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UBC Theses and Dissertations

Composition portfolio Butler, Jennifer Anne Elizabeth 2002

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COMPOSITION PORTFOLIO by JENNIFER A N N E E L I Z A B E T H B U T L E R B.Mus., Wilfrid Laurier University, 1999 A THESIS SUBMITTED IN P A R T I A L F U L F I L M E N T OF THE REQUIREMENTS FOR THE D E G R E E OF M A S T E R OF MUSIC in THE F A C U L T Y OF G R A D U A T E STUDIES School of Music We accept this thesis as conforming to the/eauked standard/ T H E UNIVERSITY OF BRITISH C O L U M B I A April 2002 ©Jennifer Butler, 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of 00(AS/ C. The University of British Columbia Vancouver, Canada DE-6 (2/88) A B S T R A C T This thesis contains all of the music compositions which I composed while at UBC. There are eight scores included: With This Breath for Flute Choir, Hanson Island for SATB Choir, Lullaby for Flute and Soprano, Nocturne for Solo Horn and Chamber Ensemble, In Retrospect for Solo Flute and Orchestra, In Sleepless Spaces for Percussion Ensemble, Nocturne for Orchestra, and each day the tide withdraws for Flute, Cello, Bass Clarinet, and percussion. The scores represent several different styles of notation, some very traditional and some which is more experimental. Several of the pieces are also presented on CD performed by musicians from across Canada. Escape and the music I composed for a theatrical production of the Medieval mystery play The Creation were electronically produced and therefore can only appear on CD. There is also a list of the performances which were given of my music through out my studies to fulfil the recital requirement. ii TABLE OF CONTENTS Abstract ii Table of Contents iii List of Performances iv With This Breath for Flute Choir (1999) 1 Hanson Island for SATB Choir (2000) 35 Lullaby for Flute and Soprano (2001) 61 Nocturne for Solo Horn and Chamber Ensemble (2001) 66 In Retrospect for Solo Flute and Orchestra (2001) 85 In Sleepless Spaces for Percussion Quartet (2001) 127 Nocturne for Orchestra (2002) 145 each day the tide withdraws for Flute, Cello, Bass Clarinet and Percussion (2002) 169 iii LIST OF PERFORMANCES T I T L E D A T E OF PERFORMANCE P L A C E OF PERFORMANCE PERFORMERS DURATION With This Breath April 2000 Waterloo, Ontario Wilfrid Laurier Flute Ensemble 7 minutes Lullaby January 2001 Vancouver, B C U B C Contemporary Players 5 minutes Nocturne