm C to 5 s £ -2 lO lo QJ SL io QJ Q P QJ +-> lo QJ al 0) QJ JC ^ s 11 Ol 4w lo f io QJ QJ to O — TS Si JC io io '2 JC <5 io +-> io SL 3 •to QJ io 0) C - i : QJ" 3 QJ C CO Q Si p JC 5 QJ § s: sx S QJ O) <S u TS c Q . < LLl D_ to I -to z O to to U of LU OL in 14— Ol fe, oi c o to 114 Magnificat for mezzo-soprano soloist and women's chorus 116 Magnificat For mezzo-soprano soloist and ten parts, to be sung by one female voice each, or by small groups of female voices Very freely, not fast Mezzo-soprano Solo Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 1 0 •vw {Pfl-tt — * — - — m m * m i\ Mag - ni fi - cat, mag - ni fi - cat, 117 mf — mp f Solo Je th — — fL. 1 r/S r *— g » « i 1 1—•—= « — « « » mag ni -fi-cat a-ni-mame-a, magni-fi cat a-ni-ma me - a, — 1—*9 — « —s ^ y K l Do-mi-num, — — — * — E j * * - — Do - mi-num. L - » 1 Et ex - ul - ta - vit, pp (holdfor one full breath, or until next event) (cue notes from soloist's partpp "TT" o PP (hold for one full breath, or until next event) O (cue notes from soloist's part) PP (holdfor one full breath, or until next event) - o -U pp (hold for one full breath, or until next event) "TT" 118 mf et ex-ul- ta vit, et ex-ul-ta - vit spi-ri-tus me-us, TT" 7 5 7 5 » * v H * — Jr rn 1 fx. E f * S Tl fcwe notes from soloist's part) pp T T fct/e wotes /roffl soloist's partfPJP^ (hold for one full breath, or until next event) u 119 mp -6 &-m m » - r v in De-o sa-lu-ta-ri me o pp et ex-ul-ta - vit spi-ri-tus me - us, U pp mp mp (cue notes from soloist's partf,— 8 = E pp - O -C T u o -A •m» (hold for one full breath, or until next event) . ^ . , . „ vm H Jrlr J J • ^ C M e W 0 ^ 5 /ro/w soloists part)Jfjf h I * * m * E E" (cue notes from soloist's part) p (hold for one full breath, or until next event) T T # u (cue notes from soloist's part) pp(hold for one full breath, or until next event) - o -(hold for one full breath, or until next event) (cue notes from soloist's part)PP 120 Mag - ni fi - cat, mag - ni - fi - cat, unsynchronized chant: medium tempo; pp breathe when necessary. ...illae suae: ecce enim ex hoc beatam me dicent omnes gene-rationes. PP _ i PP unsynchronized chant: medium tempo; breathe when necessary. ...a respexit humilitatem ancillae suae: ecce enim ex hoc beatam me dicent omnes generationes. . , , unsynchronized chant: medium tempo; PP breathe when necessary. ...itatem ancillae suae: acce enim ex hoc beatam me dicent omnes generationes. PP PP PP unsynchronized chant: medium tempo; breathe when necessary. PP zrsz 121 ...atam me dicent omnes generationes. mf. =— mp f T T * — magni-fi-cat a-nimamea, magni-fi-cat a - ni ma me - a, PP * m * - T f -PP - o -...anctum nomen eius. Et miseracordia eius a progenie in progenies timentibus eum. PP I E ...ationes. Quia fecit mihi magna qui potens est: et sanctum nomen eius. mp - o -pp ...icent omnes generationes. Quia fecit mihi magna qui potens est: et sanctum nomen eius. - O -...agna qui potens est: et sanctam nomen eius. Et miseracordia eius a progenie in progenies timentibus eum. zvsz ...a fecit mihi magna qui potens est: et sanctum nomen eius. Et miseracodia eius a progenie in progenies timentibus eum. 122 mp Solo Do - mi - num, Do 1* mi - num. PP ...ogenies timentibus eum. Fecit potentiam in brachio suo. dispersit superbos mente cordis sui. PP pp pp ...io suo: dispersit super-bos mente cordis sui. O -...otentiam in brachio suo: dispersit superbos mente cordis sui. PP 10 TT" ...imentibus eum. Fecit potentiam in brachio suo: dispersit superbos mente cordis sui. 123 Et ex - ul - ta PP ~ o — ...ersit superbos mente cordis sui. Deposuit potentes de sede, et exaltavit humiles. vit. PP ...is sui. Deposuit potentes de sede, et exaltavit humiles. PP - & — 124 Solo mf Jf ttl — rL 1 m m m ** m <s 0 m — c * et ex-ul- ta vit, et ex-ul-ta - vit spi-ri-tus me-us, JPP_ ...ivites dimisit inanes. Suscepit Israel puerum suum recordatus miseracordiae suae. ...umiles. Esurientes emplevit bonis: et divites dimisit inanes. n ...urientes emplevit bonis: et divites dimisit inanes. PP zcsz ...isit inanes. Suscepit Israel puerum suum recordatus mise-racordiae suae. PP - o -PP ...epit Israel puerum suum recordatus miseracordiae suae. ...ientes emplevit bonis: et divites dimisit inanes. PP 10 125 mp — f mp -e e-- o -et ex-ul-ta - vit spi-ri-tus me - us, in De-o sa-lu-ta-ri me-o. PP - o -...erum suum recordatus miseracordiae suae. Sicut locutis est ad patres nostros, Abraham et semini eius in saecula. pp - o --o ©-T T ...uae. Sicut locutis est padres nostros, Abraham et semini eius in saecula. pp pp - o -mp ...est ad patres nostros, Abraham et semini eius in saecula. pp ...icut locutis est ad patres nostros, Abraham et semini eius in saecula. ...eracordiae suae. Sicut locutis est ad patres nostros, Abraham et semini eius in saecula. 126 127 128 129 131 PPP M —it—. IPP^P o M Tacfe to nothing o ' "Tflde to nothing PPP o M Jfofe to nothing pm ~ o M yat/e to nothing » * > " men. men. J T 5 /acfe to nothing o ~ o /acfe to nothing "TT" o to nothing "TT" j O jfacfe to nothing 132 Music for instruments that don't exist for string quartet 133 Music for instruments that don't exist 1. Water Harp Viol in I Vio l in II Vio la Violoncello J=76 Espressivo con poco rubato slow vib. med. vib. J-cr pizz. (slow vib.) K § it > i - I «f slow vib... „ .med. vib. r~ 3—i mfz^=~<mp PP med. vib. 1—3—, mi 4 fast vib. vib. slowing. V l n l y » r — T PP fast vib. med. vib. V l n II r I T 7 med. vib... 3 , r V i a 1 I ...fast vib. fast vib. p