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Compositions 2002-2004 Donkin, Christine Janet 2004

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COMPOSITIONS 2002-2004 by CHRISTINE J A N E T DONKIN B.Mus., The University of Alberta, 1999  A THESIS SUBMITTED IN PARTIAL FULFILMENT O F THE REQUIREMENTS FOR THE D E G R E E OF M A S T E R O F MUSIC in T H E F A C U L T Y O F G R A D U A T E STUDIES (School of Music; Composition) We accept this thesis as conforming to thle/eq,uired standard  T H E UNIVERSITY O F BRITISH COLUMBIA April 2004  © Christine Janet Donkin, 2004  Library Authorization  In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission.  Christine Donkin  20/04/2004  Name of Author (please print)  Date (dd/mm/yyyy)  Title of Thesis:  Degree:  Compositions 2002-2004  Master of Music (Composition)  Department of  Music  The University of British Columbia Vancouver, B C  Canada  Year:  2004  Songs for the Seasons for S A T B chorus  l  Songs for the seasons Lightly(M.M. J = 100) *JLP  Soprano  1. Leaves  P P PP P PI P P P P P P P P 7  7  Cin  Cin - de - rel  Cin - de - rel - la dressed in dressed in dressed in  P  Alto  P P  Cin - de  y  y  P M  P \P  Cin - de - rel - la  1  P  P  m  synchronized at the start, but gradually more unsynchronized throughout  Y ^  P  o  -  -  range  synchronized at the start, but gradually more unsynchronized throughout  brown,  i  J  H  brown  P  2  P  P  P p  dressed in dressed in dressed in dressed in  5 seconds  3  4  start at approx. J beats apart 1  red,  red  5  (J=100)  pp  ah.  pp ~TT"  ah_  ~Tf-  oh  3  Went  T T  P  eh  y  Went  down  Went  P  down  went  down  -  stairs  1 fspoken  cause  *n P stairs  h be - cause  h  h =E  h  be - cause  she  was  P P P P gP be - cause  be - cause  be  P  like a sigh  »>  - stairs  she  6  was  dead! fspoken  dead!  went  down -  10 •  fi  f  poco rit.  Sl.  i  S2.  Al.  A2.  T.  la t>j j B,J. i- p iifif pf - 'f I'  a  ^ o c o r/Y.  mm  1 1 1 1 X 1  B. mm  J=60  m m m  1  Sl.  S2.  Ah_  Al. The moon's  dis - po - si - tion  is caught  in  the freeze.  The moon's  dis - po - si - tion  is caught  in  the freeze. _  A2.  P 21  •  [• lay  mm  mm.  I  B.  mm.  mm  8  19  J=54  poco rit.  SI.  S2.  P  m  Al. Oo_  i8 nJ J^it  ?  A2.  The moon's J  J  * - is  Oo_  AIL  , mp  the_ lS>-  B. All.  earth  as  earth  as  H?  The moon's  131 the_  24 to  SI. Ah.  Ah.  mp S2.  Ah.  f3  Al.  1^  dis - po-si-tion A2.  J  Ah.  |g  J J^' ^  is caught  in  is caught  in.  the freeze.  5 dis - po-si-tion  sumes.  the  sumes.  the  m coun  te  coun  te  B.  9  J  a  28  m  J=48  poco rit.  SI. poco rit.  Ah. P  S2.  B1:  Al.  Oo_  poco rit.  Ah.  P  1  The moon.  poco rit.  P  A2.  Oo.  The moon.  Z2  of  -nance B. V  ,  S ft  nn  poco rit.  P 22  IK  bone~  fine  of  -nance  bone  fine  nn  34  si. Ah. S2.  an:  Ah.  1  Al.  * bJ tqJ IS  is  caught.  Ah_  is  caught.  Ah.  A2.  1  T.  B.  32:  I  I 10  3. In winter  J=76  I  Soprano  p  Stagger-breathe throughout  P  sky_  blue  Stagger-breathe throughout  Alto  Dec  "TX~  The_  X  Tenor  o •  -o-  o The  them  on  4 o  4  =  ft) ^ y zx  —O  S>  1  -"•yi  + iLd.  The  -  h  shin  fi  U ^  A  1  ^  1  mg_ Stagger-breathe throughout  si  Bass  ^  The_  mf zzz:  The  make  chil  dren  an  their.  make_  gel  pri  (the beginning of the word "prints")  pn....  (the beginning of the word "prints")  mf -o-  make  an  -  in chil  -  dren  gel  V  their_  11  prints.  12  to nothing  from  the  sky.  13  4. The Showman J.=100 Soprano  Alto '"ifwhisper  % p p p p1 p p p pI p p p p 7  Tenor  ta  -  7  k a - ta  -  7  k a - ta  -  7  ka - ta  -  7  k a - ta  -  k a - ta -  ka -  K  K  Bass  7  Hump - ty Dump - ty  ^  whisper 7—r<  ta  -  ^  k a - ta  —7—*  -  X-  k a - ta  who stood i n sus -  pense_  who stood i n sus -  pense_  whisper mf -X  ta T.  T<  H  X  -  k a - ta  7  7  7  ^  7  -ta  B.  \r  X  X-  k a - ta  N who stood on his broth - er  nJ J J p ^ U stood on his broth - er  mp  whisper  pp  ka - ta  14  7  -  p1 ^ 7  k a - ta  7  7 =7=ft as  = i  r— 1 —  with  A  1  r i  ©-=  J  ©-=  1  coal - black  eyes..  -1  —i-.  ^  with  coal - black  ™  •  eyes.. mf  T.  -X  T<  X  -  ka-ta  ta  X  ^  X -  - ka-  \^—m—m—m  B.  still as a ghost  12  \-  mf  \  P  and  V t wo - men  J'I,J> ah_  Could - n't pre-  aft  Could - n't pre  ah_  Could - n't pre-  f  m  A.  5 and T.  -x  9  -ta  -  X  X  ka-ta  ^  -  X-  X  ka  wo - men X  ^  - ta  V= and men  m  B.  I  p n y WMJI^  AU the king's hor - ses  and men  15  ah.  7  7  Could - n't pre-  15 k  vent  vent  — r - — r  «^—  their  their  —I4>J  —k—9  :  li - quid de - mise?  li - quid de - mise.  T.  ^  ^  their  li - quid de - mise.  f  vent  their  li - quid de - mise.  16  7  7  7  7  7  7  Ha!  N  B.  £  -  Ha!  hi  vent  7  Ha!  \  j'  5 . See the seedling's eye 1 =40  mp:  m  Soprano  -  p  See the seed-ling's eye  trace the streak of wa - ter co lour_  See the seed - ling's eye.  trace the streak of  Alto wa - ter-co lour_  Tenor  Bass  m  6  mp J  rJ-  Ah  A.  i  ,  $4  , ? 1  green-mud-blue pools  l>l t Jill J  J a  a - cross the grey-ing  mp 1  1  J  J  _ J  —  m  4f  *  ^~  That col-lects «P \\J in green-mud-blue pools mp  " r  T.  p 1y  r  That col-lects in green-mud-blue pools  8  ii  ? -8J J J J — J 4 a - cross the grey-ing  I  M\\  J  a - cross the grey - ing  B. Ah  green-mud-blue pools  17  a - cross the grey - ing  J' J  12  S.  ii  j  can - vas.  lii -  1^ See the seed - ling's eye  . ™P  P i  A. can - vas.  See  m  -P  the seed - ling's eye_ pr  mp _  See  can- vas._  fr  f liiftf" Hi  the seed - ling's eye  P —=====  F r p liir in  B. See  can - vas.  17  p  eye_  mp  trace the streak A. 1 1 « > .  