April 2001 Regina, Saskatchewan The Regina Symphony Players 8 minutes In Retrospect September 2001 Vancouver, B C Jack Chen and U B C students 10 minutes In Sleepless Spaces January 2002 Vancouver, B C 4 Gallon Drum 10 minutes Music for "The Creation" March 2002 Vancouver, B C Jennifer Farrell 56 minutes Escape March 2002 Vancouver, B C tape 5 minutes Each day the tide withdraws April 2002 Vancouver, B C The Helikon Ensemble 8 minutes iv 1 PH o ft g o u C/5 3 CU "^ =! a -3 ° b O X co cu 73 ~ c 3 to ns O V4~' "3 <» > > O oi 11 4 - * 3 G3 '55 cy U i CU •? o £ —< x r -2 g e S & 73 cc X CU CU _ 3 CU & ft 8 « 6 g u ^ o bO 3 co 3 73 3 . „ C O x 3 co -is O T3 9 » c c • S o x H I u .3- w> S g •3 X m ca 73 3 w C O X u-t .4-> o O ? ^ ci> _ . s 73 -3 -c £ £ 8 + 3 h Q co 73 o o •5 o/ra 1 0 o> S .2 <§ £2 . CU £ co > <U QJ <"x 2 £ cu .2 j X X "ti o c o» C ft cy *2 X 3 HI +5 ra O J- ^ <U ra i_ o X .5 OH 3 £ t S ' i l 9 j^ p X X £ w ra 73 « > ra ju c .£ rr^ s ^ s s HI K h ft <U 73 •*-> c = •8118. frxg ra x £ . ~ o ~ H - . X £ « x >; 3 3 rt cu X ! O -3 73 X 3 co ra ^ ^3 § 2 o « S g a? cu cu * c u u 3 G X o x o > > ra K <u K SU cu 3 cu rt * i <u' »i ^ x - ° > • ° . S3 « 73 aj a, ^ g^g ra - » o 0 cu ra > u T3 CO cu 2 cu C .H K 9 | 5 - ^ x ra *s cu 3 .S 0 5 X •£ 3 cu t J ra 3 cu cu -' 2 x O H G .a ^ ra r-ra w c *^ X 3 r> cu x X <u *-< c 3 3 »-, u s > CU T J S o l e 3 " o 3 O In l-i 3 CO cu rt T3 3 rt 3 cu cu cu 3 cu > o o 3 >^ cu X o cu X co cu u i 3 >-i C to T3 .9 bo b0§ g g JB a « S 3 2 3 ^ o ca g -3 • £ bp-^g bp cu co 2.2 c X ,5 +3 co co o F X .-3 O *= 4-> M 3 ^ X ^ 3 X cu « co cu 3 % 8 5 cu U l rt O ? cu C co 3 'C O CO ra T5 U i cu 5 •£ 7 3 ra X u • • - 1 ^ 3 — 1 3 ^ & S rt 3 x 6 3 » § cu , T3 C * • ° O ft » • cu 5 X X » X jo cu cu - t l QJ 3 X T3 cu X 5 3 X Ol 3 cu - ^ b C X t3 X X X co ^ . bO ^ : u "ra ^ .S X 3 .22 bp o 73 ra 3 x S 9 x ti 60.2 o <U <D ' o Z <u CJ Ul CO P i .S w ° 8 2 cu C v •a > C o u ^» co O 6 CD X 00 o bp to bp 0) bO 0) > cu C TJ X cu o TJ C cu ca cu Ul 60 cu •6 ( M X CU X o d TJ 3 O 1 cu j ? cn TJ Ui <U CX, cu X TJ o X co co •§ cu X ro § O cu 60 5a. , cu CO ca 60.; .S .. co cy 3 cu CO u cu C b CB S b cu TJ 60 C TJ V lo w JU a, c u i ^ cu 6 %B i9 O a.a ^ T J *M O <y £ <u ° t 3 0. CO s OQ .a Ui 8< a> <o S « s * 3 £ 4 5 6 12 LL 14 V O OJ -0 . 