r j r r ^ o J ' 7 p V c . med. vib. 134 ...slow vib slow vib. med. vib. Vlnl Vlnll med. vib slow vib arco Via pizz. slow vib. M i -slow vib... m e d ^ \—3—i mp mp-==z fp Tr i i • Vc. o • :mpz=— Vlnl •P fast vib... r ...med. vib. 3 = Vln II mp med. vib fast vib... - 3 = . d - ^ — I I — 3 — , med ...med. vib. arcol vib. .slow vib. Via 3=2: =/ - 77Zp Vc. ~P : slow vib. pizz. 3 : mp 135 med. vib... 12 pizz. .fast vib. —3—i i — 3 — . a r c o §S3E=i§EES Vlnl mf , pizz. med. vib. i—3-arco fast vii Vlnll = pizz. arco fast vib. JuCZ V i a mp slow vib... arco pp med. vib fast vib. V c . XT 14 med. vib. fast vib. pizz. r — 3 1 Vlnl XP ...med. vib. J pizz. i i m i\f I—3 — f fast vib. arco P Vlnll s 1 > < .slow vib P fast vib. V i a PP .slow vib. V c . 136 16 ...med. vib. arco med. vib. slow vib. Vlnl PP .slow via pizz. .med. vib. E Vlnll mp mp .slow vib / Via .slow viii .med. vib. Vc. 3E= ...slow vib Vlnl Vlnll PPP 137 22 ini l 3 1 ...fast vib... I 3 1 arc£_ V l n l y I y f med. vib. arco fast vib... pizz. I 3 — arco r • % IE V l n H p mf fast vib... pizz I 3—-| arco m Via EE m f — = f fast vib (if possible) Vc. 24 ...med. vib. fast vib. pizz. |—3—i area. ...med. vib. vu r V l n l mp mp ...med. vib. pizz. ...fast vib. arco .med. vib. V l n H ; mp r = ...med. vib. Via 4> mp pizz. arco pizz. r - 3 -m <P~ PP ...fast vib.arco .med. vib. y^y 7 = ^ " 1 ) mp-z=~ p ib. mp PP med pizz .fast vib. (if possible) arco Vc. 3 : 138 med. vib. pizz. Vlnl med. vib. Vlnll slow vib. pizz. arco ...med. vib. V i a 3 C E slow vib. a r c c L - — m e ^ v i b . pizz. ._ Vc. PPP 139 140 Viol in I Vio l in II Vio la Violoncello 2. String Organ J=ioo (JW>) Mechanical (nightmarish) no vibrato unless indicated vibrato, sui tasto and sui pont. indications refer only to individual notes V mp Kilt M mp il h'' 7 n mp y±=t mf V mf 7 ^ 7 7 | J i ; 141 18 sui pont. V l n l k f sui pont. f # BE 2?7 7 * sui pontl V l n l l 3 = ^ E?2 mf mi mp 1>J v Via 3 : Vc. 7^ I P mf f 142 24 sul pont. Vlnl 3o i. sui pont. sui pont. pizz. / sul pontl sul 3= sul >-pontl mf pizz. V l n H 7 i 7 7 7 • 1 LJ 77Z, pizz. to Via Vc. r r 7 I J 29 arco sul tasto con vib. 4 M ^ = sul tasto con vib. sul tasto con vib. sul tasto con vib. Vlnl mp arco sul tasto con vib. f sul tasto con vib. V l n H Via Vc. THp arco sul tasto con vib. mp mf mp sul tasto con vib.^ pizz. mf 1 V \ arco li \ 'P *• mf j{ F 7 7 F 7 F 77Z, 143 sui tasto sui tasto s u j t a s t 0 34 con vib: con vib. con vib. fi r _ \ Vlnl > 7 7 i> m f sui tasto con vib. Vln II sui tasto con vib. 4 mp sui tasto! sui tasto con vib. P Via m ft 7 V 1 7 7 7 "ft mp mf Vc. sui pont. / 39 sul tasto sul sul pont. pont. m sul pont. Vlnl 3: 3 = £ f mf f K 7 V sul pont. sul pont. sul pont. 5S Vlnll 7\>« 7 j 7zrr.W=T P f sul