the seed - ling's  N  1  of  =^  trace  the  r  wa  -  •p  ter - co- lour_  —*  «  # —a  streak  of  wa  s  -  P  ter - co - lour  mp te  trace  h—^  1  1  the streak  te  of wa  P  ter - co- lour mp  z  B. trace  the streak  18  of  wa  -  ter - co - lour  20  S.  Slower P  }j J J J J 1  poco rit.  , PP  1  wa - ter - co - lour, P  wa  - ter - co  -  ' PP  lour r\  P ^ 5 wa - ter - co - lour, P  T.  -  ter - co  lour  ' PP  «r p p r r p LJ-T | b  wa - ter - co - lour, P  B.  wa  ii r  wa  ter - co  lour  ter - co  lour  ' ffP  P P  wa - ter - co - lour,  19  wa  -  6. Prairie air  Soprano breathy (stagger-breathe)  pp Alto  t i  '  hoo  Tenor pp Bass No  j •  like sighing A  P  Not  breeze  ===_—pp  s. ah  ah  A.  B.  20  poco accel.  PP  J>=126  mp  ..1. ah  owe alto whistles, the rest sing  poco acce/.  hoo breathy (stagger-breathe) T.  <3  hoo poco acce/.  B.  *  p M' P ^ CJ F F F F' ~ ^ ' F ^ 1 v  No  -  t  a  lone - ly  21  whist - ling wind  accel.  15  J>=136  jFstagger-breathe  1  accel.  r ~ £ f H f fiiff - ' t f ^ r l8  1  | | | JJ  CJ^  ah acce/.  \\ j g  owe a/to whistles, the rest sing  a  accel.  s n  ...gradually turn "hoo" to "ah"...  hoo  accel.  accel.  m  .gradually turn "hoo" to "ah"...  accel.  accel.  B. dance  J>=144 20 ^ — w — 0 ~ \{\  ~yr—si—^—w—ii  ^.  1 r  <§> 4  J  tfJ bJ .  ^  _  —  =  r~  < s  1  4—  u  ah  X  3  m  „ -——  » r  r  1  ah  ^ H H? /  4  i f  ff  \•> —-frr* »tf  [  Bu  1  -  D t  22  7  D—  1  a how - ling and  "1  (•»  r*~  un - for - gi - ving  like a scream  s. —  accel. to end  fty  A. gale  pji  like a scream <w»  ah fr£e a  accel. to end - 3 ^ n  i  3  T.  gale  B.  w  ah  ist r gale  W  3 = 7  |j{ r ' ' f Y l P ^ 1 1 scream  m  accel. to end  girt  late for a ve - ry im - por - tant  23  date  T  Y V t i H y£ 3r l*P on the At - lan - tic  > II  coast!  Wraggle Taggle for symphony orchestra (2222,2200,1 perc,timp,str)  24  Transposed score  Introduction  Wraggle Taggle  J=106 2 Flutes  M  2 Oboes  •  j  T^T*  U*  2 Clarinets  2 Bassoons  2 Horns 'WW  2 Trumpets  w,  #8  Glockenspiel | J=106 unison Violin I ff unison  A  Violin II ff  Viola  unison  m  n  pizz.  Violoncello  SI  divisi  ^  Contrabass  25  7  3  j  -> *  r  H  Bsn.  Hn.  Tpt. •»  Timp.  *r—j—s«,  /  1  M  J 1—$  • ^  •  *  i  i  1  •? «  7  S •/  F  L  r  Vlnl  Vlnll  Via  Vc.  Cb.  26  r-r^  M" ' M J  Glock. {  f  •>  l>  0 r-r-  Fl.  Ob.  r  K »J  Clar.  •  J  J  3==  *»  f  Bsn  m  1  |»  |  |»  J  » 0 _  K 7  Glock.  3=E  Vlnll 0  0  0  n spiccato  pizz.  Via •  •-0mf  narco spiccato Vc.  _/  7  \ * 71  '  7  0 •  7  0  0 '  0  ~  m  Cb.  *  mf  21  pizz. "  it  —r  •0-  7  It  1  ^1  p rr r  i  Fl.  i0  Ob.  J. *  JO*  Clar.  J~]  I  • ^ cresc.  :  ar  -*r  Hn.  Timp.  til  3 = F  Bsn.  A  pizz.  *  Vlnl  P 7 P 7 jgEJJ  7  P B7 P cresc.  pizz.  ^ J7 r 1  Vlnll  7  7  cresc. Via  K| Jl t  Vc.  7  J^  toe 7 = §  7  f)7  7 Jf  J J"J *  cresc.  Js cresc.  3=±  Cb.  cresc.  28  7  h  7  Jlid  Fl.  -* r r l gLUnty <g  M  1  , o  J  1  /  Ob.  Clar.  i» r  r> r B  /  rW  r L*_  i* J ' J  J J'J i'lt^=—*—ttJFl—K  ISMLJ—k—1r  1 - °  / —*  r-*l  F—1  Hn.  E ^ ^ S -=^>  XI  " Tpt.  >  '  IS  -.  p  ^  i 1  •  Vln I %  1  *>  d  i  J  = 1  J~J J-  ^  cj r-  v—T~ — k - — 1—t—  1  arco N  ,  m—  2  —•?  2  —3  / Vlnll  = # =  ^  '  m  f  arco Via  45-4  —— s 7  y.  i.  —^  +-  —^  —V  arco n  >—*—v—-  ' ===P= 7  =\  f  l~i j-  J^ «  -  r— f  •-trf-  Glock.  _  7  1  7  ?  — ^ ^ - i /  h -  jJ J / * '  »  Vc.  29  16 W  •v I  Hn.  Vlnl  ir^:  5  —»  Vlnll arco  n  Via  Vc.  v=-  f  pizz. divisi  •  #4  mm  19 -m^  Ob.  Clar.  «  «  r  r  n r  1*  :*r— -m- -m^  •F-  r  Hn.  Tpt. J  F—l  Glock. { j  AVlnl  Vlnll  Via arco.  Vc.  n divisi  > # PP 30  « ^  r  p  .fr r r  m  1  p——I  B 24  J=48  Variation 1: Aria Delicato  2 Bassoons  P  m 1  Mar. <  I  ^ pp  J=48  B pizz.  Violin II  PP Viola  pizz. fe  m  Violoncello  i pizz.  Contrabass  ? v  t  il ^  7  •W>-y  *  mf  7 > ^P  mp  7  r  mf  32  7  7  =^=  wm  espressivo  28  1.  Ob. mf mp  1 Mar.  7 7  7  pizz. Vlnl  P PP 7  7  mp Vlnll  P Via  mp  Vc.  t  I  P 1$ -.V  Cb.  mp  33  ^  32 Ob.  m  espressivo  Clar.  mp  mp  7  P Mar.  PP  Ll  3—  m mp ^  Vlnl  7  ^  ft  ^ V  7  W  V  j>  7  .»  •/  mp  Vln II  Via  mf  Vc.  Cb.  * = r =  I  34  36  2.espressivo  Fl. P 2.espressivo Clar.  mp  1  Pdzat  ?7  7  # ' ^ pp  mp  Mar. <  II—3—i  mp mp  ftp ^  Vlnl  7  mp  mp  mf\_ Vlnll  P ? g  p  3  7  PP 7  5*  l l  I  Via  P j)7 Vc.  l l  Cb.  35  7  7  spressm  40 Fl.  2esprvssivo  •f-  Ob.  f  tt> ff TT  *  Clar.  7  -  espressivo  f  Bsn.  ?  fr  r  7  7  Mar.  t f ' ^  MS  §11 pp  mp  Vlnl mf  Vlnll mf  3  Via  V 7  7-  Vc.  P  7  m\»m £0  pp  Cb.  36  44 Fl.  Ob.  Bsn.  mp espressivc\ 1.  si  mp  - t- ts  ap  ''[j  r  s  #3 £P  Mar.  7 Ji  F  7  k  7  £  7  mp  mf  mp  f  m  Vlnl  4 ft  7 y7  « y L, y > P 7 bft 7 = £ =  Vlnll  Iff Via  »  7  P  cr  }{ V ' 7  7 J>i7  4* mp mp  mp  _ii Vc.  Cb.  •):jffyf /p , mf  37  ±e=t  48  i i i  Fl. p i. Ob.  Bsn.  si  i.  '7  7  _£7 =7 R  fiPP  Mar. <  J  it mf  £  ^  I  mp  "f  J>  Vlnl  7  Vlnll  Via  7  7  7  7  J^7 P  J>7 7  si  p ^ 7  f  mt  s  7  -*—*mp  * — i J >  Vc.  J mp  1*=!  Cb.  P  mf  38  mul  [?  7  I  D J.=72 Energico  52  Fl.  -PP\  I  Ob.  ~PP Bsn.  -PP  4  S. D .  Mar.  D J.=72 Via  4 J arco  Cb.  n  5&  Vc.  ^ = r = £  7 T 3E2  P7  T  39  I  Mi 60  Fl.  p  7  7  7  7  7  7  Hn.  7  7  Tpt.  7  7  J?4  Ob.  =1  Clar.  up s i  3 ^  HI  Bsn.  c-  S. D.  Vlnl  Vlnll  Via  Vc.  41  Variation 2: Fanfare J=106 Maestoso 63  iii  i"2 b i i  CJ  2 Flutes  2 Oboes  i IMQ  -V  tr* P r>  V  1  2 Clarinets  7  253 i  CJ- ? tirJ  P  >-  i  C J Lf :  ' P  =—3  1  >i  ? T T - J 3 — ^ y CJ* ' P ~Ltd*— ^  'LI  *r-*  *  i  * —  >-  US—  2 Bassoons  2 Horns  2 Trumpets  if Timp.  Snare drum  7  " i — i i 000%  n-  ST  yi 7  r r r  JTJI y %  g 7  h  J=106 , n spiccato sui pont.  efe^  Violin I n spiccato sut po it. J.  