3 XI S . C M X l ~ •** rA r~* f> f l T T a < 17 18 30 co m w> <D S-0) O « T> £ o = 5 8 •* M a ? CD .52 " O »_ i 3 ^ o r Q. o ° a | | | -g ffl o <u o S 8 = " 8 a S m oj « o c m -2 !E £ * - 0> 5 O O £ — = S c § 2 " ™ E -S o g a 1 >• • 2 o o S l « 2 o - c =3 •CSS g CD CO . Q 8 gg | = ^ 5 » > <J "D W ffl - Q "3 CD ^ ° O >N »- >. x= ffl » © » QL i9 J ; CD © CO 3 ffl ~ O * . E D . O « 34 Jennifer Butler (b. \9ib) 35 Performance Notes ah pronounced as in water oh pronounced as in toe ooo pronounced as in pool ta & tah pronounced as in pasta ga pronounced as in guppy la pronounced as in jaw eee pronounced as in green wah pronounced as in water • sss and shh are pitchless sounds and do not need to be exactly matched • starting on page 21, the m in dream is to be held, for example,dreammmmmmmm ticks are visual counting cues only and bear no other significance. • Bass word such as "shinds", "twind" and "thind" are to be pronounced with short Ps such as in the word hit. 36 56 Hanson Island DEDICATED TO WE MEMORY OF JOHN RINALDO PPPP Soprano I Soprano II Alto I Alto II Tenor I Tenor II Bass I Bass II PP PPPP Jennifer Butler pp l Z-r==— pppp <> rr> - -¥ oh PPP ~u3 I ? 1 ro-f '> * pppp PP ^ r = - pppp P ~Z^=~PPP LJ •6-PPPP PP PPPP pp • oK PPPP SSS. SSS. In a stow, gu/ef whisper (entries should be independent and unsynchronized) 37 SI pp pppp -trr\ ppp -pah PP SI1 sss- sss. ,47 i - r r i -a -A 77 —^COt> PP 5W». 77 5W>-pppp mp PP m s»ooo. 77/ -*rn-S85-£ 7 y - 1 — /ri a sfoiv, giH'ef iv/i /sper (entries shou Id be independent and unsynchronize d) BlI 'Dreashes Drag Drash Wishes Wind Gingting-38 39 19 m •mp PP B vtp II -t>aK • PP -4 SSS SUv. P P P P P PPP 1/ -4>m. oh Shk. mp PPP pp PP r M r 3 = r/ r n oh pp T i , E E X — • SSS All Bass I PP All Bass II 13 So/o 1 In a feud whisper 311 So/0 2 I T a Ta 7STS?TEJ 'Ina loud whisper 40 7a To-25 P P SI pp. PP pp SII Shh. P pp p ------- p p mp Al •6-A 77 77 mp j i i i r pp p > pp pp Ov>. P P / II <sss) B 7 £77 -V K « r y 1 Tne. -rinrvfi. s p a n l x J k / , k - fk» fxo<_L. -- ; 4/ p*n w K 4 - c K -HM gesfu^ cover/. 31 PP mp G 5 7 l ? i mp SH g l . 1 la. la. la la la. ah. &> e e fe mp PPP Al 3 E = ah oin /a. ok la All mp I— PPP sss. 77 •p>-f.)-|g-- 4 oh CjK* spe/cj mp Tit £ - / f l 7 f £ 3 "U3 ~ To. Tjv T » " | B T « j a T X j a T i So/O 2 Ina toud whisper SI pp SII "if SSS. _t> e e e .