pont. / fe Via 2 3 : Vc. sul sul tasto tasto / mf f sul . pont? 3 7 7 7 =2 144 44 sul tasto sul tasto con vib. Vlnl sul tasto 7 b mp pizz. V l n H 3 = ^ 7 , |;k> 7 -7-9- 7 7 i 7 f sul tasto con vib. KB* j J Via / mp pizz Vc. 5: 49 sul tasto sul tasto sul tasto sul tasto con vib. ,convib. con vib. convib-»- m Vlnl m arco sul tasto con vib. sul tasto con vib. mf V l n H 7 7 ^ ¥ mp mf pizz. arco sul tastcj con vib.I 1 Via J 7 7 3 t± / mp mf fmf Vc. ft I arcc / £ 3 : = T 7 = ^ = 145 s u l sul sul pont. p o n t p o n t sul pont. Vln l V l n H f (change bows as necessary) 146 Violin J Bowed Flutes Cellist cues all rehearsal letters. Vln 1, vln 2 and via begin at approximately the same time, each playing the given fragments in any order, repeating as many times as necessary until the next cue. Transitions between cues should be as smooth as possible. unmeasured tremolo ts q g CJ f 147 spiccato h— r = F 7 # 4 I ^ -Keep playing for 8-10 seconds, then fade out, slowing slightly on last notes. n n spiccato n V -jf—1 h — d h — j h 1 rt. rt. rt. 4Nt^ 7 j < j | #— 150 Violin 2 3. Bowed Flutes Cellist cues all rehearsal letters. Vln 1, vln 2 and via begin at approximately the same time, each playing the given fragments in any order, repeating as many times as necessary until the next cue. Transitions between cues should be as smooth as possible. o p m spiccato n ~wr » • • ) F> r 1—1 v y F r ft i unmeasured tremolo P mp f -X—i r—«- c—«: 4— r-s / mp f mp unmeasured tremolo p 151 C, D , E After E , watch for cello cue n o n o P —c r — g ^9- *J 9 f f spiccato O O o A 1 i i 1 ' j ; f unmeasured tremolo P on cello cue: mf hold until next cue. 152 G,H,I spiccato n o o o » » •> o o o » • fr £ — ( 6 — p f l i unmeasured tremolo V o En f ™p f Keep playing for 8-10 seconds, then fade out, slowing slightly on last notes. P f spiccato n •^3 S 1 J-unmeasured tremolo XL ' I A V n i— =^= V - 2 fh. S- 2 — f-J sm- 2 f f 153 Viola 3. Bowed Flutes Cellist cues all rehearsal letters except A. Vln 1, vln 2 and via begin at approximately the same time, each playing the given fragments in any order, repeating as many times as necessary until the next cue. Transitions between cues should be as smooth as possible. m Q <H Q C4 mf m f- p I f n P D m if 4 *i— i— i •*4 « $ f -I A. 1 * r p mf 154 E Play in order (top to bottom, left to right): n m q q q mf f > P n mf m & — 1 » i> W WW p hold until cello cue on cello cue on cello cue urn /S-*-» , . < hold until next cue... Tacet 7 seconds, then.. — — ^ — — — & — w w w w w p n U l » l» |0 ft |C TTT ' \ r u WW 1* * = 5 = VM I • P " • 156 Keep playing for 8-10 seconds, then fade out, slowing slightly on last notes. mf P n t 1 Pi fi 1 fi 1 1* 1 1* 1 1* 1 fi—1 fi— fi i — 1 ? - f 157 Violoncello 