Violin II  F*  1 I0?  i  n +  +  0  V  ,-<L  Viola 42  -  +  +  ^  Timp.  Vlnll  12  17  70  legato espressivo  —  Fl. iegato espressivty  J  Ob.  7  i  legato espressivo  Clar.  •  ±3  J  r  r  /  7  Bsn.  Hn.  f=f  ~w  k legato, espressivo 1  i>  J  7  j ^ r  inal  Tpt.  Timp. S. D.  IF  •  =  +  n  +  C:  Via  n +  -0-  -0-  fr n  +  1  legato espressivo  3  171  i"Q  , n legato legato espressivo^  Vc. ^zz. Cb.  -rn-  3E£  Vlnl  Vlnll  \>-0-  +  7 ff# 7  7 44  jfJ  7  ^ 7 ft—7—ftft 7  *  0—0-  46  47  Timp.  0 ^-1  S. D.  hr —  3  ' —  1  1—3-  Vlnl  ft ft r—3  r-3  Vlnll  y arco  /WZZ.  n  Via if  pizz.  Vc. /WZZ..  Cb.  a  7  J  7  J^g  87  Fl.  / a2 legato espressivo  r.'r  Ob.  u /  3=^  Clar.  a2  lift  a2 legato espressivo Bsn.  F r = ^« -U*  Hn.  -1— 1  f  pizz. Vlnl  Vlnll pizz. Via arco, legato espressivo Vc.  /  mf  Cb.  ri  k  7  h? h  7  mf  0 7  7  f  49  0 7  92 [  Fl.  r Vf  t  Ob.  7 i>r»  i , r  it  r 'r *f  t>r hr ¥  '—~3—~^  Clar.  #  1  Bsn. :  i f  ? 7  —  r  p7 p  lft  r-3  3=^  7  p 7 =p i-3  7 7  V  p  7  r-3  Hn. >-3r-3-  -3-3-  r-3-i  >-3 r-3  Tpt. L-3Timp.  3  S. D.  |—3—l  i=3=  K  |—3—i  ftftftft  IH—CD  [3-7rT ^ 3  V0000  9-0-0-0-0  arco  -0-  Vlnl r-3k^  3  Vlnll 1—3-  i f Via ff Vc.  Cb.  1  i f 7  J'7 J>7  =g 50  n  v—  H i J=92  Fl.  A  Ob. I  3 -3  Clar.  (-3:  Bsn.  Hn.  Tpt.  Timp.  H Vlnl  Vlnll  p Jr'r* r-3  Via Vc.  Cb.  £  J=92  100 Ob.  r f  Vlnl  Vlnll  p  J  }  CJ  J  J  J>  r  r  * '  d  *•  J  J  " r p r  r  d  p  4 = cJ  o  JP  Via  m  K  m  *  ~"r*  T  *  Fl.  Ob.  Bsn.  . i  .^g  -»  P Timp.  Via  Cb.  52  =<  i |  *  53  Variation 3: Fugue 106  'J=92 Allegro moderato  2 Oboes  2 Clarinets  Timp.  inf Violin I  Violin II  Viola  Contrabass  ~^~ ~  | ^  7=  9  '  T  -  a  -- -  a  -j —  t  pizz.  54  55  56  Fl.  Ob.  Clar.  Bsn.  3E  Hn.  Tpt.  3£  Timp.  Vlnl  Vlnll  57  Clar.  Vlnl  Vlnll  58  116 Ob.  Clar.  CPE  •f-J7»-  Bsn.  Vlnll  Via  IS  Vc.  ^ 5  7  7  Cb.  ^ 5  7  7  fc=fe  59  V  fe  -V—fe  Bsn  Timp.  Vlnl  Vlnll  60  125  Fl.  Ob.  i  Clar.  P  1  J  Bsn.  Vlnl  Vlnll ~ptZZ7  Via  Vc.  Cb.  726 ^  ^  ^  ^  ^  ^  pizz.  Vlnl  PP pizz.  Vlnll  PP  m 63  pp  128 M  Variation 4: Ostinato J=52 Tranquillo  2 Flutes  P 2 Oboes  P 2 Clarinets  Crotales  W'l 1 J  Glockenspiel |  M  J=52 jn  V -*2-  arcofc Violin I n arcdR-'  V -(2--  Violin I  4 Violin II  3= arcoTL-^  Violin II  arco  fe  Viola  pp  V  arco Viola  64  67  69  153  £  open string  Vlnl open string  0 Vlnl —& fc  Vlnll  4  Vlnll XT"  Via open string Via  70  157  O  J=126  Poco piu agitato  Tutti izz.  divisi 7  3EE|E  v  senza sord.  X T  cr p/zz. divisi  T T  331  7  arco  -•I  71  :  #-  Variation 5: Scherzo 166 ^ (\  J=126 Giocoso  2 Flutes f 2 Clarinets f 2 Bassoons  Timp.  P J=126 Mfgliss.)  divide if necessary arco non-arp. pizz. n  Violin I  Violin II  Viola  Violoncello  Contrabass  73  a2 I  171  6-  ft  Fl.  Ob. a2  /  Clar.  Vlnl  Vlnll  74  FL ff  =  =  Ob.  Clar. ffzz^=^ Tpt. ff Mar. { l /JZZZ.  arco  Vlnl  pizz.  Vlnll  ff arco  5*  J ff  Via  Vc.  3  j»ZZ.  ff ff pizz.  Cb.  ff  ff ff  75  |» t>ft  —  mf\  179  iii  Fl.  Q  §  i I  7=T  Ob.  Clar.  Bsn.  Hn.  Tpt.  Mar.  J?5  "1  0  0 -0  * -2-4  ^  *  J  mf  "? 4  .  .  urns.  div.  Vlnl m/  /  7=r  Vlnll  pizz.  arco  Via  f  pizz.  arco  h  Vc.  i  I  mf arco  Cb.  =r=J= TO/*  76  arco  77  78  Fl.  Ob.  Clar.  Bsn. mf  Hn. mf  Tpt.  Mar.  Vlnl  Vlnll  Via  f3¥ ¥  *  J  Vc.  P  Cb.  79  in  194 Fl.  / Ob.  ff  1=1  IP  JEI  fClar.  cat  D C  /Bsn.  _  i  per  Hn.  Timp.  Vlnll  i  E  i  Off  _ 7  1=^  * J]|JifPpK  7  7-  Outside-Inside for solo piano  81  1. Staccato-sustain J=126  I f 1 r1 1 f% I ¥ 6V  1"1  755-  ft  1  Depress silently. Hold sostenuto throughout.  h*  fsost.  *^P.J£p£p#p£p£p  ¥P h»-£P  / sost.  fsost.  sost.  —F———SOS?.  77  i  *  ~— m  —  0 • ,  L  sost.  fsost.  sost.  sost.  -p 82  r-*"i •  14  &  k. fL i—L-  J-k  7.  1  >  —  i 4  L  '*  9  MT  5  J " "— 9  —^  HR  —^  4  19  i s  fe  fczt  S 3  27  till.,  i  5=  ^5  83  6 times  pp u.c.  5 secondsJ= ioo  If  leave damper ffP down ... , lift damper lift u.c.  3 times  gradually depress damper  14 times  18 times  poco rit. f  85  8 times  gradually depress damper  86  3 . Foreground-background  ft  J=48  3  iF'liffB  JrJj^f  LIJJ  1 ubj  1 [——1  fTtf 9  1  fcp  4  *f f -  sempre pp  *  75r4 Ir 7  1V 1 !  sempre pp  3 1  1  f>M  r-M  •  R»  I . . pi -  i  i  —  ^i  —  ^CfL_|f  »  » i£  Ir  p ^  IT  p  4  t  1  * f  ]  Iti  aO  t  ^  j  fab; 1p  c  |  t—  \  1  I-  # Hi  \ r  it _  87  = 1  1—nhh l9  u  f  t  J  !  tffi1 uB<  ifg  i—1  =fF=  T <•)— y  —  '  p /p=ff  f 1  1r-—  7  7  i * — i f * ) 1  "1  b  7  1=^  £ = 3  * 3  *=»  #=< - — P  ?  |iL_l •  i  »  t|I  1  1  mEE  S  i!r  it  rfehS  4  1  J  *  1  88  4  1•  I  P  1—  1=^  •=1  4•  \  J •  fc^  8  *  f  hi  i  1  —'•—w—  r—  i l  mw  =#=  !  J  *  If:  mm  '•H  -  f  *  I  j>  10  —  i  i—^  7  i  T  1  i  J  7  0i/ff  f  89  9  h :  ttf  »r-  i  —  1  ;  tihS 5  1=^  lA lirl  \  •  /  6—f^f  1—j^l  \—-  T+F^J  1I  afii  !  12  ft  tl  =Jh= 1  I—^ i  i  si  F= •=  i  =•=•=1 morendo  PC  15  i — \ — H.—\—i * — % — * — % —  I— —f—»?—1—i 55  Hi PPP  A •  _  i 90  _  4. Continuous-sporadic J=106  TJ1J J  1  J  —v  <  JJJ , r r t m ^  *  0  lj* r r r r *  *  r  J  J  *  *  *  1  TO  J*"  r ^ -  v 7  V 0  "  :  1  J J J  ^ In 4  b*'^SH  7  ft 1  —JU - J — J 1=5—*  K  /  -  —  y  L  Mil  J  7  1J  -r-rfff f$=rfr ———1_ -  "V  f  m  m  i"4 I  * •  i  S >  Eft  *  1'  *  — * *  k=-  7  m  23  •  =ptt 1 $  25  X  9  rf  r m r &Sf.  m ku,r f f r T4-*  «—ba  .  •  — — •  \>-J  ;  m  *==^= 7 93  7  a  1  i  "  f * 1  94  5. Pitches-clicks stop strings  r rrrrrrrrrrrrr —PP nftB\  f  pause for 1-2 " between beamed notes  lift CH,  mf press 73li press C#  ^7 7v:—HIT  Htt'p  —hft  w  *—k — ^  r—tt"^*r  k* "  X  95  £_  u  r—^-—h  f  * — k - 5?  