— eee —eee-P P P ,47 PP ppp A 77 9SS 77 eee _ eee eee. o ----— ==— pp mm rv-i. (™)-P P T i / sss * e e e e ee . eee PPP £ 7 So/0 1 In a loud whisper B1I Solo d in a loud whisper "fo Toi T« jR_Eba'1«j«'Kji.T<kjo... ?3 13 SI a h -5 /7 pp F l — ah —•ee ah—>ee ok—•ee_ah-pp PP. PP- PP Al I 7 =t ~ - ? - | -4 ~1 A 77 I ztz: -0—\ -4: I 7 •={ ^ v i T i " I 7 I -4 m — pp TI JL?7 J?77 44 45 E SI GJ'.nd. 5 77 P P A 7 ~9 J—*L pp A 77 * 3 J i i . '•4 m. T 7 P P P P -rat. J__ —r~=C £ 7 577 46 SI lot mm mp F UinJL UinJ mp fe —wy-S77 la l l Tall t i l mp mp mf J J J J AI 4 — . < |3 Sea _ mp Se<x_ Seo| Sea mp •mp |Dfcv l><x Ore Dro, r— A / / Sea. . o h Sea Sec r j yVj ^ ^ mf TI 9 ^ TalV (all. Till. mp (AW Ui*) U*J_ mf #7 UmJ. /n a toud, stow whisper (entries should be independent and unsynchronized) B1J '. Tall Tathat Withall Dratii Draggind Twind Thind Theam Thams Walth'> 47 6 7 5 / Sll mf mf Se <x 1iU_ >e<x_ >e<x A / D<-(x Dr-cx Dr<x Oro^f Dro, Dra. Jnx< D 5 J)J J J All n n n n ra D r a " ra ra D r a~ n aina r 0 n r/ f r — r f- r , f Till. tall Ul 1 u\_ ia_ IZ.II. T H r— E E n n i — B7 B1I 48 G SI i i r r r t 7" 5ea. 5 S e a . 5 7/ s. Se, Al ' 0 - F 0 * m W 0 Dr-cx Dftx Dra.- Qfo. Dra. CVrxi 3H J' J > A 77 n n H r-i Dra-77 Til 7*77 49 SI SJ1 f ftp A I * * « — : Dra P A77 z d *• ir^ Sea . - in^ Sea-irvj Searing 5e<x-iryj Sea- \no^ S a a - ' m ^ — .Sea- intj 5ea-in^ Sea- in^ Sea -77 Drao- q irv» qinq Dfaa- qinq IVoo-qi"? Dnwi -Hiiro Ofiaq-qinq Draa- qinq Cn / Til )etx. 5 e c x _ B7 Sea- »<v^  Sea-\rv^  Sea-ir^ Sejx- vncj Sea- .Wj Sea-inj e^a-B77 50 H SI SI1 AI All 3 Sea—*ah-ff _r; ^ 3 3 : r ; ^ 3 ^ ^ ^ jr^  — ir; 3 ^ ^ ; ir; ^ ————— ^ —ir- — 7 7 i^ 'irvj Dratjcj'if^  O ' * ^ 1 ^ ^ r a J ^ i r ^ ^ f c^j inqDfaqQiraDraa 5< ea T i l 1 r T * 1 jecx 5ec 5-ea-5 / t^ * J ~ »~a ~ M ^^^^ ~ ' 4 • i r ^ 6ea- incj 5«a- ir<|5ea-irYj Sea- irxj S&a- \n^S&y- ir^ 5ea-in^ Sea- ing 5ea-ircjr 5ea-('r^  5ea-/ncj| In a loud whisper, repeat quickly (each singer is independent and unsynchronized) Bll ,» Walt ratag eata ting gifting drat tat tattle team tang', 51 SI SII 5ecx ak ahahah Sea-ah. AI Sea-ah = i ff L—1 Sea->aK v J J — -^a-*>aK__ Sea •oK A 7/ J 9 -Setv ah Sea • A h . . 5ea-+-ah. TI T i l a h . 5e .a-> 5 / _____ • Seoc^oh 5eor*oh-B1I *—# 5ea—*aK. T—| I 5 E E 5^ea-52 <n fff s i S e a — > a k ak e x h a k o K a k . P.P p P PPP Sea- ak. 4 ak ak. Sea > o k akokok^ a k 4 5/7 a h a k a k a k a k S e o . . — > > a k _ a k a k a k o k o k < a k c v A S e a - * a A a A a / \ a A ./XT " A 7 A 77 fckothoJn 5ecv»ak_ akak 5eo->aK. akaKak Sea ak akohak fff ~ Tl Sea. fff -•ak Sea-fff »aA EES E E Setx-- / r— E E Bl 4—# Sea—*cx/>_ cuk CAA Sea-aA a/iaA aAakak_ -Sea. +(jk ak oAakxA— ft? a very foud whisper repeat as quickly as possible (each singer is independent and unsynchronized) BII l* Tea rata eata ting tong tang giWng tat 53 I 1SS 3 ,—. 