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Graduate recitals Paranosic, Stevan 1999

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GRADUATE RECITALS by STEVAN PARANOSIC B.Mus., University of Windsor, 1996 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC (TRUMPET) i n THE FACULTY OF GRADUATE STUDIES (School of Music) We accept t h i s thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June 1999 © Stevan Paranosic f \9Q9 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. •^^^^pttpfer^S^^ of The University of British Columbia Vancouver, Canada Date DE-6 (2/88) U N I V E R S I T Y O F B R I T I S H C O L U M B I A Old Auditorium Thursday, 21,1998 8:00 p.m. MASTERS RECITAL Stevan Paranosic, trumpet With Cynthia Yeh, piano Concerto in Eb Johann Neopuk Hummel Allegro con spirito Andante Rondo Concerto in C for Two Trumpets Anton Vivaldi Allegro Largo Allegro with Nelson McDougall, trumpet ~ Intermission ~ Sonata for Trumpet and Piano Halsey Stevens Colchester Fantasy Eric Ewazen The Rose and Crown (b. 1954) The Marquis ofGranby The Dragoon The Red Lion Nelson McDougall, trumpet Don McDougall, trombone Shalyn Stevens, horn Kenneth Pearce, bass trombone Stevan Paranosic is a student of Larry Knopp. This recital is in partial fufillment of the requirements for the Masters of Musk degree. UNIVERSITY OF BRITISH COLUMBIA SCHOOL OF MUSIC Old Auditorium Hall Sunday, March 14,1999 2:30 p.m. MASTERS RECITAL Stevan Paranosic, Trumpet with Cynthia Yeh, Piano Concerto in Eb majdr Allegro Andante Allegro Franz Joseph Haydn (1732-1809) Let the Bright Seraphim from Samson Lambroula Pappas, soprano Georg Frideric Handel (1685-1759) Intermission ~ Fanfare for St. Edmunsbury Benjamin Britten ' (1913-1976) David Michaux, trumpet Nelson McDougall, trumpet Concerto for Trumpet, Brass Ensemble and Percussion Anthony Plog Adagio-Allegro Moderato (b. 1949) Adagio-Allegro (attaca) Allegro Knopp Brass Ensemble Nelson McDougall, conductor Sometimes I feel like a Motherless Child Traditional Spiritual Stevan Paranosic is a student of Larry Knopp. This recital is in partial fulfillment of the requirements for the Masters of Music degree. THE KNOPP BRASS ENSEMBLE Larry Knopp, music director Nelson McDougall, conductor Trumpet Isaac Pulford David Michaux Guilaumme Fortin Robert Morson Horn Yukihiro Nakazawa Joanna Schulz Maude Lussier Megan Smith Trombone Robb McDonald Andrew Poirier Andrew Cormier Kenneth Pearce Tuba Masataka Matsumoto Eric Morton Percussion Cynthia Yeh Program Notes Although Franz Joseph Haydn (1732-1809) wrote some 35 concertos, most of them were composed early in his career. The Trumpet concerto in Eb, written in 1796 after Haydn's two London visits, is possibly his finest work in this medium. It contains not only a mature melodic ingenuity but also the characteristic Haydn-esque tricks and turns. It was the first concerto to be written for an instrument capable of a complete chromatic scale; Anton Weidinger's newest invention of a keyed trumpet or clarino provided the inspiration for Haydn and his masterpiece remains the most popular of all works in the trumpet repertoire. Georg Frideric Handel (1685-1759) began work on his oratorio Samson only days after the completion of his most well known work, The Messiah. The aria Let the Bright Seraphim (1741) was a late inclusion and provides a climatic close as the final aria of the oratorio. Common in the baroque pairing of trumpet and voice, Handel uses the trumpet for melodic 'echo' of the soprano as well as ornamented accompaniment. The duo sing flowing yet regal melodic lines in this aria, "celebrating the triumphs of Samson in death and everlasting life". The Fanfare for St. Edmunsbury was written in 1959 by Benjamin Britten (1913-1976) for the Pageant of Magna Carta held in the grounds of Bury St. Edmunds Cathedral. It is in the form of three separate fanfares (played attaca) which combine ingeniously in conclusion. The Concerto for Trumpet, Brass Ensemble and Percussion by Anthony Plog (b. 1947) is a relatively new work commissioned in 1988 for David Hickman and the Summit Brass. Plog himself is a trumpeter and a member of the Summit Brass and his own career as a soloist and knowledge of the repertoire undoubtedly influenced his writing in this work. The Concerto contains many signature trumpet 'licks', the offstage solo at the beginning formulated around the natural 'valve-less trumpet' overtones (a motif that will reappear throughout the work), the expressive bluesy slow movement contrasted with fast articulated passages and a finale with heroic, soaring high notes. It is a tour-de-force for both soloist and ensemble and a welcome addition to the modern American trumpet repertoire. Compiled by Stevan Paranosic 

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