3. Bowed Flutes (Vlns and via begin to play at rehearsal A) Calm Free rhythm • = ca. 2 seconds 7-9" if 6-8" n cue rehearsal D 7-9" 4-6" V 3-5" m cue rehearsal wait until via ]£ is sustaining note before continuing c u e v j a V mp cue via cue rehearsal cue via i3_i5» & v l n 2 m 1? fi> 3EI 3E y change hows as necessary cue rehearsal G tf" cue rehearsal H -wait until all other instru-ments are playing before continuing 6-8" mp cue rehearsal I 4-6" cue rehearsal <s>-change bows as necessary continue playing after everyone else has stopped, then fade to nothing 158 Fantasia on Coventry Carol for symphony orchestra (2221 2221 timp lperc str) 159 Duration: 5 minutes Fantasia on Coventry Carol Transposed Score J=112 2 Flutes 2 Oboes 2 Clarinets in B!> Bassoon 2 Horns in F 2 Trumpets in Bl> 2 Trombones Tuba Timpani Glockenspiel Violin I Violin II Viola Violoncello Contrabass §n -(fo 4 <):,!> 0 ^ l> 4 n & y -ft * ^ L H J s \> 4 ^ L M * 7 b 4 H ^ h ' 15 < 2 1 r 1 1 J , J i H I J j ' i i i 1 r 1 r * 1 * r~ — » — i — ~ i — * r m r — * — ^ — j > J J ? J J > J ^ ? J J J J * « -r > J j > i «—j—*— p * — - — * ?—J— »—f— - • - 4 — « — m \ r r * J , — * — « — J > J k ? r J ? r * r -J—?— B B 160 Fl . Ob. CI. Hn V l n l Vln II Via Vc. Cb. mp mp mp mm 3=t WW r ^ J I ? J mf I K = = - « A 0 X wm 161 12 a2 Fl . Ob. CI. Bsn Hn V l n l Vln II Via Vc. f\TUf m mf a2 * 0 0 0 mf mf mf f f -J-Cb. r 162 Fl. Ob. Cl. Bsn Hn Tpt Tbn. Tba Timp. Glock. { V l n l VlnH Via Vc. Cb. 22 4 L : pC m. 1—m - 0 1 — f f — u — » — • m m 1 J -— 1 p — m i > — m m w i H — ^ t V. • m — * 0- y h w 9 i 1 9 • 9 •4 * 1 9- • * ^ y-~ — i — P —m -0 J M 4t > -0-- j - -4 i + itfe—a p i — 0 t — 1 f ~m—k—t 9 - « — * — * —0 — * * — — -0 1 i—k p * j 9 I p t— -f—i—t i 9 -f—* - i a 1 — ? — • • — » — _ _ j— i—i • — J * f w 9 -0 % * f * • * m — * m —0 — f * — i -0-J V * *):,]> i—I * - — \ r * i —0 — t « — -0 J Y— 1 < i t 91 9— — * 9 _ — » — • — i — * — i -0 1 — 1 * »l » P > • -m i P y 9 L I — V0 1 * 0 -0 1 B i P 1 * \ 1 -m 1 —< * f PV » « — * — i |l ' P H= m m * -» I 0 9 j , — ^ — * — 0 -0 -0- 4 » • m F = t = t j j , — * IT- • i i - — —0 Y~ J - v -'):.> *—t 9 4 = * 1 — . I. a —0 i » ) 1 m '):•> P1 £ £ f 9 s—i—f i r * i . — » — P — ' —0 ^ 9. 1 » J J ^  — * i ll «> r ? r —0 1—I 0 - 0 ^ - — * i ' 164 27 Fl . Ob. CI. Bsn Hn Tpt Tbn. Tba \ E2 :2 i l 8 f ; i * V ff Timp. 3=t 3 ^ V l n l V l n l l Via Vc. i t S-\4P __ I — m~ — Cb. V :b" J » » P 165 3 ff 166 168 169 Hn Tpt Tbn. Tba 67 Hn Tpt Tbn. Tba V l n l VlnH Via Vc. Cb. r i—<s-5 " i i P Mf-i i J J f Mf r i 3 * (i I -h a 'A1' - 1 "~" J h - f A1' -J J J J l i mp "ri J T L r p 1 2 T ^ pizz. - J — J » H P — mp ' - J r > > ^ M , J J —-mp pi," r r T f -—i—%— - f — \ — \ — L f r J 1 J : mp pizz. - f * 1 — * > — % — •m-* * J-v