3 0 0 0,0 0000 mf 0 -mp 0 0-SI -Seo^ohalwJ f ah ah ah ah Sea-mf ah ah ah. Sea-* ah— aK. sn ^•0 0 0 -0- ^ 1 * 0 0 0 0 0 v[__r r 1 j r 1 [ x i u u [j Sea-ah ah aK SeoH>ah aK. • mf S&x-* ah H i Sea-aK ah_ «h_ ah_ 4=^ » 0 0 0 ^ AI Sea-* aK aK. • aK «h ahaKoK aK aK Sea- aK aKaK ok • mf All V 0 0 0 0 -0- 0 0 0 0 1 J^0 0 0 0 0 0 0-Sea->ah ahah ohaK ah_ aK Sea-aK ak_ aK aK Sea.-*-ah-/ — mf - _ TI 0 0—0-ak_ Sea-* aK. aK ,_ a.K ak. ak aK. XT Sea-* aK ak-mf mp TII ak ah 000 ah coo ah—coo mf Bl J J Bit —^ah ah ah aK ah aK Sea • ak_ aK. ak 54 SI SI1 Al All Tl T i l Bl Bll •cro Sea-* ok >-ceo. Coo. -GOO Sea-»ak • p JL ' O O Q coo_ ak •coo ^ 4 4 4 si —1*> cm fik i » O r r i _ J gL J 1^  55 95 SI J P P P P • * P sP , P sP ^P—P , * ^2. ee-r-i ee-r P P P P SI1 ee — r r , ee-m e£—m ee_-rr\ ee.-m. e£—m A 7 > PPP All \ \ 1 > PPP > > > m. T7 rn . m . PPP > T i l 1 p'f | P " Eac/7 s/nger should enter independently in a quiet and low pitched voice. The words should be repeated slowly, continuing to get slower until the end of the piece. BI1 •Dreams Wind Tall Dragging Sea: i i 7 > > 56 too K SI SII mp'_ PPPP AI •sss dfeaw > m. > ro_ mp PPPP All > ->SSS m . > m dream 4cai-> mp PPPP TI 3EEE * s s s mp PPPP m x r J J T i l dream-*^ •sss dream (p^- ->-SS^  rr\ Bl PPPP 1 BII m 3=SE -* * ^ L-# -•SSS dreamH—>-SSS m . > rr\. 57 58 I/O ppp si sn 3EJE oV\—>m ok PPPP with a slow, very wide, unsynchronized vibrato (stagger breathe) Al 33E rrv. rr\_ All Continue this patter fi unsynchronized and Continue until the eAd with each person sinking independantly. of the piece. with a slow, very wide, unsynchronized vibrato (stagger breathe) PPPP TI pp Continue unsynchronized Continue }his pattern with each and independan| tintil the end of the person singing piece, T i l 3=1 ® SkK. Bl with a slow, very wide, unsynchronized] vibrato (stagger breathe) PPPP, BII rv\_ 59 60 61 3 E i i E 62 u QJ PQ u av • l-H C s .22 s co W v. cu 5 U K 3 o >-—1 o to u O cu 5-1 o u CO 5-1 o E _o 13 on 0) c 5-1 rt U CO co cd PQ CO r X O 0) c •i—I 5-1 CC 0 ns o > > u CO to CO rt CQ o Q u o c <u ~£ JO •£ >2 ra — CU cu Q J C U "2 CU M TS s ^ » C U C rS TJ t \ £ ; | "S-S " co cu b o T S * .5 X s I c TJ C ro cu -a cj T J co to cu 6 o I-. > o TJ C co ft* •£ cu cn — H C cu -3 6 e-2 cu CO to o TJ 0) .a 6 « 6 6 0 •5 CB CU b IO w a> u Vi to • t-H G o 10 C . cu I I B CJ eu cu _o ^ > cu £ 60 5 g ^  M O cu g " C M C » B 3 K 1 S £ g * S.s ~ *£3 «. tf> cu •2 '3 2, c w>,2 o r cu Ul oa> X 2 » • o § s~ — CO <—I £ 60»- i sj>_ ii Ul 6 0 cu > - C „ tB co co 66 75" i3 $'A A T*A A«( A A; A A! -Srtl iJO---A; A*! A> A«L a, A > A ft Av • v -[;;:iv • m m> m? "8- . 