1  +T  H  stop strings  3  lift El  -  mf-  m  P  mf  f  pressE\ liftF\  lift Ft  \\F #r ¥ ttr IIF fr tf5  rap  mp  96  \\t ttr ^  fr df  h  97  6. Melody-accompaniment J=72 Semplice; poco rubato  m  VP  >1?  r r  I iPLeft hand: pluck strings  rap zt  3 L . H . play keyboard  72  Atempo  ==*  3 * =  - 7 ^  I  f  f  J P L . H . pluck strings  98  =  —  5^  A tempo 30  5*  =1  —3-  pp  i>L.H. pluck strings  99  36  mf  -3  L . H . play keyfjoard  11  3  ,  1  ,  —3—  1  1  —-3  1  3-  1  39  ^r b  p  43  i_fl.aT_  J  poco accel. 11—r3-  i  3  i  /  T3"  bV hi. * I  —» 2  1  3—  i  v  45  -3  I  3  1  .1  3 m  —r—i  3  1  .  3  C _ f f if V "r T  1  90  IW1  rit.  pp 3-  W ^ P ii'ii P w I  100  r  7. Cantabile-portamento J=60 Espressivo, tempo rubato  si  1  32  PP  press damper throughout  ^ £ 8  mm  str pno gliss  '.mp \  I?  PP  8. Fantasy-recitative Ecstatic, very fast 2"  J=84  mf  unmeasured tremolo  _Q  fasten paperclips to strings  ©fc.  2"  3"  bl'o«»  J=84  4V  PP  mf  black note gliss.  mf te  flutterpedal 102  103  104  Ten Haiku for percussionist and speaker  105  U 3 _Q Ol -C  4-1  o  c  (/> Q. O i_  T3 C  r« 1_  (V  o Q.  o3 in  U U O O 00 OQ LU Q _l O 2 O  c rt c  V  o  rt Si  lo .  U)  TS-S  d)  I-  IO  o  IO  lo 3  Q  .t;  10  •s -sc 5  3  2-5  4J  3  t;g £o I %i  <S>  io y>  U  Si.  lo  •5 2 ^ S>  ^ P  *> ^  io - C  o  (LI (LI  3  TS  8 „ -c ^  ft)  C  •IK  *J  TS <S  8  O  C  2  8  c  IO  •fe;  to  -5  I s^: .Si<s  O +-> £\  *3*  2  c X! 01  of UJ  <  00  UJ  QQ  ^ h-  to 106  Q.  <V <U  5  CD  T3  <S1 C  c  Z3 O in  •its  ai  *- * JC T3 £ C ~ 4-  ,2 o c ?>  DI C DI  <3l  ^ x£ §> ^ - S t •5 o ~  'B)  o  § <s £ .-fc!  <S  c^* -o  to  Q. O  V  — iy "> Si. »: ^ N §  3  Sj  (J  o 2* 2  Q.  E  a. E ai  •a E r- o  z O X  S  C TS C <3  OL <  a:  oo  I  O TS <o V.  •8 _o  111  <v  JC Si. =  s| I 2 oc £ — <u C  g o I-  Q  =5 o  ^ s  C  Ol  S  .o  3  s: o u CO  -5  to 107  >  2> w C  ft) i  rd <+-  in  <S  O  -s: &  c «"  •— ft)  o  ft> "7  . - io  .§2  Ji  +3 -s:  u  s. * tS".ft> E 1^ I«  01  >  IM  4->  c  i-  0)  O  !k u  ft  - ft) io SL  t ft)  3  <s -s:  o  T3  V  IO ft)  -p. ft)  Q.  10  » 3 §  T3  c «• 0) a. io  io  fl  0>  - C +J  T3  +3  *J  ^_<0  is C  <3  io ft)  3 2 t  ,o  3 <5l  C  rd  o  =  <3  c Ol  to  in  to cd  O  io ft)  ft)  ft) h~ -£? O  .Ss  io  -c . o +-> ^ ~. <u ts io c t: + > •o $3 <s 3 " » s U ft) -Si *> ft) a.  \  cd T3  _o  to  ••«•  s  IM  Si.'fc. <M ?> P o* tS ^; V lo -C (S ft)  o>  IM  t/i  a.  ws  |  "5  2 § ~ <S1 ft) §  Vsft)-a  <3  3  o -a ft>  ~3l  TS  Q  ft>  • 5 ^  ^  ^  2  I as  S TS . ft) ( M TS *  c 2 3  =1 io  Of LU < LU  Q.  LO  .io  S ? ^ —• s  ts TS S. Q ts TS ft) ft)3 ft) ts- ^-  < — I  ft) .g  < r-  108  109  110  C  Ol  o c  •.xT«>: :  (IJ _>• 1_  X!  u  o c c "J5 4 -  o  in 01  c 15 in  4-)  1-  • mm 4 -  h-  10 •  M M  Zi  D"  I s: <5l LU  < LU  0_  LO  < OQ >-  u  ^1 111  <L>  sx «s  u  <u  4->  CL  T3 O O  Si.  rd  2  4->  4 -  T3 C 3  fC  Sx Q sx Q  O in O C  4->  SX  Q  4-#  SX <5  <31  4-»  SX <s  J C  SX  4-1  SX  4-J  o  <s  Q  s:  4-»  SX  o  <s  4-J  4o  io O CL  SX <5  CD  TS  4->  SX  o  (0 *->  4w  sx JS  "O  c  U  a  T3 O O  3  sx <s  o  in  4 J  o c  SX  s « *o  2  o c  4->  4-»  3  -S>  to sc to CD C  o  C  o  SX  t/1  ui in  o  sx  SX  to  ^  2  3 00  10 10  Q. Q. ftf  CD  to  §  CD  to  CD  tu  Q  to £ tj  to  to -Sl  v.  Si.  3  CD  a  to — <0 4 - i  C TS •i  <u h-  U  *  o  -a  «5 *CD  CD 4-*  CD  LU  <  LU  0.  CD  V)  t/1 l/l in  QJ CD  <o  CD  O SX  CD  SX  T3  QJ  SX  co  to 0) SX  10  J *  to  O  CD  IO  -J  to  co Q O O  to  u  LU  0-  to 3  O  J *  CD  Do J 6 -t: C<  10 -  sx  SX J * to to  to  v +V 4SX  (Ll  £  to  •5 ~ «>5 TS  t/1  J *  CD  sx  V) t/1  CD  SX CD  CD  IO  CD  c  CD  o s  10 10 1/1 10  CD  TS  TS s:  to P  t/1 t/1  to  <s  8  Q  Ul 10  CD J *  DI  io Si. TS  t/> io t/i  J *  4w  <o  3 CO  t/1  SX <3 SX  CD  sx  SX <3  4o  -a g 3  83  i/i i/) i/i i/i  112  10  T3 3  _o U rd  0  k  c o o  E  T3  i/l  10 10  CD  3  • i c e  CD  cn n$  <5l ^  ^  3  > -a £> v. >-  O  *W  -C  to  O V § .<o Q  B o  3  ft) -S>^; V -C w  <o  u  <5)  V  Q  3  i  ** h  ftT 3 ci-S 2> S ^ S -5 -£ (C. ft) 5 ft) Q ft)  ft)  < s <u 3 rC  3 o -2 2! C E b a. o <s s i c i ui  io  V. ft)  T3  01  O  T3  o  15 i_ o  \—  10  h-  "c o Q  5 of UJ  < UJ D.  to  =>  CC. Q  to to  <  to  03  113  O >  .  01  mmm  Q.  T3  a c • mm  fe,  C  to  al 0)  oi c  QJ  o  QJ  JC  5 s^ £ -2 lO lo  io  QJ  QJ SL  Q P  s  11  in  Ol 4w to O — TS  Si  lo  f io  io  •to  io  '2  io  JC  <5 io +->  io QJ +->QJ C - i : QJ" 3 Si p JC lo QJ 0) QJ C CO Q 5 QJ §  s: sx S  Ol  to  3  z  QJ  JC  14—  I-  SL  QJ O)  O  to to  <S  u  TS  c  < LLl D_  to  U of  LU OL  to 114  Magnificat for mezzo-soprano soloist and women's chorus  116  Magnificat For mezzo-soprano soloist and ten parts, to be sung by one female voice each, or by small groups of female voices  Very freely, not fast Mezzo-soprano Solo  •vw •{Pfl-tt  —  Mag - ni  *  —  -  —  fi - cat,  Part 1  Part 2  Part 3  Part 4  Part 5  Part 6  Part 7  Part 8  Part 9  Part 1 0  117  m  mag - ni  m  *  m  i\  fi - cat,  —  mf  Solo  th 1 r/S r  mp  f  —  Je fL.  *— mag ni -fi-cat  — g  «i  »  a-ni-mame-a,  «  11—•—=  magni-fi cat  —  «  « »  a-ni-ma me - a,  — ^  y  1—*9  —  K  «  l  —s —  Do-mi-num, pp  L  —  — * — E j * * - —  Do  -  mi-num.  -»  Et ex - ul - ta  (holdfor one full breath, or until next event)  1  -  vit,  (cue notes from soloist's partpp "TT"  o  PP  (hold for one full breath, or until next event)  O (cue notes from soloist's part) PP (holdfor one full breath, or until next event)  -o-  U  pp (holdfor one full breath, or until next event) "TT"  118  mf  et e x - u l - t a  vit,  et ex-ul-ta - vit  spi-ri-tus me-us,  TT"  75  »  Jr rnE  ffx. *S  *  v  75 H  * —  1  Tl  fcwe notes from soloist's part)  pp T T  (hold for one full breath, or until next event) fct/e wotes /roffl soloist's partfPJP^  u  119  mp -6  &-  m  et ex-ul-ta - vit  »  m  - r v  spi-ri-tus me - us,  in De-o sa-lu-ta-ri me o pp  U pp  mp  mp (cue notesfromsoloist's partf,—  8=E pp - O -  C T  u o -  H  •m» (hold for one full breath, or until next event) .  