J * mp 1 1 170 6 6 Leggiero . . JUL 1 r Fl . Ob. CI. Glock. m F p p F p p t p p p p y V l n l V l n l l Via Vc. Cb. a s 171 70 rT fl I. k Fl . Ob. a2. C l . IP { Glock 1=1= 4 n arco V l n l Vln II Via Vc. Cb. iiii^ r r f mf arco D divisi 0 0 0 arco ^ ^ r i i i 3 = E 172 74 Fl. Ob. CI. Hn Tpt Tbn. Tba Glock. V l n l V l n l l Via m w— > m f—L— * i . * n ^^ ^^  * » — m ] N -p. • *< 4= m 7 m 3= P iR= —T—*¥— r - i - N «< > -#-5— H H i d 77! P ^ — - ^ : f 1 V 1 Solo 7 p 7 [7 7 Solo § 5 Solo , h 7 i ' 7 f r r r f f f f~—— mp mf \> . r M r F d d •f- ^ -f- y-mf Vc. Cb. 35 divisi arco V pizz. pizz. 173 78 Fl. Ob. Cl. Bsn Hn Tpt Tbn. Tba Timp. Glock. V l n l Vln II Via Vc. Cb. m H »»< — s r ~ i . f r * r f * v*A, L_7_4 b , ? ? ™ 0 J f V f . 1 , > « A > i M ) i a2 —1 K L J R r — > > > mf —v=H — ^ * r pr_T 6 ) : L l J J * - j * * 17 f f —«i — K x r ~ ^ * mf J P • P * ]7 f f —S -1 M f li ' f X J ' - 1 > r f ^ f 1 r-—m--—J J J-> 1 pizz. Jbjr f - L i — » — arco V 1- »g 1 L *-m- h M v > * mp* LJ pizz. J h * r Z - 4 — l — -5-u->—>— NH =H $ ± =f=*f pizz. In I * mp" LJ - T - i r i \ ' 7 f — J — arco 4^  / - J — r < -—» ' 7 J J J J ' t f mp - F — r r^rf ' 1 I % ff ^ > * — J ^ mf arco _ - W T - > f f -) / F v ' ) : , > J 5 Lr r j 1 J mp ~ T — * * — ^ 4 — * — v > » — C—w-arcoV V 1? * P — J J — J — mp R 174 — 7 - 4 — £ — Fl . Ob. CI. Hn Tpt Tbn. Tba V l n l -<s>-J — J § 5 4 J ^ «T3 C_T ftr r J J j * f Vln II Via divisi i f * m m Vc. Cb. 176 177 Fl . C l . Hn 96 - ~£ r r — 1 ] E •i 9-\ \ fr=4 1-4 --P m —J— 1 4 K % % \ 1 a mf a2 Tpt Tbn. Tba -<s>-a s mf 22 V l n l V l n H j | | jj J | J | • * «» p—F-•n J 3 . jj r » r 178 100 Fl. Ob. CI. Bsn Hn Tpt Tbn. Tba V l n l V l n l l Via Vc. Cb. mf g g f f f ^  mf s s mf_ mf m fe s s s s ^ A m 0 0 0 0 J J J—J- j r p *>=^ ii ii M pizz. s s 0 0 0 i H 179 104 f f f f f Fl. Ob. CI. Bsn Hn Tpt V l n l V l n l l Via Vc. Cb. S 3 6 38 . -0- -0-m t* 0 -^J — n p 7 j Jjt/J; n iigi> T r p n 180 108 Fl. Ob. Cl. Bsn m 3 = £ Glock. {; V l n l V l n l l n n J>7 t » 3=T 57/W. pizz. 3 = E Via p i i pizz. Vc. 3=r Cb. 181 182 Fl. Ob. CI. Hn dock. V l n l V l n l l Via Vc. Cb. rTJ? j ' p - fff i N i . f f f f i ' 1 — L i i i n , = — T 1 - % ^ i r m-M - = *====d 1==M s r < r 4 = ^ 7 r — j _ « n 7 r — « « —J s—r™ 3 =1= 1 YT-— i s 0 — — i IS ^> ^ y j -• — p i i , , r J - • • T v • • • "T 1 *> * — — •— -p- -p m—m » — ^=*= p- -tP-_ . _ -• • H - r 1 * — * — p- -p- i ~ ~ m—m— —^2 » - i m—• - k m m • 1 p p -==}= — 1 f^T J^? «):,> J * -— k > U m \ m 1 P 1J — j — * — > i J u — « * p J V * 1 p— W ' J I f -r * r If * r —%—j— --J—*—=--r f ' 183 120 Fl . Ob. C l . Hn r - s — 3=* 5 Glock. V l n l Vln II Via -fit Vc. arco E2E r r r p Cb. 184 Maestoso 125 a 2 Fl. Ob. CI. Bsn Hn Tpt Tbn. Tba Timp. m, if mf s _ W 0— _ 0n~ 0 f 3 = £ -0-mf f *• 0 F=F= 3 = £ dock. { V l n l V l n l l Via Vc. Cb. y j r £ »• J^~0 0 * J -'f. ^ 1 mf arco 1 / \ ,..,5 j - J> pizz. 185 arco Fl . Ob. C l . Bsn Hn Tpt Tbn. Tba Timp. V l n l V l n H Via Vc. Cb. 130 A ML — 1 f l —1» •p-1 » — 9 -49 • 1 J . 