4 a. a. A«. a. A ^ A AH a, V a. a. 8: i'<M 111 C i-Mill I Q l l l l l ( j *iw Is f t V<M 111 0*3 8: 8: E 84 CJ J e n n i f e r B u t l e r /o R e t r o s p e c t for Flute and Orchestra (2001) 85 Scored for: Solo Flute Oboe 1 &2 Clarinet 1 &2 Bass Clarinet Bassoon 1&2 Horn 1 &2 C Trumpet 1&2 Trombone 1 &2 Bass Trombone Tuba Violin I Violin II Viola Cello Contrabass 86 Score in C Flute Solo Oboel&2 Clarinet 1&2 Bass Clarinet Bassoon 1&2 Horn 1&2 Trumpet 1&2 Trombone 1&2 In Retrospect for Solo Flute and Orchestra Jennifer B u t l e r Tuba Violin 1 Violin II Viola Cello a2 f -HZ a2 f f a2 a2 f\ l h t . - = — — -==»* ' *'r r J j ^ Tf Tf Tf Tf 87 88 Fl. m m 89 90 91 92 Ob 1/2 ci. 1/2 B.a. Bsn 1/2 Hn 1/2 Tptl/2 Tbn 1/2 B.Tbn. Tba. V n l VnH Via Vc 93 94 F l . a. 1/2 Hn 1/2 Tpt 1/2 Tbn 1/2 B.Tbn. Tba. V n l V n n mm* \v rn Lit ?. 1 >. ml >. ,m f M 0 * m * f m m f a r * - j ^ — Cb 95 J= eo Lent •i Ml H l ^ T \ J / I ^ 7 ^ 7 I NjH/ I %* Ob 1/2 pp B.a. Hn 1/2 Tpt 1/2 P B.Tbn. Tba. 4 1 J=eo Leu/ 1 = Vnl m Via Vc Cb n n 96 Ob 1/2 Q. 1/2 B.C1. • I t T Wh f n ) ( $ 1 i » - ^ _ j — — BJJO ' S " — y l i t . i t i > - = i , i = T r = r r |[ - ~ [ r T =>* ts~-i f r T 4 - f « • Hn 1/2 Tpt 1/2 B.Tbn. Tba. mm i t m > M ml — V n l VnH Via Vc Cb 97 98 Ob 1/2 a. 1/2 B.a. Bsn 1/2 Hn 1/2 Tpl 1/2 Tim 1/2 B.Tbn. Tba. Vnl J = 60 Lent • i t . f T f ^ f i J- = ISO 1 ^ 1 1 [ J ? J1 mp J jt a . r - r PP Si (>• (•* » - " » [ p [ r r ' 4 L 1 t j • m> ... - T 1 i t a - = p 4 M = = = j - =^ p - — "—" " p m * * i - * f f - ^ Via Vc Cb 99 m w 1 # 4 mf Ob 1/2 a . 1/2 B.a. Bsn 1/2 Tpt 1/2 Tbnl/2 B.Tbn. Tba. Vnl Vn l l 1 ^ -a* U» m Lai > . m- > . m l > . m l > .. ml f m 0 f m f P a r * * a P a r * :•) c! Via Vc Cb 100 71 Ob 1/2 Cl. 1/2 Bsn 1/2 Tpt 1/2 Tbn 1/2 B.Tbn. Tba. V n l Via Vc Cb 101 102 103 9 2 f >cj f tgj r " l p — > — -f—*r-f-.-ft* L5 * ur * 104 9 9 mf Ir ff r A3 i mf 4—JP-ff 7 j) —fl?-mf h • - . r Ir i" n > • .1 / " j m}^ ^ — d - I J ' d 1 mf ff mf mf\ mf mf mf mf mf mf \mf-mf-105 Ob 1/2 "it? ihf B .a. Bsn 1/2 Hn 1/2 Tpt 1/2 Tbnl/2 B.Tbn. Tba. V n l Vnn LA LA mf mf ft r ? i i t div. v% 7 "t , -k, J ' i J div. E 7 P 7 4-4-r T 1 v— ->M-r j ' d Vc 106 Ob 1/2 a. 1/2 B.a. Bsn 1/2 iff s ^ , 1 4 - h ft 1 i i i . A 1 mf - — —* i * — * — —t " ? > ttf 1 — > " » — i $ W / 7 ^ b-0 0 0 0 1 t j i — * — J f p r p P i Tpt 1/2 Tbn 1/2 B.Tbn. T b a V n l VnB ff\ mf ff ff Via Vc Cb =1 ^ pizz. ff 107 108 Motto Andante FI. Ob 1/2 ci. 1/2 "P V P 7 P mf Bm 1/2 PP Tpt 1/2 Tbn 1/2 B.Tbn. Tba. V n l Vnn Via PP rfz pp, PP w rfz pp Motto Andante 126 ISO I fl -s/2 div. mf u uni5. <* #»—* tj m y m it m—«7 ft" rfz i • BUM 'J 7 P 7 P 7 P 7 mf * P ? 