Jrlr  J  •  J  h  ^  C M e W 0  ^  A  , .„  .  ^ 5 /ro/w soloists part)Jfjf  vm  I  * E  *  m  * E"  (cue notes from soloist's part) p (holdfor one full breath, or until next event) T T  u  #  (cue notesfromsoloist's part)  pp(hold for one full breath, or until next event) -o-  (hold for one full breath, or until next event) (cue notesfromsoloist's part)PP  120  Mag - ni  fi - cat,  mag - ni  -  fi pp  - cat, unsynchronized chant: medium tempo; breathe when necessary.  ...illae suae: ecce enim ex hoc beatam me dicent omnes generationes. PP  _  i PP unsynchronized chant: medium tempo; breathe when necessary.  ...a respexit humilitatem ancillae suae: ecce enim ex hoc beatam me dicent omnes generationes. . , , unsynchronized chant: medium tempo; PP breathe when necessary.  ...itatem ancillae suae: acce enim ex hoc beatam me dicent omnes generationes.  PP  PP  PP unsynchronized chant: medium tempo; breathe when necessary.  PP zrsz  ...atam me dicent omnes generationes. 121  mf.  =— mp  f  T T  * — magni-fi-cat  a-nimamea,  magni-fi-cat  a - ni ma me - a, PP *  m  *  -Tf-  PP -o-  ...anctum nomen eius. Et miseracordia eius a progenie in progenies timentibus eum.  PP I E  ...ationes. Quia fecit mihi magna qui potens est: et sanctum nomen eius. mp -o-  pp ...icent omnes generationes. Quia fecit mihi magna qui potens est: et sanctum nomen eius. -O-  ...agna qui potens est: et sanctam nomen eius. Et miseracordia eius a progenie in progenies timentibus eum. zvsz  ...a fecit mihi magna qui potens est: et sanctum nomen eius. Et miseracodia eius a progenie in progenies timentibus eum.  122  mp Solo Do - mi - num,  1*  Do  mi - num.  PP ...ogenies timentibus eum. Fecit potentiam in brachio suo. dispersit superbos mente cordis sui. PP  pp  pp  ...io suo: dispersit superbos mente cordis sui.  O -  ...otentiam in brachio suo: dispersit superbos mente cordis sui.  PP 10  TT"  ...imentibus eum. Fecit potentiam in brachio suo: dispersit superbos mente cordis sui.  123  Et  ex  -  ul  -  ta  vit.  PP ~o  —  ...ersit superbos mente cordis sui. Deposuit potentes de sede, et exaltavit humiles.  PP ...is sui. Deposuit potentes de sede, et exaltavit humiles.  PP - & —  124  mf  Solo  Jf ttl rL 1  —  m m  m  et e x - u l - t a  **  m  <s  0  vit,  et ex-ul-ta - vit  m  — c*  spi-ri-tus me-us,  ...ivites dimisit inanes. Suscepit Israel puerum suum recordatus miseracordiae suae. JPP_ ...umiles. Esurientes emplevit bonis: et divites dimisit inanes. n  ...urientes emplevit bonis: et divites dimisit inanes. PP zcsz  ...isit inanes. Suscepit Israel puerum suum recordatus miseracordiae suae. PP -o-  ...epit Israel puerum suum recordatus miseracordiae suae.  PP ...ientes emplevit bonis: et divites dimisit inanes. PP  10 125  mp  —  -e  f  mp  e-o-  et ex-ul-ta - vit  spi-ri-tus me - us,  in De-o sa-lu-ta-ri me-o.  PP -o-  ...erum suum recordatus miseracordiae suae. Sicut locutis est ad patres nostros, Abraham et semini eius in saecula. pp -o-  -o  ©T T  ...uae. Sicut locutis est padres nostros, Abraham et semini eius in saecula. pp  pp -o-  ...est ad patres nostros, Abraham et semini eius in saecula.  mp  ...icut locutis est ad patres nostros, Abraham et semini eius in saecula. pp ...eracordiae suae. Sicut locutis est ad patres nostros, Abraham et semini eius in saecula.  126  127  128  129  131  PPP  Tacfe to nothing  M  —t— i . IPP^P o  o  M  '  "Tflde to nothing  PPP o M Jfofe to nothing  pm ~o  M yat/e to nothing  »  *>"  men.  men. JT5  /acfe to nothing  o  ~o /acfe to nothing  "TT"  o to nothing  "TT"  j O  jfacfe to nothing  132  Music for instruments that don't exist for string quartet  133  Music for instruments that don't exist 1. Water Harp J=76  Espressivo con poco rubato  med. vib.  slow vib.  Violin I  J-cr  PP V i o l i n II pizz. (slow vib.) Viola  K § it > i - I «f  med. vib. 1—3—,  slow vib... „.med. vib. r~ 3—i  mfz^=~<mp  mi  Violoncello  fast vib.  4  vib. slowing.  Vlnl y  »r—T PP  fast vib. med. vib. V l n II IT  7  med. vib... Via  1  3  ,  r  ...fast vib.  I  r  fast vib. p  rj r^o ' p J  7  r  med. vib. Vc.  134  ...slow vib  slow vib.  med. vib.  Vlnl  Vlnll  med. vib arco  pizz. slow vib.  slow vib  slow vib... \—3—i  e  d  ^  M i -  Via  mp-==z fp  mp  Vc.  m  Tr  o•  i  i  •  :mpz=— Vlnl  •P  fast vib...  r  ...med. vib.  3=  V l n II  mp med. vib Via  fast vib...  ...med. vib.  -3=.d-^—II—3—,  med vib. arcol  .slow vib.  3=2:  =/  - 77Zp  ~P  :  slow vib. pizz. Vc.  3:  mp 135  med. vib... pizz.  12  .fast vib. —3—i i—3—.  a r c o  §S3E=i§EES  Vlnl mf arco  , pizz. med. v i b . i — 3 -  fast vii  Vlnll  =  fast vib.  arco  pizz.  JuCZ  Via mp slow vib... arco  pp fast vib. med. vib  Vc.  XT  14  fast vib. pizz.  r—3  med. vib.  1  Vlnl  XP  f ...med. vib.  J  arco  pizz.  i i m i\f I—3  —  P  fast vib.  Vlnll 1 > <  Via  s  P  .slow vib  fast vib.  PP .slow vib.  Vc.  136  16  med. vib.  ...med. vib. arco  slow vib.  Vlnl  PP .slow via  .med. vib.  pizz.  E  Vlnll mp  mp  .slow vib  /  Via  .slow viii  .med. vib.  3E=  Vc.  ...slow vib Vlnl  Vlnll  PPP 137  ini  22  Vlnl  3  l  I  y  ...fast vib...  1  3  I  y  I  3 —  arco  r • %  VlnH p  IE  mf fast vib...  m  f  fast vib... pizz.  med. vib. arco  Via  arc£_  1  I  pizz  arco  3—-|  EE  m f — = f fast vib (if possible)  Vc.  24  ...med. vib.  pizz.  vu r  Vlnl mp  |—3—i area.  fast vib.  ...med. vib.  mp  ...med. vib.  ...fast vib. arco  pizz.  .med. vib.  