1 p — < • — * =4 " <• h « -—m *= 4 H = < ) : , | i J — 9 < * 1 * » — -0 » * f t —0 i K 0 _ > _ a I- — -0 -0-— • -* •'V « 7tfe i i1—0 p — » f • s.—*—( 9 ~B * m —0 £ ' » -0 * — ? ^—i V 1— I"—*—f t i • f — — -s f * ^ J — t — i — *):•> • — * — — * — f W 9 -#—I— - * — * — f • * m ^ >——a •> * 1 m i '):•> 1 — • > — i r — 4 = ^ » r * 1 — _ . , 1 *> * i -J— • s V 0' •> < i < 9 * 9 1 M—\ 1 0 * -0 ^ — I M pl * 4» 4= -f9 4 P» 9 1-f —1 1 ? 0 L_ -J P * \ — s — « * f 9 -0-——i F H 1 * H= 1» m -m J 0 9 J * : 1 , > — —41 0 •>— -—0 0 -0- 1 N H / 1 • 1 0 • | I h « — 4 h « i —• s -» '):•> MW 9 * 1 - L , * m —0 * ) S to #^ '):•> i #> » 1 9 ~m—* 1 r * 1 —0 it £ #C 1 I J j ^ — j — il % 4=^=1 r f r —0 —1> * i — _ -0—^~ — j — 186 135 Fl. Ob. Cl. Bsn Hn Tpt Tbn. Tba Timp. Vlnl V l n H Via Vc. Cb. ff 4 ^ ff ff w p-p pj ff p 4 f f f » p-3 = * =*==* i s i i i ^ 5 5 # w 5 _ r P 187 ff ~ ~ ff 140 Fl. Ob. Cl. Bsn Hn Tpt Tbn. Tba Vlnl Vln II Via Vc. Cb. mf i i>" - it f mf !Z2 mf f mf 3E 3 it 1=1 J r J -si' f mf 3 C mf i m n i l a ^ i fp fp fp P P m 3 -"^  188 190 191 192 193 194 178 Fl. Ob. CI. Bsn Hn Tpt Tbn. Tba Timp. Glock. { V l n l V l n l l Via Vc. Cb. m f dm * 1 9 T A 1 ' W \ ff -0 4 w p — •> W =4 m 19 1 »-i - 1 £ - 6 ^ L > ' - j — i ff P 9— -J-V Ov - i -0 4 ff -0 1 H » — ; 9* — • Kir =4 — ff r i1 *' . « . J s • fe. • F wZ-V ^ f r b i f ^4> f 4 * "I * * - J 4 . r -1 * *—1 ? ? : - J 4 ff 0 4 r 1 ?—] * *—1 # r » * *—1 § r J < r > 1 i f n r ^ i - £ lj>lt> * N f f J — n r 1* f i n • ; 0 45-^ -4 p f J ^ ff n r r "i n -j-j? , _ J 1 -0——* ff n n n n - J L 195 -0 4 ff T That time of year for voice and piano 196 That time of year J.=40 V e r y gentle mp Mezzo- sop rano ( Piano < i . i IS i J h j y i » 7 That t ime o f year thou with pedal $ r pr * mayst in me be -J- i s> i o l d when t p r j l yel - l o w leaves, or 1 J jT bpl none, or few, do i'>: J M 1* f I?* * «* — W J iH ^ ft J J> t J T I J M CO J 7 7 — = ^ 1 A hang P * U p - on the boughs w h i c h V f al p J shake_ a - gainst the 4 r r i 1 — r t « — 8 * « J a 7] ^ ] iw J =1 197 p J- 7 , cold, Bi I r r ire ^ i . ru - i ned choirs where late the sweet b 0 1 irds ' J . i 7 7 ' sang! " S -m- • 4 +y. •U— |» J I . • t_ =% l ' 7 J ' 4 w L d ^ -J 49- 0 — — ^ 0 1 20 i—2—i mP mp af - ter sun - set fad - eth in the west Which * d 9 d l»J y —r 198 by and by black night doth take a - way Death's se - cond self, that -I 0 M-J . 