7 div. , u/iis. rfz ILX_B 1*"J7P7PTP71 Cb 109 P 7 P 7 P V P ^ k J l 7 J l 7 J ) 7 7 P 7 P 7 ^ 7 ^ 7 =j ' doi o c BQ. Bsn 1/2 Hn 1/2 Tpt 1/2 m p dolie Ip. p dolie B.Tbn. P dolce P dolce i t * * Vnl V n D Via Vc Cb P7P7P7P P 7 P 7 P 7 P P ^ doici P 7P 7p 7P 7l p 7 p 7 p 7 p 7 I P ^ dolce 110 Ob 1/2 a. 1/2 B.a. Bsn 1/2 Hn 1/2 Tpt 1/2 Tbnl/2 B.Tbn. Tba. Vn l VnH Via 135 mf m 1 dolce mf p dolce p dolce mf P dotce-p dolce P dolce 135 p dolce m mf Vc mf mf mf mf p dolce P dolce 111 113 --eo Lent frr\ " jj/ ~j§ jj? • ~ • • ** 2 1 H M l I J J J J ,11111 |^ =F Tltf ft J J J J J J J J I » I . - = ^ J J j j W W mf ft 4 JU i J „ r rlr r r r rr mf J . 60 £en< / L " < « — j j —j ^ ffT\ " ' '4 " = " ^  W J i y A i i i m m m m K»\ | j | I—1—1—1 - t t— — — — —f— — M r r * * r * r * f r * , . \ > r r . . ^z* ft | * -— l — I M ^ ^ — L mf • » ' T r » * 114 115 116 117 118 119 Ob 1/2 a. 1/2 B.a. Bsn 1/2 1 In 1/2 Tpll/2 Tbnl/2 B.Tbn. Tba. V n l Vnn Via Vc Cb i / r-n tt , . » U ' r - t - i I r i r f -iHhr-J h - = / ^ \ 1 E 7 ' 7 ft 4 - h - -M-7 I>J> * 1 r J »» - =| ft 4 JMv - = ft 4 Mi div. Ml.. 1 ij v - = div. =^= / ft 4 'j - = f div. 'E 7 ' 7 4 . * , —t-—7 y i f 120 Fl. Ob 1/2 a. 1/2 B.a. Bsn 1/2 Hnl/2 Tptl/2 Tbnl/2 B.Tbn. Tba. Vnl Via Vc Cb iff ff 188 to ff J9f r pr pr P ff ff 121 122 123 124 125 126 127 128 A) J I 3 .3 1 o l£ 0 < 134 • 7 1 l l CO ro V v: 3 <3 • A) z V s Jennifer Butler Nocturne For Orchestra (2002) Conductor's Score 145 Scored for: Flute I Flute II/Piccolo Oboe Bb Clarinet I & II Bass Clarinet Bassoon Horn I & II Bb Trumpet Trombone Tuba Percussion Violin I - IV Viola I & II Cello Contrabass 146 pp. 147 148 149 150 151 152 154 155 156 157 158 159 i^rr ^ — ? — ^ ? — 4 — I — i f ? >> ? — r 1 160 161 162 163 164 sub. pp 165 166 167 CO u CD u O u CD Ou, X, co o T J QJ N o u eft T J OJ 'EH QJ QJ QJ •5 3 O CA C A CA X £ QJ TJ o n O C A CA P i .59 6 -t_. o> C A O QJ V C A QJ .!-< QJ a -P i CD CA H T J • s T J QJ QJ <£ QJ I — * o i - £ w CA QJ QJ .u CA QJ cr-§j QJ C A > T J 3 g O ^ CA 5 QJ QJ* S I 5-( o J.5 CA CA U *H r v QJ QJ T J ^ bO C A •a-a s. 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