VlnH ; mp  r =  ...med. vib. pizz.  4>  Via ) mp-z=~ med pizz Vc.  ib.  PP  mp  p  m arco  pizz.  r-3y^y  mp  <P~  .med. vib.  ...fast vib.arco 7=^"  1  PP  .fast vib. (if possible)  arco  3: 138  med. vib. pizz. Vlnl  med. vib. Vlnll  slow vib. pizz.  ...med. vib.  arco  Via  3CE  slow vib.  me^vib. pizz. ._  arccL-—  Vc. PPP 139  140  2. String Organ  J=ioo (JW>) Mechanical (nightmarish) no vibrato unless indicated vibrato, sui tasto and sui pont. indications refer only to individual notes V  il  Violin I  mp  h''  7  y±=t mf  n  V  V i o l i n II  mf  mp Viola  Kilt M  7 ^ 7 7  mp  Violoncello  141  |J  i;  sui pont.  18  sui pont.  BE  Vlnl  k f 2?7  7 * f  sui pontl  mf  Via  Vc.  E?2  3 = ^  Vlnll  3:  #  mi mp  1>J  7^  mf  IP 142  f  v  24  sul pont. 3oni.  sui pont.  sui pont.  pizz.  Vlnl  3=  /  mf  sul pontl  sul  sul >-pontl  VlnH  pizz. 7  i7  7 •  7 1  LJ  77Z,  pizz. to  Via  r  7  r  Vc.  29  Vlnl  J  I arco sul tasto con vib.  sul tasto con vib.  4M^=  sul tasto con vib.  sul tasto con vib.  mp arco sul tasto con vib. VlnH  sul tasto con vib.  f  THp  arco sul tasto con vib.  mf  mp  sul tasto con vib.^  li \ 'P *•  Via  mf  mp pizz. Vc.  1  arco V  j{  \  mf  77Z,  143  F7  7  F  7  F  34  sui tasto con vib:  sui tasto con vib.  j con vib.  s u  Vlnl  t a s t 0  >  7  fi r _  7  \  i> m f  sui tasto con vib.  sui tasto con vib.  P  mp  Vln II sui tasto con vib. Via  m  4  sui tasto!  ft7  7 7 7 "ft  mp  V 1  mf  Vc.  / 39  sul tasto  Vlnl  3: f  sul pont. Vlnll  K  P  m  sul sul pont. pont.  3=£  mf  j  /  sul pont.  2 3:  fe  mf  / sul tasto Vc.  sul tasto  5S  7zrr.W=T  f  Via  f  sul pont.  sul pont. 7\>« 7  7 V  sul pont.  sui pont.  3  144  f  sul . pont? 7 7 7  =2  44  sul tasto con vib.  sul tasto  Vlnl  7  sul tasto  3=^  VlnH  7  , |;k>  mp  b  7  pizz. 7  -7-9-  7  i 7  f  sul tasto con vib.  Via  KB*  j  J mp  /  pizz  Vc.  5:  49  sul tasto con vib.  sul tasto ,convib.  sul tasto sul tasto con vib. convib-»-  m m  Vlnl arco sul tasto con vib.  mf  sul tasto con vib.  VlnH  7 7  mp  pizz. Via  ^¥  mf  arco sul tastcj  con vib.I  1  J7  3t±  /  mp  mf  ft I  Vc.  fmf  /  arcc  £3:  145  7  =  T7 ^ =  =  s u l  pont.  sul p o n t  sul p o n t  sul pont.  Vlnl  VlnH  f  146  (change bows as necessary)  Violin J  Bowed Flutes Cellist cues all rehearsal letters. Vln 1, vln 2 and via begin at approximately the same time, each playing the given fragments in any order, repeating as many times as necessary until the next cue. Transitions between cues should be as smooth as possible.  unmeasured tremolo  CJ  ts  f  147  q  g  spiccato  h— 7  #  r = F^ -  4I  Keep playing for 8-10 seconds, then fade out, slowing slightly on last notes.  n  n  -jf—1 h — d h—j 4Nt^  spiccato n V  7  1  h  j  150  rt.  <  rt. rt. j|  #—  3. Bowed Flutes  Violin 2  Cellist cues all rehearsal letters. Vln 1, vln 2 and via begin at approximately the same time, each playing the given fragments in any order, repeating as many times as necessary until the next cue. Transitions between cues should be as smooth as possible. spiccato n  ~wr  »  ) o  m  —  1  p  1  y  v  F  • F>  P f  unmeasured tremolo -X—i  c—«:  r—«-  4—  r-  s  /  mp  f  mp  p  151  r  r ft i  unmeasured tremolo  mp  •  C, D , E  After E , watch for cello cue  n  n  o  —c  r  ^9-  P  g  — *J  9  f  f  spiccato A  o  O  O  unmeasured tremolo  o  1  ii 1  'j  f  ;  P  hold until next cue.  on cello cue:  mf  152  G,H,I spiccato n o  o  o  o  o  o  »  »  •>  »  •  fr  £ — ( 6 —  p  f  V  unmeasured tremolo  o  En  l  i f  ™p  f  Keep playing for 8-10 seconds, then fade out, slowing slightly on last notes.  unmeasured tremolo XL  P  'I  f  spiccato n  ^•3  S 1  J-  A  n  V  =^=  VJ  2  i—  fh.  sm-  S- — 2  2  f  f 153  f-  3. Bowed Flutes  Viola  Cellist cues all rehearsal letters except A. Vln 1, vln 2 and via begin at approximately the same time, each playing the given fragments in any order, repeating as many times as necessary until the next cue. Transitions between cues should be as smooth as possible.  m  Q <H Q C4  mf  f-  m  p  If  n  P  D  *i— i  mif I  4  A.  *  •*4  $  «  1  r  mf  p  154  i— f-  Play in order (top to bottom, left to right):  E  n  m  n  q q  q  mf  mf  f > P  m  &  W  —  1  »  i>  WW  p hold until cello cue  urn  on cello cue  on cello cue  /S*-»  hold until next cue...  ,. <  Tacet 7 seconds, then..  —  —  ^  —  w  —  —  w  &  —  w  w  w  p  n U  l»  l»  |0 ft |C  TTT '  \ r  u WW  VM  • I  •  1* P  *  "  =  5  =  156  Keep playing for 8-10 seconds, then fade out, slowing slightly on last notes.  mf  P  n t 1 Pi fi  1 ?-  1fi  1  1*  11*  11*  157  1fi—1fi—fi  f  i —  3. Bowed Flutes  Violoncello  (Vlns and via begin to play at rehearsal  Calm Free rhythm • = ca. 2 seconds 7-9"  A)  if 6-8"  cue rehearsal  D  n  4-6"  7-9"  mp  V  cue rehearsal wait until via ]£ is sustaining note before continuing  3-5"  m  V  c  u  ev  j  3EI  1? fi>  y  a  cue rehearsal  cue via i3_i5» &vln2 m  cue via  3E  change hows as necessary  cue rehearsal  cue rehearsal  G  H  tf"  -wait until all other instruments are playing before continuing  6-8"  mp cue rehearsal  4-6"  cue rehearsal  I <s>-  change bows as necessary continue playing after everyone else has stopped, then fade to nothing  158  Fantasia on Coventry Carol for symphony orchestra (2221 2221 timp lperc str)  159  Fantasia on Coventry Carol  Duration: 5 minutes Transposed Score  J=112  §n -  2 Flutes 2 Oboes 2 Clarinets in B!>  (fo  4  <):,!> 0  Bassoon  ^ l>  4  2 Horns in F  n  & y -  2 Trumpets in Bl>  ft *  2 Trombones  ^s L \> H J4  Tuba  ^7L M *  Timpani  H  b  ^  4  h  ' 15  Glockenspiel  <  2  J  1  r  Violin I  Violin II  IJj'ii  —  *  m r j  Viola  >  —  ^  i 1 —  J J  r  1  *  ? J >  J  1  1  *  ^ J ?  J  J  ?*  Violoncello  r  —  -  —  »—f— \ r  J ?  