0 0 • • 0 , r ~m 1 * — P ~m— 32 P \l - J h J N 0 0 0 t \ * -4 J — « _ In _d * — « L _ _ « me thou seest the ir pr pi glow - ing of such %—• fire That (fo 7 PPz*1 jr-p: p. « m • 0 -f 0 « 0 199 44 $f * a f. -sumei 90 J d_with that which J M — 1 al a a1 it was nou - ris <p 1 .hed =^=== by. +y n - • : J i 41 y 0 1—-u—1 J a* K fJB 200 48 r - r p This thou per-ceivst, which makes thy love more strong 5 a » V £1 1?J v -51 7 rJ y u 52 mp frl fr 4N To love that_ well which_thou must leave ere Pp 7 mm P I P 7 \» - zmzzz 7 f — mi-56 long. I ^ ^ 1 1—J ** 7<p : 201 On my bookshelf for solo piano (pedagogical) 202 1. CLEVER CROSSWORDS Brigh th /M.M. J= 112-126) 1 2 3 4 4 203 2. HEROES OF THE GALAXY B o l d l y ( M . M . J=88-100) #%4 r _ » <ff *4 / r P - -0 0 0 0 0 f -| I * 3 - » — ^ ^!rf" — ^ # —#—0 0—* " r C-JU1 i ^ l t i —1 1 — 3 - 1 2 — h £±= 0-r - 3 - n * M M m — » \\\f \ t pi E — ^ J« ff ? i 7 11 ? CJ[ - 4 — - — J — -4 2 4 3. CRAFTY CARD TRICKS Sneakily(M.M. J. =80-96) 5 i S i i ~^7v—v—^ p fc):L(5 B - ff 9\ - ff =*==! 1 « -IP |l i 1 ) ff ff m • < L 2=5i 1* P > P p f? ^ 7 7 10 r7^fe « a s * B K 7 — W - jq* J - ft ' 7 ' / 9* & - •• 1 J. -^ 1 "IT ~ 16 - k -A A " ^ T - 1*7 V — J * ^ ff f ~ 1 * J 1 ff 8 ff--V-l 7 P )— 20 ^ —M—*• 7 p i p Tllp ? v v 1* 7 h S7 7 7 1»—— 205 4. DETECTIVES 5. CRAZY COMICS With pizzazz(M.M. « | J P 4 ' r m i=108-120) 2 3 i — — . — — mf ^ 4 — — J ? J J ? ^ ^ / ' ^ JLD I I « F * * « P * J 4 J I j r r ? 4 — * « * i ? r r * 1 3 2 :T 7 7[T^ 2 12 9 ^ *^ i — i mf ^ * ± r ^ > 1 [ > J J — « — — * — ^ 9 * * * i J r r * = —m * * * 12 14 tjL—|—. _ _ . 5 - S r n — 1 — — 2 ' J r -§M J JTj. _Q=^ =^; ^ ~-- ^ " ^ — : — ' / ^ J i 3 -r Jv- 1 o J • $ — d 2 1 2 207 6. THE ENCHANTED PALACE Delicateh/M.M. J= 108-120) -** m -mi 0 m . I mp I^A t -m — 0 -1 — w J I — m -- 0— =£= —1# —<s» \s 4 li J b n 2 2 —I * -» , > = V5^> " ' « ** m [,)•• - = — J -P 4 •—f J — - J -9 J 0 #=± -G> =3= f = * = l » I* p r EE=6 208 7. RIDICULOUS RIDDLES Jokingly ( M . M . J=l 12-120) 5 r * i r | » — — / J _ —0 p p 0 r r r ~~F . . - — . . . . . . . . - — - — i * / _ > ^ S r * — 1 9-J i »i J J J J J i J J mf 444 * - • * f * T 1 2 11 3 2 -f-p-~ T — * — * ~ =f==d= / - * — - 4 J a , , 0 *—~- 0 ^ 14 —p—1 J—J— 4 — -0— J i ~F > * — * * n n > L i C J — • = — -F-—* * ~ i — \ i—f~— —* ~~—m1—S £ 209 4 8 . WITCHES AND WIZARDS With spirit (M.M. J =96-106) 4 2 * 2 4 5 2 3 4 ya»— 9 1 l i b - n , n=h - n rn i . n rn i ~ n j T i i (mp 7 J * * * J p fx. > L */ V ) V V ' m * 0 » m \. *i *y ^ v v ' J » * » J -\ *1 */ I f f V > • • * • j \ V V *? *? *7 J$V7 7 [)' 'J — v 7 ; 7 7 - > 7 7 ftp 7 7 - - v 7 ; 7 7 3 3 p= tr ey / d d + d J . —»~i J §V 7 7 *' 1 = zr-iuJ 210 211 9. HAPPY ENDING AllegrofM.M. J=l 16-132) 1 ~f—*—-— B * CJ 4 J =4 2:-£-=•-= =^ cr J CJ — i m--0. 3 r.rr/rrrj - ^ 5=P 2 3 212 

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