m  ,  J  r~ — » — i —  «—j—*— * ?—J— - • - 4 — « — p  Contrabass  J  r  1  J  *  « -  i  H  ~i—*  r  > Jj r * J -J—?— r *r r  ,  >  J  —  *  —  «  —  J  i  >  BB  k 160  mm  Fl. mp  3=t  Ob.  mp  CI.  mp Hn  WW r ^ J  Vlnl  Vln II  I ?  wm  J mf  Via  I  K  =  =  -«  AX  Vc.  0  Cb.  161  12  a2  Fl. mf a2 *  Ob.  0 0 0  mf  CI.  mf Bsn mf  Hn  Vlnl  Vln II  f f  -J-  Via  Vc.  r  Cb.  162  f\TUf  m  22  Fl.  4  L  :  m.  pC  1—m  u —  •  » —  Ob.  m  m  p —  •  w  itfe—ati——k 1  J  Y—  i  1  Vlnl  P  VlnH  P  Via  »  |l  Vc.  '):.>  Cb.  '):•>  * f•  P  1  t 9—  >  • -m  *  H= \  '  m  1  m  • *—t  *  m  —  *  m  -m  *  -»  m  4 = 9  P  y  £ f9  —  a—  -j-  f  —_ _  r * i—0  «  —  — *  i  L  —  —  1  j—i—i  -0-  *  — i — t  i +  -4  -0  •  »  —0 —  h  >  *  1—?—•  -i  _ — » — • —  i  V0 * 0 1  -0 -0  1  -0  1 Bi  I  PV  1 —<  * f »9 I  0  «  1 i  —  i  ,  —  j ,  .  I.  ^  —  *  —  * IT-  a  0 -0 •—0 J i  * i—0  Y~  1  )  9.  r r—0  J 0  164  4  1 »  1—I  -v-  m  » ^  . —?» — P — '  -0-  ii-—  —0  —  r s—i—f  *  —  F=t=t j *  —  j  £  ll « >  —  « — * — *  y  -0-  4t  — *  -f—*  *  —  —  *  0-  M  —0  9  9  J  -0  \ 1  i9  P  »  —m  ~ — i — P  -0 %  <  — 1 * »l  Glock. {  1  — m  ^ y-  9•4  -f—i—t *  * - —  •  t V.  9  w  * f9  *):,]> 1 J  Timp.  V*  i—I  -  H — ^ • *  i  9  9 ~m—k—t i p t—  I  j  • — J  Tbn. Tba  f9  *  p  m  *  19  i pi—0  Tpt  m  i> —  9  Bsn  1  — 1  J  w  Cl.  Hn  m  f f  -0 —  1  J^ - 0 ^ -  —*  i  —*  i  '  27  Fl.  8f  E2 \  Ob.  :2  il  CI.  Bsn  Hn  Tpt  V  Tbn.  ff Tba  i  ;  *  3=t  Timp.  3 ^  Vlnl  it  Vlnll  Via  Vc.  Cb.  \4P  S-  3  I —  V b" :  m~  __  —  J » »  P 165  ff  166  168  169  J  Hn  f P  Tpt  i  i  J  r  Mf  i  Mf-  i  i  Tbn.  Tba 3 *  67 Hn  (i  r  a  Tpt i—<s-  Tbn.  -h  I  Tba 5"  'A ' 1  Vlnl  A' 1  VlnH  Via  p  -  1  "~" J  J  J  mp  -  JJ h -  li  f  "ri - J — J J T» LH Pr— mp  pizz.  12T^  J  '-J  r > > —-—i—%—  J  mp Vc.  Cb.  pi,"  ^ M ,  r  Lf  r T f --  r J 1 J  J-v  mp 170  —  f *—> \ —— %\ — —  •m-  mp pizz. -f  :  J*  *1  * 1  * 1  6 6  Leggiero  .  .  JUL Fl.  Ob.  m  CI.  F p p F p p t p pp py  Glock.  Vlnl  Vlnll  Via  Vc.  Cb.  as  171  1  r  70 rT fl I.  k  Fl.  Ob.  a2.  IP  Cl.  Glock  { 4 n  arco  1=1=  Vlnl  mf arco D divisi  0 0 0  Vln II  Via  iiii^r r f  r  arco ^  i  Vc.  3=E  Cb.  172  ^  ii  m 74  Fl.  Ob.  CI.  m  4=  N H  w—  >m  f—L—  7  m i  d  3=  *  i .  * n  —T—*¥—  m *  »  ]  —  P  iR= 77!  ^^^^  r-i-  N «< > ^ — - ^  -#-5—  f  :  p.  -  •  *<  H V  1  1  P  Hn Solo  p  7  Tpt  7  [7  7  Solo Tbn.  Tba  Solo  §5  , h  7  i '  7  Glock.  Vlnl  fr  r  r  Vlnll  f f f f~—  mp Via  \> . r r F M  mf d  •f- ^  d  mf divisi  pizz.  Vc.  Cb.  arco V  35 173  pizz.  -f- y-  mH r * 78  Fl.  »»<  Ob.  —  Cl.  s r  .  f  r * b  ~i  f  ,?  L_7_4  ?  ™  0  J  v*A,  Bsn  f  Vf . 1 , > « A  Hn  i  >  Tbn.  —«i  Tba  6 J  ) Ll P :  J  J*- j  •  P  *  )  M  >  —  Tpt  a2  >  >  17 f  f*  xr  *  K  —1  L  J  r  R  —v=H  mf  —  r  ^  pr_T  mf  — K]7~ ^f  *  i  —S  f*  -  1  f Timp.  li  Glock. f  X  1  J' -  ' >  M  r  J  —J  Vlnl  Vln II  1  f^f  L  NH =H$ ±  r-  > 1  *-m- h  v >  M  V Jbjr  mp* pizz.  - J — r <  arco  pizz.  —m--  =f=*f' 7  Via  J-  *  J  LJ  -—»  Cb.  '):,>  J  V  *  1?  5 P—J  In  J J  -F—r  Lr  mp ~T—*  'tf  I *  r^rf rj 1 J  ' 7  f — J —  -T-iri ' 1 I  \  %  —  / J  ^  mf arco ff ^ > * ^ 4 — * —  -WT-  f  _  f  >  -)  C—w-  * —  mp 174  v > » — —7-4—£—  1  4^  /  F  v  arcoV  J—J—  R  »g  arco  mp Vc.  Z - 4 — l — 1-  r -5-u->—>—  pizz. J  -Li—»—  LJ Jh*  mp"  f  Fl.  Ob.  CI.  -<s>-  Hn  Tpt  Tbn.  J  §5  4  Tba  J  JJj* f  divisi Vln II  Via  J  ^  «T3 C_T ftr r  Vlnl  —  i  f  Vc.  Cb.  176  *  m  m  177  96 Fl.  -  ~£  fr=4  1  rr—  1-  Cl.  --P 1  4m —J—  ]E  •i 9-  K  4  \ %  %  \  \  1  a  Hn mf  a2 Tpt  Tbn.  -<s>-  as  mf  Tba  22  Vlnl  j||  jj  J|  J| •  VlnH  •n J 3 . jj  r » r  178  * «» p—F-  100 Fl.  g g fff^  mf Ob.  mf CI.  mf_ Bsn  s  s  mf  m  Hn  Tpt fe Tbn.  s  s  Tba  s  s  ^ A  Vlnl  m  Vlnll  Via  Vc.  Cb.  0  0  J  J  0  0 J—J-  *>=^ ii ii s  s  0  0  j r  p pizz.  M  iH  0  179  104  Fl.  ff f f f  Ob.  S  CI.  Bsn  Hn  3 6  Tpt  38 m  Vlnl  . -0- -0t* 0 -^J —  n Vlnll  p  7  j Jjt/J; n  Via  iigi> T  r  Vc.  Cb.  180  p n  m  108  Fl.  Ob.  3=£  Cl.  Bsn  3=T  Glock. {; n  n  Vlnl 57/W.  Vlnll  Via  Vc.  J>7  pi  t» i  3=r  Cb.  181  pizz.  3=E pizz.  182  Fl.  rTJ? j ' p - fff '  L  Ob.  CI.  Hn  dock.  Vlnl  ^  i  1 —  =  i n , r — j _ «  —J  ^ y  0—  S I ^>  — i  j -  r  i  i  J  •—p  • •  =1=  s—r™  s  YT-— i  1  = *====d  m-M  4=  T v ^—2  -  - % ^ i r 1==M s r < r n 7 r — « «3  i i 7  Ni.ffffi  1  T  —  •  •  • "T  ,  *>  ,  *  ^=*=  » —  —  — •— -p- -p 1m—m  p-  • •  H m—•  -r  —  1  —  i~~ m—m— m m • 1  p p  -==}=  -k  Vlnll  *  p- -p-  -tP-  _ ._  »-i  *  ^J? f^T  —1  Via  k  Vc.  «):,> J J V *  * -—  1  p—  Cb.  W'J  I  f  m  > U \  m  -r * r If * r 183  P 1J> i  1  —  -r —%—— j  j  —  *  —  --J—*—=-  —«  Ju f  *  '  p  120 Fl.  Ob.  r  Cl.  Hn  3=*  -s—  5  Glock.  Vlnl  Vln II  -fit  Via  arco Vc.  E2E  Cb.  184  r  r  r  p  125  a  Maestoso  2  Fl. m, if  Ob. mf  s  CI.  _  W  0— _  0n~  0  Bsn  3=£  Hn -0-  mf  Tpt  *•  f f  3=£  0  F=F=  Tbn. Tba Timp. dock. {  Vlnl  y  j r £  Vlnll  »•  * J-  'f.  Via mf  arco 1 /  Vc.  ,..,5  j-  \  J>  pizz.  arco Cb. 185  J^~0 0  ^1  130  ML  A  —  f l  1  Fl.  » —  Ob.  Hn  9  -49  p —  Cl.  Bsn  —1»  •p-  1  1  J —  < ) : , | i  •'V 7tfe  «i —0  <•  9  —  * 1»  J .  •  =4  " <•  f• V  *= — -0-0 a  ft  s.—*—(  9 t  1— I"—*—f i ^—i W • — * — • -#—I—  Tpt  4  i I—0 K 0  »  *  —  _ > _  —0£ ~B  *  m  • f —* — -m  *):•>  Tba  '):•> s  — * — f  9  1—•>—  »  •> <  0'  Timp.  <9  i  ^—IM  pl  *  4»  4= -f9  — _  9  1  49  1-  *  P»  >——a  r *  4=^  i r —  V  ^  - * — * — f  f  *  J — t — i —  ^ •>  * m  .  i  1  1  *>  *  -J—  i  ,  —\  *  1 1  —1  -J  0  ?  •  -0  0 M  -*  -0  »  s  —•  '  1  Tbn.  H=  « -—m  1  ip* ——» ?  h  *  -0  <*  1  L_  f  *  P  Vlnl  VlnH  1  F H N H  *  H= \—s— « 1»  -m  Vc.  1 •  Cb.  '):•>  f9  J  9  -0-——i J * :  >  0  m  1  /  Via  *  MW  i  #>  il  %  '):•>  »  0  *  9  19  •  ~m—*  |  1  1  4=^=1  1  ,  I  h  r * r  186  « —  -L,  *  f  —41 —  m  r  0  •>—  4h  —0  -—0 0 -0- 1 i  —• »  «  s)  *  S  it £ 1—0  1 I —0 —1>  to  j ^  — j —  #C  J  *  i  ^#  —  _  -0—^~  — j —  135 Fl.  ff  4 ^  Ob.  ff  Cl.  ff Bsn  p-  w  Hn  pj 4 f  p  f  Tpt  Tbn.  »  ff  p  f p-  Tba  Timp.  Vlnl  i  3=*  =*==*  s  ^ 5  5#  VlnH  Via  5_  w  r  Vc.  Cb.  i i i  P  187  ff  ~ ~  ff  140  Fl.  mf Ob.  i  i>" -  it  mf  f  Cl.  !Z2  mf Bsn mf  f Hn  3E  3  it  Tpt  Tbn.  1=1  Tba mf Vlnl  Vln II  Via  -si'  3 C  m nil  f  fp  fp  i  fp  mf  i  P  Vc.  Cb.  Jr J  a ^  P 188  m  3  -"^  190  191  192  193  194  178  m Fl.  dm  W  A '  -0  =4  W  -m  CI.  Hn  -  6  ^ L >  -0  -J-V  O Kir  ff -0 —  =4  -  v  Tbn. Tba  T  —  •>  419  i-  1 P  i  »-  9—  H  9*  —  4  —; • *' .J  1»  ff r  «  i  1  .s F  fe. •  • wZ-V if  ^frb ^4>  Timp. f *  "I  4  *  *  ?  ?  Glock. {  :  .  -J  4  ff 0  4  r -1  -J  4r  §  r  *  *—1  lj>lt> * 45-^-4  N  J f  ff p  ^  if  — J  ^  -j-j?  1  _J  n  r  n 1*  f  ,  -0  L  -J  195  ri •  n ;  0  r r"i  n  -0——* ff n  ff  *—1  »  1  <r>  J  ff n  Cb.  *—1  ?—]  r  Vlnll  Vc.  *  1  *  #  Via  1 £  ff  '  Tpt  Vlnl  p  -j—i  Bsn  19  w  \  ff  1  Ob.  f*  n 4  n  n T  i-  £  That time of year for voice and piano  196  That time of year J.=40 V e r y gentle  mp  i  i.  Mezzo-soprano  S I i  J  That time  (  Piano <  i»  hj o f year  y thou  7  with pedal  J-  $ r pr * mayst  in me  be - i o l d  i'> J  M  J =  —  A  4 i  when  1*  :  CO  7  ^  s>t p r  i  yel - l o w leaves,  1J  o r none,  j  T pl b  o r few,  do  f  *  «*  I?* J  —W  I J> t J T f al  ^ ft J  iH P  7  j l  *  V  J  M J  p  1  Up  hang  -  on  the b o u g h s  which  shake_ a - gainst  the  —  r  r rt 1  8  « —  *  «  J  197  a  7] ^ iw  ] J  =1  p I S  +y. l' 7  Jcold,  ,r  7  Bi  -m-  r  •  ru - i ned choirs where late  ire ^  i .  4  •U— »| J J  20  '  w  4  L  d  I .•  af - ter sun - set  the sweet birds sang!  t_  0  49-  P  in  7  '  "  1  mp  the west  Which  d 9 d  l»J  198  7  — — ^ 0  m  fad - eth  i  =%  -J  ^  i—2—i  *  1' J .  0  y  —r  by  and by  -I  black night doth take  0  J.  a - way  0  0  Death's •  se - cond self,  that  •  M-  P ,  r  1 *  —  0  ~m  \l 32  ~m—  P -4  J  h  J — « _ _d  J  N  *—«L__«  In me thou seest the  (fo  7  PPz*  1  jr-p: p.  «  m  199  ir pr pi 0  glow - ing of  0  \  t  0 0  such  •  -f  %—•  fire  «  *  That  0 0  44  $f *  a  90  J  J  al  f. -sumeid_with that which it  +y y  n—-u— -• : 1  0  1  M  a  —  a  1  1  <p  =^===  1  was nou - ris.hed by.  a*  J  200  Ji K  41  fJB  48  r  - r  This  thou  p  per-ceivst,  which makes thy love more strong  5 a  7  rJ  »  yu  V  £1  1?J v  -51  mp  52  frl fr 4N  To  love  that_  well  which_thou  must  leave  ere  7  mm  Pp P I P  7  zmzzz 7 f —  \» -  56  long.  I^  ^  7<p 1  1—J  :  **  201  mi-  On my bookshelf for solo piano (pedagogical)  202  1. CLEVER CROSSWORDS B r i g h t h / M . M . J= 112-126) 1  2  3  4  4  203  2. HEROES OF THE GALAXY B o l d l y ( M . M . J=88-100) r  #%4 <ff *4  /  r  i^  i  l t  -0  P —  ^  #  1—3-1  —1 — h  i  7  11  CJ[  —#—0  *  M  M  m  —  »  I *  f -|3 - » — ^ 0—* " r  ^ f" !r  C-JU1  2 pi  0-  »  0  £±= r-3-n  ?  0 0 0  _  \\\f \ t -4—-—J— 2 4  ^ J«  ff  ?  E —  -4  3. CRAFTY CARD TRICKS Sneakily(M.M. J. =80-96)  5 i S  i  i  ~^7v—v—^  =*==!  IPi  p ): (5  fc  L  B  -  ff  \  -  9  ff  « -  1  <L  1  |l  )  ff  ff  m •  2=5i  1*  P > P p f?  ^ 7 7 10 r  7^fe  «  &  7  BK  as *  W  - jq* J  -  ••  1 J. ^- 1 A  16  " ^ T -  J -V-l  f  ~ 7  7  9*  "IT  ~  P  1  *  J  1  1*7  V  ff  —  8  20  1*  '  A  -k-  * ^ ff  —  ft ' /  -  ^  7  —M—*•  1»——  7  205  p i p Tllp  h S7  ? vv  7 7  ff)—  4. DETECTIVES  5. CRAZY COMICS With pizzazz(M.M. «i=108-120)  '  |JP4  r m —  ? ^  mf  2 3  J  ? J  ^  ^ 4 — J 4 J  i —  J  I  «  F  *  r r  j  .  —  —  JLD II  ' ^  /  —  —  4  ?  *  *  «  *  3 2  «  P  *  i? r r *  :T [T^ 77  2 12 9 ^  *^  i —  i  [>J  f  m  ^  ^  > 1* *  * ± r ^ 9  J  *  —  i  «  —  —  r  J  r  *  —  * =—m  *  *  *  12  14  tjL—|—.  §M  5  _ _ .  J JTj. _Q=^^=; ^  ^  ~--  Jvo  ^  "  —  - S :  —  '  2 r  ^  '  n — 1 — — J  i  Jr-  3 -  /  r  1  J 2  207  1  2  •  $  — d  1  6. THE ENCHANTED PALACE Delicateh/M.M. J= 108-120) -**  I  m  mp  t  I^A \s 4  li  Jb  V5^> "  '  [,)••  -mi  -m  n  «  0  —  0 m .  —w  -  **  m  --  0——1#  —<s»  2  —J-  - =P  —  =£=  1m  2  JI  4  J—-J-  9 •—f  » I* p  J 0  —I  -»  ,  *  #=±=3=  > =  -G>  f = * = l  r  EE=6  208  7. RIDICULOUS RIDDLES Jokingly ( M . M . J=l 12-120) 5  r*  i  r |»——  / J  —0  _  p p 0 r /_  >  ^  r  r  S  9-J  —1  1 11  r *  ~~F  3  .  J  . -  J  — . . . .  J  .... -  —  -  J J i J J  mf  444 * -  i »i  fd  = ==  ~T—*—*~  J—J—  =  J  -*— 4—  0  *  1  n >£  0  *—~-  ^  J i  —p—1  n  a,,  /  14  ~~—m —S  *f*T  -f-p-4  — —*  •  2 2  *  *  —i  Li  CJ  — • = — 209  -0— ~F  >  -F-—*  4  ~ i — \  *  *  i—f~—  8. WITCHES AND WIZARDS With spirit ( M . M . J =96-106) 4 2  2 4  *  5  2  3  4  ya»—  n , n = h- n rn . n rn ~ n j T i 1  9  lib (m  p  -  7  J  *  *  *  '  J  m *  » m  0  i  '  J  »  *  »  J  i-  > •  •  *  V  *?  •  j  p  $V ' '  Jfx.  >  L  7*/ 7V[)  )  V  JV  \. *i  —v  3  ey J  *y  7  ^  ;  7  v  7  v  \ *1 */  ->  7  7  I f f  ftp  3  7  V  7  \ V  - - v  7  ;  7  *?  tr  p=  /  §V  d  d  7 7  + d  *'  J  1  .  uJ  zr-i  = 210  —»~i  7  *7  i  211  9. HAPPY ENDING AllegrofM.M. J=l 16-132)  B * CJ 2:-£-=•-= 0.  1  4J  cr  =4  J  CJ  ~f—*— — i  m--  ^=  3  r.rr/rrrj -^ 5=P  2 3  212  

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